There is this amazing new graphic novel that tackles, for the first time, the life and work of Rod Serling. It is The Twilight Man: Rod Serling and the Birth of Television, by Koren Shadmi, published by Humanoids as part of their new imprint, Life Drawn. I have a lot to say about this book, in no small part, due to the fact that I have my own graphic novel that overlaps on some of what’s going on in this book. I’m still in the process of getting my book out but I think it’s actually good to see a book like this out there. This is Koren Shadmi’s Rod Serling and his take on related events. There is definitely room, and interest, for more such books. One perfect example is what appears to be an ever-growing number of graphic novels on Andy Warhol. But I digress a bit.
I am familiar with Koren Shadmi and his work. I had the privilege of interviewing him in 2015 for one of my podcast interviews. In fact, I made a reference to The Twilight Zone and discovered that Koren, in Israel, had not grown up with the original Twilight Zone like so many of us did in the States. I don’t know about you but I’ve always had access to it. As a kid growing up in the seventies, TZ was well into syndication and very well accepted as part of the culture, even better than during its original run from 1959 to 1964. Anyway, Koren is a masterful illustrator on a fast professional track. Is it any wonder then that he was able to create this book in such a relatively short amount of time? I’d peg it at sometime during or after his previous book on Gary Gygax and Dungeons & Dragons which came out in 2017. Koren’s book on Rod Serling is fascinating and goes into as much detail as possible, even daring to cast Serling in less than a favorable light.
If you want to see Rod Serling cast in an unfavorable light, look back fifty years ago. It was on November 8, 1969 that a TV movie was broadcast on NBC starring Joan Crawford, directed by Steven Spielberg, and written by Rod Serling. It was to be the pilot for the ill-fated anthology series, Night Gallery. It was pitched as something like Twilight Zone but turned out to be lackluster. Shadmi spends a good bit of time showing us the Rod Serling after The Twilight Zone and it’s not a pretty picture that he paints. Instead of wrapping up his graphic novel on an upbeat note, Shadmi has no qualms over depicting Serling as falling from grace, a little desperate and seeking approval in all the wrong places. We see Serling doing very un-Serling things: appearing in commercials, hosting a game show, and giving up all creative control all for the sake of being back in the game with Night Gallery. And, the coup de grâce for any Serling fan: Shadmi makes a reference to Serling engaging in an extramarital affair. I can only chalk it up to Shadmi compelled to show the man warts and all. But, if you want to see Serling at his best, well, there is plenty of that, enough to overlook a man’s weaknesses.
A good part of the book going in covers Serling as a brash young man eager to see combat during World War II. And that he does. While considered too short to be a paratrooper, Serling’s persistence wears down his company commander. Serling, cut from the same cloth as Hemingway, pushes himself to his limits, working as hard on his writing as his proving his manhood. Repeatedly, he pursues physical thrills and danger in the boxing ring and on the battlefield. He leaves the army permanently shell-shocked, experiencing nightmares for the rest of his life. It is such a uniquely talented and driven man who finds his way to writing for radio and later for television in New York City during the dawn of the golden age of television. And, on the strength of his landmark work on Playhouse 90, Serling ultimately finds himself on top of the world as one of television’s original show runners for The Twilight Zone. All of this and more, Shadmi faithfully brings to life on the page. It is more than enough to forgive him for daring to show the great man when he was down.
The Twilight Man: Rod Serling and the Birth of Television is a 180-page trade paperback in duotone, published by Humanoids.