John Porcellino has a remarkable thing with his ongoing self-published zine, “King-Cat Comics and Stories.” This is a zine, and mini-comic, that has been around for 25 years. King-Cat dates back to 1989 and, in all that time, John P has shared his life with his readers. For his new book, “The Hospital Suite,” published by Drawn and Quarterly, he focuses on one aspect of his life and turns his personal journey into a universal one.
Category Archives: Alternative Comics
Anyone who digs deeper already knows that comics are fully capable of being as elastic, ambiguous, and fluid as any other art medium. Just like fiction, film, and painting, the comics medium can reveal as much as it hides. There’s an annual anthology, “The Best American Comics,” that showcases a wide range of North American comics and addresses the familiar and peculiar in what amounts to a particular branch of contemporary comics. Or, perhaps the best way to put it is to say this book showcases the best in comics as an art form. The 2014 edition is now available. Let’s take a look.
It is a pleasure to chat about comics, especially with someone as well-versed on the subject as Bill Kartalopoulos. For this interview, the occasion is the 2014 volume of “The Best American Comics,” which Bill takes over as the new series editor. I thought I’d take the opportunity to ask him about his thoughts on the term, “alternative comics,” since he led an interesting panel discussion on that topic at SPX back in 2012 entitled, “Life After Alternative Comics.” This was a way to frame the conversation.
Bill Kartalopoulos is a great observer of, and participant in, today’s comics scene. Part of his impressive resume includes being the program coordinator for the Small Press Expo as well as the program director for the MoCCA Arts Festival. Both of these events are essential barometers of prevailing trends. So, if Bill suggests that alternative comics are dead, I listen. Of course, he doesn’t really suggest that, at least not as you might think. But, let me continue…
In her new mini-comic, “Debbie’s Inferno,” Anne Emond takes us deep into the nightmares and misgivings of a young woman and all we have to do is sit back and be amused. There’s plenty to be amused about since Emond is a crackerjack cartoonist in the vein of Lynda Barry. With a spare line and a whimsical touch, she distills angst down to wise and funny bits.
Here is a quick conversation with Farel Dalrymple just as he was setting up to fly out to Bethesda, Maryland for the annual Small Press Expo.
He will be there in support of his new graphic novel, “The Wrenchies.” We talk a bit about the dream logic and overall feeling of spontaneity and exuberance found throughout the pages of this most remarkable book.
I have followed many an artist’s career and this is clearly Farel Dalrymple’s time. With The Wrenchies, he has brought together elements he’s been working with over years into a masterful panorama.
If you’re in or near Bethesda this weekend, you will definitely want to visit SPX. And, if you’re in the DC area, visit Politics and Prose Bookstore and Coffeehouse that Sunday, at 5 p.m., for a panel discussion discussing graphic novels with a crossover appeal between young adults and adults moderated by Heidi MacDonald. The featured cartoonists are Farel Dalrymple; Gareth Hinds (Romeo & Juliet); and Jim Rugg (Street Angel).
Click the link below to listen to the podcast interview:
You can find Farel Dalrymple right here.
“How I Made The World” is a Xeric Award-winning comic that follows the misadventures of Liz, a college student and aspiring writer. From her vantage point, just about everything in her life is epic. And so we begin in this first issue with not just a midterm art project deadline on the horizon. No, this is fodder for our first big story, “The Monster.”
“A Night at the Sorrento and Other Stories” collects the work of a longtime cartoonist of the Seattle School, yours truly, Henry Chamberlain. We cartoonists grew up in the Generation X ethos of DIY, small press, and a pride for a certain alternative comics aesthetic. Make no mistake, just like alternative rock from the 1990s, there is something specific that is meant by alternative comics. To the point, these are comics that favor the offbeat and idiosyncratic. This spirit rings true today as it embraces an independent vision. Stay tuned. This collection will rock your world, very alternatively, in 2014.
“Boobage,” is a mini-comic by Monica Gallager that covers, or unveils, a very personal preoccupation with a lot of wit and humor. So, what do you instantly think of when you put such greats together as Kate Hudson, Clare Danes, Gwen Stefani, and Bridget Fonda? The one thing that Gallager used to have trouble with was their (and her own) relatively small breasts, or “tits.” It’s okay, she says “tits” a lot. Gallagher isn’t afraid to tackle the tit issue, large or small. This won’t really be of interest to those who objectify and sexualize but it may give them some pause. Hey Jimmy, or whoever, those hooters you salivate over belong to a real human being.
“Short Run” is a gathering of small press in Seattle with some added attractions this year. There’s the main event, the Short Run Small Press Festival at Washington Hall on Saturday, November 30, 2013. But, for those who want more, there’s plenty more starting with an event on November 1. Check out the Short Run website for details here.
Press release follows: