You have to hand it to Chris Ryall and IDW Publishing for creating a long line of heart-felt and artful tributes to books, movies, and television. Well, a comic book based upon Douglas Adams’s “Dirk Gently’s Holistic Detective Agency” is one of IDW’s best yet. Written by Chris Ryall, with pencils by Tony Akins, inks by John Livesay, and colors by Leonard O’Grady. It is a most vivid revisit to Dirk Gently placing him in new digs (San Diego) and a whole new challenge (copycat killers and ancient ghosts). The artwork is lively and it all adds up to be one of the most promising comics I’ve seen in quite a while.
With Dirk Gently, Douglas Adams gave us a kaleidoscopic surge of reading joy. It was dapper wit and quirky hijinks. And it was far more than that as Adams played with a wide spectrum of ideas. So, for IDW to tackle Dirk Gently is ambitious–and IDW does not disappoint. The opening story for this first issue is very well paced and full of fun intrigue stacking itself one upon the other like a house of cards.
Dirk is like a whirling dervish right out of the gate. He begins by bolting out of the airport determined to make his way into San Diego with a stolen duffle bag. He bumps right into the owners of the bag and they pursue Dirk all the way to a mystery-themed teahouse, Gumshoes & Tea Leaves. The beautiful bold colors by Leonard O’Grady totally take over in the glorious use of green throughout the café. Our characters come to life in this space as our story unfolds. Dirk has a chance to introduce himself, all sorts of suspicious, dangerous, and supernatural things are already in play. And we know we’re in for something that Douglas Adams himself would have approved of.
“Dirk Gently’s Holistic Detective Agency #1″ is out now, 32 pages, and priced at $3.99. For more details, visit our friends at IDW Publishing right here.
Emis Gennis is a cartoonist who I see as someone who likes to get down to business and create good comics. I admire that. Her work is clean and professional while also maintaining an organic energy to it. For her latest work, “Baseline Blvd,” she employs a precise and bold use of pencil to take us on quite a journey.
Gennis has a keen interest in sordid tales, as I’ve seen from her past work. For this one, we follow the emotional turmoil from an abusive relationship and the end results. We view this from various vantage points, often very quiet and nondescript.
A woman carries flowers in her car on a trip to find some resolution. We don’t know very much about her or any other details than are necessary. It’s as if the flotsam and jetsam of the urban sprawl the young woman sees on her way to her destination tries to compete for our attention. Faceless everyday detritus. A crow devouring roadside carrion.
Gennis is a born storyteller. “Baseline Blvd” shows us a cartoonist well on her way. This new comic just debuted at the Vancouver Comic Arts Festival. For more details on work in general, visit Emi Gennis right here.
With Season 6 of AMC’s The Walking Dead set for this October, a perfect addition for any fan’s gear is The Walking Dead Hardcover Ruled Journal. This is another in a line of pop culture treats from Insight Editions. Take notes. Draw your own zombies. Write your own zombie story. Whatever you choose to pen down, this is a fine specimen, with a durable hide that can withstand any zombie attack.
This is the real deal. A beautiful and rugged journal, 192 pages of archival ruled paper, with artwork gracing the inside cover and endpapers. There’s also a secret pocket on the back cover, just in case you need to save some zombie-related notes. Or just plain notes.
You’ll find a card in that back pocket letting you know about Insight Editions’ The Walking Dead poster books. Each poster is easy to remove and perfect for displaying.
A perfect little gift to give yourself or someone special. You’ve got four versions to choose from. For more details, visit our friends at Insight Editions right here. You can also find this item here and here.
“Our long national nightmare is over,” Gerald Ford’s most famous line, opened the last broadcast for David Letterman. This was then followed by a clip with almost every living U.S. president uttering those famous words. I’m sure Jimmy Carter would have joined in if he thought it was really necessary.
I am in the same boat with Jimmy Kimmel and his admiration for Dave. He asked his viewers not to watch his show on May 20th and, instead, to go see Dave’s last show. I start to think about all the good oddball times watching Dave and it stirs up emotions for me too. I’m from the same generation as Kimmel and I understand. That David Letterman sense of humor. Honed to perfection over the years. Dave made it look easy. That’s the same that was said of Johnny Carson.
Both Carson and Letterman provided a reserved kinetic energy that was perfect for the times. It’s hard to speak in the past tense regarding Dave and his work.
Even with all that’s been said and everything leading up to this last broadcast, it sort of caught me by surprise. Life happens. I had meant to watch the last couple of nights. I’d lost track. And then, there I am watching Dave’s last show. Well, he took it like a champ. No need to get misty-eyed or choke up. He’d planned ahead, paced himself. But the last show is the last show. He rolled a great montage of highlights from over the years. What showed through was a decent hard-working and humble guy.
The shows from the ’80s are legendary. The offbeat humor from those years has been dissected many times over. As one decade rolled into another, Dave continued to grow. The show’s humor calibrated itself by a hair or two like any other humor format. And Dave kept getting more real, more relaxed. They say it’s the end of an era and it’s true. David Letterman is one of those figures you have on a Mount Rushmore of Comedy. But his brand of humor lives on. He was one of the greats at being very serious about not taking things too seriously.
Like Van Gogh, Cezanne (1839–1906) stood out from his contemporaries. He was the original bad boy, or “enfant terrible.” He was brash, experimental, and ahead of his time. Unlike Van Gogh, his life and work is not nearly as familiar to the general public. “This is Cezanne,” part of the This is Art series from Laurence King Publishing, provides an inviting and illuminating look at a most intriguing and influential artist. You will delight in this work, monograph by Jorella Andrews and illustrations by Patrick Vale.
Cezanne first gained notoriety, or infamy, from his paintings that parodied some of the leading figures from the older generation of artists. It shocked. It offended. It was a sensation. And that common thread of sensation ran through his later work concerned with the tactile and immersive. A rebel to the end, Cezanne did enjoy working with conventional compositions (still life, plein air, domestic scene), often with a sardonic twist and, just as often, with a gentle quality.
Bad boy antics aside, Cezanne was deeply interested in art tradition at its roots, going back to basics of line and color. This was also of great interest to a fellow artist provocateur, Edouard Manet. The two of them lampooned mindless art traditionalists. However, they could both be found in the Louvre studying the masters…on their own terms, gleaning what they needed.
“This is Cezanne” is available now. Visit our friends at Laurence King Publishing right here. You can also find this book at Amazon right here.
Vincent van Gogh, the quintessential symbol of the artist. But, just like any public figure, the reality of the person is far more complicated. Unlike popular belief, Van Gogh was no caricature of a madman with a paintbrush. You could say there were two Van Goghs: the tortured soul; and the sophisticated artist attuned to trends in contemporary art. Make no mistake, Van Gogh knew his art and directly from some his most celebrated contemporaries. In “This is Van Gogh,” one of the latest in the “This is Art” series, published by Laurence King Publishing, George Roddam provides a concise and substantial monograph accompanied by moving illustrations by Sława Harasymowicz. This graphic novel format proves to be a most compelling look at the artist suitable for any age.
As much as loneliness and rejection weighed upon Van Gogh, it’s essential to know that he was just as absorbed with art matters: content, composition, and, most importantly, color theory. Red. Green. Opposing colors on the color wheel. Brought together. They evoke tension. They evoke emotional turmoil. A band of colors, just like the ones used by the local weavers. Behold, their close unison creates a vibrant gray throughout. Black. A more complex and dazzling black is made up by blending multiple colors. Color theory. The impressionists, ah, some became mired in it. Color theory. The Post-Impressionsits, ah, some became too technical about it. Color! Use it. Revel in it. The tension between green and red!
Illustration in “This is Van Gogh” by Sława Harasymowicz
The “This is Art” series is, I cannot stress enough, a wonderful treat and useful art tool. Each monograph is expertly written and the illustrations are from some of the best artists around the world. “This is Van Gogh” is available now. Visit our friends at Laurence King Publishing right here. You can also find this book at Amazon right here.
You need to check out the video that shows you how a page from this comic is created. Tyler Crook is one of the best in the business. You’ll know him from his work on “B.P.R.D.,” a flagship comic from Dark Horse Comics. Now, he does Dark Horse proud with “Harrow County.” This one is a doozy, written by Cullen Bunn, the creator of the smash hit comics series, “The Sixth Gun.”
“Harrow County” is a southern gothic fairy tale. On the eve of her eighteenth birthday, Emmy learns that she is somehow connected to the monster-infested woods she has lived nearby all her life. Wow. What more could you ask for, right?
It all began as an uneasy understanding amongst the townspeople to coexist with the witch, Hester Beck. But, once Hester had the town’s children involved in her rites, the tolerance gave way. And, once the rumors piled up about Hester engaged in unnatural acts with hideous creatures in the woods, there was nothing left to do. Kill the witch, that was the solution. And as the fire ate away at her flesh, the witch warned the townspeople that she would return.
Many years later, cut to Emmy, a young woman haunted by her surroundings. She knows that something’s wrong about Harrow County, just not sure exactly what. The woods. She’ll find the answers in the woods.
This first issue will definitely win you over. Bunn and Crook have mastered the art of the spooky. This thing has taken off. Enjoy. The gap between the inner world and the outer world is paper thin. That sensation of exposing our inner world to the outside, resulting in horror, is what French psychoanalyst Jacques Lacan called “glissage.” Harrow County has seen plenty of this. And Emmy is now sure they haven’t seen the last of it. She’s dead sure of it.
“Harrow County #1″ is 32 pages, priced at $3.99, available as of May 13. For more details, visit our friends at Dark Horse Comics right here.
FERTILITY by Gosia Herba and Mikołaj Pasiński
“Fertility” is a beautiful and strange graphic novel by Gosia Herba and Mikołaj Pasiński. The artwork is by Herba and, together, Herba and Pasiński create various work. This book is brought to you by Centrala, publishers of marvelous works from Central Europe.
Think of one of the darkest tales of folklore you’ve read and then read this. “Fertility” works on a highly uninhibited level. It’s brought to life by Herba’s bold drawing style and held together by a relentless pace. The subdued blue hues running throughout kiss the work with dark grace. Rabbits are being tortured as they fall into endless traps set by the young village women. But the women don’t notice this. They are too caught up in their fertility rites. They know rabbits are synonymous with fertility. And, they believe, that eating their entrails with lead to them birthing baby boys.
Once we’ve witnessed the rabbits’ terror, it’s time to reverse the roles. If the women were callous, the rabbits are beyond heartless. It’s pretty rough stuff but it’s all rendered with poetic fervor. Each panel ratchets up the tension. The rabbits, once in bug-eyed fear, are now the masters. The young women desired fertility, but the rabbits tear that dream to shreds and then some. Herba is completely in touch with sexuality, the macabre, and very dark humor. This content is for mature readers, 18 and up. It’s a powerful work and one you won’t forget.
“Fertility” is a 36-page hardcover published by Centrala. For some of the most unique works in comics, visit our friends at Centrala right here.
Photo Cred – Pablo Ortega
If you’re a serious comics collector, have you ever felt the urge to pin up some of your collection to a prominent wall in your home? You know, just so you can enjoy the spectacle? Well, that is exactly what a real estate agent and a production designer did when they set out to create a show stopping wall to enhance a property for sale. If you’re in the Los Angeles area and in the market for a beautiful home in Silicon Beach, then this is especially for you. The home was listed on May 11.
The following press release is enlightening inasmuch as it’s an interesting example of how comics are valued in our society. The memories, the power of myth, it’s all priceless. HGTV’s Matthew Finlason tore into his own personal $10,000 collection of comic books to make this altar to comics happen.
Press release follows: