“Echoes in an Empty Apartment” is full of energy and intrigue in its 23 minutes. Lindsay Lane commands the screen as The Angel. This horror short begins with our femme fatale engaged in cleaning up her blood-stained kitchen. In her yellow rubber gloves, and cherry print apron, she meticulously sponges away. The dark red blood is set off by the bright yellow gloves. Once satisfied that things are polished clean, she delivers a chilling stare. We then cut to a drifter in a dive bar. He’s The Bastard (played by Trey McCurley) in our story. He will sleep with anyone and mounts a prostitute twice his size while under the surveillance of The Angel. She’s on a case and it revolves around him.
Tag Archives: Pop Culture
I don’t think you can sue a fictional character for having said something that came from her fictional mind in a work that is fiction. Can you? Well, Paul Brodeur is going to take a stab at it. Actually, he’s targeted some deep pockets that are everything but fictional. Paul Brodeur is a science journalist who was a staff writer at The New Yorker for nearly 40 years. In the film, “American Hustle,” the character Roslyn (played by Jennifer Lawrence) tells her husband, Irving (played by Christian Bale) that “microwaves take the nutrition out of food.” “That’s bullshit,” Irving replies, and his wife shows him a magazine and says, “It’s not bullshitt. I read it in an article. Look, by Paul Brodeur.”
Brodeur claims that this exchange between fictional characters, in a work of fiction, has damaged his career since he’s never actually stated that “microwaves take the nutrition out of food.” The solution, of course, is to sue the companies that produced and distributed the film, Columbia Pictures, Atlas Entertainment and Annapurna Pictures.
Good luck with that, Mr. Brodeur. Personally, I tend to think that microwaves do take the nutrition out of food. So, sue me.
Megg, Mogg, and Owl. Say it with me, “Megg, Mogg, and Owl.” They will set you free. Set you on a righteous path. What Simon Hanselmann does with his comics is what any artist and/or writer worth his or her salt does: take you somewhere, make you feel something. The most disturbing, and most exhilarating, moment for me in comics this year, or any year, must be Werewolf Jones taking a cheese grater to his testicles. Pure genius. And I say it with only a touch of irony. In fact, it is a great moment in comics.
Interview: MAD Magazine’s John Ficarra and Nick Meglin on ‘Don Martin: Three Decades of His Greatest Works’
Don Martin. We know his uniquely surreal and eccentric cartoons from MAD Magazine. Who better to shed light on Don Martin, and the world of MAD, than longtime MAD editors Nick Meglin and John Ficarra. Mr. Meglin goes back to the early years of MAD. He retired in 2004 but remains a contributing editor. Mr. Ficarra was brought on board by Mr. Meglin and the two worked together for many years. Both men are quick with a joke and just a pleasure to talk to. The subject for this interview is the uproariously funny work of Don Martin and “MAD’s Greatest Artists: Don Martin: Three Decades of His Greatest Works,” a 272-page hardcover published by Running Press and available as of November 11.
Zeusvision levels the outdoor advertising playing field in an exciting and innovative way and makes it affordable for anyone to get their message out. You’ll be hearing a lot more about Zeusvision in the days and months to come. Let’s start with a closer look now.
“Outdoor advertising is an elitist business. I want to bring the power of large-scale outdoor media within reach of the average person.” –Giovanni Wolfgang, CEO, Zeusvision
Here’s a great way to look at it in a nutshell: Think of Zeusvision as a huge iPhone™ on wheels that can position itself wherever the client desires, delivering customized multimedia messages and experiences for as little as $99.
Today’s tech makes it possible to do things unheard of, or just beyond reach, a generation ago. So, it makes perfect sense, and it’s perfect timing, for Zeusvision, digital double decker buses that can get your message out into hot spots, with lots of people traffic, at a price anyone can afford.
More details follow from our friends at Zeusvision:
By 1974, MAD magazine had hit an all-time high in popularity, selling more than 2 million copies per issue. It was also the height of the Watergate scandal, Vietnam War protests, and the counterculture. MAD helped bring about the age of subversive satire that we see today everywhere from “The Simpsons” to “The Daily Show.” It was the underground before there was an underground. And, among the wackiest of cartoonists, in fact, “MAD’s Maddest Artist,” was Don Martin. Martin was from some other planet. “MAD’s Greatest Artists: Don Martin: Three Decades of His Greatest Works,” published by Running Press, lets you see this extraterrestrial cartoonist at his best.
John Bergin is a very interesting illustrator. He’s out there. He’s got a touch of gonzo to his style. He’s a cross between Ralph Steadman, Dave McKean and Tomi Ungerer. Just the sort of chap you’d want to guide you through a dystopian nightmare such as “From Inside,” his animated adaptation to his graphic novel of the same name.
Mike Richardson has hit a home run with “Father’s Day,” which shows no signs of losing momentum with its first issue. As the founder, president, and publisher at Dark Horse Comics, Mr. Richardson also finds time to write and has contributed a variety of work (The Secret, Cut, Atomic Legion). With “Father’s Day,” there’s a palpable sense of purpose to this story of conflict between a daughter and her long estranged father, twenty years of estrangement to be exact. And there’s more to this quirky crime thriller, plenty more.
Horror Movies 2014: THE BABADOOK Arrives November 28, 2014 (Theatrical and VOD); October 30 (DirectTV)
IFC Midnight has got you covered for Halloween and beyond with a new genre film called THE BABADOOK.
Kim Newman, of EMPIRE MAGAZINE, describes it as, “one of the strongest, most effective horror films of recent years – with awards-quality lead work from Essie Davis, and a brilliantly-designed new monster who could well become the break-out spook archetype of the decade.”
The film premiered at this year’s Sundance Film Festival Midnight Section and it absolutely terrified audiences ever since. The film is a psychological thriller in the tradition of Polanski’s classic domestic horror (Rosemary’s Baby, The Tenant, Repulsion). In addition, The BABADOOK just won the “Best Horror Feature, Best Screenplay, Best Actor, and Best Actress” Awards at the 2014 Fantastic Fest. The film is coming out theatrically on November 28th but it also has an exclusive debut with Direct TV starting October 30th so Direct TV subscribers will have a chance to catch the film in their home on Halloween!