Megg, Mogg, and Owl. Say it with me, “Megg, Mogg, and Owl.” They will set you free. Set you on a righteous path. What Simon Hanselmann does with his comics is what any artist and/or writer worth his or her salt does: take you somewhere, make you feel something. The most disturbing, and most exhilarating, moment for me in comics this year, or any year, must be Werewolf Jones taking a cheese grater to his testicles. Pure genius. And I say it with only a touch of irony. In fact, it is a great moment in comics.
Category Archives: Comics
Interview: MAD Magazine’s John Ficarra and Nick Meglin on ‘Don Martin: Three Decades of His Greatest Works’
Don Martin. We know his uniquely surreal and eccentric cartoons from MAD Magazine. Who better to shed light on Don Martin, and the world of MAD, than longtime MAD editors Nick Meglin and John Ficarra. Mr. Meglin goes back to the early years of MAD. He retired in 2004 but remains a contributing editor. Mr. Ficarra was brought on board by Mr. Meglin and the two worked together for many years. Both men are quick with a joke and just a pleasure to talk to. The subject for this interview is the uproariously funny work of Don Martin and “MAD’s Greatest Artists: Don Martin: Three Decades of His Greatest Works,” a 272-page hardcover published by Running Press and available as of November 11.
By 1974, MAD magazine had hit an all-time high in popularity, selling more than 2 million copies per issue. It was also the height of the Watergate scandal, Vietnam War protests, and the counterculture. MAD helped bring about the age of subversive satire that we see today everywhere from “The Simpsons” to “The Daily Show.” It was the underground before there was an underground. And, among the wackiest of cartoonists, in fact, “MAD’s Maddest Artist,” was Don Martin. Martin was from some other planet. “MAD’s Greatest Artists: Don Martin: Three Decades of His Greatest Works,” published by Running Press, lets you see this extraterrestrial cartoonist at his best.
John Bergin is a very interesting illustrator. He’s out there. He’s got a touch of gonzo to his style. He’s a cross between Ralph Steadman, Dave McKean and Tomi Ungerer. Just the sort of chap you’d want to guide you through a dystopian nightmare such as “From Inside,” his animated adaptation to his graphic novel of the same name.
Mike Richardson has hit a home run with “Father’s Day,” which shows no signs of losing momentum with its first issue. As the founder, president, and publisher at Dark Horse Comics, Mr. Richardson also finds time to write and has contributed a variety of work (The Secret, Cut, Atomic Legion). With “Father’s Day,” there’s a palpable sense of purpose to this story of conflict between a daughter and her long estranged father, twenty years of estrangement to be exact. And there’s more to this quirky crime thriller, plenty more.
John Porcellino has a remarkable thing with his ongoing self-published zine, “King-Cat Comics and Stories.” This is a zine, and mini-comic, that has been around for 25 years. King-Cat dates back to 1989 and, in all that time, John P has shared his life with his readers. For his new book, “The Hospital Suite,” published by Drawn and Quarterly, he focuses on one aspect of his life and turns his personal journey into a universal one.
Missy Suicide, the co-founder of SuicideGirls, has seen her venture grow by leaps and bounds to become a part of the pop culture. It all began as what seemed like a lark in 2001 to become a new generation’s answer to Playboy Magazine. If you are into alternative beauty, then SuicideGirls answers that call. In my interview, Missy speaks to what SuicideGirls is all about. For anyone who wonders if SG has its comics cred in order, I would direct you to the SG website and check out the online community discussions. Everything from vegan cooking to manga is up for grabs. You will also want to check out the latest SG book, “Geekology,” which you can find here.
Noel Franklin is a longtime artist and poet of the Seattle scene who has compiled a respectable amount of work over the years. In 2013, Franklin created what she deems to be her first true mini-comic, Gone Girl Comics #1. This comic was critically acclaimed and her entire run sold out at last year’s Short Run Comix and Arts Festival. What she is looking to do now is create an edition of Gone Girl Comics #2 in time for this year’s Short Run festival, which takes place on November 15, and so she has a Kickstarter campaign in support of that goal that you can check out right here.
You’ll want to take a moment and listen to Noel’s story since it has some unexpected twists and turns that no cartoonist should have to endure. But, from adversity, comes great work. We are all wishing Noel the very best in reaching her goal and taking part in Short Run. Her campaign ends pretty soon, October 27, so be sure to visit the campaign right here.