Here is my 24-hour comic for 24-Hour Comics Day 2015. I hope you enjoy it and get a kick out of what I call “24-Hour Comics Logic.” It kicks in just when you need it. I’ll have more to say in another post later this week about Hotel Hotel, the venue for this year’s 24HCD. For now, thanks so much to the support of Hotel Hotel hostel and our friends at Comics Dungeon.
Category Archives: Seattle
Let the games begin! For those of you out there who don’t know about the annual 24-Hour Comics Day, here is a link to the founder of all this creative craziness, cartoonist and historian Scott McCloud. Check it out right here.
This is the official site for the annual 24-Hour Comics Day taking place this weekend around the world. Check that out right here.
And I’ll see you back here in 24 hours!
And, if you’re in the Seattle area, stop by at my latest 24-hour venue, HotelHotel PizzaBar, right here. I’ll be drawing up a storm all night long. Just ask, and you’ll find me. Most likely, just walk right in and I’ll be there.
24 HOUR COMICS DAY 2015: Cartoonist Henry Chamberlain at Hotel Hotel, in Seattle’s Fremont neighborhood
For those of you in Seattle, come see cartoonist Henry Chamberlain at the HotelHotel PizzaBar on Saturday, October 3rd, drawing all night long for 24-Hour Comics Day. Ask and he’ll draw you into the comic.
Hotel Hotel is one of the best boutique hostels in the world, located in the heart of the quirky Seattle neighborhood, Fremont, also known as “the center of the universe.” This will be another great 24-Hour comics. We thank the sponsorship of Comics Dungeon. If you’re looking for the best comics selection and knowledge advice, visit our friends at Comics Dungeon right here.
What can be better than an exciting locale, a comfortable and hip environment, and good company all around. If you’re a local, you’re always welcome at the HotelHotel PizzaBar. And, if you’re planning a visit to Seattle, check out our friends at Hotel Hotel, located at 3515 Fremont Avenue North, right here.
There are those times when everything seems to fall into place. I sat down to a cup of coffee at Zeitgeist Coffee in Pioneer Square when a friend handed me a copy of Seattle Weekly with a cover illustration by Joshua Boulet. “You’re the dude that reviews comics on Comics Grinder. You gotta give Joshua Boulet a shout-out!” Yes, indeed. Happy to do it. In fact, the cover story is a very compelling piece that offers our city a viable plan to address our evergrowing homeless population. I enjoyed my cup of coffee, a first-rate cover story, and a pitch perfect illustration from our local hero, Joshua Boulet.
EDITOR’S NOTE: There’s a great piece in The Seattle Times by Danny Westneat that sheds light on the upsurge in Bumbershoot ticket prices. I wasn’t aware of this development but Bumbershoot, according to Westneat, is now run by Anschutz Entertainment Group. That doesn’t change what I have to say below. But it adds more information to work with. Read it here.
For those of you in Seattle, Bumbershoot is this Labor Day weekend, September 5, 6, and 7, 2015. I suggest that you NOT go. That is, unless you really want to burn through what have recently shot up to $100/day tickets. I was reading an insightful look at how Burning Man went from a groovy and authentic happening to a corporate playland just the other day. And it got me to thinking about Bumbershoot. If nothing else, maybe this could open up some discussion.
“Today is the last day to buy the $29 any day tickets, with which you can buy now and choose later.” — The Bumbershoot website, May 31, 2011
For those in Seattle, this letter to Bumbershoot may seem harsh or even unpatriotic somehow. But hear me out. For those outside of Seattle, here’s a taste of what happens when something good turns sour. Just how do you go from a $5/day, to a $30/day, to a staggering $100/day event–and pretend nothing’s wrong? And now you’ve got additional VIP-enhanced ticket prices too for an event that originally was simply a place to hear a lot of great music. At some point, Bumbershoot had no business expanding in size. It’s still held within the 74-acre Seattle Center. Total attendance last year was estimated to be 125,000 visitors. The venue has NOT gotten any bigger. Bumbershoot is a study in an overwhelmingly clogged gridlock of humanity. At some point, bigger is by no means better. That should be a lesson to the City of Seattle in general. And it should be something that compels Bumbershoot to stop and rethink.
What is, or was, Bumbershoot? This article from The Seattle Times from Sunday, August 27, 2000, proves useful. Read it here.
I wish we could somehow turn back the clock and return to a more carefree time. I’m wondering if that’s possible. I believe that it is. How do other similar events manage to entertain the city for a weekend and even do it for free? Now, I fully understand that there is only one Bumbershoot but I think you could learn a lot from the free and fun Northwest Folklife Festival. Sure, they incur plenty of expenses themselves and they make an organized effort to collect donations. Couldn’t Bumberhoot make a serious effort to drop ticket prices and seek out donations?
You don’t have to be an old fogie to recall when it was relatively cheap to buy tickets to go to Bumbershoot, Seattle’s landmark music and arts festival. Just observe the notice above. $30/day tickets were still a reality only four short years ago! Maybe you have to be a bit older to recall when it was totally affordable to the point that you bought a pass for the whole shebang without blinking an eye. And for you new locals, check this out, the event used to be free!
The Wikipedia post on Bumbershoot is rather thin. But it begins with one intriguing fact: the event was first run by the City of Seattle. It began in 1971 as a way to lift everyone’s spirits amid a major economic slump. Talk about doing the right thing! Bumbershoot ultimately fell under the control of the nonprofit, One Reel, which is known for a very expensive cabaret show, Teatro Zinzanni. I’m sorry but I’ve tried it, byway of a gift, and found their glitzy dinner theater extravaganza to be an overpriced spectacle. And I see that is what has become of Bumbershoot. As a nonprofit, you would think that One Reel would have it worked out where its ongoing Teatro Zinzanni, geared to upscale customers, would help finance the so-called people’s festival, Bumbershoot.
Anyway, all I wish to do here is say that I’ve got some good memories from Bumbershoot. However, I’ve also seen Bumbershoot become less accessible and more limited in its overall offerings. Keep in mind, I do appreciate that these packaged experiences don’t come cheap. I used to go to Lollapalooza when it was affordable too. Well, no one is going to boycott one of these events if they’ve convinced themselves it’s the most amazing thing ever. Bumbershoot used to be pretty amazing but I’ve seen the life sucked out of it. And part of the problem, the ongoing problem that will only get worse, is too many people! So, to some extent, if I were to persuade anyone to stay home, I’m doing Bumbershoot a huge favor.
I’m sorry, Bumbershoot. I’m just not feeling the love, despite your branding yourself as a people’s festival. But I still hold out some hope. Maybe you’ve just let yourself fly too close to the sun. It’s time to come down back to your roots. What do you say, Bumbershoot? Do you really want to be seen as Seattle’s Burning Man, a rich person’s version of cutting loose and having fun? I hope this may strike a chord with some old Bumbershoot fans from over the years. Again, I’m sorry but I had to say something. Did you think that no one would notice the skyrocketing prices? Or, if they did take note, did you think people would simply shrug it off? Well, maybe you did. But I speak for those who can’t just shrug it off. If you are truly a people’s festival, you will find a way to scale back and bring this event back to the people. Bumbershoot, you are no longer being true to yourself.
Think about it. Help me understand. But, at the end of the day, there’s got to be a way to lower those ticket prices. Don’t worry, we won’t miss any of the razzle dazzle that you may feel you need to cut from the schedule. One Reel, you can save that for Teatro Zinzanni. Hey, the show wasn’t all that bad. Just consider this: You won’t lose your core audience if you scale back and scaling back can be a good thing. Also look at it this way, it is a very practical idea. I miss you guys already.
Sincerely, your friend,
If you want an inspiring call to action, then listen to Stephanie Viskovich, a longtime cannabis activist who has formed The Viper’s Club, a political action committee with the goal of entirely decriminalizing cannabis in the United States. The eloquence and passion of Ms. Viskovich was appreciated by her audience at this year’s Hempfest in Seattle made up from all walks of life, young and old. Hempfest took place this year from August 14th through 16th at Myrtle Edwards and Centennial Parks.
Hempfest is a great tradition here in Seattle dating back to 1991. There has been change but there’s still a long road ahead. It is less than three years since the passing of I-502 and the so-called “legalization” of recreational cannabis. But, as Ms. Viskovich points out, you can still be charged if you are found to have more than an ounce in your possession.
It is still a long road ahead to fully ending the prohibition of cannabis in the United States. Seattle Hempfest provides a vital role of educating the public and spurring them on to action with a peace-loving gathering that is part state fair, a music festival, and an old-fashioned BYOC cannabis garden. There is so much to cover on the subject of cannabis. Where to begin? The profound health benefits of CBD? How about the fact that our military veterans are still having trouble with obtaining medical cannabis? The list grows long very quickly. For this feature, I am doing my best to touch on various aspects of cannabis and highlight some exciting items.
New ways of engaging with cannabis are taking root. For a younger generation, there are more options. Some are happy to keep it old school with dry herbs. For others, it’s oils and waxes, cannabis in a more concentrated form. Walk down among the vendors and you’ll find various rigs for dabbing. There is the intense monster, The MiniNail, from Full Tilt Technologies. Or maybe you prefer something more sleek and high tech like The Prodigy from Spry.
And then there’s the vapes! The popularity of vape pens, portable pen-like vaporizers, is undeniable. The Oxford Dictionary selected “vape” as its Word of the Year in 2014. Among the vape pen vendors at Hempfest this year, one that stands out is local company, Vuber Technologies. I had the opportunity to try out their Atlas vape, for wax and oil concentrates, and it totally works like a dream: very easy to use and it produces quality vape.
The vapors from the Vuber Atlas are light, smooth, and robust. A little goes a long way so all it takes it just a “dab” of wax applied near the coils. The Atlas has a dual-titanium coil heating element wrapped around a ceramic core that provides a flavorful experience. The battery is a sturdy 900 mAh solid-state. The Atlas comes with an additional atomizer, a mount for your pen, a container for wax, and a dabber. For an additional price, you can add a globe atomizer.
Wander around some more and KASHI hemp clothing will catch your eye. Or maybe Gogo Pipes. Or how about meeting legendary comedic talent and activist Tommy Chong. And, once at Hempfest, you’ll also want to join the cannabis community in a significant way by getting the Leafly app. It’s true that one part of Hempfest is a trade show but it’s put together with plenty of authenticity. And it’s easy to take for granted all these various interests gathered together in a safe and supportive environment.
Plenty of music to enjoy at Hempfest, for sure. From the mellow acoustics of Jessica Domingo to the headbanging heavy metal of Jahai, there is a lineup here that holds its own with Bumbershoot. Seriously, Bumbershoot, the granddaddy of music festivals, would not turn its back on any of the performers at Hempfest.
I end this feature where I began with thoughts on the road ahead. When Stephanie Viskovich invited her audience to visit the booth of legendary cannabis advocate Ed Rosenthal, I had to go over and pay a visit. I got Ed to autograph a card. And I promised to spread the word about The Viper’s Club. If you would like to help decriminalize cannabis, visit The Viper’s Club website right here. And, if you’re in Seattle, be sure to attend Canna Comedy Night all in support of The Viper’s Club at Laughs Comedy Spot on September 27th. Details are right here.
As Stephanie Viskovich states, the issue of cannabis comes down to a human rights issue. That simple fact is resonating with people all the more in the U.S. and around the world. So, if you’re new to all this, or if you have considered attending, be sure to visit Hempfest next year as it celebrates its 25th anniversary. Keep in mind that Hempfest costs over $1 million dollars a year to produce. Be sure to donate at the event and through annual memberships. Visit our friends at Seattle Hempfest right here.
For those of you who follow the independent comics scene, you know that comic arts festivals are its lifeblood. And Short Run is essential. If you are in Seattle, come down to see Short Run at Fisher Pavilion in Seattle Center on Halloween. The event is free and runs from 11 am -6 pm.
Be sure to keep up with Short Run as they will have other events planned beginning on Wednesday, October 28th. And, keep in mind that since this is taking place on Halloween, there will be plenty of treats for the kids.
I am thrilled to be a part of Short Run and I am excited to join in on all the fun. There will be more updates as we get closer to the main event and there will be a recap once the festivities have wrapped up for another year. For now, mark your calendar and plan on joining us at Short Run.
The sketch comedy troupe Day Job presented two shows at the Ballard Underground this last Friday and Saturday. Day Job is made up of what could very well be the only all-female sketch comedy group in Seattle. The members are Caitie Auld, Kara O’Connor, Molly Tellers, and Nicole Santora. The foursome is currently a threesome as Nicole is out on maternity leave. I caught the Saturday show which featured the comedic talents of Clara Lewis, Casey Middaugh, and Brittany Tipton.
The show kicked off with a long music intro as Clara Lewis took the stage. She wasn’t expecting so much music but gladly shimmied around. Then she launched into a most inspired set on millennial woes. There was also perfect use of fart jokes. In my view, a strategically placed fart joke will carry you through thick and thin. Placement one: Clara clued us in on how she craves letting her guard down and be able to fart if she chooses. Okay, something the audience can instantly relate to. Placement two: Clara distinguishes between letting a fart fend off a bad date before it happens and avoiding a fart end a good date before it happens. All very funny stuff. Clara provided a very quirky and charming set.
Music was everything for Casey Middaugh as her set was a mix of spoken word accompanied by a ukulele. Casey has a winning smile and easily won over the audience with her whimsical sense of humor. It seemed to come from a sweet, and lovingly loopy, place with a touch of Andy Kaufman and Lily Tomlin. Casey gracefully gave us a short tour of her childhood via anecdotes and even a song she wrote when she was six years old. It’s quite an awesome song involving teenagers, Hawaii, and Hula hoops.
Millennial woes from a different vantage point made up Brittany Tipton‘s set. Brittany was very generous in opening up to the audience. From where she sits, low expectations are nothing to sneeze at. But, if you want to hear a more ambitious attitude, then Brittany was game. She invited the audience to take part in a quick and free therapy session before she became a professional and would have to charge an arm and a leg. One brave soul came forward and claimed he was having misgivings about his career choice. Brittany, with a wink and a ton of irony, did the best to reassure him.
And then it was on to a variety of freewheeling and fast-paced sets by the Day Job comedy group. Let me say here that I was very impressed with everything I saw. When you think about it, on any given night, a comedy club is likely to have an all-male show. Of course, we have great female comics and we need to see more of them. Saturday’s show was an excellent example. Is the female sense of humor any different from the male view? Equal, at least. Maybe even better. It seems that certain details in character studies might be handled with more care from a feminine perspective. Sometimes males need to tap into their feminine side. That said, the Day Job crew were on their A game.
One of the most inventive and fully realized scenes from the Day Job set was Molly Tellers as a father clumsily trying to help his teen daughter, played by Caitie Auld, match up with the coolest boy in her high school, played by Kara O’Connor. I’ll break this one down as best I can. Molly has a gift for taking on her characters with a fun and physical gusto. Much of it depended upon just the right goofy voice along with spot on body language. It’s an immersive quality she achieves as she channels her version of a Homer Simpson-like dad. Caitie, as the teen daughter, is a whirlwind of emotional despair. She nails her teen character with determined grace. I think Caitie is a wonderful talent with a delightful presence. Kara, as the most eligible bachelor, is hilarious. With effortless ease, she taps into all the bravado and posturing of a hot teenage boy.