Tag Archives: Comix

Short Run Seattle Comix & Art Festival 2014, Main Event Recap

Short-Run-Seattle-Washington-Hall-2014

It was a hive of activity at Washington Hall in Seattle, on November 15, 2014 for the annual Short Run Seattle Comix & Art Festival. Comic arts festivals continue to gain ground as interest and demand grows for independent comics. Here in Seattle, Short Run has proven to be the leading venue to connect creators with the public. Now in its third year, the festival offers a dazzling selection of work by some of the best talents in the U.S. and beyond.

John Porcellino, Short Run, 15 November 2014

John Porcellino, Short Run, 15 November 2014

I had the pleasure of chatting with Short Run’s Guest of Honor, John Porcellino, and he was quite gracious. My partner, Jennifer Daydreamer, and I had gotten to see an advance copy of the documentary on his life and career, “Root Hog or Die.” Jennifer asked if it had been planned to have the documentary and John’s new book, “Hospital Suite,” come out at the same time. And John explained that the documentary had been years in the making and it was a wonderful coincidence to have these two separate projects join together into a tour. “The documentary is an extension of the book,” said John. I’d go farther to say it’s an extension of King-Cat Comics, as if it took on another life as a film. Well, more to talk about at a later date. I asked John for some recommendations from his Spit and a Half distribution catalog and I’ll be reviewing them shortly.

Mark Campos, Short Run, 15 November 2014

Mark Campos, Short Run, 15 November 2014

Among other friends we got to catch up with were Mark Campos and David Lasky, both longtime Seattle cartoonists. I have recent work by Mark that I’ll be sharing with you soon too.

David Lasky, Short Run, 15 November 2014

David Lasky, Short Run, 15 November 2014

David Lasky, as many of you know, is the co-author, with Frank M. Young, of “The Carter Family: Don’t Forget This Song.” I saw that the book was part of a series of Short Run raffle items. Well, you don’t need to enter a raffle to get your copy of this unique history of the legendary country music icons. You can find it right here.

From "Skulptura?" by Pat Moriarity

From “Skulptura?” by Pat Moriarity

I also got a fun treat by another beloved Pacific Northwest cartoonist, Pat Moriarity. He had told me about a limited edition mini-comic he had created just for this year’s Short Run. In “Skulptura?” an artist attempts to find his muse. And I also got to chat with Eroyn Franklin, organizer of Short Run, with Kelly Froh and Janice Headley. She was a pleasure to talk with. I asked her about her upcoming comic, “Dirt Bag.” And it is coming along nicely. There was a preview at Short Run that I missed finding. I also should have gotten there early as the early birds got a goodie bag of comix. Well, maybe next year.

In closing, what can I say, Short Run was a rousing success. If you’re in Seattle this time next year, make plans to attend. It’s a comix and art festival and a whole lot more as you’ll see on their site.

About these ads

1 Comment

Filed under Alternative Comics, Comics, Comix, Eroyn Franklin, Independent Comics, John Porecellino, Kelly Froh, Seattle, Short Run, Short Run Small Press Fest

Review: ‘Study Group Magazine #3D’

Study from "The Dupe," a comic by Pete Toms

From “The Dupe” by Pete Toms

Do not go gentle into that good night. Why should you? And don’t just rage. Get yourself a whole new body like in Pete Toms‘s comic, “The Dupe,” in the latest (special 3D) issue of Study Group Magazine. This piece certainly sets the tone and then some for a magazine full of ebullient work featuring in-depth essays, interviews, and a variety of work by talented cartoonists who tend toward the underground. Come in and sample everything and be sure not to miss the 3D because it is out of this world.

Continue reading

Leave a comment

Filed under Alternative Comics, Comics, Comix, Study Group Comics, Underground Comics, Zack Soto

SHORT RUN 2014: John Porcellino, Guest of Honor; Main Event is November 15 at Washington Hall in Seattle

Short-Run-Comix-Arts-Festival-2014

Short Run, a showcase of small press cartoonists, is back for another year of festivities and a comix and arts festival, at Washington Hall on November 15 here in Seattle. On that date, nearly 200 cartoonists, publishers, zinesters, authors, and animators will be gathered to sell their works and celebrate the world of independent and emerging artists. The full schedule of events will include a mural painted in the Central District by South African artist Jean De Wet, art shows at Joe Bar and the Fantagraphics Bookstore & Gallery, and readings, screenings, and panels across Seattle.

John Porcellino, known for his self-published memoir comic, King-Cat Comics and Stories, will be the guest of honor. This year is special as it marks the 25th anniversary of King-Cat Comics and Stories as well as sees the release of a new book, “The Hospital Suite,” published by Drawn & Quarterly (read my review here). And there is a new documentary on his life and work, “Root Hog or Die” (read my review here). There will be a screening of this documentary with Porcellino and director Dan Stafford in attendance at Central Cinema on Sunday, November 16th.

The full schedule and press release follows:

Continue reading

1 Comment

Filed under Comics, Comix, King-Cat Comics and Stories, Micropublishing, mini-comics, Minicomics, Seattle, Short Run, Short Run Small Press Fest, Small Press, Zines

Movie Review: ‘Root Hog or Die: A Film About John Porcellino and King-Cat Comics’

Roothog-or-Die-John-Porcellino

We learn a lot from Dan Stafford’s documentary on cartoonist John Porcellino. “Root Hog or Die” provides us with some basic truths that resonate as we explore the life of someone both unique and, by his own account, just an average guy trying to make a life. The whole point here is to embrace the average. As Porcellino states at one point, he’s concerned to see an erosion of “the middle ground, when a person can live without an elaborate ambition and yet not be sleeping by some dumpster.”

Continue reading

1 Comment

Filed under Alternative Comics, Comics, Comix, Documentaries, Drawn and Quarterly, Independent Comics, Indie, John Porecellino, King-Cat Comics and Stories, Movie Reviews, movies, Underground Comics

SEA/PDX: All This Business

SEA-PDX-19-Oct-2014-Hotel-Max

SEA-PDX-Henry-Chamberlain-Hotel-Max-2014

SEA-PDX-Comics-Grinder-Hotel-Max-01

SEA-PDX-Comics-Grinder-Hotel-Max-02

SEA-PDX-Comics-Grinder-Hotel-Max-03

SEA-PDX-Comics-Grinder-Hotel-Max-04

Leave a comment

Filed under 24 Hour Comics Day, 24HCD, 24HCD 2014, Comics, Comix, Henry Chamberlain, Hotel Max, Max at Hotel Max Comics, Portland, SEA/PDX, Seattle, Webcomics

Review: ‘The Best American Comics 2014,’ Editor, Scott McCloud; Series Editor, Bill Kartalopoulos

The-Best-American-Comics-2014

Anyone who digs deeper already knows that comics are fully capable of being as elastic, ambiguous, and fluid as any other art medium. Just like fiction, film, and painting, the comics medium can reveal as much as it hides. There’s an annual anthology, “The Best American Comics,” that showcases a wide range of North American comics and addresses the familiar and peculiar in what amounts to a particular branch of contemporary comics. Or, perhaps the best way to put it is to say this book showcases the best in comics as an art form. The 2014 edition is now available. Let’s take a look.

Continue reading

Leave a comment

Filed under Alternative Comics, Anthologies, Art, Art books, Best American Comics, Bill Kartalopoulos, Comics, Comix, Education, graphic novels, Scott McCloud, Underground Comics

Review: ‘Bohemians: A Graphic History,’ Edited by Paul Buhle and David Berger

"Where Bohemia Began," art by Summer McClinton, script by Paul Buhle

“Where Bohemia Began,” art by Summer McClinton, script by Paul Buhle

“Good morning, Bohemians!” So, the jubilant cry would have been heard in Paris, circa 1853. It can still be heard today from down the street where I live in Seattle and all across the globe. I am a bohemian. I’ve always identified as such as a writer, artist, and cartoonist. But what does it really mean and how did this concept come to be? In the new comics anthology, “Bohemians: A Graphic History,” edited by Paul Buhle and David Berger, we get a full history. These short works are created by some of today’s most accomplished cartoonists, who also happen to be some of the best examples you will find of contemporary bohemians.

Continue reading

1 Comment

Filed under Anthologies, Bohemians, Book Reviews, Books, Comics, Graphic Novel Reviews, Journalism

Interview: Liz Plourde and Randy Michaels and HOW I MADE THE WORLD

How-I-Made-The-World-Plourde-comics

“How I Made the World,” is an intriguing title, don’t you think? It happens to be the title for a series of comics about Liz, a college student and writer who expresses herself in true epic glory, like any young person should. Now, this is most assuredly a SERIES, not a ONE-SHOT. There may have been a bit of confusion regarding this since the Diamond Previews catalog, the monthly bible for all comics retailers and regular comics buyers, has given the “one-shot” label to this series. Okay, now that we have that cleared up, here is an interview with the creators. It was a pleasure to get to chat for a bit with Liz and Randy.

Continue reading

1 Comment

Filed under Comics, Interviews, mini-comics, Xeric Grant

Review: SOCK IT TO ME #1

Sean-Von-Gorman-Sock-comics

If you like your humor raw and uncooked, you may have found your match with this comic book, “Sock It To Me #1.” It’s about a sock. And this sock has an attitude. Von Gorman has an attitude. You should too if you really want to get into this.

Continue reading

Leave a comment

Filed under Alterna Comics, Comics, Comics Reviews, Comix, Comixology

Puck Magazine aPUCKalypse CROWDFUNDING CAMPAIGN!

Puck-Magazine-Apuckalypse-2013

Puck Magazine, an impressive collection of some of the leading comix artists and much more, launches its crowd funding campaign today. This is truly an international collection. If you are a fan of offbeat humor and you’d like a taste of it from around the world, then this is for you. Join the campaign here. It runs from November 26, 2013 thru January 4, 2014.

What follows is an informative essay on the Apocalypse, the history of alternative comics, and how that relates to Puck Magazine:

Welcome to the Apocalypse

Historically speaking, the Apocalypse is always now. By that I mean that at every period in human history, someone somewhere was certain that the world was about to end. Whether it was the author of the Biblical “Book of Revelation” (or “Revelation to John”) — surely one of the most mischievous tracts ever written — or some Vedic bard predicting the Kali Yuga, or urban street corner prophets ranting that “The End is Nigh,” the human imagination has repeatedly fixated on the end of the universe and the end of life as we know it.

It is not difficult to figure out why this is. At some undetermined point in time, for each of us, the universe will end. Death awaits us all, whether in a sudden accident or heart attack, or in a long lingering illness. That this is so seems like a monstrous joke, and so we repress the thought or, for many of us, we project it upon the world at large, finding solace in the thought that if we must die, so must everyone else, preferably all at the same time.

And yet, life goes on. Every prophecy of the End Times is, in some sense, a false prophecy. Predicted dates come and go, and true believers’ expectations fizzle out, only to be succeeded by new expectations which will eventually fizzle out as well.

Much of this apocalyptic fervor has been driven by religion, especially fundamentalist Christianity and Islam, which share similar scenarios of a Final Judgment. But there are no lack of secular apocalypses to choose from: catastrophic climate change, nuclear war, the end of Capitalism (a particularly elusive apocalypse), an impending police state, and the list goes on.

All of which brings us to the volume you hold in your hands, a smorgasboard of personal apocalypses conjured up by a stellar crew of cartoonists from around the world. For most comic artists, apocalypse looms as the rent comes due at the end of each month, so this theme was one that the assembled artists could really get their teeth into. As you will discover, some took the challenge lightly, producing humorous strips (including the inevitable Mother In Law joke), while others dove into full-fledged horror and paranoia.

The result is a well-balanced collection of unique visions that you will not find anywhere else. The locations change from strip to strip, usually manifesting the apocalypse in the artists’ own locales. If you’ve ever dreamed of making an Around the World Tour, but know you never will, this volume is a suitable substitute, albeit with rather more demons, cannibals, black holes, and Avenging Angels than you would likely encounter in hopping from country to country.

Sadly, I am told that this is likely the last PUCK volume for years to come, so it represents an apocalypse of sorts for the whole PUCK enterprise. PUCK’s staff has beat all odds in uniting cartoonists from numerous countries in its group projects that are done for the love of free and uncensored cartooning.

The Underground Comix movement was launched in the U.S. during the Sixties and spread its influence to England, the Netherlands, Spain, France, and Italy (among others), in the following decades. PUCK has been one of the most energetic recent manifestations of the underground impulse and Ivan and the rest of the PUCK gang deserve a round of applause for keeping the torch held high.

The Apocalypse is always now. Enjoy it while you can.

–Jay Kinney

Jay Kinney was a participant in the Underground Comix movement of the 1960s and 1970s. He edited and co-edited Young Lust, Occult Laff-Parade, Cover-up Lowdown, and Anarchy Comics, and contributed to many others.

He has since been a magazine publisher, book author, and antiquarian bookseller. Recently published is: Anarchy Comics: the Complete Collection (PM Press), a retrospective anthology of the hard-to-find four originals issues, plus never before published strips and sketchbook pages.

Caption for Mavrides-Kinney Armageddon panels…

The “End Times” erupt in “Armageddon Outtahere” by Paul Mavrides and Jay Kinney in Anarchy Comics #4. This story and all others from the comic series can be found in Anarchy Comics: the Complete Collection (PM Press).

Press release follows:

Continue reading

Leave a comment

Filed under Comics, Comics Anthologies, Comics News, Comix, Crowdfunding, Zines