Tag Archives: Publishing

BEARDO Comic Strip Ends

The final installment of BEARDO, by Dan Dougherty, is now available as a print.

BEARDO, the long-running humor comic strip about family life by Dan Dougherty, has reached its end. Dan Dougherty is one of the finest cartoonist/illustrators in the business. He has all the qualities and skills that make him a professional: a strong work ethic, dedication to craft, and steadfast persistence. These darn cartoons don’t get drawn by themselves, folks. It takes a special person to see it through and make it all look so effortless. The above comic strip is a prime example.

The final installment of BEARDO, by Dan Dougherty, is now available as a print. Visit Dan and pick up your print right here. And, while you’re visiting Dan at his site, you’ll discover all the other work he’s been up to including a thrilling comic book series, TOUCHING EVIL, and his band, On the Off Chance.

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Filed under Comic Strips, Comics, Dan Dougherty, Family, GoComics, Humor

Review: JURASSIC by Ted Rechlin

JURASSIC by Ted Rechlin

Dinosaurs fascinate us on a level all its own. Over a hundred years ago, when Winsor McKay was looking for a way to wow the public with his animation, he turned to a brontosaurus, Gertie the Dinosaur. Beyond that wow factor, there is a need to know what these creatures were really like. And that is where the work of writer/artist Ted Rechlin is so important for young readers…and even older readers. In a series of books that use a comic book format, Rechlin brings to life a fascinating assortment of facts about dinosaurs. Rechlin’s approach evokes the best in wildlife documentaries with the unique storytelling qualities of comics. Rechlin’s latest book is simply entitled, “Jurassic,” published by Rextooth Studios, and distributed by Farcountry Press.

The mighty Supersaurus!

“Jurassic” is the new graphic novel from Ted Rechlin (Tyrannosaurs Rex, Bears). Printed in a hardbound, comic-book style, “Jurassic” is a thrilling prehistoric adventure for all ages. Featuring epic action, stunning artwork, and the return of the Brontosaurus. Ted Rechlin is a phenomenal Montana artist who has worked for DC Comics and Dover Publication and currently runs Rextooth Studios. He also just released Dinosaurs Live! (coloring book, Farcountry Press). “Jurassic” is part nature documentary, part action epic, and follows a brontosaurs calf navigating through the perilous age of the dinosaurs.

Allosaurus vs. Torvosaurus

Author and Illustrator Ted Rechlin is becoming a king of the dinosaurs. “I just keep drawing them” says Rechlin. “I love getting the chance to show them as living, breathing creatures. I love knowing that people will read this and imagine how they might have behaved.” Having already published Tyrannosaurus Rex and just recently completed Dinosaurs Live! The Ultimate Coloring Book, Rechlin’s love and knowledge of the Mesozoic world shines in all his work.

Allosaurus wins!

His newest release, “Jurassic,” is a primeval adventure in animal behavior. Part nature documentary, part action epic, Rechlin welcomes readers of all ages to experience the golden age of dinosaurs. “One of my favorite parts of this time period is the sheer scale of these creatures,” Rechlin says, “We have mega-carnivores like the Torvosaurus hunting prey alongside the massive and whale-sized Camarasaurus.”

Allosaurus rests.

One of these giant-sized herbivores, and the central protagonist in “Jurassic,” Brontosaurus, has just recently come back into prominence thanks to new scientific discoveries. Years ago, the species had been downgraded and grouped as a subspecies of Apatosaurus, but recent findings confirmed that it was a distinct and valid species of sauropod. “Brontosaurus was one of my favorite dinosaurs as a kid,” says Rechlin. “After paleontologists reconfirmed its existence as a species, I knew I wanted the book to feature a young brontosaurs’ journey to become the ‘thunder lizard’ he was born to be.”

Beautifully illustrated, packed with thrilling action sequences, the most up-to-date science, and a passion for the prehistoric world, “Jurassic” (ISBN: 978-1-59152-203-4, $19.95, Sweetgrass Books, 2017) is available at local bookstores and gift shops, through online retailers, or from Farcountry Press right here. And be sure to visit Ted Rechlin right here.

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Filed under Comics, Dinosaurs, Education, Graphic Novel Reviews, graphic novels, Ted Rechlin

Seattle Art Fair 2017: Much to See and Buy!

Kurt Cobain, Incesticide. Courtesy of UTA Artist Space.

The Seattle Art Fair (August 3-6) offers much to see and to buy. The whole idea is to offer in one space an opportunity for a varied audience to engage with some of the best contemporary art around the world. The 2017 edition features 99 galleries representing 30 cities globally, with 58 from the Pacific Rim alone, in addition to lectures and specially commissioned installations. UTA Artist Space, for example, brings the first-ever exhibition focusing on the visual art of Kurt Cobain to the Seattle Art Fair. It includes previously unseen notebooks as well as two original paintings by Cobain. An additional piece that Nirvana fans will undoubtedly recognize is this collaged cover of the band’s 1992 Incesticide compilation.

From Joshua Liner Gallery: Riusuke Fukahori’s
The Ark (Goldfish Salvation), 2015

If you are in the Seattle area, you can still catch the final day of Seattle Art Fair this Sunday. And, if you should not be able to make it, be sure to visit the Seattle Art Fair website for details on all the participating galleries. The following is my recap of my visit on Saturday. There are a number of ways to take it the show with countless observations to make and insights to gain. Here are a few of mine.

Sean Townley’s 7 Diadems, 2016.

Be sure to look twice. While many of us believe we’ve seen it all, there is a part of us ready to be astonished. But you need to really look. Take, for instance, a row of what appear to be pods floating along a strip of the showroom floor. Upon a closer look, they appear to be heads reminiscent of the Statue of Liberty. Are they emerging with the truth and rising to the top? Read more regarding Townley’s work at Boston’s Museum of Fine Arts right here.

C24 Gallery: Carole Feuerman’s City Slicker

The art is alive. Engage with it as it is already engaging with you or so it certainly seems. Carole Feuerman’s City Slicker was a crowd favorite. Represented by C24 Gallery.

Forum Gallery: Bo Bartlett’s Object Lesson, 2017

The art is there to provoke. Welcome a new conversation as art provokes new thoughts and renewed debate, like Bo Bartlett’s Object Lesson, represented by Forum Gallery.

Forum Gallery: Xenia Hausner’s Gone Girl, 2014

Lose yourself. Art can certainly be as fun as it is intense. Consider Xenia Hausner’s Gone Girl, represented by Forum Gallery.

Winchester Galleries: Joe Fafard’s Lucien Freud, 2014

Art will shock. Art takes seriously its option to shock. It can be intense or it can be more of a whimsical nudge like, Joe Fafard’s 2014 tribute in bronze to painter Lucien Freud. Fafard is represented by Winchester Galleries.

Shift Gallery Seattle: Eric Day Chamberlain’s Red Plate Yellow Background, 2016

Art will soothe. Art also prides itself in its ability to calm. Consider Eric Day Chamberlain’s Red Plate Yellow Background, 2016. Chamberlain is represented by Shift Gallery Seattle.

David Zwirner Gallery: Andy Warhol’s Astronauts, 1963

Pay respect. You are among some of the best art galleries in the world, like David Zwirner Gallery. You will be treated to some of the biggest names in art and perhaps in a whole new light, like the above Andy Warhol’s Astronauts, 1963.

Backslash gallery: American artist Fahamu Pecou

Art keeps you strong. Especially during these very troubled times. Backslash gallery is pleased to present a solo show with works especially realized for the fair by American artist Fahamu Pecou whose large painting Daedalus Upliftment was acquired by the Seattle Art Museum last year.

KRUPIC KERSTING II KUK: Tracey Snelling’s Lost City

Discover. Keep your eyes peeled and your mind open. You will be rewarded by something fresh and new, like Tracey Snelling’s Lost City, represented by KRUPIC KERSTING II KUK.

A Seattle Art Fair video recap:

Keep up with Seattle Art Fair right here.

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Filed under Art, Kurt Cobain, Seattle, Seattle Art Fair

Review: THE BLOODY CARDINAL by Richard Sala

THE BLOODY CARDINAL by Richard Sala

Everything is always perfectly distilled in a work of comics by Richard Sala. Everything from a dramatically constricted pupil to a young woman’s dainty feet. Sala has a way of cutting to the chase: he knows that he wants thrilling motifs and pretty girls–and he does a beautiful job of it. Sala is in fine form with his latest graphic novel, “The Bloody Cardinal,” published by Fantagraphics.

This new Sala villain makes quite an entrance and certainly looks pretty menacing. The Bloody Cardinal is no slouch, either, when it comes to murder. Clara Clarette, a charming young woman who had just purchased a mysterious book, is killed by the bird fiend. Enter Inspector Coronet, and his trusty compatriot, Dr. Sun. The good doctor has a mystical quality about him. He senses a malevolent bird-like creature is responsible for this crime. Sala does not miss a beat and paves the way for the reader to be undeniably hooked.

If you’re new to Sala, you are definitely in for a treat, especially if you enjoy a devilishly good mystery. At its heart, this is a good tightly-wound mystery. The narrative keeps popping along at a brisk pace. Each panel is a wonderfully rendered watercolor. Some cartoonists, like Sala, also happen to be painters at an accomplished level. You can’t help but appreciate how Sala distills scenes and characters to their essence.

The evil eye.

“The Bloody Cardinal” is an online serial, which follows in the tradition of his early classics, “The Chuckling Whatsit” and “Mad Night.” Perhaps it was one of these previous titles that was your introduction to his work. Sala has enjoyed a career spanning over thirty years with no signs of letting up. He has perfected a vision that, inspired by Gahan Wilson, Edward Gorey, and Charles Addams, he can safely call his own.

There is an undeniably sexy aspect to Sala’s work, as evidenced by all the compelling and voluptuous female characters in this book. The key distinction is that these are sexy, but not sexist, depictions in the service of a bigger picture. You get a worldly sense of the world from Sala: a world of books, mystery, the supernatural, and compelling young women to keep one on one’s toes. It is sophisticated fare accessible to general readers much in the same way that Hitchcock provided that special kind of entertainment in film. You could indeed say that Richard Sala is to comics what Alfred Hitchcock is to film. All those little details add up: apprehensive rats, a demonic puppet hung from a string, obsessive note-taking. The journey we take with Hitchcock as well as with Sala, with its Mcguffins and moody atmosphere, is as important as the destination, even more so.

A harbinger of doom.

In an interview last year with Tim Hodler, for The Comics Journal, Sala provides a window into the motivation behind his work: “What has always appealed to me over everything else, beyond horror or comedy or whatever, is a sense of the absurd. I think I got that from reading Kafka in high school and feeling a shock of recognition. I felt a kinship with absurd humor and black humor. Having an appreciation of the absurd – along with my childhood love of monsters – helped me survive in what was a dysfunctional (that is, crazy) household. I was drawn to the surreal and the expressionistic and the unreal, which is where I felt at home.”

“The Bloody Cardinal” is a 96-page full color trade paperback. This is a book that will appeal to a wide range of readers: anyone, say, 13 and up. For more details, visit Fantagraphics right here.

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Filed under Comics, Fantagraphics, Fantagraphics Books, Graphic Novel Reviews, graphic novels, Horror, mystery, Richard Sala, Supernatural

Review: EDUCATION by John Hankiewicz

EDUCATION by John Hankiewicz

I enjoy note-taking when I prepare reviews. It’s part of the process that usually remains behind the scenes but this review begs for it. For this book, I write things like, “on page 63 is a perfect example of how the stream of consciousness pays off: giant head of greyhound leading big beam from train headlight.” That is the image I need to highlight for my review of “Education” by John Hankiewicz, published by Fantagraphics, part of their imprint, Fantagraphics Underground.

That head of a greyhound!

Yes, this is a very arty book but it avoids becoming an academic hot mess. Much to enjoy in simply accepting a greyhound head as a beam of light. Much to enjoy in a disjointed narrative if done right. There is certainly a long tradition of artists using text that doesn’t really seem to match the adjacent imagery. Think of Magritte and his play with text and image. Ever mindful of that, no doubt, Hankiewicz seems to relish his playing with text and image, and delightfully recontextualizing images, just like playing improvisational jazz.

Rest assured, it is not a spoiler to say that this book has no plot, at least not a conventional one. There is plenty of connective tissue here with heart and depth, especially the thing about the stars. We begin with stars signaling the return of someone’s father, and then stars getting caught on a young man’s shirt and other places. In fact, the stars force this same young man to later go naked for a while in order to better detach himself from these pesky stars. Of course, stars are very symbolic. It seems like a cruel joke to have all these stars descending upon our hero with no promise of love or treasure. Lots to enjoy with these pesky stars.

Education, by John Hankiewicz, is a 136-page trade paperback. For more details, visit Fantagraphics right here. And, when in Seattle, be sure to visit the Fantagraphics Bookstore And Gallery right here.

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Filed under Comics, Fantagraphics, Fantagraphics Books, Fantagraphics Bookstore And Gallery, Graphic Novel Reviews, graphic novels, John Hankiewicz

Review: ‘My Favorite Thing Is Monsters’ Vol 1 (of 2) by Emil Ferris

“My Favorite Thing Is Monsters” Vol 1 (of 2) by Emil Ferris

If you have not heard of this book yet, then let me introduce you to one of the new landmarks in graphic novels, “My Favorite Thing Is Monsters,” by Emil Ferris, published by Fantagraphics. Maybe you have heard of it. Or maybe, like me, you weren’t sure what to make of it at first. Certainly, one quick look through its pages, and you can tell this is something weird and wonderful. And, at 386 pages, this ain’t a book you’re gonna miss sitting there on the shelf.

An enigma begging for resolution.

As a cartoonist myself, the book is also a bit intimidating. All this awesome stuff to process–that I didn’t write and draw! As a reviewer, this is the sort of book that everyone comes out of the woodwork to review. People who never read graphic novels now suddenly have an opinion to express on the next big thing. But, don’t get me wrong, it is exciting to see a book like this gain the spotlight. That said, a number of things make this book significant and worthy of a long life after the current buzz.

A bigger look: two-page spread.

The best way to enjoy this book is to find a cozy seat and explore the pages for a while. Then just settle into it. Ferris has an uncanny sense for narrative flow. In a comic that she did about promoting the book, she included an observation by comics legend Art Spiegelman. He declared that Ferris had tapped into a new rhythm for comics. To be sure, Ferris has a distinctive approach. She beautifully alternates among various possibilities: from full page drawings to panel sequences; from just a hint of color to full color; from lots of text to minimal text. This exquisite contrast propels the reader into worlds unknown.

Deeze, the bad boy older brother.

Our story begins in Chicago on Valentine’s Day, 1968. There’s been a murder, or maybe a suicide, or God only knows what. Something happened upstairs. 10-year-old Karen Reyes has lost her dear friend, her upstairs neighbor in the apartment right above her: the elegant and enigmatic Anka Silverberg. She was shot in the heart. But her apartment door was bolted shut from the inside. So, yes, it was a suicide, right? Well, that’s what the police say. But Karen senses that just can’t be right. And so begins Karen’s investigation. Karen, the little girl who thinks she’s a monster. Yes, she really believes she’s some werewolf girl. And the only thing more scary than that is the M.O.B., that’s short for people who are Mean, Ordinary, and Boring.

Having to answer to mama.

Ferris fuels her work of magical realism with magical kid logic. Karen’s quest to get to the bottom of the death of Anka Silverberg, a holocaust survivor, becomes a multi-layered journey. Narrated by Karen, the reader becomes privy to a child’s inner world in a similar fashion to Jonathan Safran Foer’s celebrated novel, “Extremely Loud & Incredibly Close.” 10-year-old Karen ponders over the validity of monsters and concludes that they have as much right to exist as other unseen marvels like germs and electricity. Karen’s fanciful innocence clashes with harsh reality. Her older brother, Deeze is engrossed in various sexual conquests with little to no discretion as to whether Karen is around to hear it or see it. As a way to protect herself, Karen can always revert back to her own whimsical concerns, like whether or not tulips get homesick for Holland.

One of the many pulp magazine tributes.

This is a genuine must-read resonating with aficionados and the general public alike. Many of the pages in the book have become iconic, particularly the monster magazine portraits. This is a tale that intertwines the tumult of the 1930s and 1960s and ends up casting a mirror to our own very troubled era. The alternating formats that Ferris uses are the hallmark to this most innovative work. Ferris steadily modulates the narrative having the reader swim to the deep end and read passages suitable for a prose novel all the way to deceptively simple comic strip sequences. All the while, everything is held together cohesively with the consistent use of ball point pen rendered art on a background of notebook paper–that and one of the most compelling voices to grace the page.

As I say, in my video review, it is a hard thing to do in a graphic novel where a cartoonist creates something truly fresh that has the reader seeing things in a whole new way:

This is one of those rare books that can safely be called an instant classic. It is a long work in comics that truly makes good use of a high page count. In fact, a second volume is due out as early as Valentine’s Day of 2018. For more details, visit Emil Ferris right here. And visit Fantagraphics right here.

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Filed under 1960s, Comics, Emil Ferris, Fantagraphics, Fantagraphics Books, Graphic Novel Reviews, graphic novels

Review: ‘Maggy Garrisson: Give Us a Smile, Maggy’ by Lewis Trondheim & Stéphane Oiry

MAGGY GARRISSON Volume I

Think of Maggy Garrisson as a more gritty Bridget Jones–dealing with crime noir misadventures. The first book in a graphic novel series sets up a rollicking good time with our main character, Maggy, stumbling into a career as a private detective. That’s pretty remarkable considering she wan’t doing anything in particular prior to her new more challenging situation. The first book in the series in entitled, “Maggy Garrisson: Give Us a Smile, Maggy,” originally published by Dupuis, in Belgium, and now available in an English translation as a digital comic at izneo right here.

On the job.

Written by Lewis Trondheim and drawn by Stéphane Oiry, this crime comedy series is sure to please just about any reader. Trondheim is a legendary cartoonist, both as an artist and writer. Stéphane Oiry is best known for his collaboration with the cartoonist, “Trap,” in bringing back the classic comic strip, “Les Feet Nickelés,” originally created in 1908 by Louis Forton.

A day in the life of Maggy Garrisson.

Maggy Garrisson proves to be a perfect anti-hero in her own way. She seems to only attract grifters and drifters into her life. But she is determined to get a better life or, at least, she really hopes for the best. She is not an ambitious sort. Trondheim and Oiry play up Maggy’s shortcomings for all they’re worth. As Maggy becomes more entangled in what could add up to some fairly sinister activities, the reader will be thoroughly amused. Drawn with a light touch and attention to detail, Maggy moves about a vivid and animated world.

No detail is too small.

This first book is 50 pages in full color and available as a digital comic at izneo.

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Movie Review: ‘Valerian and the City of a Thousand Planets’

“Valerian and the City of a Thousand Planets”

“Valerian and the City of a Thousand Planets” is a very big deal–and deservedly so! It exceeds the expectations of the most diehard fan with a heady mix of style and substance. I am so happy to have seen it and I would gladly go see it again and again. I was hoping for something special. I went in with thoughts that this could be a like a French Star Wars, perhaps divided by Star Trek, and then multiplied by Doctor Who. Something really special–and that it is!

My concern was that there might be some culture clash for some viewers: American tastes at odds with this Euro-movie based upon a Euro-comic book series. But, I conclude, that really is such a non-issue. There is a decidedly offbeat sensibility going on with this movie but isn’t that what we all love about the Star Wars franchise, along with other loopy and irreverent entertainment?

Another worry was that I had heard that this movie was too dependent upon CGI. Well, ahem, there’s nothing wrong with CGI when it works. Just think of “Avatar.” Much like “Avatar,” the CGI in “Valerian” is simply an integral part of the experience. There are so many iconic moments in this movie that are all about the CGI. For instance, the wonderfully elaborate sequence with Valerian (Dane DeHaan) running through a multitude of dimensions. Or Laureline (Cara Delevingne) arguing with some very dim servant creatures. Or, one of my favorite moments, Bubble (Rihanna) and her beautiful dance sequences.

Dane DeHaan, Luc Besson. and Cara Delevingne

There’s a very intriguing thing going on with the dynamic between Valerian and Laureline. The two are lovers but they have a lot of work ahead of them. They are intentionally distant in how they interact with each other, in an other-worldly comic book way. This disconnection between the two lovers leaves the viewer wondering about them. When Valerian repeatedly tells Laureline that he wants to marry her, it comes across as highly ironic. It would be wrong to dismiss the acting as wooden. It is part of what director Luc Besson intentionally wants. It is part of what the script aims for. I think some critics have unfairly expected more natural performances and gleefully found fault where there is none.

Given the surreal and whimsical elements in this movie, it remains a well-built and grounded piece of work. The opening sequence brings to mind the opening scenes to “Wonder Woman” set in the idyllic Themyscira. In this case, it is an ideal world of peaceful beings. The civilization depends upon little creatures who happily produce pearls that power their world. These beings, like the young lovers, Valerian and Laureline, are quite otherly. It is this otherliness that informs this rather sophisticated narrative that gently balances irreverence and idealism. Just the sort of thing you’d expect from the very best comics.

Of course, you can’t please everyone. Americans, in particular, have become quite reliant upon extra bells and whistles, even after they’ve just been presented with a formidable visual feast. No, it doesn’t seem to matter if they’ve just viewed a masterpiece–Where’s the gag reel?! they demand. And, with that in mind, you may love the video below that includes just that sort of bonus content:

“Valerian and the City of a Thousand Planets” is undoubtedly a joyride of a movie. You will love it. Visit the official Valerian movie website right here.

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Filed under Comics, Europe, European Comics, France, Movie Reviews, movies, Sci-Fi, science fiction, Star Wars

Review: MACARONI! by Vincent Zabus and Thomas Campi

MACARONI!

MACARONI! is a graphic novel involving three generations in conflict. And 11-year-old Romeo is caught in the middle. It seems that Romeo’s father has struggled to get to know his own father. The resolution to years of silence may be found in a week-long summer visit. Romeo’s dad wants him to hang out with his grandfather Ottavio at his rural home out in the countryside. Poor little Romeo reluctantly agrees to do it. MACARONI! is written by Vincent Zabus (Spirou et Fantasio), drawn by Thomas Campi (MAGRITTE), published by Dupuis, and available as a digital comic in French or English at izeno right here.

An agreement between father and son.

Zabus and Campi have collaborated on the one-shot “Les Petites Gens,“ published by Le Lombard, as well as “Les Larmes Du Seigneur Afghan,” written by Vincent Zabus in collaboration with the RTBF (Belgian television) reporter Pascal Bourgaux, published by Dupuis Editions and awarded the Prix Cognito for Best Graphic Novel at the Belgian Book Fair in 2014. For this story about a boy and his grandfather, you can easily sense a close connection between the writer and artist, as if they were one creator. The natural dialogue fits so well into the expressive artwork and vice versa. There’s a spontaneity running throughout, moving the story forward, embracing the reader. You instantly sympathize with Romeo.

“You’ll be fine.”

Romeo’s father assures him that he’ll be fine. And, in little time, Romeo knows visiting his grandfather is the best thing that could have happened to him. It won’t be easy. The old man is gruff and secretive. With a little help from Lucie, a neighbor girl Romeo’s age, Ottavio shares tales of his tumultuous life going all the way back to fighting in World War II. Peppered with insightful facts, the reader cannot help but get caught up in the emotional recollection.

Ottavio has a lifetime to share.

MACARONI! takes on the full breadth of a stage play as three generations come to terms with each other. The reader comes to see just how much of a burden Ottavio has had to bear: from learning why he lost his thumb to seeing what a struggle it was for Italian immigrants to start a new life in Belgium. This is an exceptional narrative that will appeal to any reader of any age.

MACARONI! is a 145-page full color graphic novel. You can read a digital version at izneo right here.

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Filed under Comics, Dupuis, Graphic Novel Reviews, graphic novels, izneo, Thomas Campi, Vincent Zabus

The Beatles’ Yellow Submarine Adapted as Graphic Novel

“Beatles: Yellow Submarine,” an official illustrated adaptation published by Titan Comics

What could be sweeter than a graphic novel adaptation of The Beatles’ Yellow Submarine? Yes, Titan Comics has announced a licensing agreement with Apple Corps Ltd to publish such a work! The fan base for The Beatles is in a league all its own so this is a huge deal. If no Blue Meanies get in the way, the book will coincide with the animated film’s 50th Anniversary!

“Beatles: Yellow Submarine,” an official illustrated adaptation published by Titan Comics

The comic adaptation will be written and illustrated by Bill Morrison, Bongo Comics co-founder and creative director, as well as recently announced Executive Editor for MAD Magazine. The Beatles: Yellow Submarine official illustrated adaptation will launch in stores in 2018, to coincide with the 50th Anniversary of the animated musical fantasy film released in July 1968.

“Beatles: Yellow Submarine,” an official illustrated adaptation published by Titan Comics

Directed by George Dunning, Yellow Submarine was an animated adventure inspired by the music of The Beatles. Band members Paul, John, George, and Ringo join Captain Fred in his Yellow Submarine to journey to Pepperland to help free the land from the music-hating Blue Meanies.

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Filed under Comics, graphic novels, pop culture, The Beatles, Titan Comics