Two recent works in comics tackle our sad lot in cubicles from two distinctive vantage points: “The Gigantic Beard That Was Evil” by Stephen Collins; and “Facility Integrity” by Nick Maandag. Each has a very different sensibility but, at the end of the day, both can agree that office work and conformity are for the birds.
Tag Archives: Books
SHORT RUN 2014: John Porcellino, Guest of Honor; Main Event is November 15 at Washington Hall in Seattle
Short Run, a showcase of small press cartoonists, is back for another year of festivities and a comix and arts festival, at Washington Hall on November 15 here in Seattle. On that date, nearly 200 cartoonists, publishers, zinesters, authors, and animators will be gathered to sell their works and celebrate the world of independent and emerging artists. The full schedule of events will include a mural painted in the Central District by South African artist Jean De Wet, art shows at Joe Bar and the Fantagraphics Bookstore & Gallery, and readings, screenings, and panels across Seattle.
John Porcellino, known for his self-published memoir comic, King-Cat Comics and Stories, will be the guest of honor. This year is special as it marks the 25th anniversary of King-Cat Comics and Stories as well as sees the release of a new book, “The Hospital Suite,” published by Drawn & Quarterly (read my review here). And there is a new documentary on his life and work, “Root Hog or Die” (read my review here). There will be a screening of this documentary with Porcellino and director Dan Stafford in attendance at Central Cinema on Sunday, November 16th.
The full schedule and press release follows:
Let the word go out, loud and clear, that the graphic novel, “A Night at the Sorrento and Other Stories” has officially launched! There was an intimate gathering at the Sorrento Hotel in Seattle, this Saturday, November 8, to celebrate the launch of Henry Chamberlain’s new book, a collection of some of his best work in comics. Do you like scary stories? Apparently many of you out there do. Well, this book has got you covered. Perhaps you like humor? Or a tour de force coming-of-age tale. Again, you’re covered. Covered. Covered. Covered. This book is your best bet as a gift for the holidays! Get it here.
The Sorrento Hotel is truly a unique destination. If you’re staying the night, you are in for a treat. But, you can also stop by for an exceptional cocktail, fine dining, and some excellent pastimes, such as live music in the legendary Fireside Room. It was my pleasure to act as host as some friends gathered to help me launch my new book.
It is only fitting to have a book launch at the Sorrento Hotel as this is the setting for the title story in the book. I created this story when I stayed at the Sorrento Hotel to conduct one of my 24-hour comics experiments. The story that resulted is a spooky little gem involving a couple with supernatural abilities and a lot of issues to resolve. Since then, I have come to rely upon the Sorrento as an old friend that you can always trust to serve you well.
Truth be told, creating a work is only half the battle. The other half is promoting the work. Often, the biggest hurdle to jump is competing with all the distractions of life. And the most important thing to always remember is that the book’s creator must always remain that book’s most steadfast and loyal fan. People will come around. If the book is worth it, well, its creator will have never left its side.
Find out more here.
The opening scene in “Moonhead and the Music Machine,” Andrew Rae‘s new graphic novel, reminds me of a short story by P.G. Wodehouse about a boy who struggles with always being late for breakfast at his boarding school. Too bad he couldn’t have used such an excuse as having a moon for a head. However, Joey, our main character in this fabulous work of comics does have a moon for a head! The panels with Joey’s moonhead catching some more winks while his body trudges off to high school is pure comics magic. It turns out that Joey can tune out the world at will and have an out-of-body experience any time he likes. This might have been a bit too much for Wodehouse to process in his day but he probably would have approved.
By 1974, MAD magazine had hit an all-time high in popularity, selling more than 2 million copies per issue. It was also the height of the Watergate scandal, Vietnam War protests, and the counterculture. MAD helped bring about the age of subversive satire that we see today everywhere from “The Simpsons” to “The Daily Show.” It was the underground before there was an underground. And, among the wackiest of cartoonists, in fact, “MAD’s Maddest Artist,” was Don Martin. Martin was from some other planet. “MAD’s Greatest Artists: Don Martin: Three Decades of His Greatest Works,” published by Running Press, lets you see this extraterrestrial cartoonist at his best.
Anyone who digs deeper already knows that comics are fully capable of being as elastic, ambiguous, and fluid as any other art medium. Just like fiction, film, and painting, the comics medium can reveal as much as it hides. There’s an annual anthology, “The Best American Comics,” that showcases a wide range of North American comics and addresses the familiar and peculiar in what amounts to a particular branch of contemporary comics. Or, perhaps the best way to put it is to say this book showcases the best in comics as an art form. The 2014 edition is now available. Let’s take a look.
It is a pleasure to chat about comics, especially with someone as well-versed on the subject as Bill Kartalopoulos. For this interview, the occasion is the 2014 volume of “The Best American Comics,” which Bill takes over as the new series editor. I thought I’d take the opportunity to ask him about his thoughts on the term, “alternative comics,” since he led an interesting panel discussion on that topic at SPX back in 2012 entitled, “Life After Alternative Comics.” This was a way to frame the conversation.
Bill Kartalopoulos is a great observer of, and participant in, today’s comics scene. Part of his impressive resume includes being the program coordinator for the Small Press Expo as well as the program director for the MoCCA Arts Festival. Both of these events are essential barometers of prevailing trends. So, if Bill suggests that alternative comics are dead, I listen. Of course, he doesn’t really suggest that, at least not as you might think. But, let me continue…
Farel Dalrymple has distinguished alienated youth to a high level with his comics. There is that distinctive deadpan stare from a young person confronting some great threat. We never know for sure what that young person is thinking. Are they afraid? Most likely. But putting on a good poker face will help. In “The Wrenchies,” Dalrymple’s much anticipated new graphic novel, he offers up another side of the Apocalypse filled with kids who are fighting the good fight. And then he takes it a step further, and step further after that, to deliver a robust and mature work for all to enjoy. This is Dalrymple’s moment, his skills coming together to say it all in one big book worthy of, you name it, Dr. Seuss, Ray Bradbury, the Beatles, the Ramones, really, name a creative genius you love and this book ranks right up there.
Review: ‘Make Comics Like the Pros: The Inside Scoop on How to Write, Draw, and Sell Your Comic Books and Graphic Novels’
“Make Comics Like the Pros,” really cuts to the chase with common sense advice on how to join the ranks of the professionals. Start with the golden rule: Treat others as you would want to be treated. It’s a pretty simple rule but an essential one. It’s time to get over yourself because the comics industry involves a multitude of skills, including people skills. You’ll need them not just to pitch your project (hold on, don’t get ahead of yourself) but to create your project in the first place as this business of creating comics is very much a collaborative activity.
Wow, what a book for anyone who is passionate about becoming a cartoonist! “Foundations in Comic Book Art: Fundamental Tools and Techniques for Sequential Artists” is a compressed version of what you can learn at the Savannah College of Art and Desgin (SCAD). John Paul Lowe, an art professor at SCAD, guides you through the main principles of comic book art: seeing and interpreting (observational techniques); and creating (constructive techniques). In a very concise and lively manner, you get a solid grounding in what’s involved in becoming a comics professional.