Category Archives: African American

Movie Review: BlacKkKlansman

Adam Driver (left) and John David Washington in ‘BlacKkKlansman’

Do you find yourself flooded by Trumpworld only to wish you could zone it all out? That frenzied state of distraction is exactly what the Donald is aiming for. Spike Lee’s new film, BlacKkKlansman, aims to give us clarity and put things in perspective.

Topher Grace in BlacKkKlansman

Anyone familiar with Spike Lee’s work appreciates its integrity. 1989’s Do The Right Thing deftly confronts American race relations. That is a powerful movie. Lee brings that same energy and intelligence to 2018’s BlacKkKlansman. As a cartoonist, I often wonder about how the comics medium, in all its varied forms, can best address the current Trump crisis. I think Jim Carrey’s cartoony paintings, with their raw quality, have a much greater impact than perhaps most professional editorial cartoons. As for anything remotely falling under the “graphic novel” category, I’d have to give a lot of credit to John Oliver’s parody of Mike Pence’s Bunny Book. That said, whatever the art form, it is the measured response that ultimately wins the heart and soul of the viewer.

White nationalists clashing with counterdemonstrators in Charlottesville, Va., last year. With an anniversary rally planned in Washington on Sunday (8/12/2018), the authorities have planned for weeks to avoid a repeat of last year’s clashes.CreditJoshua Roberts/Reuters

Spike Lee has certainly given careful consideration. Based upon a true story, Lee’s main character is a young and idealistic African American man conflicted by serving his local police force and serving his community at an activist level. The narrative masterfully weaves in the 400-year-old American racial experience: past, present (1972), and future (2018). There are those moments when everything comes to such fine point, especially after the newly-minted undercover detective Ron Stallworth (John David Washington) has gotten settled into his job. One fellow officer talks with him about how white supremacists are steadily going mainstream and it will eventually lead to the White House. Ron shakes his head in great disbelief.

BlacKkKlansman

It is Ron’s job, which he carved out for himself, to infiltrate the local chapter of the Colorado Springs Ku Klux Klan. He is obviously in need of help since his phone conversations quickly lead to an invitation to meet in person. That’s where a second Ron Stallworth (Adam Driver), in the flesh and Jewish no less, comes in. And the KKK connection just keeps getting complicated, not to mention dangerous. Soon, the original Ron Stallworth is on the phone establishing quite a friendly relationship with the young KKK Grand Wizard David Duke (Topher Grace). Lee continues to thoughtfully and gracefully connect the dots, as painful as they are–without a heavy hand. And it is that cumulative effect that adds up to the most powerful film I’ve seen this year. The final moments bring us to our present with a fiery defiance and a remembrance of Heather Heyer, may she “Rest in Power.”

Spike Lee delivers a good dose of reality that can stir the soul. We don’t do this much anymore (maybe for Star Wars and superhero movies) but this film will have you in the mood to clap at the end. This movie got me good and I was clapping. I even yelled out that folks can applaud. I did it in that communal spirit that many of us in Seattle respond to. Well, not only in Seattle. And, like a chain reaction, people did applaud. It didn’t last very long since, as I say, we really don’t applaud movies anymore. But it did happen all the same, even if momentarily. We Americans need to respond to the current American crisis every chance we get. BlacKkKlansman responds to that very real need. It’s a start and it will, no doubt, inspire others to do much more, like voting.

Advertisements

8 Comments

Filed under African American, Charlottesville, Donald Trump, Spike Lee, Trump

Review: ‘Kindred: A Graphic Novel Adaptation’

"Kindred: A Graphic Novel Adaptation"

“Kindred: A Graphic Novel Adaptation”

There’s a ragged and raw quality to Octavia Butler’s novel, “Kindred,” first published in 1979, about a young African American woman who time travels to America during slavery. It’s odd. It’s compelling. And it demands to be read all the way to the end. As I say, it’s ragged and raw, and by that I mean it’s a rough journey in what transpires and in the telling. As a time travel tale alone, it’s bumpy at best. The time travel element abruptly kicks in and, just as abruptly, the characters involved accept the situation. The narrative itself is episodic and there is little in the form of subtlety. What can be said of the novel transfers over to the just released graphic novel adaptation published by Abrams ComicArts: this is raw, sometimes ugly, but always compelling and a must-read.

panel excerpt

panel excerpt: a time traveller’s satchel

Octavia Butler rips the scab off a nightmarish era in America, a wound so deep that it remains healing to this day. You could say that what Butler aspires to do is give a full sense of what it means when we talk about slavey in America. There are a number of approaches you can take. If you go down the ragged and raw path, you may end up with something that is deemed bold by some and deemed heavy-handed by others. The end result could be somewhere in between. Butler chose to damn the torpedoes, full speed ahead, with this novel that finds Dana, an African American woman from 1976 Los Angeles, repeatedly and relentlessly subjected to various torture and humiliation as she finds herself regularly being transported back to America during slavery. The story begins in Maryland in 1815 and subsequently follows the progress of slaver-holder Rufus Weylin, from boy to manhood.

page excerpt: dark journey

page excerpt: dark journey

First and foremost, this is a book to be celebrated. While it is a tough story to tell, it is brimming with truths to be told. Sure, no need to sugarcoat anything. There are no sensibilities here to protect. That said, while a graphic novel, this is a book with a decidedly mature theme running throughout with disturbing content. What it requires is a adult to check it out first and then decide how to proceed. Without a doubt, this is an important teaching tool but best left to high school and above.

page excerpt: slave/master

page excerpt: slave/master

As for the overall presentation of this graphic novel, it has taken an audacious approach of its own. Whether intentionally or not, it carries its own distinctive ragged and raw vibe. The drawing throughout is far from elegant, quite the opposite. In fact, it often has a rushed quality about it and I’m not saying that’s necessarily a bad thing. I sense that it’s something of a style choice. This is a harsh and dark story and so it is depicted as such. In the end, this is a truly unusual and intriguing work.

“Kindred: A Graphic Novel Adaptation” is a 240-page, full-color, hardcover available as of January 10th. It is based upon the novel by Octavia Estelle Butler, adapted by Damian Duffy, artwork by John Jennings. For more information and how to purchase, visit Abrams ComicArts.

4 Comments

Filed under Abrams ComicArts, African American, American History, Comics, Graphic Novel Reviews, graphic novels, History, Race, Race Relations, Racism, Sci-Fi, science fiction, Time Travel