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Book Review: ALPHA: ABIDJAN TO PARIS by Bessora and Barroux

Our hero: Alpha, an Everyman for Today’s Immigrant.

The plight of the immigrant has never been easy and, currently, their fate could not be more dangerous. Many, fighting to leave threatening circumstances, stand no chance of finding the freedom they seek. This brings me to another unique work in comics that defies our expectations of the more traditional graphic novel format. The artwork here is not exactly in panels and there are no word balloons for the characters to speak from. Alpha: Abidjan to Paris is published by Bellevue Literary Press and written by Bessora, illustrated by Barroux, and translated from the French by Sarah Abizzone. Alpha, our main character, while symbolic of all immigrants struggling against the odds, readily engages the reader with his own set of specifics. In this way, the creative team truly gives a face to a problem demanding our attention.

Page excerpt from ALPHA

It was never an easy dream to fulfill but our hero, Alpha, finds he has no choice. Like so many others before him, Alpha is compelled to flee his homeland in search of a better life. In his particular case, he is leaving his home in Côte d’Ivoire to reunite with his wife and son who fled ahead of him and are supposed to be living in Paris with his sister-in-law. Alpha joins a vast number of Africans from varied regions united in plans to outwit ever-tighter border security, and find the right port of exit along the northern coast.

There are a number of detours that Alpha must take on his journey. Each side trip suggests the end of the road. But Alpha is quite persistent and his hopes never dampen even when he ends up in the role of the much despised human smuggler. At least, he fully appreciates that he is part of an necessary evil. That said, whenever he confronts a dilemma in his work, he can’t help but side with the migrant. He simply lacks that killer instinct to make that maximum or, in some cases, only profit. Many of his clients have been accepted on credit that he is unlikely to ever collect on.

ALPHA: ABIDJAN TO PARIS by Bessora and Barroux

Thanks to Barroux’s highly emotive artwork, the reader is quickly hooked in to what reads as a series of diary entries. The frenetic quality of the art is matched by the conversational tone in Bessora’s writing. Adding another layer is Sarah Ardizzone’s translation from the French which further unites the sensibilities of illustrator and writer. All in all, the results, with their raw sense of urgency, are quite captivating. Alpha has gone on to become an international award–winning graphic novel supported by Amnesty International and Le Korsa, a nonprofit organization devoted to improving human lives in Senegal.

A migrant once stood a much better chance of crossing a border to safer ground but not now. Once, a migrant could have a reasonable chance at mercy but not now. The fate of the immigrant is in crisis across the globe, including in the United States of America. Books like Alpha help to educate the public and help to build toward a safer and more merciful world.

Alpha: Abidjan to Paris is a 128-page, full color, hardcover now available. For more details, and how to purchase, visit Bellevue Literary Press.

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Filed under Africa, Amnesty International, Bellevue Literary Press, Comics, Graphic Novel Reviews, graphic novels, Human Rights, Human trafficking, Immigration

Book Review: THE DEAD EYE AND THE DEEP BLUE SEA by Vannak Anan Prum

THE DEAD EYE AND THE DEEP BLUE SEA by Vannak Anan Prum

There are more slaves today, well over 40 million, than at any time in human history. A new book, a graphic memoir, by Vannak Anan Prum provides a most vivid and compelling testimony, through luscious watercolors and the author’s honest oral account, transcribed and composed to meld with Prum’s artwork. The Dead Eye and the Deep Blue Sea is a 256-page hardcover, in full color, published by Seven Stories Press.

First and foremost, this is a unique and remarkable book that readers will quickly find themselves immersed in. Human trafficking is not an obvious subject matter for the casual reader but Mr. Prum handles the subject with great dignity, never delivering a false note, and even maintaining a sense of hope throughout.

Teamwork equals survival.

This is not a conventional graphic novel/memoir. But, in the process of reading it, I found myself open to seeing this book as functioning as comics–even if it forgoes many of the building blocks of the comics medium. Was Prum ever really intending to create a work in comics, per se? I think Prum is working on a pure level, one that takes the tools required to get a job done. So, given his background and his harrowing experience, I’m sure that he wasn’t mulling over whether he might end up creating a book that would be deemed one of the hippest graphic novels of the year by the A.V. Club, The Comics Journal, etc. No, this man was in dire straits, as serious as a heart attack, and he was most interested in documenting his experience. Surely, he was thinking of working as an artist in some general sense but, even more so, Prum required his work to align with the accuracy of a top notch courtroom sketch artist. Get the facts out, first. Then take care of the artistry and poetry.

Death on a slave owner’s whim.

Even after the experience and with time for contemplation, Prum is driven to document, much in the artist tradition of, say, Albert Bierstadt, Winslow Homer, or Charles Fritz. And, I believe, the initial collection of Prum watercolors gave way, somewhere in the process (through the translating and transcribing of his oral testimony) to having this all adhere more to a graphic novel/memoir framework. And, as you progress from page to page, alternating between artwork and text, you can’t help but totally empathize with Prum, from his stumbling into danger to his dogged perseverance. So, yes, ultimately it does feel and read like a work of comics.

Prum begins his journey as a newlywed with a child on the way living in a tiny poverty-stricken village in Cambodia. Without any prospects, no education, no employment opportunities to speak of, Prum is one very desperate and vulnerable young man. Like so many others like him in similar situations, Prum is lured into a too-good-to-be-true offer of a good job with good money. It is just a matter of one footstep into a truck, and overwhelming desperation, that leads Prum and a band of other victims onto a fishing vessel–followed by years of toil and torture, at the mercy of his overseers.

“I want everyone to know about this. Through my pictures, I want to warn all cross-border migrant workers to be careful. Even if they do not keep my own story in mind, they will at least have an idea of what life is like for people trafficked onto boats for forced labor.” Vannak Anan Prum is an artist who was held captive as a slave for four years on a Thai fishing boat before being sold into slavery on a Malaysian plantation for another year. He has since escaped and now lives with his family in Cambodia. Read his story here: http://tiny.cc/deadeye Vannak’s store is run by a handful of English speaking friends. 100% of the royalties earned from this store go directly to Vannak. Feel free to email us if you have any questions or would like to commission a work directly from Vannak.

–from Vannak Anan Prum’s Twitter

It is to the credit of Prum’s own natural artistic and poetic inclinations that his story never turns maudlin. It is also to Prum’s credit that, despite the grim circumstances, his narrative never grows too dark, as if the reader can rely upon Prum to find a way, to rise above, while also not suggesting he was some sort of hero. What Prum turned out to be is an authentic artist/journalist. While I’ve stressed that Prum’s main goal is accuracy, there is no denying that he also managed to remain faithful to artistry. He has a keen sense for pacing, composition, and for color. Life is back to the normal for him now, back with his wife and little daughter. While he continues to heal from his past, Prum can take solace that his voice has been heard and that his contributions are greatly appreciated. No doubt, this book will have readers wondering about where their last seafood meal came from.

A tattoo artist emerges.

As I say, this is a tough subject to deal with, but it is essential that we educate ourselves on human trafficking and this book is invaluable in that process. Personally, I am very inspired by Prum’s story, made up of so many nuanced moments. I wondered, as I read, how he would make a life for himself after having been forced into slavery. What will freedom look like for him? I think this book will make a difference, not only to educate others but, hopefully, to help Prum and his family rise up to where they belong. I can see him developing further as a fine artist. And, as the book demonstrates, I can also see him doing quite well as a renowned tattoo artist. I look forward to whatever he does next.

Prum’s artwork saves his family.

The Dead Eye and the Deep Blue Sea is a 256-page hardcover, in full color, published by Seven Stories Press. To learn more about Vannak Anan Prum, and purchase his art, visit him here.

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Filed under Comics, Graphic Novel Reviews, graphic novels, Human trafficking, Seven Stories Press, Vannak Anan Prum

Comics Review: THE WINNER by Karl Stevens

A most engaging muse.

Karl Stevens is quite an impressive artist. Now, he does let himself get tripped up over labels. Stevens confides this with the reader, along with a bunch of other juicy and fun things, in his new autobiographical graphic novel, The Winner, published by Retrofit/Big Planet. Just who is Karl Stevens to think you, the reader, are going to care one way or another as to how he sees himself as an artist and/or cartoonist? Well, he’ll readily admit that he’s confronting the artist’s lot in life of fighting off overwhelming indifference but that’s just the thing. Mr. Stevens is engaging in the fine old tradition of presenting a portrait of the artist and having the reader take of it what they will. In this case, there is much to take and much to celebrate.

THE WINNER by Karl Stevens

I, for one, celebrate the work of Karl Stevens–and I’m sure you will too! I’ve had the pleasure of reviewing his work in the past. I really enjoyed, Failure. This new book carries on that same level of excellent auto-bio along with a foray into other themes. I see here an evolving sense of humor mixing sharp self-deprecation with the wildly absurd. It’s as if Stevens is still too close to the real world gripes that he needs to play with different genres in order to cut loose. Stevens inserts a few segments of sci-fi, fantasy, and even horror, into his auto-bio narrative. These segments are experimental compared to his far more measured and earnest social commentary. Taken as a whole, the reader seems to get to know Stevens through all these various samples of the artist’s life, working process, and work resulting from sources other than direct observation.

THE WINNER by Karl Stevens

Stevens plays up his anti-social and elitist tendencies for the reader. Whether or not the Stevens on the page is the same as the Stevens in private is one of those games that can make you crazy. It doesn’t help that Stevens has such a deliciously realistic style that lures the reader in. The writing is crisp, the dialogue is sharp and natural. So, sure, you can easily lose yourself in these wonderful scenes of Steven ranting about the mindless masses while his wife, Alex, nudges him into a reality check. I suspect that there’s more truth to these scenes than fiction and that’s totally okay, better than okay! Stevens knows how to kid. For someone who can so consistently conjure up such exquisite work, the man has earned himself the right to complain as much as he wants about the dire state of affairs and us less than noble humans.

Getting back to the genre-hopping going on here, I think Stevens is still figuring out what he wants from this. Right now, I see an artist/writer of high caliber flexing his muscles and testing things out. That said, his work can be quite visually appealing. And his humor is wry, dry, and often silly. As it stands right now, I think Stevens is heading in a very interesting direction. I am curious to see how Stevens continues to intertwine his real world with the supernatural.

THE WINNER by Karl Stevens

The Winner is a 104-page full cover trade paperback, now available. For more information and how to purchase, visit Retrofit/Big Planet right here.

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Filed under Big Planet Comics, Comics, Graphic Novel Reviews, graphic novels, Karl Stevens, Retrofit Comics, Retrofit/Big Planet

Comics Review: THE FURNACE by Prentis Rollins

THE FURNACE by Prentis Rollins

It is an honor and a pleasure to share with you, The Furnace, the new book by Prentis Rollins, a veteran in the comics industry (Marvel and DC), published by Tor Books. I will jump in with a quick way to hook into this book and say outright that this work does indeed compare favorably with the best of the original Twilight Zone. That’s a tall order but this is an exceptionally unique work. I don’t take such comparisons lightly and I have no problem striking down false claims that occur quite often. So, yes, this is the real deal with its finely modulated pace and attention to detail. It delivers that ethereal sensation that leaves you in a deliciously questioning mood. And, with its sophisticated flair, it will have strong appeal to adult readers while still appropriate for any age.

Much like an excellent episode of The Twilight Zone, every detail is accounted for right down to the title, The Furnace. What sort of furnace could this be? Well, as in any existential tale such as this, there’s a good deal of nihilism. This furnace first comes into view as a parent tries to explain to a child a highly complex (and compromised) adult endeavor. The explanation takes on grand metaphysical proportions while also clearly playing the role of an augury of sinister things to come. Just what is this parent trying to tell this child? A machine that keeps cookies locked away?


Witness the worry in the mesmerizing patterns in the sky.

We take so much for granted when it comes to comics. I digest quite a lot of comics, coming from a myriad of genres, publishers, and niches. A work like this is the Holy Grail of comics, to try to put it as plainly as possible. With a work like this, you are experiencing comics, both in art and in writing, at an extraordinary level. I’m sorry but work at this level is not for hobbyists. And I strongly believe that work at this level needs to be acknowledged as often as possible. It’s not only that Mr. Rollins can draw at an exquisite level. That alone will get you only so far. And the same can be said for nicely-paced prose. What stands out is a level of dedication and professionalism that results in astonishingly honest work. You view an episode of Twilight Zone running on all four cylinders and you see exactly what I mean. No one who just happens to love comics is going to crank this out overnight. No, sir. It doesn’t work that way. Here is someone who wrote and drew and colored a significant and highly-polished graphic novel all by himself. It happens–but not quite as often as you might think. And not nearly as good as this book!

What I really enjoy about The Furnace is that Mr. Rollins seems to not give a fig about all the time and effort required to tell his tale. He just does it–and he makes it look so easy. As a cartoonist who both writes and draws, I can tell you that this is quite labor-intensive stuff, especially if you do it all by hand, the old-fashioned way. Based upon the endnotes, where Mr. Rollins shares his process, he did indeed do it all by hand. And here’s the irony. While it is devilishly hard work, if you stop and think about it too much, it can be a very satisfactory activity. You reach a point, towards the end of such a project, when your skills are at a well-oiled level, that you simply don’t want to stop. You actually want to do more and so, if you’re fortunate, you simply jump on to the next project.

“I’m having a ball!”

Each character in this book is quite palpable, a true living and breathing entity. The key bone of contention is between two ambitious young men who find themselves at the precipice of a watershed moment with staggering consequences. Marc holds the key to what comes next and also has the power to stop it, if he were so inclined. Walton, while very capable in his own right, is stuck with being in Marc’s shadow. Walton is the guy that a genius goes to for some assistance, not for collaboration. Our story is told in various pieces looking back from the perspective of a middle-aged, and bitter, Walton. He tells this tale to himself and, oddly enough, in a sanitized form, to Clara, his six-year-old daughter. To add to the tension, Clara’s face and demeanor often resemble a much older girl or woman. It doesn’t help that Clara keeps pushing the envelope for her age. For example, she insists upon calling her father by his first name. Walton’s wife sees no problem with this as she declares, matter-of-factly, that Clara simply doesn’t see Walton as her father.

You reach a point in a work when you either ease up a bit or you dive deeper. Mr. Rollins takes each dive and goes deeper. Thankfully, he is a writer who relishes in well-placed, finely-articulated dialogue and action. And, as happens deep in the process of making a work of comics such as this, the level of writing somehow blends and interlaces with the artwork. Your characters might be pensive or caught in the throes of a crisis and, akin to the background in a painting, character and environment meld together. The skies take on an eerie neurotic energy which is accomplished with crosshatching and patterning above and beyond what would satisfy a typical panel or page. And, thus, a remarkable moment is experienced…followed by another and another.

The best rendered ears in the business!

I sort of want to skirt around the issue of the actual plot because I don’t want to give too much away. In some respects, this is as much a character-driven narrative as anything else. It has a lot to do with the great distance we can create between our fellow humans, a recurring theme on The Twilight Zone. And the storytelling has a lot to do with evoking a certain state of mind, an ongoing concern, for sure, on The Twilight Zone. The Rollins touch is there in every way possible, right down to arguably the best rendered ears in the business! Yep, that little sample above of a finely-rendered Rollins ear speaks volumes. I honestly believe that the complexity and beauty of this work ranks up there with such landmark work as Watchmen, albeit on a smaller scale.

A utopian scene

It was indeed a pleasure for me to review another work by Prentis Rollins a while back. This was his magnificent guide to drawing comics, How to Draw Sci-Fi Utopias and Dystopias: Create the Futuristic Humans, Aliens, Robots, Vehicles, and Cities of Your Dreams and Nightmares, published by Monacelli Studio. In fact, the image above is a working drawing related to The Furnace. This particular image did not make it into the book but I thought it might make a nice treat to include here. Obviously, this book is a visual delight–and, without a doubt, a literary delight.

The Furnace is a 208-page full color trade paperback, available as of July 10, 2018. For more details, visit Tor Books right here. And be sure to visit Prentis Rollins at his website right here.

File this book under “Awesome Titles Near Level with Watchmen by Alan Moore and Dave Gibbons.”

Rating: 10/10

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Filed under Comics, Graphic Novel Reviews, graphic novels, Sci-Fi, science fiction, The Twilight Zone, Tor Books

Comedy Review: David Cross and The OH COME ON 2018 World Tour

Comedy Review: David Cross at Moore Theater, Seattle, June 29, 2018

David Cross is one of the great conversational comics, among a short list of greats. Well, you may have a long list. If a gun were put to my head, and I could cough up, say, only four comedians currently working at this level, I would go with: Sarah Silverman, Chris Rock, Dave Chappelle, and David Cross. They’re all around my age and they’re all very relatable but, more than that, they are all masters at this deceptively simple casual banter that, bit by bit, builds into something epic. I caught The OH COME ON 2018 World Tour at its stop in Seattle, at the Moore Theatre, June 29th and I loved it!

New Dad

Be prepared for some very funny material about being a new dad from a comic known for being jaded and highly ironic. Cross assures his audience he’s not one of those comics that does an hour of dad jokes only to end up doing quite a lot of dad jokes–but they’re very subversive dad jokes so it’s all good.

Lots of Good Trump Jokes

If you’re expecting intelligent humor from an intelligent comedian, you’re in luck here–but also be prepared for it to get pretty weird and crass. The material on Trump is priceless and I certainly won’t give any of it away here. I will say that Cross isn’t kidding when he confides in his audience that making fun of Trump is a challenge. As Cross wades deeper and deeper into the Trump swamp, you can see Cross fighting off the fumes and doing his part for his country. One of the best bits is Cross wrapping his head around the recent trend of regretful Trump voters. It’s a thing of beauty to see Cross rattle off all the things that have had to happen before these Trump voters had regrets.

Chemtrails and Vinegar

You’ll thank me for including this YouTube video as accompanying material. Out of the blue, so it seemed, Cross jumped into a long bit explaining this very strange Deep State conspiracy theory. The idea here is that true believers are convinced that there’s a vast government scheme to pollute the air and only a vinegar spray can combat it. Enjoy.

Oh, Come On

The actual bit that is the title to his act glides in for a landing at the very end of the show. It’s just one of those special things you have to see for yourself! Again, I will just say: Cross is masterful at articulating simple and goofy material in a sophisticated and artful way.

Natura Soap

Natura Soap

Perhaps one of the best of the quickie jokes was at the very end, just as some people were sharking their way out. There was David Cross, back on stage, with one last bit. Cross wanted to share a very special item he discovered at one of his recent hotel stays. It is a very special “ergonomic” and “sustainable” soap. Just the sort of thing begging to be made fun of. And, to top it of, it has a gaping hole right in the middle. Well, sometimes comedy material just writes itself. Cross was now armed with a hilarious symbol for all he hates about Santa Monica liberals who live in a bubble–and are thrilled to pay premium for soap with a hole where most of the soap should be.

The OH COME ON 2018 World Tour is on, baby! Visit the official David Cross website right here.

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Filed under Comedy, Comedy Reviews, David Cross, Donald Trump, Moore Theatre, Seattle

Comics Review: Clockwork Lives: The Graphic Novel

Clockwork Lives: The Graphic Novel

Any escape might help to smooth
The unattractive truth
But the suburbs have no charms to soothe
The restless dreams of youth

–Neil Peart, RUSH – Subdivisions ( Signals Album 1982 )

Any kid growing up in the ’80s and in tune with popular music was listening to Rush in 1982. I fondly remember the single, “Subdivisions,” with its eerie biting satire. Flash forward thirty years, Rush released its 19th and final album, Clockwork Angels, in 2012. The lyrics written by Neil Pert, were adapted into a comic book mini-series by Boom Studios in 2014. And now we have a new Clockworks tale to tell, Clockwork Lives, published by Insight Comics. It is a treat for fans, new and old, promising to deliver something trippy and unusual, another ode to nonconformity.

If I were to storyboard out this narrative, I would be anticipating some really weird and fun visuals. Here’s the thing, this whole story is about dreams and telling stories where anything is possible. The premise is quite whimsical: the great clockworks conductor has passed away; if his sheltered daughter wishes to gain her inheritance, she must venture out into the world, beyond her little hamlet, and collect wonderful stories into a special book.

The Death of the Father

Be prepared to take in one intriguing image after another. It’s like Jethro Tull meets The Wizard of Oz. Or Ozzy Osborne meets Tintin. Or, better yet, steampunk meets The Canterbury Tales. So, curl up in a nice comfy chair and just take it all in. This is coming from Rush’s Neil Peart, after all. Co-writer Kevin J. Anderson worked with Peart on the original Clockwork Angels comics adaptation. As Anderson states in the Introduction, with this new tale, Peart and Anderson did not have album lyrics to guide them. This time out, the world of the Watchmaker, the Anarchist, and Albion, would be set free to develop further.

The Fortune Teller’s Tale

The art (Benjamin Rboly, GMB Chomichuk, Juan Vegas, Moy R., Tom Hodges, Tony Perna, Vic Malhotra) here is gorgeous with a true steampunk sensibility. And the cover, by the way, is designed by Hugh Syme, who did the covers and illustrations for Clockwork Angels and just about every single Rush album.

As our main character, the mellow Marinda Peake, soon learns, it’s good to strike out on one’s own. Before you know it, your life can blossom from a “mere sentence or two” to a true epic. It will prove an enjoyable journey for any reader.

Clockwork Lives: The Graphic Novel is a 176-page full color hardcover available as of June 26, 2018. For more details, visit Insight Comics.

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Filed under Comics, Graphic Novel Reviews, graphic novels, Insight Comics, Insight Editions

Music Review: ‘Nowhere Land’ by Olivia Olson

NOWHERE LAND by Olivia Olson

Los Angeles is both magical and manic. Entertainer Olivia Olson should know. Just take a listen to her song, “Los Angeles,” from her newly-released album, Nowhere Land. A mellow vibe belies a darker outlook. Among her credits, Olivia can proudly claim to be the voice of Marceline the Vampire Queen on Cartoon Network’s Adventure Time. She’s an L.A. kid through and through. So, she means what she says with lyrics like, “So what if I’m scandalous…I’m so Los Angeles…I’m so over the hills, so under the spell…Is it heaven or hell?…I’m so Los Angeles.”

“Los Angeles” sets the tone for an album with a youthful kick. There’s a powerful vibe to such torch songs as “Chasing Your Chances,” “Anyway,” and “Tore Up.” Each one of these nine tracks is a piece to a puzzle revealing a complex artist with a multi-layered vision. If you’re searching, and a little bit lost in the big city, this is the album for you.

Olivia says that she is very proud of the team she worked with to put this album together. As an independent artist, she looks forward to spreading the word and folks enjoying what they hear.

Nowhere Land is available on all the major music platforms including iTunes.

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Filed under Adventure Time, Music, Music Reviews, Olivia Olson

‘The President is Missing’ Could Make a Great Comic Book–Or Not

The President is Missing!

With great being a relative term and considering all the cliffhanger sequences so expertly crafted by James Patterson (let’s not fool ourselves that Bill is now a master at hardboiled airport thrillers), The President is Missing could quite possibly make for a decent comic book adaptation. The trouble is: are there any takers? All things considered, and there is a hell of a lot to consider, taken as a curious entertainment, the book did its job on me and I read it to the very end. As for passages that I can tell right away were written by Bill, I hit pay dirt at the very beginning (the president names his enemies and his virtues) and at the very end (the president names his enemies and his virtues). And the President Duncan character is so heavily influenced by Bill that he is clearly his alter ego. Tucked within all that is a pretty good spy thriller of sorts. Everything has been simplified to the point where it lends itself well to the demands for brevity and action in your typical comic book.

So, would you really want to read this? Could you even stomach it? A lot depends upon your politics, or more to the point, your opinion of Bill’s character. There are those living in a bubble who chalk up Bill’s abuse of women as simply the missteps of a cad. Everyone in this rarefied group, by the way, still uses the word, “cad” in casual conversation. I recall one talking head referring to Bill as a man of “enormous appetites.” This was all well before #MeToo but there are still plenty of Friends of Bill who simply are not up to calling him out and never will be. Bill is protected by much of the media as one who is too big to fail. Just read the review of this book in The New York Times. Nicolle Wallace, of MSNBC, serves up a fair and upbeat review. That could be a way to balance out the gotcha moment sprung on Bill on the TODAY Show on NBC.

That TODAY Show moment is now part of the experience of reading this novel. It can’t be any other way and that’s a good thing. Maybe Bill could have dodged a bullet if he’d had more presence of mind in that already highly calculated noggin of his. Why did he have a meltdown when NBC’s Craig Melvin asked him about Monica Lewinsky? At least Melvin did not directly refer to Paula Jones, Juanita Broaddrick or Kathleen Willey. Just the mere mention of Monica was enough. In the dust up that ensued, Melvin focused upon the idea that Bill really should personally apologize to her. Hell no, was Bill’s response. Hadn’t he suffered enough? Those legal bills to defend himself don’t pay themselves. Bill had clearly gone off the rails with his self-destructive response. What a contrast to a novel that depicts a president with razor-sharp dedication to the job. President Duncan is the president that Bill can only wish he could have been.

Hey, let’s do a book!

The novel’s President Duncan is a dashing war hero who, by all counts, is God’s gift to America. He is flawless expect for one thing: he’s just too darn honest and brave! Almost single-handedly, this Prez literally saves his country from the mother of all cyberattacks, one that is so dastardly that it could toss America into the Dark Ages. Dare I say, this is one heck of a superhero-like president.

For her New York Times review, Nicolle Wallace dusted off a handy quote just screaming to be inserted. This is the one by Tom Wolfe that goes: “The problem with fiction is that it has to be plausible.” How often has that old chestnut been used in genteel conversation? But it does make sense here. I can well imagine James Patterson coming to a screeching halt at his typewriter. For some reason, I see him as using a typewriter. And so he calls up Bill to ask him if North Korea is as bad as he’s heard. This, of course, was well before Trump fixed everything up. So, Bill goes over and asks Hillary and they begin to fight over competing interpretations. Bill says he’ll have to call him back. Anyway, Bill, or Richard Clarke, would eventually make “plausible” whatever hiccups occurred in the narrative.

But there’s this one particular moment that occurs right in the Oval Office of all places that may defy plausibility. This highly-twisted plot features Nina, a young woman who creates the computer virus that threatens America, if not the whole world. Again, I can well imagine James Patterson working himself up into a fit of frustration over this. Finally, he calls up Bill with his perplexing question. Bill ponders it for a long while and then replies, “You know, James, I do believe that it is quite possible for a young woman to find a way to discretely enter the Oval Office and be alone with the President of the United States.” The great James Patterson lets that sink in but has to add: “Alright, Bill, but I just have a feeling that someone will take issue with that. Heck, it might even happen on the TODAY Show!”

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Filed under #MeToo, Bill Clinton, Book Reviews, Comics, Humor, James Patterson, Monica Lewinsky, politics, Satire, Thriller

2018 ACE Comic Con in Seattle: June 22-24

2018 ACE Comic Con in Seattle

ACE Comic Con is coming to the Pacific Northwest! From June 22 – 24, you can see Tom Holland (Spider-Man), Elizabeth Olsen (Scarlet Witch), Paul Bettany (Vision), and Hayley Atwell (Agent Peggy Carter – “Captain America”) of Marvel’s Cinematic Universe will join previously announced talent Chris Hemsworth (Thor) and Tom Hiddleston (Loki) at the WaMu Theater & CenturyLink Field Event Center, Seattle.

UPDATE: Unfortunately, Chris Hemsworth has cancelled. Hemsworth tweeted his apologies citing last-minute scheduling conflicts that would prevent him from attending the first-ever ACE Comic Con at the WaMu Theater and CenturyLink Field Event Center in Seattle. ACE said that two Marvel Avengers have been assembled to take Hemsworth’s place: Sebastian Stan (Winter Soldier) and Anthony Mackie (The Falcon).

Other confirmed guests include Grant Gustin (Barry Allen/The Flash) of CW’s “The Flash,” cast member Camila Mendes (Veronica Lodge) of CW’s “Riverdale,” and WWE Superstars Shinsuke Nakamura, Carmella and Becky Lynch.

ACE Comic Con

A sneak peek sample of special programming for the weekend includes:

A solo panel with Spider-Man’s Tom Holland
Vision & Scarlet Witch panel with Paul Bettany and Elizabeth Olsen
Thor panel with Chris Hemsworth and Tom Hiddleston
A solo panel with “Riverdale” star Camila Mendes
WWE Superstars discussing their journeys in and out of the ring

If you are in Seattle this weekend, be sure to visit ACE Comic Con.

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Filed under ACE Comic Con, Comics, Seattle

Comics Review: Scoop, Vol. 1: Breaking News

Scoop, Vol. 1: Breaking News

The comics I’m enjoying the most lately are coming from Insight Comics. Scoop, Vol. 1: Breaking News is a perfect example of their fresh and engaging content. This is an action adventure featuring 14-year-old Sophie Cooper, a red-headed Cuban-American, high school freshman.

There are quite a lot of specifics here which add up to a story with unique depth and dimension. Sophie’s dad, the kind and responsible type, has been framed and placed under house arrest for embezzlement and money laundering. It is up to Sophie to prove her father’s innocence which leads her to become an intern at a local news station. One thing leads to another, and Sophie is piecing together Cuban history that is somehow connected to some pretty crazy secret lab experiments. I can see why this is just the first volume!

Scoop, Vol. 1: Breaking News

A growing trend for comics publishers is to feature more diverse main characters. Within the last few years, leading the way has been the character of teenage Kamala Khan, Marvel Comics’ first Muslim character to headline her own comic book, Ms. Marvel, which debuted in February 2014. Another compelling title, in the same spirit, is the soon to be released limited series, She Could Fly, featuring Luna, a 15-year-old hispanic high school sophomore, from the Dark Horse Comics imprint, Berger Books. This brings us to Sophie Cooper.

With Sophie Cooper, writer Richard Hamilton (Dragons: Race to the Edge) gives the reader yet another authentic voice. And artist Joseph Cooper (Marvel, DC, Valiant, Dynamite, and Image) proves to be an excellent collaborator. Rounding out the creative team are colorists Peter Pantazis and Alba Cardona. Some of the best comics are the result of a finely-structured collaborative process. That is certainly the case here right down to the details in production. This is a book that is a pleasure to read and behold.

Scoop, Vol. 1: Breaking News

Getting back to specifics, this comic will keep the reader engaged with various added touches. As explained in the afterword, nothing was left to chance. Pantazis and Cardona were careful to find just the right skin tones and just the right shade of firebrand red for Sophie’s hair. When it comes to evoking a sense of urgency and distress, Joe Cooper was sure to depict Sophie’s cracked cell phone and chewed fingernails. And, in story that includes UFOs and alligator-men, Richard Hamilton deftly adds various historical references including the 1953 attack of the Moncada Barracks that ignited the Cuban Revolution.

The unlikely team of Hal Ritz and Sophie Cooper.

In the course of this first volume, we follow Sophie as she navigates her way as an intern for a news station that is not exactly ready for prime time. Sophie discovers she has a nose for news and ends up helping the station’s veteran reporter, Hal Ritz, who shamelessly takes credit for an implausible lineup of journalistic achievements. But Hal is no fool either and readily spots Sophie as a rising talent and someone to keep an eye on. This unlikely team will need all the help they can get as they quickly find themselves well over their heads.

The Devil is in the Details.

Paranormal mystery meets conspiracy thriller in this action-packed comic for young adults. This has a fresh and original kick to it.

Scoop, Vol. 1: Breaking News is a 96-page full color trade paperback available as of June 19, 2018. For more details, visit Insight Comics.

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Filed under Comics, Cuba, Graphic Novel Reviews, graphic novels, Insight Comics, Insight Editions, mystery, Paranormal, Supernatural, Thriller, Young Adult