Faith Herbert is a “heavy woman,” as she puts it, but she’s totally fine with that. She loves her body and herself. In today’s society, she’s bucking the systematic glorification of supermodels–but she’s not losing any sleep over it. She’s even bucking the superhero requirements of uber-athletic builds. And, of course, she’s Valiant Entertainment’s answer to the all too typical overtly sexual depiction of women in comics.
Tag Archives: comics
For our Seattle readers, be sure to stop by and check out the boldly ironic paintings of one of Seattle’s favorite sons, Jeremy Eaton. He regularly graces the pages of our favorite alternative weekly, The Stranger. Jeremy Eaton is a published cartoonist, illustrator and painter living in Seattle. For his paintings he utilizes discarded plywood he finds in the shipyards of the city, applying acrylic paint in bold splashes of color and overlapping strokes of black in order to replicate the pulp printing of the comic books and magazines of his youth, often sublimating this with wider cultural themes and commentary. Be sure to visit Jeremy right here.
More details follow from Jeremy Eaton:
The Official Star Trek Convention Returns to Seattle December 12-14 with Jeri Ryan and Walter Koenig
If you’re in Seattle, and you love Star Trek, then there’s only one place to be this weekend. The Official Star Trek Convention returns to Seattle on December 12-14 with Jeri Ryan and Walter Koenig headlining the event!
Gilad has great powers, really great powers, as The Eternal Warrior. But his arch-foe is just as powerful. Hey, he might even be Satan or pretty high up there. He’s The Immortal Enemy. And these two have been duking it out for coming on, what, ten thousand years? That’s pretty long! Well, Gilad is a proud fella and pride never goes out of style.
But Gilad is struggling to adjust to the 21st century. He just might be due for an oil change and a new sidekick. Enter a new breed of Geomancer, this is a young blonde who might have let her alias get the better of her. That will happen when you start to believe your work in public relations is actually real work. This time, the eternal battle is going to require something more. This time, they’re going to need The Valiant!
If you’re new to the Valiant universe, this is a perfect time to dive into an epic story from New York Times best-selling writers Jeff Lemire (Green Arrow, Animal Man) & Matt Kindt (RAI, Mind MGMT) and Eisner Award-winning artist Paolo Rivera (Daredevil). All systems go. Everything here is smooth and appealing. You’ve got your epic battle and a nice mix of humor, intrigue, and adventure. Sounds like a sweet deal.
“The Valiant #1″ is available as of December 10. For more details, visit our friends at Valiant Entertainment right here.
Comic Arts Los Angeles (CALA), a new comic arts festival in Los Angeles, took place this last Saturday, December 6, in a walk-up art gallery, Think Tank Gallery. This is the first major comic arts festival of its kind in the second largest city in the United States, taking its place alongside such notable comic arts festivals as MoCCA Comic Arts Festival in New York City, Small Press Expo in Bethesda, Maryland, and Short Run in Seattle, Washington.
Located in a part of the city tucked near Gallery Row and the Arts District, the actual site is amid a dazzling display of predominantly Mexican businesses, both storefront and street vendors. One banner atop the entrance and staff for the event lead you in. And so you climb the stairs and you are instantly transported to a world of indie comics. As Jen Wang, one of the founders of CALA, said in a panel discussion at the event, “When it comes to breaking into comics, you just make them and you’ve broken in.” In that spirit, you come to this event which is a mix of creators relatively new to breaking into comics along with many seasoned indie veterans attached to various publishers.
When it come to breaking into comics, while it may seem simple enough, there are a myriad of approaches, motivations, and sensibilities. I can tell you from my vantage point, as someone who has broken in, that there is and there is not a typical cartoonist profile. Referring back to this panel from the show, the last panel of the day in fact, Wang led a discussion on how to sustain a life in comics. Among the comments made, Ron Regé Jr. spoke to the fact that he never ever expected to make a dime off of his comics. And that pretty much says it all in one fell swoop because there are always cartoonists ready to make money from their work right along with others who don’t focus on demographics and the like.
A comic arts festival like CALA focuses on the more unusual and offbeat type of comics that are more prone to taking risks with the market. You will see table after table of minicomics and professionally bound books on a multitude of subjects and themes. There are no superhero comics, per se. In this context, a superhero theme is possible but most likely in a ironic tone. The overriding theme is personal and artistic. Of course, major publishers of comic books are hip to what the alternative comics crowd are up to and will collaborate with them from time to time. For some years now, major publishers have been publishing the best that emerges from self-published cartoonists. So, in a sense, the indie cartoonists are akin to stand-up comedians who may get picked up by a network. However, it’s complicated. Some cartoonists try to capitalize on trends, others follow their own muse. Ultimately, it’s quality work that wins out and transcends all these issues.
I was speaking with cartoonist Ellen T. Crenshaw who is a fitting example of a professional cartoonist/illustrator with an independent sensibility. Take a look at her work and you see an engaging style. She was pleased to see a great turn-out for CALA. In her experience with the Boston comics scene, it can be very rough for the first year of a comic arts festival. But CALA came out strong right out of the gate. Taking a closer look at Crenshaw’s work, it’s a successful combination of a clean and polished approach married to offbeat content. I picked up a hilarious and sweet minicomic of hers, “The Woodsman and the Bear,” that follows a bear who has fallen in love with a lumberjack. That will give you some indication of her vision. For something more challenging, there’s “Colonial Comics: New England, 1620-1750,” published by Fulcrum Publishing, that provides stories about Colonial America that you won’t find in the history books.
You could sense the energy in the crowds. I spoke with a number of friends in the comics community and everyone was all smiles. It’s just a matter of diving in and checking out various tables. Each creator is there in support of their most recent work along with their other titles. For instance, there was Farel Dalrymple in support of his graphic novel, “The Wrenchies,” published by First Second Books.
Another favorite is certainly Yumi Sakugawa and she was there in support of “Your Illustrated Guide To Becoming One With The Universe,” published by Adams Media and “Bird Girl and Fox Girl,” published by Sparkplug Books.
Rounding out my coverage of CALA, I spoke with Jen Wang, one of the organizers and the illustrator of one of my favorite recent graphic novels, “In Real Life,” published by First Second Books. She was definitely excited about how well CALA was doing.
And, just to top it all off, I spoke with cartoonist and renowned comics historian Scott McCloud and got his take on the event. He was quite pleased to say the least.
Think Tank Gallery proved to be a great venue for CALA. With about 70 creators, the space afforded enough room to mix and mingle. Around the corner, there were panel discussions throughout the event. In the end, the reader, the potential buyer of said comix, indie comics, alternative comics, had much to choose from in a delightful setting. We all look forward to this being the start of a new comics tradition in LA.
Before we start in, I want to point out that there’s a Kickstarter campaign running in support of this comic. “Under The Flesh,” published by Escape Comics, caught my eye due to its high quirk factor: an intelligent grindhouse zombie horror superhero comic! Let’s take a closer look and see if it resonates with you.
Here at Comic Grinder HQ, we’re constantly looking for cool stuff to share with you. I had just made a fresh batch of hot cocoa and was gearing up for the day when Roy burst into the office with the latest mail bag, which happened to be bursting too, at the seams, no less. “You better step it up, we have a motherload of packages and parcels. Best you get to reviewing straightaway!” And so I did. I picked up the first box and, lo and behold, it was from Nerd Block. I have heard many good things about them and I went right into taking stock of the box’s contents in the video below:
Nerd Block makes a great gift for anyone. If you enjoy pop culture, then Nerd Block has got something for you. Nerd Block is a monthly mystery package delivered right to your door filled with nerdy apparel, toys, and collectables! Every Nerd Block comes with a custom t-shirt (in your size) and 4-6 epic items. There are different themes to choose from. You can stop your subscription at any time. Packages range in price from $13.99 to $19.99. Visit our friends at Nerd Block right here.
Max and Lucia come in for a safe landing at Seattle’s Art-obsessed Hotel Max after a visit to Popland.
During the “Pop Departures” exhibition at Seattle Art Museum, Hotel Max is displaying its own Pop Up Pop Art Show featuring Pop Art masters from the show at SAM. To book your own Pop Art Getaway, visit our friends at Hotel Max right here.
Cats have never been, nor ever will be, domestic servants. It just goes against their very nature. However, in Megan Kelso’s new minicomic, “Cats in Service,” she makes a strong case for it. Of course, it’s not simple. There are complications.
It was a hive of activity at Washington Hall in Seattle, on November 15, 2014 for the annual Short Run Seattle Comix & Art Festival. Comic arts festivals continue to gain ground as interest and demand grows for independent comics. Here in Seattle, Short Run has proven to be the leading venue to connect creators with the public. Now in its third year, the festival offers a dazzling selection of work by some of the best talents in the U.S. and beyond.
I had the pleasure of chatting with Short Run’s Guest of Honor, John Porcellino, and he was quite gracious. My partner, Jennifer Daydreamer, and I had gotten to see an advance copy of the documentary on his life and career, “Root Hog or Die.” Jennifer asked if it had been planned to have the documentary and John’s new book, “Hospital Suite,” come out at the same time. And John explained that the documentary had been years in the making and it was a wonderful coincidence to have these two separate projects join together into a tour. “The documentary is an extension of the book,” said John. I’d go farther to say it’s an extension of King-Cat Comics, as if it took on another life as a film. Well, more to talk about at a later date. I asked John for some recommendations from his Spit and a Half distribution catalog and I’ll be reviewing them shortly.
Among other friends we got to catch up with were Mark Campos and David Lasky, both longtime Seattle cartoonists. I have recent work by Mark that I’ll be sharing with you soon too.
David Lasky, as many of you know, is the co-author, with Frank M. Young, of “The Carter Family: Don’t Forget This Song.” I saw that the book was part of a series of Short Run raffle items. Well, you don’t need to enter a raffle to get your copy of this unique history of the legendary country music icons. You can find it right here.
I also got a fun treat by another beloved Pacific Northwest cartoonist, Pat Moriarity. He had told me about a limited edition mini-comic he had created just for this year’s Short Run. In “Skulptura?” an artist attempts to find his muse. And I also got to chat with Eroyn Franklin, organizer of Short Run, with Kelly Froh and Janice Headley. She was a pleasure to talk with. I asked her about her upcoming comic, “Dirt Bag.” And it is coming along nicely. There was a preview at Short Run that I missed finding. I also should have gotten there early as the early birds got a goodie bag of comix. Well, maybe next year.
In closing, what can I say, Short Run was a rousing success. If you’re in Seattle this time next year, make plans to attend. It’s a comix and art festival and a whole lot more as you’ll see on their site.