Daivd Ury is really onto something. Who is David Ury? you may ask. Most likely, you’ve seen him around, getting throttled, axed, murdered, or most notably, having an ATM fall on him in AMC’s critically-acclaimed “Breaking Bad.” Yes, he’s one of those character actors that you like but might not know unless you’re looking in the right places. Ury has definitely been working hard. You can catch his hilarious collaboration with his alter-ego, Kevin Tanaka, right here:
Category Archives: Comic-Con
Charles Yu is the author of the novel “How to Live Safely in a Science Fictional Universe” and the short story collections “Third Class Superhero” and “Sorry Please Thank You.” In 2007, Yu won the National Book Foundation’s 5 Under 35 Award. When discussing Yu’s work, Italo Calvino comes up as does Douglas Adams and Kurt Vonnegut. What strikes me is Yu’s flair for a natural and casual humor mixed in with philosophical musings and various games with language and narrative. You can read my review of “How to Live Safely in a Science Fictional Universe” right here.
Paul Tobin is a comic book writer who is known for his work with Marvel Comics, among a full roster of other works. With Dark Horse Comics, Tobin has worked, with his wife, Colleen Coover, on BANDETTE; with Joe Querio on THE WITCHER; and with Juan Ferreyra on COLDER as welll as PROMETHEUS: FIRE AND STONE. For this interview, we focus on the writing in The Witcher and chat a bit about the Aliens Predator Prometheus crossover event.
Based on the popular book series of the same name by Polish author Andrzej Sapkowski, The Witcher is an action role-playing video game developed by CD Projekt RED and published by Atari, Inc. Selling millions of copies, the short stories by Sapkowski feature a fantasy world inspired by Polish folklore with supernatural themes. The next game release is The Witcher 3: Wild Hunt, set for February 24, 2015, and it will make the perfect companion to the trade paperback release of The Witcher graphic novel.
Look for the trade paperback of The Witcher Volume 1 to come out on September 24, 2014. For more details, visit our friends at Dark Horse Comics right here.
As Tobin explains, he breaks everything down by panel while making sure not to crowd the artist. Panel by panel breakdown is essential in many ways, not to mention continuity. We take a close look at some panels that set up an important plot point: the introduction of the character, Marta, hovering in the distance, who Jakob is inextricably linked to.
And we talk about Tobin’s Prometheus: Fire and Stone. It was Editor-in-Chief Scott Allie’s brilliant idea to bring together all the writers on the crossover event. While each writer had a separate stand-alone book to work on, getting together allowed them to share ideas and actually make each other’s work better.
Tobin acknowledged that he’s a very private writer but he loved this format with ideas flowing back and forth in a supportive environment. It will make reading all the books that much smoother. This blockbuster crossover event begins with Tobin’s Prometheus: Fire and Stone.
Look for the first issue of Prometheus: Fire and Stone out on September 10, 2014. For more details, visit our friends at Dark Horse Comics right here.
Randy Stradley talks here a bit about Dark Horse Comics. He partnered with Mike Richardson to create Dark Horse and has led the way in its development. Stradley shares some thoughts on the first time Dark Horse made an appearance at Comic-Con. It was pretty humble way back then.
Looking forward, Stradley pointed to twelve new creator-owned properties that had just been announced. Among new Dark Horse projects to look forward to is Chuck Palahniuk’s “Fight Club 2,” a big step beyond his 1996 novel, full of supernatural spookiness, set for a 10-issue run debuting May, 2015. Brian Truitt, at USA Today, provides an insightful interview with Palahniuk about this new project right here.
Of course, this is just the tip of the iceberg of what you can find at Dark Horse. For more information, visit Dark Horse Comics here. Some of the news you can find, like Dark Horse taking home five Eisner Awards this year, follows:
Comic-Con is many things: a focal point for learning about pop culture and a place to buy and sell pop culture. It is a fascinating place to be to observe a concentrated segment of consumer culture. With an estimated attendance this year topping off at 160,000, Comic-Con International: San Diego is an instant village. Not everyone is there for exactly the same reasons. But, at the same time, even the academically-inclined that claim that they are there only for the serious panel discussion, must admit to this event being like going to Disneyland.
You are there, caught in the sweep of humanity, and you can’t help but feel that you are part of something bigger. This is a mega-community all mashed together with various views and agendas. To be fair, I like to give credit to everyone for all the hard work they do. There is so much on display, with so many issues at play all at once. On the most basic level, we have a huge number of humans all seeking something. The only way it makes sense for me is to set up guideposts for myself ahead of time and go to the things that matter most to me. And, like a grand museum, you will only manage to see part of what you set out to see.
We’re only human, right? We are more complex than we give ourselves credit for. Comic-Con is not a bunch of rats set loose, even if it may seem like that at times. We are human. Comic-Con seems like one big spectacle sometimes but, just like they say about going to school, traveling, and life in general, you get back what you put into it. The thing to remember about Comic-Con is that, at its roots, it is about fandom and a love for comic books is at its core. If you gather together a group of young (and not-so-young) people who are sensitive to seeking out something more, whatever that might be, you’re on a good track right there. That something more, whatever it might be, will be an anchor, a gateway, a portal, all at once.
From Charles Yu’s Third Class Superhero:
I know this is as good as it will ever get for me and it’s not that good. I have a small heart, a dark heart, a heart filled with exactly equal amounts of good and evil, one that is weak and will take us only so far, but for now it propels us higher and higher and higher.
The pure magic of Walt Kelly’s “Pogo” comic strip defies easy description. It appeared in newspapers around the country and galvanized thought among the thoughtful. His strange and beautiful comic strip was, in its day, “Doonesbury,” “The Simpsons,” and “The Jon Stewart Show” all rolled into one, times ten. Its satirical bite was so effective that newspapers would opt for either the innocent joke version or go for the political version of the comic strip. Has Walt Kelly been relegated to the margins? That is where many an odd genius will dwell only to be rediscovered. Thanks to Fantagraphics Books, the Pogo comic strips are getting their due.
To label the works of Jane Austen as a 200-year-old franchise is like plucking the wings off a butterfly, isn’t it? Well, it was said, without too much irony, at one panel discussion at this year’s Comic-Con in San Diego. Sure, there was some irony, since we’re all comedians now with impeccable timing, but the intent was to strategize on how to get the most out of Austen. And what would Jane Austen have to say about this? Producers would be interested to know, especially if she could pitch to them a new show. Franchises just aren’t what they used to be. Original content is scarce.
Alright, you’re at Comic-Con and feeling fine but where’s David Lasky? You may be asking that very question if your taste in comics runs toward indie and offbeat. Or maybe you’re a fan of his recent graphic novel, with Frank M. Young, The Carter Family. And with the handy illustration above, provided by David Lasky, you will know just where to find him at Comic-Con.
We’ll have to wait until next year for Conan O’Brien at Comic-Con. But Craig Ferguson has got Comic-Con covered for 2014 in a most appropriate role. The Scottish-born late night host is set to moderate HBO’s Game of Thrones panel Friday at Comic-Con.
Batman, meet Uncle Grandpa. Oh sure, we are going to see a full-on Batman at this year’s Comic-Con International in San Diego. But there’s also room for other compelling characters, like sweet little ole Uncle Granpa. It sounds surreal already, doesn’t it? Well, if you like comics greats Don Martin, Gary Larson, and Robert Crumb, as well as Golden Age-era animators such as Tex Avery, then Uncle Grandpa has something for you! Uncle Grandpa debuted on Cartoon Network last September as the #1 telecast of the week among boys 6-11. That says it all, right? You can hear it from Uncle Grandpa himself, Tuesday nights at 8 p.m. (ET/PT). And you can read the new comic book series coming to you from KaBOOM!, an award-winning imprint of publisher BOOM! Studios, and Cartoon Network Enterprises, the licensing and merchandising arm of the network. More details follow: