Here we have the “dean of science fiction,” Robert Heinlein, in the pages of this new comic book limited series, “Citizen of the Galaxy,” from IDW Publishing. Welcome to Jabbul. We follow Thorby, a slave boy who has just arrived off a slave rocket ship. He is put up at auction. No one is impressed, except for, Baslim, a beggar who buys Thorby at a great bargain. This strange planet of Jabbul is not Earth and yet it’s not so different, not when you pause to reflect on our own history. Slavery officially ended in America only 150 years ago, right? That’s what you call less than a blink of an eye in a historical perspective. On Jabbul, slavery is very much alive. And if Thorby stands any chance of carving out a decent life for himself, he had best listen to Baslim.
Adapted by Rob Lazzzaru and Eric Gignac, this is a great gateway to Heinlein. And the art by Steve Erwin, with colors and inks by Eric Gignac, provides a pleasing narrative all its own. You’ve got what amounts to an interstellar action/adventure coming of age tale. The pacing is nicely handled as we get to know our two main characters in this first act. Baslim, apparently a mere beggar, appears to have the best of intentions for Thorby, his new slave. For one thing, Baslim has a keen sense of where best to reside. Why not squat in what remains of an unfinished lavish amphitheater? And Balim proves to be highly intelligent. Before Thorby realizes it, he’s becoming something of a junior scholar under Baslim’s tutelage. This is all well and good as this tranquil period proves to be only temporary. Before long, Thorby must prepare for the next phase of his life away from Baslim.
“Citizen of the Galaxy #1″ is a 32-page comic book, priced at $3.99, available as of March 4. For more information, visit our friends at IDW Publishing right here.
We live our lives and we’re not always aware of our achievements, our moments in the sun, that define us. For Leonard Nimoy, he was all too well aware of his legacy. His autobiography famously declared, “I Am Not Spock,” only to be followed years later with, “I Am Spock.” We all knew, all along, that he was Spock. This was not some burden. It simply was what it was. Pretty logical, and befitting a great actor and decent human being.
We will all miss Leonard Nimoy no longer among us. But we have his work to still enjoy. There’s that magical episode of Star Trek, “Amok Time,” written by Theodore Sturgeon, where Spock first says that famous line, along with the first time we see the Vulcan salute, “Live Long and Prosper.” He would wish that for you.
Frank Miller, Neil Gaiman, Bill Sienkiewicz, Bernie Wrightson, and Dave Gibbons at the 1991 San Diego Comic-Con.
Jackie Estrada is a Comic-Con legend. She knows everybody. And she’s photographed everybody. Her work has appeared everywhere, including the recent PBS program on superheroes. She’s been a supporter of Comic-Con from the very beginning and administrator of its Eisner Awards since 1990. She has vivid recollections and has documented them in her first book, Comic Book People, which covered the ’70s and ’80s. Now comes Comic Book People 2 which covers the ’90s. It’s a perfect next step in seeing the history and behind-the-scenes fun that is Comic-Con International in San Diego as well as the Chicago Comic-Con, WonderCon, the Small Press Expo, and APE. And you can make this new book a reality by joining in support of the Kickstarter campaign going on now through March 13. Join in your support and visit the campaign right here.
Press release follows:
Van is just a journeyman wizard. And Pendle is a sorceress. The two of them have paired up and their prospects seem favorable, once they solve a most disturbing case of missing animals. It’s easy to get immersed into the world of fantasy conjured up by Amit Tishler, the creator of “Tales of Lyla.” With co-writer S. Frivolus, he has brought to life a mashup of Adventure Time, Dungeons and Dragons, and the Brothers Grimm. The artwork by Luke Ellison, with colors by Kristen Roberston, is lively and whimsical. It’s a winning combination of fanciful and grotesque.
What about those missing animals? To best understand this curious crisis, our story splits its time between the present and the events of one year prior. By going back one year, we get answers to some questions. And we also get questions that may have answers back in the present. Through this back and forth, we get a richer story with plenty of intrigue. We learn that Pendle is not so innocent as she is in too deep regarding the cause to all the animal disturbance. And we learn that Van is not quite as wimpy as he might seem.
With two issues in, Tales of Lyla shows itself to be a fun read with a keen sense of humor. This kind of work, with characters exchanging pithy remarks and various wondrous elements at play, is very appealing. It’s the bedrock of good comics. I love the quirky opening scenes with Van and Pendle stumbling into a village inn with only plans of falling asleep after a long day’s journey. That’s when they get their first bits of information about the animal caper.
Turns out somebody has been making off with sheep and geese at the inn. Right before Van and Pendle’s eyes, the innkeeper becomes aware that his own tenants are the one’s missing animals. Well, who ever said his tenants could keep animals in their rooms?! So, feathers fly, if there were any to fly. For the moment, Van and Pendle only care about sleep. With a room suddenly made vacant, they can do that, but not for long. Missing animals are not exactly new to them. This goes back a year when animals did not just disappear. They came back reassembled in a hodge-podge of their former selves!
Tales of Lyla comes to you from the animation studio 10 Forward Productions. You can purchase digital issues of Tales of Lyla through Amazon right here.
Anything has the potential for being turned into compelling comics. Here’s another example: “Lucifer’s Sword MC: Life and Death in an Outlaw Motorcycle Club,” published by Motor Books. This graphic novel is a fictionalized account of the sort of action that Phil Cross has witnessed as a member of the Hells Angels Motorcycle Club since 1969. I love the gritty straight-forward approach to this book. You’re placed right into the action. The new guy is either going to sink or swim. It’s a tough club to join but the members are sort of rooting for him. They’re not so bad after all. It’s what can happen when you’re in the club that can get messy.
Written by Phil Cross, with Darwin Holmstrom, and illustrated by Ronn Sutton, this is some good honest storytelling. Frenchy is a young man set for adventure. He loves motorcycles. He has some problems with authority. And he needs some direction. He stumbles upon a pool game with members of Lucifer’s Sword Motorcycle Club. After a brief misunderstanding, they vote on it and decide to make Frenchy a prospect, complete with his own jacket labeled, “Prospect,” just as a reminder. Little does he realize right then that he’s starting at the bottom rung as the club’s janitor. And that’s the least of his worries as he quickly must prove himself against a rival club and much more.
You are invited to join a motorcycle club, byway of this book, and you can see for yourself. The story moves fast but it’s also careful to bring you in with various details. You get a sense of how this social group behaves. Left to themselves, they’re just fine. But, push comes to shove, they’re ready to defend themselves. Frenchy learns that the hard way but he’s a quick learner.
“Lucifer’s Sword MC: Life and Death in an Outlaw Motorcycle Club” is published by Motor Books and you can find them right here. And you can also find the book at Amazon right here.
We think of Paul Gauguin when we think of the stereotype of an artist running away from it all to an island paradise and going native. Well, at least that used to be the dream. Paul Gauguin certainly lived it. He remains the most celebrated example even if the details cast a shadow on his work. His was a most eccentric artistic and personal journey. Written by George Roddam and illustrated by Sława Harasymowicz, this is a complex story told in a clear and concise manner.
Born in Paris in 1848, Paul Gauguin came into the world during an uprising that would have made the Occupy movement blush. It led the family to flee to another familial branch in Peru, but not before Gauguin’s father died of a heart attack. In 1855, the family returned to Paris but Gauguin’s love for the tropics ran deep. Fast forward a few more years, Gauguin’s life reached critical mass. He had allowed himself to enter into a career as a stock broker and had married Mette, a young Danish woman from a respectable family. They had children, five in all. However, he was developing into a very capable artist. In time, he would establish himself among the great Impressionists of the day. And an inevitable conflict would arise.
Teha’amana, Paul Gauguin’s 13-year-old lover
We look at Gauguin’s work and it feels all part of a whole. The depiction of young women from Brittany eventually makes way for the depiction of young women in Tahiti. Gauguin follows his idealistic and romantic notions. In the same way that he mistakens the traditional head-dresses of the Breton women as significant, so he goes on to project wisdom and nobility upon the Tahitian girls he meets. There is one girl in particular, Teha’amana, only 13 years old, who he takes as a lover. She proves to be very silent. Gauguin sees that as a sign of great wisdom. More likely, it was a child’s reaction to becoming sexually involved with a grown man. Gauguin explained the relationship as part of the local custom.
What we remember most of the work of Gauguin is an unapologetic embrace of primitive culture. His work is a unique offshoot of the Impressionists’ aim to depict daily life. This book does a capable job of providing context to the most celebrated case of an artist going native.
Learn more about this new artist series by visiting our friends at Laurence King Publishing right here.
Salvador Dalí is another artist that we feel we know. We can think of one of his paintings of melting time pieces in the desert and instantly identify with Surrealism. Dalí is a prime example of an artist superstar. Much in the same vein as Warhol, his persona was a formidable brand. Unlike Warhol, the antics of Dalí could often cloud the actual work. If you pore over a number of Dalí paintings, then you see something deservedly ranked at the top. Without a doubt, there was both Dalí, the eccentric, and Dalí, the master artist.
In “This is Dalí,” we get another wonderful pairing of scholarly and lively writing by Catherine Ingram and compelling illustrations by Andrew Rae.
Learn more about this fun and informative new artist series by visiting our friends at Laurence King Publishing right here.
Jackson Pollock can still be a slap in the face for some art elitists, and that’s just as it should be. In a lively new art series by Laurence King Publishing, we get a clear picture on one of most significant artists among the Abstract Expressionism movement.
I was at a party, only a few years ago, when a discussion on art began to take shape. Our host, I recall, had a problem with any art outside his traditional taste and this guy, although young, was already quite a conservative old fogey. He lambasted Pollock. I, in turn, explained to him that Pollock’s drip paintings were, in part, a complex dance with paint. Many have attempted to emulate a Pollock drip painting and have failed. The best I could get out of my friend was a nod and wink and his suggestion that I had a perfect conversation chestnut to use at parties. Of course, he was dead wrong. Pollock is no party favor.
I wish I had this book to hand out to everyone at that party. Maybe it would have changed minds. Maybe it would have provided information that was new and compelling. As in her book on Warhol for this series, Catherine Ingram tells it like it is. She gives us an intimate picture of Pollock growing up, albeit a rather bumpy ride. And she fills in the gaps on how Pollock grew as an artist and how he came to lead the charge in contemporary painting. His drip paintings would prove to not only take the art world by storm but the general public as well. Peter Arkle provides poignant as well as whimsical depictions of Pollock’s life in the graphic novel-style presentation.
For an artist with a reputation for being a “bad boy,” Pollock actually desired solitude. He found that in the woods of Long Island, along with his wife, the artist Lee Krasner.
Pollock remains a powerful force even today. All it takes is the latest “rediscovery” of his paintings. You can read about one of Pollock’s earliest drip paintings returning to the Peggy Guggenheim Collection in Venice right here.
Learn more about this fun and informative new artist series by visiting our friends at Laurence King Publishing right here.
This week we will consider Laurence King Publishing’s exciting new artist series in a graphic novel format. We begin with “This is Warhol.” We will continue with Jackson Pollock, Francis Bacon, Salvador Dali, and end the week with Paul Gauguin. How often have you started the week with Andy Warhol and ended the week with Paul Gauguin? Well, you lucky duck, this is your week. These are all iconoclasts and each of their work continues to reverberate. Among this group, we feel closest to Warhol, despite the fact he was personally quite distant. We think we know him. But, as this book clearly demonstrates, there is much more than meets the casual observer.
Catherine Ingram writes with great enthusiasm and confidence in her subject. She weaves a compelling narrative in such a concise manner, never wasting a word. As she’s describing Warhol’s childhood, she is deftly planting seeds that link us to the vision of the leading figure of Pop Art. Andy, the child, is gazing upon his neighborhood church’s icons. As a Catholic, the icons are powerful figures for Warhol. As an adult, he will take that same level of emotional attachment to his depictions of Campbell’s soup cans and Hollywood stars. But weren’t these repeated images from pop culture simply statements about an empty and shallow society? No, Ingram makes a case for much more being said.
Oh sure, anybody can travel back in time but Joshua is also equipped with a device that enables him to communicate back to the future. Pretty cool, except he can’t remember anything when his ship crash lands. It’s a spooky desert terrain that’s not ringing any bells for our hero.
And, truth be told, Joshua isn’t much of a hero. So begins an intriguing new comic. “EI8HT,” story by Rafael Albuquerque and Mike Johnson, is one of those quirky lean and mean adventures that’s a lot of fun to sit back and take in.
Artist Rafael Albuquerque (American Vampire) has that slicin’ and dicin’ style of his. His faces are like masterful pumpkin creations with a strategic slit here for a mouth and two sharp marks there for eyes. The same with backgrounds and assorted backdrop, all direct and razor-sharp. I like the way he draws dinosaurs too.
There are definitely plenty of dinosaurs where Joshua has crash landed. Writer Mike Johnson (Supergirl) gives us a tight script with a neatly stretched out premise: This is what happens when a sadsack is enlisted into a clandestine time travel experiment and is lost in some other dimension not too far from The Twilight Zone. In this case, this no man’s land is known as The Meld and it’s supposed to be a place where past, present, and future converge.
Do you want to know why this comic is entitled, “EI8HT”? Well, you can read the preview pages at Dark Horse Comics. I’m guessing there’s more meaning behind that. It does make for an awesome looking logo. I’m guessing we’ll deal with infinity later on. For now, it has to do with memory and it looks like this story is going to have a lot of fun with that theme.
Like the best episodes of The Twilight Zone, a lot of the enjoyment comes from just taking in the scene. I think that’s exactly what we’ve got here and we’re in good hands.
EI8HT #1 is available as of February 11, 2015. For more details, visit our friends at Dark Horse Comics right here.