Here is my 24-hour comic for 24-Hour Comics Day 2015. I hope you enjoy it and get a kick out of what I call “24-Hour Comics Logic.” It kicks in just when you need it. I’ll have more to say in another post later this week about Hotel Hotel, the venue for this year’s 24HCD. For now, thanks so much to the support of Hotel Hotel hostel and our friends at Comics Dungeon.
Category Archives: Comics
Let the games begin! For those of you out there who don’t know about the annual 24-Hour Comics Day, here is a link to the founder of all this creative craziness, cartoonist and historian Scott McCloud. Check it out right here.
This is the official site for the annual 24-Hour Comics Day taking place this weekend around the world. Check that out right here.
And I’ll see you back here in 24 hours!
And, if you’re in the Seattle area, stop by at my latest 24-hour venue, HotelHotel PizzaBar, right here. I’ll be drawing up a storm all night long. Just ask, and you’ll find me. Most likely, just walk right in and I’ll be there.
Yes, “Wonder Woman Earth One” has been out since April but I had completely lost track. It’s been years, and years. You know, since the first teasing out of news of Grant Morrison possibly writing a Wondy book. He had said he’d turn her into the woman she was always meant to be or some such hogwash. I mean, who cared about the faux psychoanalysis, really? But Grant Morrison is a solid guy with a fun and creative mind. He could write something interesting, perhaps too interesting! So, that’s why DC Comics settled upon giving him an Earth One story to do, something that allowed him to flex his muscles and ooze his juices as he pleased–and it would remain outside of proper Wonder Woman canon or whatnot.
Alright then, so what did we end up with?? All of you comics geeks already know, right? But I don’t care so much about superhero comics. Well, I sort of take that back. It needs to be interesting! Do you get that? I know a lot of you out there do get that. Okay, here is where I leave my placeholder. I will drop in an ellipsis, a bunch of dot, dot, dots, like this “…..” and that lets me know to come back to it in due time. You know why I’m telling you this? Because I just realized I won’t be coming back to this for yet another long, long while. How about April 12, 2016!!
The following is the latest teaser from DC Comics. Read it and you’ll find the familiar Wonder Woman origin story. So, I’m not sure why Grant Morrison would need to tell this retread of a tale. Is a story that so closely follows canon a story that requires a writer like Grant Morrison who is only supposed to be summoned to completely blow your mind? Well, just saying:
Following tradition of Superman, Batman, Teen Titans comes Wonder Woman Earth One in 2016. Earth One is a series of Graphic Novels set in a new universe separate from the current DC Universe.
From the masterful minds of Grant Morrison (FINAL CRISIS, THE MULTIVERSITY) and Yanick Paquette (SWAMP THING, BATMAN, INC.) comes the most provocative origin of Wonder Woman you’ve ever seen — a wholly unique retelling that still honors her origins.
For millennia, the Amazons of Paradise Island have created a thriving society away from the blight of man. One resident, however, is not satisfied with this secluded life — Diana, Princess of the Amazons, knows there is more in this world and wants to explore, only to be frustrated by her protective mother, Hippolyta. Diana finds her escape when Air Force pilot Steve Trevor, the first man she has ever seen, crashes onto their shores. With his life hanging in the balance, Diana ventures into the long forbidden world of men. The Amazons chase after her and bring her back to Paradise Island in chains to face trial for breaking their oldest law…staying separated from the world that wronged them.
Thought provoking yet reverent, thoroughly modern but still timeless, the power and courage of Paradise Island’s greatest champion — Wonder Woman — is introduced in this new addition to DC’s New York Times best selling Earth One original graphic novel series.
For this year’s BEST AMERICAN COMICS, with guest editor Jonathan Lethem, the speakers were turned up to eleven, all the windows were smashed, and the ceiling collapsed as the comics medium made a pretty nice step forward. I am talking about this imaginary line that’s been dividing comics from fine art. In the past (or still present), if I saw some compelling comics on display in an art gallery or museum, I would need to second-guess on how to describe it. The gallery or museum, the authority figures, had decreed that the work on the walls was “comics-related,” not simply “comics.” That’s always bothered me when I read “comics-related” on a label attached to a work that could simply be identified as, embraced as, “comics.”
Consider, for example Lethem’s inclusion of Henriette Valium, generally described as “a comic book artist and painter.” Valium is something of a hybrid, not easily pegged. In the right context, you can call him a cartoonist. You could also just call him an artist. His work is out there, way out there. It simply does not neatly fit into the conventional comics world or the traditional art world. And yet it belongs in both. The sample that Lethem has chosen demonstrates a masterful uninhibited expression. It’s powerfully visual and, while not a traditional or coherent narrative, the words carry weight. So, then the question becomes is this a comic that is “art-related” or just comics. Let’s embrace it as comics!
And then there’s Raymond Pettibon. If there is anyone who stands out as having their work labeled as “comics-related” by the art world gatekeepers, it would be him. Pettibon began his art career as an in-your-face punk. Pettibon created some of the most awesome, creepy, and wonderfully enigmatic art that was chiefly used to promote bands. Over time, his art went from the streets to the gallery walls. It was cool matter-of-fact images of all sorts of sordid things. I never thought of it as exactly being comics and yet, as a cartoonist-painter, I totally related to it. If it was “comics,” then it was of a more experimental stripe–without even trying to be or fully aware that it was! It was just great. Today, I believe, it would be accepted as some form of comics. So, the timing is perfect to see this move forward.
To be sure, the bulk of the work here adheres more closely to the principles of sequential art. For example, Eleanor Davis provides a more straightforward narrative. Her piece in this book, “No Tears, No Sorrow,” follows a group of participants in a workshop to learn how to cry. It is a beautifully paced comic with a nice spare look. While the characters and setting are very concise and minimal, it speaks volumes to our conflicted notions of expressing emotion.
Another piece that knocks it right out of the park is “The Good Witch, 1947,” by Megan Kelso. Like characters from a novel by Carson McCullers, these are mysterious, sad characters that we deeply want to know but will only be allowed in after thoughtful consideration. Megan Kelso is not “old school” or “traditional.” She just knows how to weave a good story. And that’s what you’ll find here, a tidy number of immersive and compelling comics.
As series editor Bill Kartalopoulos explained in an interview with Publishers Weekly, this latest BAC is not meant to be a straightforward survey of the best comics of the last year. Although, if it’s not a survey in some sense, then what is it? Well, it’s the guest editor’s take on the currents of comics. Fair enough. And, as long as we’re getting a collection that is being faithful to some notion of a survey, I’m all for that. Basically, it comes down to the series editor providing the guest editor with a mountain of books and, from that mountain, a collection emerges. This is Lethem’s take on comics. We see that, yes, comics come in many varieties. And with such an esteemed and thoughtful guide as Lethem, you are in good hands to make some wonderful discoveries and connections.
24 HOUR COMICS DAY 2015: Cartoonist Henry Chamberlain at Hotel Hotel, in Seattle’s Fremont neighborhood
For those of you in Seattle, come see cartoonist Henry Chamberlain at the HotelHotel PizzaBar on Saturday, October 3rd, drawing all night long for 24-Hour Comics Day. Ask and he’ll draw you into the comic.
Hotel Hotel is one of the best boutique hostels in the world, located in the heart of the quirky Seattle neighborhood, Fremont, also known as “the center of the universe.” This will be another great 24-Hour comics. We thank the sponsorship of Comics Dungeon. If you’re looking for the best comics selection and knowledge advice, visit our friends at Comics Dungeon right here.
What can be better than an exciting locale, a comfortable and hip environment, and good company all around. If you’re a local, you’re always welcome at the HotelHotel PizzaBar. And, if you’re planning a visit to Seattle, check out our friends at Hotel Hotel, located at 3515 Fremont Avenue North, right here.
How important is the truth to you? In the new graphic biography, SNOWDEN, published by Seven Stories Press, Ted Rall presents to us not only the story of a whistleblower but an American intelligence system gone haywire. In Orwellian fashion, your laptop, home computer, smartphone, or television screen are being used as monitoring devices. As Rall states, “The National Security Agency’s goal is to gather every fact, every communication, about everybody on Earth.” And despite the best efforts of Edward Snowden to expose the abuse of power, the NSA continues to pretty much do as it pleases. Unlike the media’s personality-driven story, this story is only partly about a whistleblower.
Ted Rall is known for his provocative political cartoons. For this book, he aims for clarity and a step-by-step approach. He does not draw horns and a tail on each of the bad guys. He tones it down for the sake of better conveying the facts. It’s a delicate balancing act as he goes about describing the enormity of the abuse, impressing upon the reader the large number of people who knew about it but remained quiet, and attempting to paint a portrait of the ideal personality to blow the whistle.
Given the number of key facts that need to be presented in an organized, and accessible fashion, Rall does a supreme job of giving the reader a primer on how their privacy is being violated and why a young man named Edward Snowden deserves to be given a chance to make his case.
The pace of the narrative is just right. It amounts to a panel per page. You feel a serious urgency tempered by a steady hand. It seems like each page has boiled down what it has to say to a very compelling level. Many pages can easily act as memes. One excellent example focuses on the duplicitous testimony before Congress by Director of National Intelligence James Clapper. He makes the ridiculous distinction that it’s alright to store an innocent person’s data as long as it’s not read.
Ted Rall has never drawn a convincing portrait of anyone. His depictions don’t really resemble Barack Obama, Hillary Clinton, or George W. Bush as much as look like a bunch of generic meat puppets. That helps create enough of a distance when dealing with these political fixtures. Maybe this story was a little different as it sees a former boy scout and defender of country turn into the most wanted man on the planet. Rall seems to have been moved by that fact.
We mostly see Snowden depicted pretty much like any other Rall character but, at times, there is a less rushed, more careful, depiction. And, without a doubt, there is a certain specificity, and even warmth, for his cover art portrait of Edward Snowden. I think that was essential and will help draw readers into a most compelling read.
We begin Jonathan Case’s new graphic novel, “The New Deal,” in New York City, 1936. It’s the depths of the Great Depression. NYC is pretty darn cold in the winter, especially when money is so scarce. There’s a young guy, Frank O’Malley, and he’s pleading with passersby to consider buying a ticket to an avant-garde production of Macbeth. Tough sale especially when, just next to Frank is his Uncle Pack hawking apples for six cents each. A potential customer tries to haggle the price down by a penny but Uncle Pack won’t budge. Quickly, we move on as Frank races to his regular job as a bellman at the Waldorf Astoria. And with that Case has hooked you in as the plot thickens and we find Frank to be way over his head.
Case delivers a solid story built upon his character-driven script and his engaging drawing style. His sly sense of humor and intrigue works its way through every page. He has managed to create characters that feel real while inhabiting the hyperreal world of screwball comedies of the 1930s. We cannot help but be curious about the relationship between a Caucasian bellman, Frank O’Malley, and an African-American maid, Theresa Harris. In public, they keep at a distance and address each other by their surnames. In private, they are playful with each other but still hold back. What we do know is that they care about each other very much and the plot that unfolds will test them.
This is an exceptionally well-paced and substantial story. It has one foot in the ’30s and the other in today’s sensibilities. This allows us to explore the relationship between Frank and Theresa and the inner world of Theresa with great subtlety. You learn to accept Frank who has to struggle with proving his trustworthiness. And you follow Theresa as she must navigate through the obstacles before her. The more complicated our story gets, the more Frank and Theresa are forced to face what it is that keeps attracting them to each other.
Make no mistake, this is a perfect blend of mystery, humor, and offbeat love story. If there’s any mention of FDR’s “New Deal,” it is only in passing. This is not a history lesson, at least not directly. That said, while you’ll learn a thing or two about swells and dolls and fancy hotels, you will also get a good sense of the cold realities of that era.
This is Jonathan Case’s best work yet. You may know him from his artwork for the critically-acclaimed graphic novel, “Green River Killer: A True Detective Story,” which I reviewed here. Or you may have caught his work for the DC Comics title, “Batman ’66.” You will definitely want to read “The New Deal,” a thoroughly entertaining and remarkable work.
THE NEW DEAL is a hardcover, published by Dark Horse Comics, available as of September 23. You can find it at all your favorite booksellers including through Jonathan’s website right here. As always, be sure to visit our friends at Dark Horse Comics right here.
Review: ‘The Comic Book Story of Beer: The World’s Favorite Beverage from 7000 BC to Today’s Craft Brewing Revolution’
This is one of the most beautiful educational graphic novels I’ve seen this year. And what a subject, beer! It’s a long title but worth it: “The Comic Book Story of Beer: The World’s Favorite Beverage from 7000 BC to Today’s Craft Brewing Revolution.” Inspired, I chatted about the book with my old friend, Roy, at a local pub, Ballard’s own Stoup Brewing, while I went about preparing for this review. “Roy,” I said, ” I am always grateful that, in Seattle, you can literally walk out the door of one’s home and be within walking distance of a first-rate pub.” “Indeed, and Stoup is such an inviting place,” Roy observed. “Ah, to sit back and marvel over all the great things about beer. That’s the life!”
You had me at beer. What “The Comic Book Story of Beer” does is provide you with everything you ever wanted to know about beer in a pleasing full-color, lushly illustrated graphic novel. We begin with a young man bumbling along tasked with getting beer for a special occasion. Once inside an upscale specialty supermarket, he is lost among all the microbrew options. A helpful store employee pops in and conveniently begins our story. From then on, we are on a rollercoaster of information, often colorful and intriguing.
How did beer play an important role in everything from the rise and fall of Ancient Rome, the Dark Ages, the Age of Exploration, the spread of capitalism, and the Reformation? Well, without fear of overstatement, beer is something of a wonder drink. In this clear and concise narrative, Jonathan Hennessey and Mike Smith weave a most compelling narrative on the health benefits and motivating powers of beer as well as guide you through beer’s robust history. It’s really an exciting story that finds a perfect home within comics.
This book does yeoman service in the name of presenting information in an accessible manner. I really admire the artwork of artist Aaron McConnell. I had the pleasure of reviewing his artwork for “The Gettysburg Address: A Graphic Adaptation,” also with writer Jonathan Hennessey, which you can read here. For this book on beer, McConnell masterfully brings to life abstract subjects like pasteurization, “original gravity,” and “lagering.”
Co-writer Mike Smith adds another layer of authenticity as the beer expert that won over Jonathan Hennessy to the idea of writing a beer book in the first place. It all began when Mike gave Jonathan a tour of Mayflower Brewing Company in Plymouth, Massachusetts. The wealth of information that Mike shared with Jonathan was just too good to pass up. It makes its way into a book that will win you over with its insider insight. For example, our main story is paused by intriguing beer profiles like the one on Belgian Wit and how it was single-handedly saved by a milkman from Flanders. No doubt, this is a pleasing book to behold and easily makes for the perfect gift for anyone into comics and/or beer.
THE COMIC BOOK STORY OF BEER is a 180-page trade paperback published by Ten Speed Press, an imprint of Penguin Random House, and is available as of September 22nd. You can find it at Amazon right here.
François Vigneault is an impressive cartoonist and I am so glad to share his work with you here at Comics Grinder. Phoebe and João come from two extremes on the class spectrum but they can’t help but be attracted to each other in François Vigneault’s TITAN, a new quirky sci-fi comics series published by Study Group Comics as a webcomic and as printed issues too.
You’ve heard of the One Percenters, right? And all the economic disparity? Ha, of course you have. Ah, yes, the haves vs. the have-nots theme. In TITAN, the haves are Terrans and the have-nots are Titans. Vigneault brings us aboard Homestead Station on the moon of Titan where we follow Manager João da Silva as he attempts to lessen tensions between the geneticly-engineered Titan workers and the Terran management. It turns out that the key to his problems lies with one voluptuous Titan worker, Phoebe.
The dynamics on Homestead Station is a lot of fun to see unfold in these first two issues. Far, far, away, in some distant future, you’ll find that crass youth haven’t really changed much at all. Slang, for instance, reflects the latest level of rage. Communication in general, particularly amongst the working class, has undergone a further breakdown in literacy as everyone speaks in choppy sentences. It’s a grim world just waiting to explode! Vigneault keeps our eyes moving with just the right touches of futuristic background and engaging facial expressions and body language. TITAN proves to be a comic in the best sci-fi tradition: a compelling exploration of the human psyche.
The relationship between Phoebe and João is very intriguing. Vigneault does a great job in expressing the divide between rich and poor, the vulnerabilities on each side. Vigneault engages the reader with a love story every bit unlikely and yet most compelling. Phoebe, who would seem to have the disadvantage as a member of the working class, cannot help but tower over her would-be master, João. And João seems to like it.
If you’re heading out to the Small Press Expo, taking place this weekend in Bethesda, Maryland, you’ll be seeing some of the best independent comics around. SPX is turning 21 this year, by the way, which makes her legal. Anyway, TITAN #2 will debut at SPX and is surely a comic you’ll want to pick up. Be sure to visit François Vigneault at the Floating World Comics/Study Group table, J8-9.
NBM at Small Press Expo and the Brooklyn Book Festival: Debuting RELIGION, A DISCOVERY and WALKING WOUNDED
And at both events NBM Publishing will be debuting Religion, A Discovery in Comics by Margreet de Heer and Walking Wounded: Uncut Stories from Iraq by Mael & Olivier Morel.
Both Margreet and Olivier are appearing.
Religion, A Discovery in Comics by Margreet de Heer
The author of the bestselling Discovery in Comics series, including on Science and Philosophy, tackles a very sensitive subject. Dealing with religion often means walking on eggshells – that is what comic artist Margreet de Heer finds out in this book in which she presents the five major religions and modern spirituality in a colorful, personal yet serious manner. She explores religious history and practices with tact and an open mind, but can’t prevent a few eggs from breaking. Why is religion such a sensitive subject?
This book in comics is fun and informative for believers, non-believers and everyone in between. It offers a fresh look from different perspectives on the phenomenon of religion, the backgrounds and history of the five major world religions (Judaism, Christianity, Islam, Hinduism and Buddhism) and makes the point that religion is something that should unite us, not drive us apart.
Walking Wounded: Uncut Stories from Iraq by Mael & Olivier Morel
For hundreds of thousands of young Americans, after the shock of 9/11, there was Ar Ramadi, Baghdad, Abu Ghraib… The war in Iraq. Then came the trauma. Olivier Morel gave them a voice in his compelling documentary On the Bridge. Walking Wounded isn’t the book of the documentary but the story of Morel getting close to the young vets, their troubled experience and lives. So close he could not avoid living their trauma himself, seeing all too clearly their vision of the world after their gut-wrenching experiences. From torment to reflection, Morel and artist Mael relate through these vets the impossible return of those who do aspire vividly to get back to a normal life. The effort is huge, some can’t make it, others score their own victory by finally turning the corner… a parable for our country’s war sickness.
SPX Details and Signing Schedule
September 19th-20th; Located at E 1-2
Appearing Saturday Only: Olivier Morel & Margreet de Heer
The Small Press Expo is North America’s premiere independent cartooning and comic arts festival. SPX brings together more than 4,000 cartoonists and comic arts enthusiasts every fall in Bethesda, Maryland.
Unlike many conventions that are geared toward pop culture or corporately owned comics, SPX was created in 1994 to promote artists and publishers who produce independent comics. SPX hosts an annual festival that provides a forum for artists, writers and publishers of comic art in its various forms to present to the public comic art not normally accessible through normal commercial channels.
11:00 am – 12:00 pm: Olivier Morel
12:00 pm – 1:00 pm: Margreet de Heer
1:00 pm – 2:00 pm: Olivier Morel
2:00 pm – 3:00 pm: Margreet de Heer
3:00 pm – 4:00 pm: Olivier Morel & Margreet de Heer
Brooklyn Book Festival Details and Signing Schedule
September 20th; Located at Booth# 308
Appearing Sunday: Olivier Morel & Margreet de Heer
The Brooklyn Book Festival is the largest free literary event in New York City, presenting an array of national and international literary stars and emerging authors. One of America’s premier book festivals, this hip, smart diverse gathering attracts thousands of book lovers of all ages to enjoy authors and the festival’s lively literary marketplace.
11:30 am – 12:30 pm: Olivier Morel
12:30 pm – 1:30 pm: Margreet de Heer
1:30 pm – 2:30 pm: Olivier Morel
2:30 pm – 3:30 pm: Margreet de Heer
3:30 pm -4:30pm: Olivier Morel
4:30 pm – 5:30 pm: Margreet de Heer