John Bergin is a very interesting illustrator. He’s out there. He’s got a touch of gonzo to his style. He’s a cross between Ralph Steadman, Dave McKean and Tomi Ungerer. Just the sort of chap you’d want to guide you through a dystopian nightmare such as “From Inside,” his animated adaptation to his graphic novel of the same name.
Tag Archives: comics
Mike Richardson has hit a home run with “Father’s Day,” which shows no signs of losing momentum with its first issue. As the founder, president, and publisher at Dark Horse Comics, Mr. Richardson also finds time to write and has contributed a variety of work (The Secret, Cut, Atomic Legion). With “Father’s Day,” there’s a palpable sense of purpose to this story of conflict between a daughter and her long estranged father, twenty years of estrangement to be exact. And there’s more to this quirky crime thriller, plenty more.
John Porcellino has a remarkable thing with his ongoing self-published zine, “King-Cat Comics and Stories.” This is a zine, and mini-comic, that has been around for 25 years. King-Cat dates back to 1989 and, in all that time, John P has shared his life with his readers. For his new book, “The Hospital Suite,” published by Drawn and Quarterly, he focuses on one aspect of his life and turns his personal journey into a universal one.
You want to know which cartoonists rank among the very best? Well, consider Sergio Toppi (11 October 1932 – 21 August 2012), a masterful Italian cartoonist and illustrator. His work will have you in awe. And, among his best work, “The Collector” is a must-read. It is now available, for the first time, in English, published in a hardcover edition by Archaia, an imprint of Boom! Studios. Let’s have a look.
Imagine the most dazzling art lecture of your dreams complete with live music or, better yet, imagine something like Oscar Wilde touring America in 1882. Art Spiegelman presenting an art lecture accompanied by the Phillip Johnston Sextet is pretty unusual, special, and rare. An audience in Seattle this last Sunday, October 12, enjoyed such a treat and in the most fitting venue, The Moore Theatre, Seattle’s oldest operating theatre, dating back to 1907. A fitting site since Mr. Spiegleman was here to discuss, embrace, and celebrate the comics medium dating back to a bygone era.
Someone in the front row just asked, “Is this ‘SEA/PDX: MAX AT HOTEL MAX: Getting to Know Max, Part 1?'” The answer is, “Yes. Please sit down.” I just trimmed back the title a bit for brevity and style sense. Anyway, everyone is welcome. You’re in the right place. Have a seat. Remain seated, it will be better that way.
You will now see what my 24HCD activity last week has set in motion.
As I had mentioned last week, we are rolling out a new webcomic here at Comics Grinder. You can find it right here and we’ll try to keep to a weekly schedule, like posting Sunday into Monday, for the foreseeable future.
So, welcome to SEA/PDX. In this comic, you will get to know Max. He attaches himself to various interesting places and things. He finds himself attached to Hotel Max, a unique hotel in Seattle, a one-of-kind venue that showcases original art. Of course, this appeals to the artistic Max. He loves art and he loves adventure. That has brought him to Hotel Max.
In the weeks ahead, we’ll settle in and see what makes Max tick. There’s a mystery woman in his life, Lucia, and so we’ll see a lot of her too.
For now, I hope you enjoy this nice helping of comics directly linked to my 24HCD and under the subtitle, “Max at Hotel Max.”
Anyone who digs deeper already knows that comics are fully capable of being as elastic, ambiguous, and fluid as any other art medium. Just like fiction, film, and painting, the comics medium can reveal as much as it hides. There’s an annual anthology, “The Best American Comics,” that showcases a wide range of North American comics and addresses the familiar and peculiar in what amounts to a particular branch of contemporary comics. Or, perhaps the best way to put it is to say this book showcases the best in comics as an art form. The 2014 edition is now available. Let’s take a look.
Darkrose Studios is an indie comic book publisher, known for TRDWTR. Darkrose Studios is based in Manhattan, New York, and actively engages with transmedia. This coming Thursday, October 9, the founder of Darkrose Studios, Morgan Rosenblum, will be chairing a panel about self-publishing at New York Comic Con. In this discussion, Mr. Rosenblum will explain how comic book publishers can use transmedia storytelling as a source of revenues, and avoid any potential pitfalls.
Mr. Rosenblum will be joined on his panel by Adam McGovern, Anthony Del Col, Matt Kadish and Molly Knox Ostertag. The panel will take place from 7:15 PM to 8:00 PM in conference hall 1A01.
Press release follows: