As the date fast approaches for my 24-hour comics marathon at Hotel Max, I wanted to update you on my preparations. Basically, this is the time to do warm-up drawings and get a good idea on how the storytelling process will unfold. I am a 24-hour comics veteran and each one is different and unique but some things remain constant. You want a great foundation and a great location. I can’t be more pleased to have been welcomed by Hotel Max.
Keep in mind that I’m bumping things just a bit, so I’ll be doing my 24-hour cycle from Sunday, October 5, to Monday, October 6. I will be actively drawing all the way through. Maybe you can find me at the amazing Hotel Max bar and restaurant, Miller’s Guild. I will find a nice spot to draw. I’ll also find some spots around town. The idea is to incorporate as much as possible. I have my basic blueprint and I will allow for things that I see during the night. I’ll be posting updates and then post the 24-hour draft.
Thanks to the sponsorship of my 24-Hour Comics marathon this year by Hotel Max and Comics Dungeon.
It is a pleasure to chat about comics, especially with someone as well-versed on the subject as Bill Kartalopoulos. For this interview, the occasion is the 2014 volume of “The Best American Comics,” which Bill takes over as the new series editor. I thought I’d take the opportunity to ask him about his thoughts on the term, “alternative comics,” since he led an interesting panel discussion on that topic at SPX back in 2012 entitled, “Life After Alternative Comics.” This was a way to frame the conversation.
Bill Kartalopoulos is a great observer of, and participant in, today’s comics scene. Part of his impressive resume includes being the program coordinator for the Small Press Expo as well as the program director for the MoCCA Arts Festival. Both of these events are essential barometers of prevailing trends. So, if Bill suggests that alternative comics are dead, I listen. Of course, he doesn’t really suggest that, at least not as you might think. But, let me continue…
Filed under Alternative Comics, Art Spiegelman, Bill Kartalopoulos, Comics, Education, Houghton Mifflin Harcourt, Independent Comics, Indie, MoCCA Arts Festival, New York City, SPX, The Best American Comics
Daniel Stope is a well-intentioned young man from the country who has dreams of becoming a professional artist. Of course, one of the best places to foster, as well as dash, such ambitions is going to an art school. In can be honey or vinegar, depending upon numerous factors. Jamie Coe explores the honey and vinegar of art school in his debut graphic novel, “Art Schooled,” published by Nobrow Press.
In her new mini-comic, “Debbie’s Inferno,” Anne Emond takes us deep into the nightmares and misgivings of a young woman and all we have to do is sit back and be amused. There’s plenty to be amused about since Emond is a crackerjack cartoonist in the vein of Lynda Barry. With a spare line and a whimsical touch, she distills angst down to wise and funny bits.
It is always a pleasure to see illustrations by creatives who work both in comics and illustraion. Dalton Webb is a triple threat as an illustrator, graphic designer, and cartoonist. As we bid farewell to summer and make our way into cold and flu season, Dalton Webb has a spectacular set of illustrations and design work entitled, “Health Rocks!” For us locals, we were treated to the whole campaign in our Seattle Times Sunday supplement. This same supplement is now available at your local Bartell’s and is full of useful information as you follow along the adventures of The Five Senses.
You can find our friend Dalton Webb at his website right here.
Welcome to Hipsterville: SUGAR SKULL by Charles Burns
Welcome to hipsterville. If there is something that is both scary and fascinating to observe (like a train wreck) it is the activity of a hipster. Charles Burns completes his ode to the lives of hipsters gone terribly wrong in the final part of his Nitnit trilogy, “Sugar Skull.” Outside of a Stephen King novel, this new book by Burns offers up plenty to be creeped out over. Think of it as “Carrie” for the Gen X set.
“A Night at the Sorrento and Other Stories” is now available at Comics Dungeon in Seattle. It is a collection of comics, short works and one long form work, all about people searching for something: clues, treasure, the meaning of life. It holds up well, even invites, multiple readings. It is offbeat and alternative in the best sense of those terms. Let’s say that, if you enjoy the weird, intense, and quirky world of Charles Burns, then you will find a lot to enjoy in this book, my first book collecting some of my best work in comics.
George Pérez hits a home run with “Sirens,” his new creator-owned comic published by Boom! Studios. Striking from various times and places, Pérez delivers a story that looks every bit as good as his landmark work on such titles as Wonder Woman and Scarlet Witch. This new six-issue run has got it all. We begin in Iceland in 1104 and a ragtag group of Norsemen marauders have grown impatient with Fanisha, a mysterious mystic, who had promised them a treasure to be had at a legendary cave. Little do they know, Fanisha has plans of her own.
Lucy Knisley snatches from the ether bits of ephemeral conversation and other momentary pleasures to present to us, “An Age of License,” her latest travelogue graphic novel. We are swept up by a whirlwind European adventure as we follow Knisley on an all-expenses paid trip of a lifetime in September of 2011. As opportunities arise, one must try to choose wisely. And so we see how Knisley fares, after some pre-travel jitters (it happens to the best of us) and she is off and running. Knisley has a clean line in the service of a direct and crisp narrative. It is a pleasure to see her continue to evolve as an autobiographical artist.