Wow, what a book for anyone who is passionate about becoming a cartoonist! “Foundations in Comic Book Art: Fundamental Tools and Techniques for Sequential Artists” is a compressed version of what you can learn at the Savannah College of Art and Desgin (SCAD). John Paul Lowe, an art professor at SCAD, guides you through the main principles of comic book art: seeing and interpreting (observational techniques); and creating (constructive techniques). In a very concise and lively manner, you get a solid grounding in what’s involved in becoming a comics professional.
Tag Archives: Art
Michael Dooley, over at PRINT Magazine’s Imprint, provides a fun and informative recap of this year’s Comic-Con International in San Diego. And, of course, here in Seattle we appreciate a shout out to our favorite son, David Lasky, part of the “Fictionalized Non-Fiction” panel moderated by Heidi MacDonald and also featuring Gilbert Hernandez and Mimi Pond.
Have you ever thought that you could write a comic book script if you had the opportunity? Well, here’s a book that not only demystifies the world of comic book writers but provides great food for thought for any writer or any creative person, for that matter. It’s by Brian Michael Bendis. You will know the name if you’re into comics.
Bilal is a legendary sci-fi and fantasy artist. He has an uncanny ability to evoke a vast world of suspense and mystery. His villains are utterly macabre. His women are utlra-cool sexy. For his contribution to the NBM ComicsLit Louvre collection, Bilal provides us with twenty-two ghost stories in his graphic novel, “Phantoms of the Louvre.” He focuses on a particular work in the Louvre, photographs it, and then works his magic with acrylic, pastel, and prose. For example, we have the story of Marpada who, it would not be a stretch to say brings to mind Wonder Woman. If you ever wondered what a Bilal Wonder Woman would be like, this has got to be it. Note to DC Comics: Entice Bilal to do a Wonder Woman story!
Christian Durieux states that he sought to create comic book poetry with his graphic novel, “An Enchantment.” He definitely succeeds in doing just that. The collaboration between the Louvre and NBM ComicsLit to co-edit books inspired by the Louvre results in such wonderful works of comics. This one is pure magic. It’s like watching a dance sequence with Fred Astaire and Ginger Rogers. The comic flows so well that it glides. It could easily have been wordless but the dialogue is so charming.
The Reign of Terror is brought into focus in an unsettling and quite captivating way in “The Sky Over the Louvre,” our third book this week to consider in the NBM ComicsLit collection of Louvre-inpired books. Bernar Yslaire and Jean-Claude Carriere have created a most ambitious book here. The fight for liberty and justice championed by the Jacobins against the aristocracy was threatened by instability. Leave it to one mad zealot, Maximilien Robespierre, to pave the way to slaughter. This graphic novel provides great insight by balancing a story following the broad sweep of events along with intimate portraits.
“On the Odd Hours” is part of the NBM ComicsLit collection of Louvre-inspired comics. Eric Liberge not only gives us a behind-the-scenes look at the grand museum from the perspective of museum guards. He’s created quite a fanciful story. What if the Louvre was haunted by all its great works and it’s up to one particular guard, in the odd hours of the night, to pacify the spirits?
This week we will consider NBM ComicsLit’s collection of comics with a Louvre-inspired theme. We begin with the book that kicked it all off back in 2007, Nicolas De Crécy’s refreshingly cool look at art, “Glacial Period.” It was such a wonderfully odd duck of a book that the paperback promptly sold out and had been hard to find until now. Just released, “Glacial Period” finds a new home in a bigger hardcover edition. This little gem spurred The Louvre museum to become involved in a co-edition of a series of graphic novels, each a vision by a different artist of the great museum.
Do master tattoo artists make it look easy? Well, yes and no. There doesn’t seem to be anything easy about the world of tattoos. It’s a complex world. If you ask a seasoned pro what it takes to get into the business, you’re likely to be told that you just have to do it. Everyone learns differently. Maybe it will take someone a year or two to feel that they have some mastery of the needle. My thinking would be that, yes, just like anything else, it’s all about practice, practice, and more practice. There was one artist who strongly suggested the best way to learn is to get tattooed. I said I’d been tattooed. He just looked at me and said, “No, I mean really get tattooed!” And, of course, that said it all. If you want to jump into something in a significant way, you just gotta do it.
Daivd Ury is really onto something. Who is David Ury? you may ask. Most likely, you’ve seen him around, getting throttled, axed, murdered, or most notably, having an ATM fall on him in AMC’s critically-acclaimed “Breaking Bad.” Yes, he’s one of those character actors that you like but might not know unless you’re looking in the right places. Ury has definitely been working hard. You can catch his hilarious collaboration with his alter-ego, Kevin Tanaka, right here: