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Asterix Comes to America!

Papercutz Brings Asterix to America

What Mickey Mouse is to Americans, Asterix is to the French. The news of Papercutz Publishing bringing out new English translations of every volume of Asterix has been stirring excitement since late last year. The wait is just about over. On May 19, 2020, Papercutz launchs the new Asterix editions with two omnibus volumes of three stories each, starting at the beginning of the series, plus a stand-alone edition of the newest book, #38: THE CHIEFTAIN’S DAUGHTER, which was released internationally in October 2019 and promptly sold 5 million copies worldwide. And, by the way, Asterix is not only in good company with Mickey Mouse. Also making the case for Asterix in America is the massive success of Jeff Smith’s Bone series, another quirky comics series that is an all-ages favorite.

Papercutz Brings Asterix to America

Since Asterix first appeared as a French comic in 1959, the ancient Gaul warrior has been featured in 38 books which have sold close to 380 million copies worldwide. It’s the best-selling comic of all time. The series, written by René Goscinny and illustrated by Albert Uderzo, has been translated into 111 languages and dialects, adapted into ten animated and four (soon-to-be five) live-action films, and even inspired a full theme park outside of Paris. While the international phenomenon has yet to take hold on this side of the Atlantic, the future looks bright for Asterix at Papercutz.

Asterix Comes to America

Fun facts and the whole story about Asterix follows:

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Drawing: Lynda Barry

I love this video that features comic-drawing rebel professor Lynda Barry doing her own thing. Around the six minute mark, Lynda confides in the audience that she knows that most folks abandon drawing when they try to draw a nose! She proceeds to draw a bunch of fun noses. First, she begins by drawing what her cousin advised to be the proper way to draw a nose, circa 1962. Then, she riffs on the wonderful world of noses. Starting with the shape of a head, Lynda Barry, one of our all-time great cartoonists, guides the viewer into visual anarchy. If there is only one rule to follow, it is this: the drawing still needs to “read” as whatever it is you’re drawing.

Making Comics

Lynda Barry has worked as a painter, cartoonist, writer, illustrator, playwright, editor, commentator, and teacher and found that they are very much alike. She is the inimitable creator behind the seminal comic strip Ernie Pook’s Comeek as well as numerous comic books and graphic novels, and is the recipient of both the Eisner Award and the R. R. Donnelly Award. She lives in Wisconsin, where she is an associate professor of art and a Discovery Fellow at the University of Wisconsin–Madison. Her most book is Making Comics, published in 2019 by Drawn & Quarterly.

Making Comics

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Seattle Focus: Public Safety Concerns Underscored by Mass Shooting

Illustration by Jennifer Daydreamer

Guest Column by Jennifer Daydreamer

Editor’s Note: On January 22, 2019, the Seattle downtown core was rocked by a mass shooting. Part of the heart of downtown Seattle is Third Avenue and Pine Street, one of the most congested downtown areas in any American city and long known as a hub for crime. This incident underscores the dysfunction at City Hall and how Seattle city leaders have long struggled to understand and address crime. Seattle cartoonist and writer Jennifer Daydreamer speaks out on the challenging situation Seattle citizens must face.

Seattle mass shooting crime scene. The Seattle Times.

SEATTLE: THIS IS HOW TO PROTEST THE CRIME

We have a real crime problem in Seattle. Who are the superheroes that have emerged to champion public safety? The business community. The Downtown Business Association commissioned the 2019 System Failure Report, held an impromptu 1.24.20 downtown safety rally, and, most recently, signed a petition letter to Seattle and King County leadership, pleading for safety reform. This should give one pause. Can you feel the topsy-turvy of a non government entity – businesses – doing our government’s job of protecting the people? Something is terribly wrong.

What has our council, mayor and governor been doing in response to crime? They give speeches! It’s always the same one, too. Their speeches consist of feel good solutions that appeal to their voter base. They never have the courage to say that the law is not being enforced and if it were, it would reduce the crime on the streets dramatically. Now, why would their voter base not want safety? The short answer is that the hard Left is keen on bridging the economic divide. An example of this is the focus on free bus rides, library fees waived and free winter rent (to be paid back, if the landlord can collect it). Do you hear our leaders talk with the same passion on the need to stop people from getting stabbed, gunned, punched, pushed and robbed? No.

In case you have been asleep like Sleeping Beauty the last decade, the speech our leaders give is this: “We have to build more housing, have alternatives to incarceration, offer drug rehabilitation programs and mental health assistance.” All of that is very good. Well planned, thoughtful alternatives are important. The problem is, given the track record of our government’s inability to create such entities, I don’t think these ambitions will become reality for another twenty years, if ever. When politicians offer up nonsensical solutions to the immediate need of public safety, it’s a way of denying the crime.

I recognize the Emperor’s New Clothes when I see it. Make no mistake, the crime is real. The majority of you in Seattle know this; you’re experiencing crime and reading and watching the news. At its core level, law and order is gold; it’s been melted down and is slipping through your civic fingers. I recommend KOMO television’s 1.27.2020 Town Hall, Downtown Seattle Violence: Enough is Enough. Attorney Scott Lindsay describes the City’s approach to public safety as “The appearance of gross negligence.”

When you hold a large protest, it tells our politicians that this is a voting public. Allow me to describe to you my dream rally. Have a simple rally, centrally located in downtown. Chants can be yelled for ten minutes such as ‘Enough Is Enough!’ and ‘We Want Safety and We Want It Now!’ The twist is, in any part of downtown, business owners only have to step outside their building to the sidewalk, to join in the chanting. Isn’t it cool that business is strategically located to have a protest that stretches to both ends of downtown? Anyone can join in, employees, passersbys, all people. I really believe there are enough people affected by crime that many will join in. Yet, this can be peaceful. There’s no need to spill onto the streets and block traffic. Police can join in for a change instead of having to keep the peace. Businesses won’t break their own windows. Everyone yells during his or her break and then back to work. Efficient! 

Maybe I’m dreaming too big, to say this, but the protest can be spectacular and stretch “across the land” from business to business, residence to residence, person to person; to Belltown to Beacon Hill to Capitol Hill, all the way to Alki Beach to Ballard to Fremont to the U District…you get the picture.

We are in a kingdom, a fiefdom! It’s time to awaken! Although I use fairy tales as metaphors, I am not naïve. I know I am preaching to the choir out there in the Emerald City. Seattle, you know the crime is real.

Let your voices soar, loud and clear.

Jennifer Daydreamer

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Spotlight: JOHN CONSTANTINE: HELLBLAZER

Panel excerpt from John Constantine: Hellblazer #1

File under Diehard Offbeat Comics: the latest run from the Sandman Universe under DC Comics Black Label, John Constantine: Hellblazer. Sometimes, you just want something nice and weird…and yet familiar. Look no further than the murky and spooky world of John Constantine. You may, at times, find the narrative a bit loopy and hard to follow but a good yarn with some meat on its bones, and plenty of authenticity, makes up for it. Let’s consider a choice panel from the first issue right above. You are in good hands with writer Simon Spurrier. We can jump over to a sneak preview (Issue 4 out Feb 26) via Spurrier’s Twitter right below:

Cannot wwwwWAIT for you guys to meet Tommy Willowtree in #HELLBLAZER 4 next week. He is quite literally everything John isn’t.

John Constantine is back in London, back to his old tricks—and just in time, as things have become very dark indeed in his old stomping grounds. A small-time gang lord has found himself dealing with a big-time outbreak of supernatural weirdness…and without any allies to call on and nothing left to call his own, John doesn’t have much choice about taking a paycheck from one of London’s worst, or accepting the help of one of the gang lord’s would-be foot soldiers. But what should be an open-and-shut exorcism turns out to be anything but…and the author of this madness may just be getting started on their terrible masterpiece!

HELLBLAZER #1

The original Constantine is back in this series from Si Spurrier (The Dreaming) and Aaron Campbell (Infidel), with nothing to his name but decades of bad memories and an unearned second chance. How, exactly, will he squander it? There’s only one way to find out…

For more details, visit DC Comics right here.

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Review: THE DETECTION CLUB: PART 1 by Jean Harambat

The Detection Club: Part 1 by Jean Harambat

This is one of the most inspired scenarios for a comic that I’ve seen in a while. What if all the great mystery writers of the 193os formed a club–and had amazing adventures? That is exactly what is happening in this totally cool new graphic novel series, The Detection Club, script and art by Jean Harambat, published by Europe Comics. We’re talking about the golden age for mystery writers including G. K. Chesterton, Agatha Christie, John Dickson Carr, and Dorothy L. Sayers. This is from the same brilliant talent who created the spy thriller series graphic novels, Operation Copperhead. If you like crisp and witty humor, then this is for you. And, yes, this book is in English. That’s an essential component of Europe Comics, your home for comics from Europe, translated into English.

The Detection Club page excerpt

First off, you need to know that there really was a Detection Club and it must have been something! Just imagine all of these world-class writers meeting on a regular basis, helping each other out with their craft, and even writing books together under the name of the club itself! I don’t think I was aware of this and, if I was, I’d forgotten. So many years and beers ago, you know. But now I’m fully aware of this fact thanks to this wonderful graphic novel series. So, that is the basis in reality for this series but Harambat takes it much further and places a select bunch of our writer heroes in quite a madcap adventure involving a crime-solving robot who may or may not have just committed murder! So, lots of fun for all ages, even for much older kids at heart such as myself.

Panel excerpt: Our main characters all in row.

I really like to showcase panel art. There are so many reasons to do this. The main reason is to simply get a closer look! This makes sense, just as you would focus on a particular passage in any novel. It gives us a moment to savor the process. What is key about Harambat is that he loves to draw. This is quite evident in the above example. Too many young aspiring cartoonists believe that any scrawl that they produce is priceless. That wrongheaded thinking is much too ingrained in the indie comics community. Yes, there is a place for spontaneity and a loose and sketchy style can be quite legitimate. But look at the dazzling results you get from rigorous  care in the pursuit of refined essentials. Everything reads as very crisp and clear! You want that kind of clarity!

The Detection Club page excerpt

Harambat is an auteur cartoonist who truly loves to write and draw economically. It is a very functional approach that makes it easier to tackle such an ambitious project that involves characters with formidable back-stories. We’re talking about some of the greatest popular writers of all time–either intimately known by readers or at least recognized to some degree. There are expectations already in place. Many readers coming to this graphic novel already have some notion as to who Agatha Christie was and expect someone unusual and clever–and will expect the same from her contemporaries. Any reader attracted to this book is already curious about the world of mystery and crime fiction and related matters. Harambat is there to deliver on all counts: he fills in the blanks, connects the dots, and thoroughly entertains. All the characters are drawn in a direct and clear way, easy to keep track of, easy to relate with. Then you bring in the villain, an eccentric billionaire living on some secluded tropical island with a huge robot at the center of a murder mystery. Bingo! What a premise to kick off this series!

The Detection Club: Part 1 is an 86-page book, available in digital format on various platforms. For more details, visit Europe Comics, your home for all European comics, all digital, all in English.

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Angoulême 2020: Emmanuel Guibert and Other Notable Winners

Emmanuel Guibert

ANGOULÊME FESTIVAL – The 47th annual Angoulême International Comics Festival took place January 30 thru February 2, 2020. Arguably, it is the most artful and significant of all comics festivals. It is, without a doubt, on many a serious cartoonist’s bucket list simply to attend. The Grand Prize of the Angoulême International Comic Book Festival (Fibd), which rewards an author each year for all of his work, was awarded to Frenchman Emmanuel Guibert. Other awards presented this year demonstrate the scope and breadth of comics of the highest quality. The Grand Prize of the City of Angoulême, awarded on the eve of the comics festival, is one of the highest distinctions for a comic book author. This prize is awarded following a vote by the community of professional comics authors published in French, regardless of their nationality. Emmanuel Guibert, screenwriter of Ariol and author of Space sardine, succeeds Japanese winner Rumiko Takahashi last year. The Angoulême International Comics Festival is the second largest comics festival in Europe after the Lucca Comics & Games in Italy, and the third biggest in the world after Lucca Comics & Games and the Comiket of Japan. It has occurred every year since 1974 in Angoulême, France, in January.

Emmanuel Guibert wins Grand Prix 2020

The following is a beautiful description from the Angoulême festival site of the career of Emmanuel Guibert, the winner of the Grand Prix for 2020:

After the American Richard Corben in 2018 and the mangaka Rumiko Takahashi last year, the Frenchman Emmanuel Guibert is elected Grand Prix of the 47th International Comic Book Festival of Angoulême, after a vote which brought together 1852 authors and comic book authors. With Emmanuel Guibert, it is a masterful author with an exemplary career who is today rewarded. Born in 1964 in Paris, Emmanuel Guibert began his career in comics with Brune , a work on the rise of Nazism in a hyper-realistic style which he quickly abandoned. The album, which it took seven years to produce, appeared in 1992. Frequenting the authors of the very young publishing house L’Association, he began to publish stories in the review Lapin , and joined the atelier des Vosges alongside notably Emile Bravo, Christophe Blain and Joann Sfar. On a script by the latter, he drew The teacher’s daughter , Alph’art coup de coeur and Prix René Goscinny at the Angoulême Festival in 1998. Emmanuel Guibert implemented a sepia drawing, sensitive and flexible, in a graphic style that he continues to shape in The Scarlet Captain with David B. in script (2000). Always with Joann Sfar, he began in 2000 the children’s series Sardine from space, of which he first wrote the screenplay before also ensuring the drawing. He gives free rein to his imagination and develops his formidable talent as a storyteller. From 2001 he drew the series Black Olives (3 volumes) on a little Jewish boy in Judea 2000 years ago, again with Joann Sfar in the script.

At the turn of the 2000s, Emmanuel Guibert began publishing an ambitious and long-term project, a series of albums inspired by the memories of his American friend Alan Ingram Cope, La Guerre d’Alan (three volumes from 2000 to 2008 ), Alan’s childhood (2012), Martha and Alan (2016). With his elegant and restrained line, of great technique, Emmanuel Guibert excels at staging Alan’s life, exposing the intimate with subtle modesty. This magnificent work of memory smuggler continues in The Photographer (three volumes from 2003 to 2006), inspired by memories and photos brought back from trips to Afghanistan with Doctors without Borders by photojournalist Didier Lefèvre. Here, photos and drawings complement and merge, to better fix time and memories. The Photographer will be rewarded around the world with the Prix Essentiel d’Angoulême in 2007, the Eisner Award for the best American edition of an international work and the Micheluzzi Prize for the best foreign series in 2010.

In Alan as in The Photographer , Emmanuel Guibert, by his virtuoso gesture and his technique, sublimates the intimate and the everyday, magnifies the innocent and the passing of time, and above all, unconditionally places the human at the heart of his stories. An interest in the other that can be found both in Alain’s news , a book on Roma communities in Europe produced with Alain Keler, and in the irresistible series for young people Ariol which he created in 2000 with Marc Boutavant at the drawing. There, under the cover of telling the adventures of a small anthropomorphic donkey, he explores modern life and everyday life as a child, appealing to his own memories. Emmanuel Guibert received the René Goscinny Prize in 2017 for all of his work.

The Grand Prix crowns a complete author, innovative designer and unparalleled narrator, whose work for adults and children is imbued with the greatest humanity.

Angouleme Palmares 2020

There is an essential list of eleven awards at Angouleme that provide a window into the wide and wondrous world of alternative comics. After all these years, many a talking head is still chattering away about the boom in arthouse comics and, sure, that is all well in good insomuch as it helps spread the word. After all these years, the playing field on the pop culture landscape is pretty far flung and spread out. We now have wave after wave of specialized “comics journalists” out there taking the pulse of the comics scene, many of who have never attempted to write or draw a comic of their own, have limited knowledge, and who are more ready than anything to espouse a hasty theory or proclamation about the comics medium. Well, that brings us back to the reality of a platform such as Angouleme where work has gone through a fairly rigorous vetting process. Hey, the process is subjective on many levels but quality work usually manages to rise to the top that is worth discussing and has a chance of holding up to the test of time. That is why a list of Angouleme award winners rates taking notice. Here is my own enhanced presentation that I cobbled together by making liberal use of the live Twitter feed by 20 Minutes:

Fauve d’Or for the best album: “Révolution” tome 1, by Florent Grouazel and Younn Locard

(Prize which rewards the best album of the year, regardless of genre, style or geographic origin)

Revolution

(Live Tweet) Ceremony of the Fauves – The Fauve d’or for the best album is awarded to Florent Grouazel and Younn Locard for “Revolution – Tome 1 Liberté” by Actes Sud / L’An 2 # FIBD2020 # BD2020 #BD #Angouleme # FIBD @ActesSud pic.twitter.com/NiJSS37IVX

– Festival d’Angoulême (@bdangouleme) February 1, 2020
The first part of this choral story focuses on the year 1789 and blows the wind of the Revolution in the street. This titanic project, expertly documented, was carried out by four hands by two young authors who retrace the revolutionary period in a resplendent graphic bubbling, inspired by the imagery of the time.

20 Minutes’ opinion: Telling the French Revolution of 1789 in just over 1000 pages is a very ambitious project, especially on the part of such young authors (the Breton Florent Grouazel is 32 years old and the Norman Younn Locard is 35 ). The value does not wait for the number of years, the first volume of “Revolution” is a total success, with dynamic and captivating narration (and choir, since we witness events through the eyes of three characters) and striking graphics of realism. Hyper-documented, demanding, their work has made, since its release, a critical and public unanimity. At 20 Minutes, we appreciated it so much that we rarely consider Fauve d’Or for the best album to have been so indisputable.

Révolution tome 1, by F. Grouazel & Y. Locard – Actes Sud / L’An 2 editions – 26 euros

Clyde Fans

Fauve Special Jury Prize: “Clyde Fans”, by Seth

(Prize given to a work which particularly marked the jury by its narration, its aesthetics and / or the themes addressed)

(Live Tweet) Ceremony of the Fauves – The special Fauve of the jury is awarded to “Clyde Fans” of Seth, published by @DelcourtBD # FIBD2020 # BD2020 #BD #Angouleme #FIBD pic.twitter.com/6FajrXrFUV

– Festival d’Angoulême (@bdangouleme) February 1, 2020Fruit of a work started twenty years ago, “Clyde Fans” tells the story of two brothers who inherited their father’s business after he abandoned them. The Canadian Seth, whose elegant graphics are imbued with a touch of nostalgia, is second to none to tell intimate stories that touch on the universal of the human condition.

Clyde Fans , de Seth – Delcourt editions – 49.90 euros

Lucarne

Fawn Revelation: “Skylight”, by Joe Kessler

(Prize awarded to the album of an author or an author at the start of their career who has professionally published a maximum of three books)

(Live Tweet) Ceremony of the Fauves – The Fauve Révélation is awarded to “Lucarne” by Joe Kessler, at @lassociation

# FIBD2020 # BD2020 #BD #Angouleme #FIBD pic.twitter.com/rPehVKGr62

– Festival d’Angoulême (@bdangouleme) February 1, 2020These five short stories impregnated with strong colors translate the most intimate sensations of the characters. A singular graphic and narrative experience, signed by the artistic director of the English publisher Breakdown Press, to express fear, pleasure or smells, supported by a hypnotic narration and an original vision of the world.

Skylight , by J. Kessler – Éditions L’Association 2 0 euros

In the Abyss of Time

Fawn from the series: “In the Abyss of Time”, by Gou Tanabe

(Prize which honors a work in four or more volumes, regardless of the number of volumes in total)

(Live Tweet) Ceremony of the Fauves – The Fauve of the series is awarded to “Dans l’Abîme du temps” by Gou Tanabe and HP Lovecraft at @ki_oon_Editions # FIBD2020 # BD2020 #BD #Angouleme #FIBD #Fauve pic.twitter.com / dXJgZDsjF7

– Festival d’Angoulême (@bdangouleme) February 1, 2020After The Hallucinated Mountains, Gou Tanabe continues his adaptation of the novels of the master of horror, HP Lovecraft. Leaving Antarctica for the Australian desert, with a black line of oppressive realism, the mangaka draws the inexpressible and gives body to this nightmarish SF masterpiece that combines a journey through time and a terrifying transfer of personality.

In the Abyss of Time , by Gou Tanabe (after HP Lovecraft) – Ki-Oon editions – 17 euros

Act of God

Fawn of Audacity: “Act of God”, by Giacomo Nanni

(Prize which rewards experimentation and formal innovation through an album with an inventive and innovative graphic style, using all the possibilities of comics to better push its boundaries)

(Live Tweet) Ceremony of the Beasts – The Beast of Boldness is awarded to Giacomo Nanni for “Act of God” by Here Same editions

# FIBD2020 # BD2020 #BD #Angouleme #FIBD @_icimeme pic.twitter.com/SnaUklWi1V

– Festival d’Angoulême (@bdangouleme) February 1, 2020On August 24, 2016, in Italy, an earthquake killed 298 people and left nearly 400 injured. Giacomo Nanni traps the moment in a choral tale that makes the mountains speak, lingers on a stray deer in front of a supermarket and tracks the unicorn in the viewfinder of two hunters. His pantheistic ode confronts man with nature and creation with chaos, in a pointillist and dazzling graphic magma.

Act of God , by G. Nanni – editions Ici même – 19.50 euros

The Green Hand and Other Stories

Fauve Patrimoine: “The green hand and other stories”, by Nicole Claveloux and Édith Zha

(Prize rewarding a work which is part of the world history of the 9th art and whose edition, re-edition or the integral offers a particularly neat editorial work)

Live Tweet) Ceremony of the Fauves – The Fauve du Patrimoine is awarded to “La Main Verte et autres récits” by Nicole Claveloux and Edith Zha at @ed_cornelius
# FIBD2020 # BD2020 #BD #Angouleme #FIBD pic.twitter.com/hVFmYwIy6d

– Festival d’Angoulême (@bdangouleme) February 1, 2020First volume of an anthology dedicated to Nicole Claveloux, painter, youth illustrator and cartoonist, passed by the magazines Métal Hurlant and Ah! Nana .Collection of poetic stories enhanced with flamboyant colors, “The Green Hand” describes an absurd and funny world in which reality plays hide and seek with reason.

Note that Nicole Claveloux received a Fauve d’honneur during the official Fauves award ceremony, Saturday, February 1, 2020.

Standing ovation for Nicole Claveloux who receives a Fauve d’honneur at @bdangouleme #Fauves # FIBD2020 # BD2020 pic.twitter.com/E4HhBMGfJy

– see read (@ see read) February 1, 2020The Green Hand and other stories , by N. Claveloux & E. Zha Cornelius editions – 23.50 euros

La Saison des Roses

Fauve Audience Award France TV: “Saison des roses”, by Chloé Wary

(Prize awarded by a jury of nine spectators from France Télévision)

(Live Tweet) Ceremony of the Fauves – The Fauve Audience Award France Télévisions is awarded to Chloé Wary for “La Saison des roses” at @editionsFLBLB @Francetele # FIBD2020 # BD2020 #BD #Angouleme #FIBD pic.twitter.com/PYdKw1x8Px

– Festival d’Angoulême (@bdangouleme) February 1, 2020Barbara passes the bac. She lives with her mother in the ordinary suburb of Rosigny-sous-Bois and lives only for her football club. But this year, the leaders decided to favor the men’s team, preventing the players from registering for the championship. With her markers, Chloé Wary puts her bright colors at the service of the story, to salute the team’s commitment to the collective field of football and the feminist struggle.

Saison des roses , by Chloé Wary Flblb editions – 2 3 euros

No Direction

Fauve Polar SNCF: “No Direction”, by Emmanuel Moynot

(Prize awarded by a jury of personalities)

(Live Tweet) The Fauve Polar #SNCF is awarded to “No Direction” by Emmanuel Moynot at Sarbacane editions @ SNCF # FIBD2020 # BD2020 #BD #Angouleme #FIBD @ESarbacane pic.twitter.com/QrpG938GRx

– Festival d’Angoulême (@bdangouleme) February 1, 2020In this paper road movie in the form of a choral narrative, Moynot follows two serial killers in their mad race across America, like a filmmaker filming on the shoulder. Bloody and hopeless epic, doomed to failure and violence, “No Direction” is a human comedy in twenty chapters that strike the reader in the stomach like so many punches.

No Direction , by Emmanuel Moynot Sarbacane editions – 2 4 euros

Komikaze

Fawn of alternative comics: “ Komikaze (collective – Croatia)

(Prize rewards the best non-professional publication, chosen from around thirty non-professional productions and coming from any geographic origin)

(Live Tweet) The price for alternative comics is given to Komikaze # 18 # FIBD2020 # BD2020 #BD #Angouleme #FIBD pic.twitter.com/ncmmty1HHw

– Festival d’Angoulême (@bdangouleme) February 1, 2020https://komikaze.hr

  • Culture
  • Angoulême Festival
  • Manga
  • BD
  • Literary prize
  • Palmares

Source: 20minf

Not included in this Twitter collection but just as worthy are two more titles…

Le Tigre de Neiges

The Youth Awards Adults Prize: Le Tigre de Neiges by Akiko Higashimura.

Les Vermeilles

The Youth Prize: Les Vermeilles by Camille Jourdy.

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Review: APOCALYPTIGIRL: AN ARIA FOR THE END TIMES by Andrew MacLean

APOCALYPTIGIRL: AN ARIA FOR THE END TIMES

Sometimes, a work of comics takes on a life of its own, irrespective of its creators and anything else. I think that’s what makes ApocalyptiGirl so appealing. This is a second edition of Andrew MacLean’s whipsmart comics, published by Dark Horse Comics. Now, a regular reader of comics needs a very good reason to keep turning the page and this loopy and hip dystopian comic does the trick. A lot of comics fall into traps, like trying to be too clever or explaining too much and often turn out to just be boring. ApocalyptiGirl is not boring. It is the opposite of boring: fun, engaging, a live wire act of comics!

APOCALYPTIGIRL: AN ARIA FOR THE END TIMES

This is the story of Aria, a lanky young woman and her pet cat, Jelly Beans, living in a series of abandoned subway cars and surviving some post-apocalypse mess of some kind. I don’t really care what kind and neither do you. We’ve had too many post-apocalypse scenarios so we simply accept the premise and move on. It’s smart to do so. Either you have some really compelling reason for everything having blown up to bits or you accept it and focus on your main character. Aria and Jelly Beans are fun to see move around and do things. The whole comic has a very pleasing look about it: fine crisp linework, nicely balanced and dynamic colors, strong composition all the better to keep your eyes moving along.

ApocalyptiGirl: An Aria for the End Times, originally published in 2015, is available in a second edition hardcover, with bonus material, releasing on March 4, 2020. For more details, visit Dark Horse Comics right here.

 

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Review: ALWAYS GOODBYE by Ray Hecht

Always Goodbye by Ray Hecht

Always Goodbye by Ray Hecht. 88 pages. TWG Press, 2019, paperback, $5.99.

With great insight and humor, Ray Hecht shares his life with the reader in his autobiographical graphic novel, Always Goodbye. This is an ambitious work as Hecht takes stock of his whole life thus far. Hecht sums up his life, year by year, and he’s up to the challenge. He’s definitely an interesting subject: an artist, filmmaker, journalist, and author. What he’s doing here is giving the reader a window into what he’s done all his life: traveling, observing, and creating art. Like the results of a conversation between good friends, this graphic novel provides many gifts.

circa 1990

The theme of the book is found in the title. While traveling can be enlightening and full of adventure, it often comes at a price. And, of course, all travel is not completely voluntary. A lot of the nuts and bolts of travel are not glamorous and bring in a whole lot of issues including the trauma of displacement.

circa 2012

No doubt, Ray Hecht is doing exciting work with comics, both as a creator as well as an instructor. And he certainly has a wonderful track record of prose novels, including South China Morning Blues and The Ghost of Lotus Mountain Brothel. Hecht is an artist down to his bones and I definitely relate to that. Hecht has harnessed a creative drive that’s led to compelling work. Anyone interested in the inner life of an artist will get a lot out of his latest book. If you enjoy a hearty work of autobiography, this will appeal to you. Hecht’s comics have got enough of that quirk factor that earns him a place within that fine tradition of auto-bio comics that includes such luminaries as John Porcellino, Tom Hart, and Lynda Barry.

Always Goodbye is published by TWG Press and available right here.

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Emerald City Comic Con in Seattle, March 12-15, 2020

Image Comics/Skybound Entertainment at Emerald City Comic Con

Emerald City Comic Con is the premier comic book and pop culture convention in the Pacific Northwest. ECCC is the place to be in Seattle, held at the Washington State Convention Center, March 12-15, 2020. Tickets are available here. ECCC presents a top ten list highlighting reasons to attend:

ECCC tickets are available here.

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Filed under Comics, ECCC, ECCC 2020

Sketchnotes: Senate Trial 23 Jan 2020: Donald Trump vs. Val Demings

A split-screen of Demings and Trump.

A highlight from today: presentation by house manager, and retired law enforcement officer, Rep. Val Demings. She focused on the machinations of Rudy Giuliani as he worked to pressure Ukrainian Pres. Volodymyr Zelensky to announce Biden investigations. At one point during the NBC News broadcast coverage, there was a split-screen of Demings and Trump arriving in Miami for one of his rallies. What is particularly interesting about this moment is that there is talk of Demings as the vice presidential running mate for the Democratic ticket in 2020. Demings, by the way, is from Florida, a most consequential state come election time. Ironically, Trump was heading to Miami during the Demings presentation.

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Filed under Comics, Donald Trump, Visual Storytelling