Two recent works in comics tackle our sad lot in cubicles from two distinctive vantage points: “The Gigantic Beard That Was Evil” by Stephen Collins; and “Facility Integrity” by Nick Maandag. Each has a very different sensibility but, at the end of the day, both can agree that office work and conformity are for the birds.
Tag Archives: Entertainment
Max and Lucia come in for a safe landing at Seattle’s Art-obsessed Hotel Max after a visit to Popland.
During the “Pop Departures” exhibition at Seattle Art Museum, Hotel Max is displaying its own Pop Up Pop Art Show featuring Pop Art masters from the show at SAM. To book your own Pop Art Getaway, visit our friends at Hotel Max right here.
A lot of us out there have one indelible image come to mind when we hear the name, “William Randolph Hearst.” We see a close-up of Orson Welles‘s lips as he sighs, “Rosebud,” and lets drop out of his hand a little snow globe. But surely there was more to the man and the best part of his legacy has got to be his contribution to the birth of newspaper comic strips. Why, to this day, King Features is both admired and respected, the company he founded to develop and distribute comics, columns, editorial cartoons, puzzles, and games around the world. Ohio State University’s Billy Ireland Cartoon Library & Museum will celebrate the centennial of King Features Syndicate with “King of the Comics: William Randolph Hearst and 100 Years of King Features.” The exhibition runs December 13, 2014 – March 15, 2015. For more details, visit right here.
Cats have never been, nor ever will be, domestic servants. It just goes against their very nature. However, in Megan Kelso’s new minicomic, “Cats in Service,” she makes a strong case for it. Of course, it’s not simple. There are complications.
We are assured that capitalism will always survive because humans are never satisfied with the status quo and must push forward to whatever and wherever their “enterprising” minds take them. In the new sic-fi comic, “Drifter,” we see what some of these minds have wrought in a distant future both bleak and dangerous. Of sure, the environment, from one planet to the next, was the first to be compromised for these human settlers from the future. Is it a curse to be human? Our main character, Abram Pollux, stumbles upon the scene, barely surviving a crash landing to the lawless backwater world of Ouro. His first action is to kill a native point blank. Not off to a good start.
Do not go gentle into that good night. Why should you? And don’t just rage. Get yourself a whole new body like in Pete Toms‘s comic, “The Dupe,” in the latest (special 3D) issue of Study Group Magazine. This piece certainly sets the tone and then some for a magazine full of ebullient work featuring in-depth essays, interviews, and a variety of work by talented cartoonists who tend toward the underground. Come in and sample everything and be sure not to miss the 3D because it is out of this world.
SHORT RUN 2014: John Porcellino, Guest of Honor; Main Event is November 15 at Washington Hall in Seattle
Short Run, a showcase of small press cartoonists, is back for another year of festivities and a comix and arts festival, at Washington Hall on November 15 here in Seattle. On that date, nearly 200 cartoonists, publishers, zinesters, authors, and animators will be gathered to sell their works and celebrate the world of independent and emerging artists. The full schedule of events will include a mural painted in the Central District by South African artist Jean De Wet, art shows at Joe Bar and the Fantagraphics Bookstore & Gallery, and readings, screenings, and panels across Seattle.
John Porcellino, known for his self-published memoir comic, King-Cat Comics and Stories, will be the guest of honor. This year is special as it marks the 25th anniversary of King-Cat Comics and Stories as well as sees the release of a new book, “The Hospital Suite,” published by Drawn & Quarterly (read my review here). And there is a new documentary on his life and work, “Root Hog or Die” (read my review here). There will be a screening of this documentary with Porcellino and director Dan Stafford in attendance at Central Cinema on Sunday, November 16th.
The full schedule and press release follows:
In “The Babadook,” the bogeyman in this movie is especially frightening, on a level that will have you wrestling with your own demons. And you never really see it. Even though you do. As fast as you may find yourself on the verge of exposing a trusty horror movie trope, this film moves faster. It certainly doesn’t shirk from one of the biggest tropes of them all: the conflict between being normal versus being different.
What if that troubled little boy, Samuel, could just get with the program and act normally? Maybe there’s some medication he could take to control him? But what if medication is far from what is needed here? Samuel (played by Noah Wiseman) has a compelling answer to that as the film’s focus, its lightning rod.
We learn a lot from Dan Stafford’s documentary on cartoonist John Porcellino. “Root Hog or Die” provides us with some basic truths that resonate as we explore the life of someone both unique and, by his own account, just an average guy trying to make a life. The whole point here is to embrace the average. As Porcellino states at one point, he’s concerned to see an erosion of “the middle ground, when a person can live without an elaborate ambition and yet not be sleeping by some dumpster.”