Farel Dalrymple has distinguished alienated youth to a high level with his comics. There is that distinctive deadpan stare from a young person confronting some great threat. We never know for sure what that young person is thinking. Are they afraid? Most likely. But putting on a good poker face will help. In “The Wrenchies,” Dalrymple’s much anticipated new graphic novel, he offers up another side of the Apocalypse filled with kids who are fighting the good fight. And then he takes it a step further, and step further after that, to deliver a robust and mature work for all to enjoy. This is Dalrymple’s moment, his skills coming together to say it all in one big book worthy of, you name it, Dr. Seuss, Ray Bradbury, the Beatles, the Ramones, really, name a creative genius you love and this book ranks right up there.
Tag Archives: Books
Review: ‘Make Comics Like the Pros: The Inside Scoop on How to Write, Draw, and Sell Your Comic Books and Graphic Novels’
“Make Comics Like the Pros,” really cuts to the chase with common sense advice on how to join the ranks of the professionals. Start with the golden rule: Treat others as you would want to be treated. It’s a pretty simple rule but an essential one. It’s time to get over yourself because the comics industry involves a multitude of skills, including people skills. You’ll need them not just to pitch your project (hold on, don’t get ahead of yourself) but to create your project in the first place as this business of creating comics is very much a collaborative activity.
Wow, what a book for anyone who is passionate about becoming a cartoonist! “Foundations in Comic Book Art: Fundamental Tools and Techniques for Sequential Artists” is a compressed version of what you can learn at the Savannah College of Art and Desgin (SCAD). John Paul Lowe, an art professor at SCAD, guides you through the main principles of comic book art: seeing and interpreting (observational techniques); and creating (constructive techniques). In a very concise and lively manner, you get a solid grounding in what’s involved in becoming a comics professional.
Michael Dooley, over at PRINT Magazine’s Imprint, provides a fun and informative recap of this year’s Comic-Con International in San Diego. And, of course, here in Seattle we appreciate a shout out to our favorite son, David Lasky, part of the “Fictionalized Non-Fiction” panel moderated by Heidi MacDonald and also featuring Gilbert Hernandez and Mimi Pond.
Bilal is a legendary sci-fi and fantasy artist. He has an uncanny ability to evoke a vast world of suspense and mystery. His villains are utterly macabre. His women are utlra-cool sexy. For his contribution to the NBM ComicsLit Louvre collection, Bilal provides us with twenty-two ghost stories in his graphic novel, “Phantoms of the Louvre.” He focuses on a particular work in the Louvre, photographs it, and then works his magic with acrylic, pastel, and prose. For example, we have the story of Marpada who, it would not be a stretch to say brings to mind Wonder Woman. If you ever wondered what a Bilal Wonder Woman would be like, this has got to be it. Note to DC Comics: Entice Bilal to do a Wonder Woman story!
Christian Durieux states that he sought to create comic book poetry with his graphic novel, “An Enchantment.” He definitely succeeds in doing just that. The collaboration between the Louvre and NBM ComicsLit to co-edit books inspired by the Louvre results in such wonderful works of comics. This one is pure magic. It’s like watching a dance sequence with Fred Astaire and Ginger Rogers. The comic flows so well that it glides. It could easily have been wordless but the dialogue is so charming.
The Reign of Terror is brought into focus in an unsettling and quite captivating way in “The Sky Over the Louvre,” our third book this week to consider in the NBM ComicsLit collection of Louvre-inpired books. Bernar Yslaire and Jean-Claude Carriere have created a most ambitious book here. The fight for liberty and justice championed by the Jacobins against the aristocracy was threatened by instability. Leave it to one mad zealot, Maximilien Robespierre, to pave the way to slaughter. This graphic novel provides great insight by balancing a story following the broad sweep of events along with intimate portraits.
This week we will consider NBM ComicsLit’s collection of comics with a Louvre-inspired theme. We begin with the book that kicked it all off back in 2007, Nicolas De Crécy’s refreshingly cool look at art, “Glacial Period.” It was such a wonderfully odd duck of a book that the paperback promptly sold out and had been hard to find until now. Just released, “Glacial Period” finds a new home in a bigger hardcover edition. This little gem spurred The Louvre museum to become involved in a co-edition of a series of graphic novels, each a vision by a different artist of the great museum.
Daivd Ury is really onto something. Who is David Ury? you may ask. Most likely, you’ve seen him around, getting throttled, axed, murdered, or most notably, having an ATM fall on him in AMC’s critically-acclaimed “Breaking Bad.” Yes, he’s one of those character actors that you like but might not know unless you’re looking in the right places. Ury has definitely been working hard. You can catch his hilarious collaboration with his alter-ego, Kevin Tanaka, right here:
Charles Yu is the author of the novel “How to Live Safely in a Science Fictional Universe” and the short story collections “Third Class Superhero” and “Sorry Please Thank You.” In 2007, Yu won the National Book Foundation’s 5 Under 35 Award. When discussing Yu’s work, Italo Calvino comes up as does Douglas Adams and Kurt Vonnegut. What strikes me is Yu’s flair for a natural and casual humor mixed in with philosophical musings and various games with language and narrative. You can read my review of “How to Live Safely in a Science Fictional Universe” right here.