
There was a lot of buzz at Comic-Con over this collection of the animated series, BATMAN BEYOND. It is the latest awesome Warner Home Video to catch my eye. Warner Home Video will distribute this limited edition DVD set of all 52 episodes of the series on November 23. All things considered, this would make an excellent gift for the holidays.
The series provides an intriguing new wrinkle into the Batman mythos. The setup is that Bruce Wayne is now an old man, retired and done with crime-fighting. Enter Terry McGinnis. He is just a regular teen boy until one day his father is murdered. This echoes Bruce Wayne’s own family tragedy. To make it worse, the murder mystery leads back to Wayne/Powers Corporation.
This DVD set is loaded with extras, including a movie celebrating the 75th anniversary of DC Comics. There’s also tons of stuff about Batman and his gear. Lots of amazing voice talent, which includes Henry Rollins, from the legendary punk bank, Black Flag; Dan Castellaneta (The Simpsons) and George Takei (Star Trek). The production team, the writing team, everybody on board this one is providing you with quality product.
Press release follows:
BATMAN BEYOND: THE COMPLETE SERIES
LIMITED EDITION COMPILATION SET! INCLUDES ALL 52 ACTION-PACKED EPISODES
PLUS THREE NEW BONUS FEATURETTES
WARNER HOME VIDEO TO DISTRIBUTE DVD SET NOV. 23
BURBANK, CA (August 18, 2010) – Warner Bros. Animation’s breakthrough
series Batman Beyond comes to DVD for the first time in its entirety.
Featuring DC Comics’ iconic hero, Batman, Batman Beyond: The Complete
Series presents nearly 20 hours of animated action spread over 52
episodes, as well as all-new bonus featurettes and a 24-page, 8”x 12”
collectible booklet. Batman Beyond: The Complete Series will be
distributed by Warner Home Video on November 23, 2010 as a nine-disc
limited edition DVD set for $99.98 (SRP).
Batman Beyond: The Complete Series centers on Terry McGinnis, an
ordinary teenager … until his father is mysteriously murdered.
Suspecting foul play at his father’s company, Wayne/Powers
Corporation, Terry meets Bruce Wayne and learns of a secret identity
hidden for decades. Now too old to don the cape and cowl as Batman,
Wayne refuses to help – so Terry does what any brash young kid would
do: steal the Bat-suit and take matters into his own hands! Vowing to
avenge his father’s death, Terry dons the high-tech suit tricked out
with jetpacks, a supersensitive microphone and even camouflage
capabilities in search of his father’s assassin. It’s 52 action-packed
episodes following the adventures of the partnership between an
ex-crimefighter and his apprentice, starring Will Friedle (Boy Meets
World) as Terry McGinnis and, reprising his seminal role, Kevin Conroy
(Batman: The Animated Series) as Bruce Wayne.
Casting throughout the series’ 52 episodes featured award winners from
feature films, primetime television and the Broadway stage – from Paul
Winfield, Stockard Channing and Seth Green to
William H. Macy, Wayne Brady and Teri Garr – not to mention George
Lazenby (On Her Majesty’s Secret Service), Dan Castellaneta (The
Simpsons), Jodi Benson (The Little Mermaid), George Takei (Star Trek)
and Henry Rollins (the front man for the rock band, Black Flag).
An all-star production team was headed by executive producer Jean
MacCurdy and producers Bruce Timm, Alan Burnett, Glen Murakami and
Paul Dini. Writers on the series included Burnett and Dini, as well as
Stan Berkowitz, Bob Goodman, Rich Fogel, Hilary Bader and John McCann.
Included in the beautifully custom designed package is a 24-page, 8”x
12” collectible booklet with the inside perspective and artwork from
the vaults especially compiled by DC Comics for this release.
Three new bonus features created specifically for the Batman Beyond:
The Complete Series are:
TOMORROW KNIGHT: THE BATMAN REBORN
The “Batman Beyond” creative team gives you a peek into the character
of Terry McGinnis, and what made him worthy to become the new Caped Crusader.
GOTHAM: CITY OF THE FUTURE
A look at Gotham City, circa 2039, and how the team built a realistic
vision of the near future while remaining true to the city they
created in Batman: The Animated Series.
THE HIGH TECH HERO
Explore the technology behind the Bat-suit, its amazing powers and the real world science that inspired it.
The collection will also contain the DC 75th anniversary documentary,
Secret Origin: The Story of DC Comics.
“Batman Beyond was a landmark series as it created altogether new
directions for the iconic character, and added dimensions for fans
both old and new to the Batman mythology,” said Amit Desai, WHV Vice
President of Family, Animation & Sports Marketing. “Warner Home Video
is proud to release this important series in an all-encompassing box
set, just in time to make a perfect holiday gift for the ultimate
fan.”
About Warner Home Video:
With operations in 90 international territories Warner Home Video, a
Warner Bros. Entertainment Company, commands the largest distribution
infrastructure in the global video marketplace. Warner Home Video’s
film library is the largest of any studio, offering top quality new
and vintage titles from the repertoires of Warner Bros. Pictures,
Turner Entertainment, Castle Rock Entertainment, HBO Home Video and New Line Home Entertainment.
About DC Entertainment:
DC Entertainment, home to such iconic DC Comics properties as
Superman, Batman, Green Lantern, Wonder Woman, The Flash, MAD
Magazine, and Fables, is the creative division charged with
strategically integrating across Warner Bros. and Time Warner. DC
Entertainment works in concert with many key Warner Bros. divisions to
unleash its superheroic characters across all media, including but not
limited to film, television, consumer products, home entertainment,
and interactive games. Publishing over 1,000 comic books, graphic
novels and magazines each year, DC Comics is the largest
English-language publisher of comics in the world.
DC SUPER HEROES and all related characters and elements are trademarks of and © DC Comics.
About Warner Bros. Animation:
Warner Bros. Animation (WBA) has been producing award-winning original
animation since 1930, when it released its first cartoon, “Sinkin’ in
the Bathtub.” Since then, WBA’s characters have set the standard for
innovative, quality animation. Producing for network and cable
television, online, home entertainment and feature films both
domestically and internationally, WBA is highly respected for its
creative and technical excellence, as well as for maintaining the
studio’s rich cartoon heritage. WBA also oversees the creative use and
production of animated programming based on classic cartoon characters
from the Hanna-Barbera and DC Comics libraries. WBA is one of the
most-honored animation studios in history.
Gail Simone and the Love for Comics
Gail Simone has a love affair with comics, we know that. Moreover, she loves to write, we know that too. If you’re a really good writer, you make your readers feel that you’re writing just for them but not only that, you’re also writing for yourself, your story and your characters. I think that’s what it comes down to: a love for the craft of writing and for comics. I see it clearly in how Simone keeps her characters moving. Like many a good writer, Simone has a distinctive voice and style. Her characters, who tend to be down-to-earth, even when they’re not from Earth, are people who like to talk, to open up, to reveal who they are or, if they aren’t so receptive, are in touch with who they are and can articulate that.
Opening up Simone’s recent return to her creator-owned comic about a retirement community for superheroes, Welcome to Tranquility: One Foot in The Grave, #1, we find another jaunt into character-driven mayhem. Simone, in interviews, always likes to talk about her characters. For this new six-issue arc with Wildstorm, Simone has said she was interested in pursuing why Tommy, a young African-American woman, decided to become a cop. The story, ostensibly, revolves around Mayor Fury and his being accused of at least one murder and one attempted murder. But that would never be enough for a Simone story. Keep an eye on Tommy.
Taking a look at where we are with Birds of Prey, at Issue Three, Simone has hit her stride. I don’t know that I need to have those little hard to read neon captions anymore that repeatedly describe what the characters are about. I suppose they’re residue from Blackest Night/Brightest Day. As I say, Simone has hit her stride and we’re ready to fly with this new arc without further introductions. You can’t go wrong when the birds just get to talk trash and be themselves. That alone is enough reason for me to keep up with this series. In this issue, we have the added bonus of the birds mixing with one very foul bird, the Penguin. Again, just give us interactions with the birds and the Penguin and I’m totally there. Considering how steamy things can get with such sexy characters, this issue exercises just the right amount of restraint.
And next we check in with Secret Six at its latest, #24. I can feel that Simone has a really soft spot for this ragtag group of antiheroes. The latest arc has the gang thrown into a Western and what a throw down. Of the pile of comics I’ve read lately, this one really had me lost within its pages. It gives Jonah Hex a run for its money. Page per page, this is a standout. The whole thing with the Punch and Judy dialogue interlaced within the story is inspiring, not to mention way cool creepy. It is the perfect vehicle for the harlequin character, Ragdoll. And there is some formidable girl power with a dynamic force of three key women: sheriff, barmaid and prostitute.
Getting back to this love for comics, I can’t help but equate it with a love for superheroes. They do seem to go hand in hand, don’t they?
Gail Simone in her own words, from Women in Refrigerators:
Well, that was part of one of Simone’s manifestos about a need for more Superchicks and not women stuffed into refrigerators. If I were to write a manifesto, and I believe I have already on occasion, I would say we’re always in need of good writing, period. I think I’ve gotten into a little trouble, or let’s call it a misunderstanding here and there, when I mention examples of bad writing in comics. Oh, yeah, there’s enough of that to go around. And why is that? I don’t know, maybe it’s a reactionary need to go for what is considered a known property without much or any thought to quality: violence, action, genre glorification and, well, whatever leads to women being stuffed into refrigerators.
This thing about comics and superheroes runs deep. It is hardwired into us. Take the camp in the old “Batman” TV series, for instance. That wasn’t just camp. That was, and is and likely will always be, our collective understanding of comics: Pow! Zap! Boom! It’s our modern mythology. Even in the world of alternative comics, the supposedly anti-superhero world, references are repeatedly made to superheroes. It’s part of the comics DNA. So, yeah, when superhero comics are done with care, with whatever elements of sex and violence and gore are required, and you go that extra mile with quality writing, well, you’ve struck gold. It’s a theme you can count on me coming back to again and again because the reasons for coming back to it are always going to be around. Thank goodness that Gail Simone is around to provide us with some of the good stuff we appreciate about comics.
Share this:
Like this:
Leave a comment
Filed under comic books, Comics, Commentary, DC Comics, Essays