Tag Archives: Media

Webcomic Review: MY ROOMMATE, THE INTERNET

MY ROOMMATE, THE INTERNET

“My Roommate, The Internet” is a very good title. If it were a play, I’d go to the theater to see it. If it were a game, I’d play it. For now, perhaps forever, it is a webomic and it does a fine job of it. A lot of us out there have created, or attempted comic strips. Some of us, like myself, did a comic strip in college. I peg this one as that sort of thing and done well. Back in the day, home-grown college comic strips were a big thing. I suppose they still are. Writer Andy Nordvall and artist Alexander Neish have climbed on the shoulders of many a comic about young people just hanging out. “My Roommate, The Internet” succeeds in having a distinctive irreverence and tapping into the zeitgeist.

Young people, in many respects, have not changed all that much in the last few decades. Attitudes have changed dramatically. Styles have changed dramatically. And so on. But a sad sack slacker from fifty years ago could pretty easily navigate the same couch and bag of potato chips as his brethren of today. Okay, the big difference would be…the internet! Nice segue back to our review. The premise of this webcomic is dealing with a roommate who is “as annoying as the internet.” That already sounds so goofy that I can’t help but want to check it out. It makes me think of a bad suggestion thrown out to an improv comedy troupe. But that’s okay. That’s totally okay.

It’s what Nordvall and Neish do with their oddball premise that matters, right? I’m thinking a nice mix of jokes and character-driven narrative. It’s a weekly comic. It’s just a question of developing both the jokes and characters. In general, that’s a tough slog so I’m not looking for a home run every single time. I’m looking for passion and consistency–and I see that. Do I see more? I think so. The gags have a good offbeat timing. Neish is having fun with facial expression. Both of these guys are having fun and that carries over to the reader. All in all, nice work.

In general, a comic strip, dealing with regular deadlines, is vulnerable to burn out. It happens to the best of them. Jokes repeat themselves. Material can feel like just filler. My recommendation to these guys is to play up the internet theme for all its worth. If, for example, you have a problem with trolls on Reddit, then bang that drum as loud as you can! If you become frustrated by social media etiquette, then let everyone know just how frustrated you are! So, if I have a gripe or criticism to express about this comic strip, it would just be a very general disdain for holding back and being relatively too nice. I think these two guys are on the right track. Just keep exercising those creative muscles and you’ll keep getting more and more awesome.

One last word, I only do some ranting because I care. I am holding you guys to a very high standard and I’m confident in your work. I’m told that Nordvall and Neish welcome followers. I think these guys are on the right track and you should follow them. You can find them, and follow them, at these fine locations: Instagram, Twitter, Patreon, Tumblr, and Facebook.

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Filed under Comics, Humor, Internet, Satire, Webcomics

Review: ‘Pantheon: The True Story of The Egyptian Deities’ by Hamish Steele

“Pantheon: The True Story of The Egyptian Deities” by Hamish Steele

Who knew that ancient Egyptian (3000 BCE – 30 BC) mythology could be so much fun? Well, a very creative and funny guy named Hamish Steele sure does. Read his take on these creation tales in his new graphic novel, “Pantheon: The True Story of The Egyptian Deities,” published by Nobrow Press. It is always a pleasure to review a book by Nobrow as they consistently bring out books that will appeal to a wide readership. This book I peg at ages 13 and up. A tongue-in-cheek blurb on the back provides a friendly warning. It states that this book contains depictions of “incest, decapitation, suspicious salad, fighting hippos, lots of scorpions, and a golden willy.” So, keep that in mind.

Osiris weighs in.

Steele has created a “disruptive” comic interpretation of Egyptian mtyhology. It is as if he picked the brains of countless students who have had to slog through arcane history and literature and given them exactly what they wanted. How about The Canterbury Tales as told by Borat? The original is “bawdy” but still a bit distant. There is no harm in making it more accessible. In fact, the great Seymour Chwast gave us his take on The Canterbury Tales a few years ago and brings things to life in way that only the comics medium can do. What Steele does is follow the pantheon of gods and pharaohs as they attempt to rule over ancient Egypt, warts and all.

Isis on the hunt.

Take, for example, just how badly things go when a god is insecure. Ra, the sun god, senses that he has outworn his welcome among humans. So, what does he do? He turns his one and only duaghter, Hathor, into fury itself, hell-bent on killing humans. Not the best solution to a problem. Steele plays that up with sly wit. Of course, things get far more complicated once Ra drops off a few gods to fight over who will rule over humans as pharaoh. Gods being gods, nothing is beneath them. And here, Steele runs with it.

With an appealing style, Steele infuses these tales of gods and mortals with a zesty contemporary vibe. Steele’s approach is uninhibited, playful, and spot on. This would be a welcome addition in a high school or college classroom.

“Pantheon: The True Story of The Egyptian Deities” is a 216 page full-color trade paperback, available as of September 15, 2017. For more details, and how to purchase, visit Nobrow Press right here. You can also find this book by visiting Amazon right here.

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Filed under Comics, Education, Egypt, Hamish Steele, Humor, Myth, Nobrow Press

Story & Review: Dive Bar Shirt Club and The Giant Jackalope

The Giant Jackalope illustration by Henry Chamberlain

It is always a pleasure to review anything that falls within the category of attire or accessory in the geek lifestyle. So, Comics Grinder is very happy to share with you Dive Bar Shirt Club. As the name implies, this is a club devoted to shirts. Each month you get a quality shirt honoring a dive bar chosen for its distinction and originality. A new dive bar design is featured every month and, once that month is up, that shirt is retired forever.

We all seek distinction and originality. It’s another way of simply saying that we are attracted to things that are cool. I was on the road, during a carefree summer in my youth, when I spotted what had to be the best roadside attraction I’d ever seen. It was an homage to the jackalope, that staple of Americana, the cross between a jackrabbit and an antelope. This sucker was huge and it was perched atop a glorious dive bar. It was a warm summer night that seemed to promise adventure. I had to walk in.

Inside the bar, I did a double-take. The place was immaculate. I was expecting it to be a well-worn, musty, and gaudy place. But, no, this place was classy. And there was no carryover of the jackalope theme. Instead, the red leather booths were nicely kept and all the brass piping was polished. There were a couple of gents in suits looking very retro. Again, I was expecting a far more casual vibe. The waitress was a beauty all done up in a vintage dress. All this seemed too formal for a place in the middle of nowhere. I was outside a little town in Texas, not a Vegas casino in the ’50s.

Her name was Sadie. “What will you have, stranger?” she asked with the longest lashes I’d ever had the pleasure to admire.

I’d had a good look at the list of mixed drinks. When I read it on the menu, I had to have it. “I’ll take The Jackalope.”

Sadie just stared at me. Her eyes grew wide. With a tremble in her voice, she asked, “You mean, The Jackalope, right?”

“Yes,” I said firmly, “I’m here for The Jackalope!”

I must have raised my voice because the two fugitives from “Mad Men” turned to have a good look at me. They proceeded to get up from their booth and walk over to me.

“You’re really here for The Jackalope?”

I think I lost it at that point. “I don’t know what you people mean!” I yelled and ran out the front door.

I was heading for my car when it dawned on me. I slowly turned around and looked up. There it was. It hissed and glared at me. Then, with a mighty leap, that monster flew up into the air like the most lucid nightmare. This was followed by a massive thud which was quickly followed by the lightening speed of a creature from hell. And, hell yes, it was distinctive and original!

If you’re like me, you desire that added spice, that distinction and originality. You too can find it in a unique t-shirt from Dive Bar Shirt Club. In the video below, I’m sporting just the ticket. This Dive Bar Shirt Club t-shirt celebrates Goat Hill Tavern in Costa Mesa, California. This is one awesome combination of style and comfort.

Visit Dive Bar Shirt Club right here.

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Filed under America, Americana, Beer, Fashion, pop culture, Style

Review: ‘Grab Back Comics Anthology Volume 1: Acts of Love and Resistance’ Edited by Erma Blood

“Grab Back Comics Anthology Volume 1: Acts of Love and Resistance,” edited by Erma Blood

Minicomics will always retain the capacity to inspire and engage. A fine case in point is “Grab Back Comics Anthology Volume 1: Acts of Love and Resistance,” edited by Erma Blood, and available through Grab Back Comics. The disturbing and threatening rhetoric and related activity connected to Donald Trump and company have been responded to with numerous acts of love and resistance, including this collection of comics.

Dr. Allie Gray and Erika Rier

The first work in this collection is entitled, “Naming It,” story by Dr. Allie Gray and drawings by Erika Rier. In four exemplary pages, Gray and Rier express why it is never okay for a man to overpower a woman, never okay for someone to exploit someone else. In this case, Dr. Allie Gray, a young female professor, is just getting her bearings at an international conference when she is overwhelmed by a bear, a man in a position of power, a VIP scientist. This VIP bear forces himself upon Gray and manipulates Gray into a protracted relationship. A part of Gray is confused although she does her best to resist him. In retrospect, Gray concludes that the VIP bear was never confused. He wanted what he wanted and grabbed it. He was abusive. In the end, Gray has the power to name what she has experienced: abuse.

Nicole J. Georges

Nicole J. Georges shares a story about same sex predatory behavior in “I Had a Crush on My Rapist,” which further demonstrates the complexities and simple truths involved when we talk about sex. Georges recounts a situation where she was forced into sex by a pushy and aggressive friend. It left her questioning what happened, in a similar vein to Dr. Gray’s narrative. Georges, with her formidable storytelling skills, brings to light an area often shrouded in misplaced guilt. In the end, we come back to basics: no means no.

Erma Blood

Erma Blood shares a story about survival, “Did You Find Her?” Blood uses a minimal style to tell a powerful narrative about recalling abuse that took place at a very early stage in life, before Blood had learned to speak. This simple and direct story speaks volumes. The first page to this collection carries another subtitle, “Comics Stories About Sexual Assault, Rape Culture and Advocacy.” That further defines what is to be found on these pages. Blood’s work fits in perfectly, haunting but not heavy-handed.

Oana & Maria Heller

In an excerpt from a longer piece, “Interval of Trust,” Oana & Maria Heller tell the story of misplaced anger. Mara, the main character, has suffered abuse but she feels she has not been heard, not been provided an outlet for her pain. When a rude boy insults her, this triggers an avalanche of violence that she inflicts upon the boy. It is an intriguing piece that subverts expectations. The girl is not a traditionally sympathetic character. But, in spite of her actions, we can also see how vulnerable she is.

All the work here is quite compelling. This 87-page collection also features: Robin Elan, Rachel Masilamani, Tatiana Gill & Kathy Naughton, Mikko Galpin, Tess LeBlanc, Amy Camber, T.O. Walker, Anna Vo, and E.T. Russian. There is also a mini poster by Barry Deutsch and Ellen Forney. Cover and spot illustrations are by Gillian Rhodes.

For more information, and how to get your own copy, be sure to visit the Grab Back Comics website right here.

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Filed under Alt-Comics, Alternative Comics, Comics, Erma Blood, Grab Back Comics, Independent Comics, mini-comics, Minicomics

Review: ‘Let Some Word That Is Heard Be Yours’ by Alex Nall

“Let Some Word That Is Heard Be Yours” by Alex Nall

Comics is uniquely suited for any form of biography and to quite a fascinating degree. I’ve said that before and, to prove my point, I have all sorts of new things I can say about this theme in regards to Alex Nall‘s graphic novella, “Let Some Word That Is Heard Be Yours.” This is a look at the life and times of Fred Rogers (1928-2003), the host of the landmark PBS children’s program, “Mister Rogers’ Neighborhood.” Intertwined in this biography is a look at Nall’s own life as a grade school art teacher. As often is the case, the comics creator has created a mashup of bio and auto-bio. It’s a natural occurance among cartoonists to include themselves into the narrative. When done right, the results can feel like a smooth dreamy story.

A mashup of bio and autobio.

Nall’s artwork has a primitive child-like quality about it. He depicts himsself with a cumbersome bulbous pink nose. It is all hand-drawn, down to the lettering and color washes. This is a style that falls right in line with a lot of alt-comics: keep it simple; keep it slapdash. In this case, that look fits in. Nall evokes the frenetic energy of children: the good, the bad, and the ugly. Kids, the little angels we’d wish them to be, usually are far from saints. Time and again, Nall shares with the reader the reality of the daily grind of interacting with these wee people. Ah, big segue: Nall comes to find inspiration in his nightly revisits on his laptop to “Mister Rogers’ Neighborhood.” This triggers an exploration by Nall thus leading to confronting more than he bargained for.

A young and feisty Fred Rogers.

First, some words on Fred Rogers and his monumental achievement. Keep in mind, the “Mister Rogers’ Neighborhood” program ran from 1968 to 2001. There was nothing like it before and there will probably never be anything like it again. This is a show that speaks to kids on their own terms — and in a distinctive format that defies duplication. The viewership is mostly meant for 2 to 5 year-olds, but it appeals to any age. Fred Rogers became sort of a surrogate parent for countless children, spanning generations, simply by being there with kind and gentle entertainment mixed in with thoughtful observation and guidance. Everyone seems to fondly remember Fred Rogers and have a favorable opinion of him. You may have seen footage of a young and feisty Rogers testifying before Congress in support of PBS funding. Rogers was able to melt the heart of at least one tough and jaded senator.

Nall highlights a particular aspect in his story and provides an excellent example of how one element can affect the balance of the whole. Comics, with their panels and unique narrative structure, are inherently tricky balancing acts. You can include a scene in one panel and the ripple effect is under way. Refer back to it and the overriding subject behind it, and you’ve underscored it, boosted its significance. Return to the subject again, and the whole story points back to it, in a way, as if in service to that one aspect. These sort of shifts in focus happen all the time in big prose works. For example, a book on current events will have its most newsworthy items plucked for greater scrutiny by all the news outlets.

The Washing of Feet.

Nall makes a strategic choice to focus upon the relationship between Mister Rogers and Police Officer Clemmons. The scenes are from the point of view of Francois Clemmons. Rogers hired Clemmons to play the role of a police officer on the show. This was the late 1960s and police brutality was a hot news topic. In one particular panel, we see what looks like Mister Rogers washing the feet of Officer Clemmons. The unique nature of comics allows the reader to linger on a panel. The panel is already a highlighted moment, suspended in time, radiating beyond its borders. The actual moment that occurred on the show was held together by a very different medium. In the course of that scene with Clemmons, he and Rogers are indeed enjoying a moment of peace and quiet. As they are about to complete the scene, they both begin to get their feet out of the water. For a split second, Rogers takes a towel and passes it over Clemmons’s feet. It occurred so fast as to be subliminal. Certainly, it was packed with Christian symbolism.

Francois Clemmons speaks out.

That moment, both subliminal and highly symbolic, is what Nall sort of plucked and focused upon to keep the reader wondering. It is unusual. Once you see it, you can’t unsee it. Sure, it is benign. You could see it as ideal too. But it is also unusual. It was Rogers’s way of gently and kindly getting a message across, specifically of racial tolerance but transcendent as well. A moment of kindness. Done. We move on. However, Nall has tapped into something that he pursues further and which he would be hard pressed to avoid. His research consisted of four articles and two books. It is really the one book, 2015’s “Peaceful Neighbor,” by Michael Long, that is at the crux of this. In the book, Francois Clemmons claims that he was told by Rogers that, while Rogers supported Clemmons coming out as gay, the program was not ready for an openly gay character. If he came out, he would have to be let go. To further complicate matters, Clemmons claims that Rogers advised him to marry a woman and Clemmons did just that. Considering the era, Clemmons would certainly not be alone among closeted gays. Even today, there is no openly gay character on a children’s program.

Overall, Nall has done a good job in conveying some compelling facts. He is not bringing to light anything that was not already covered in “Peaceful Neighbor” but he has presented these facts in a different format and reached a number of new readers. Nall’s book is an achievement in the sense that any book of this kind put together by one individual is a small miracle in itself. So, yes, of course, I wholeheartedly congratulate Nall. It would be very interesting to chat with him on what parts of his book are style choices and what parts are simply the result of his current skill set. Personally, I am a strong believer in cartoonists perpetually pushing themselves to make the smoothest and most readable content.

I look forward to what Nall does next as he considers his next project. Nall has demonstrated that he’s not afraid to tackle as ambitious a project as the life and times of Fred Rogers. And, as I say, he has a good grasp of how the comics medium works. It can be a deceptively simple affair but, in fact, it has quite a built-in complexity. Once the process is set in motion, just like any other creative endeavor, it takes on a life of its own.

“Let Some Word That Is Heard Be Yours” is the latest installment of Nall’s “Teaching Comics” series. Visit him right here.

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Filed under Alex Nall, Alt-Comics, Alternative Comics, Comics, Independent Comics, Indie, Mister Rogers, PBS

Village Voice Moves From Print to Digital

A Village Voice newspaper stand lays on the ground next to garbage in New York City’s East Village on Tuesday. The Village Voice, one of the oldest and best-known alternative weeklies in the U.S., announced that it will no longer publish a print edition.
Drew Angerer/Getty Images

One of those youthful memories that drifts up for me at various times is seeing a pile of issues of The Village Voice at a friend’s apartment. He liked going through them. Like me, he loved reading and writing. And, if you were serious about writing, you kept up with such publications on a regular basis. Before the internet, The Village Voice was one of those portals that gave you a taste of certain literary trends and urban happenings. It was fun to pore over the pages and even to simply handle this object made of paper, this symbolic series of messages from that bright big city, New York City, the epicenter of all things media and culture. If you aimed to be hip, wanted a ticket to the subculture, you read (and can still read!) The Village Voice. This publication means a lot of things to many people. For me, it was primarily a writer’s magazine. But no longer can you read new print issues, only digital moving forward.

Now, the end has come to that particular experience. The Village Voice has ceased its free print version, a staple of New York City life and urban life beyond. Well, the end occurred a long while back but this is the definitive end: absolutely no more paper copies! Is this really news? I’m not sure that it is as this transition from print to digital has been steadily going on for years. Just like typewriters and phone booths became extinct, so too will all print newspapers bite the dust.

For some steadfast followers of pop culture, they would like to claim some greater significance to the death of the print version of The Village Voice. To be sure, it does seem to be heart-breaking. But, let’s get a grip. All content moving forward is now digital and that’s great. Digital archives are a breeze compared to microfiche or, God forbid, musty old stacks of actual crumbling newsprint. There’s a reason that newspapers have always been printed on the cheapest paper imaginable. They were only meant to be read on the day, or week, they were published and subsequently used for practical purposes like wrapping fish.

Now, don’t get me wrong. I know there are plenty of nerds among us, and I count myself within this group, that can’t help but want to get all sentimental about such things as newspapers. Well, resist that urge. Unless you have more than ample space, say an attic, you don’t want to have a bunch of old copies of this or that newspaper or magazine providing little more than clutter. When was the last time you cracked open that classic issue of Life magazine? Never, right? It’s hard not to be a packrat.

Final print issue of The Village Voice

The practical concern over the shift from print to digital is about the various features in the print version surviving the transition. What about the columnists? And what about the cartoonists? Well, what about them? If a content provider is creating compelling content, then that content is going to find an audience, and it will survive the great transition.

For those of you who did not grow up with newspapers, you’re probably wondering what the big fuss is over. Newspapers, just like magazines, used to be far more powerful and influential. People took far more notice of them and relied upon them. Eyes lingered longer on the text, the photographs, the illustrations, and the comic strips! To this day, I have a memory of a distinctive caricature on the front page of The New York Observer. It was 1976, and I was a precocious tween. The cover featured Sen. Hubert Humphrey. It may have been an illustration by Levine. And the headline asked, “Will He Run?”

The bittersweet fact is that we’re saying goodbye to another link with history. Even as a kid, looking at the cover illustration of Humphrey, I knew that it reeked of the past. Humphrey’s image was being rehabilitated. This was before my time but I knew he was part of the Vietnam War, part of a past that we were steadily coming to terms with. Humphrey was part of the discredited past. Jimmy Carter was part of the future. Seeing that newspaper, holding it, reading it, I could tell there was something slow and quaint about this whole format, acting as much as a portal to the present as to the past.

Village Voice, April 10-16, 2013 issue

The bittersweet fact is that we are currently experiencing the long goodbye to all print publications. And they won’t go without a fight. For some oddball reason, the print version of Newsweek rose from the dead. It will finally die off soon enough. The publications that are least financially stable will drop out of the print game even sooner. The alt-weeklies, which many of us cherished in our youth, will concede to only being digital. For example, here in Seattle, both The Stranger and The Seattle Weekly already behave very much as digital entities with their weekly print versions mostly serving as a place to highlight the features that appeared on their respective websites that previous week.

Getting back to the features that used to have a secure home in print: the creators of observation pieces and comics should follow their heart as best they can if they can’t follow their wallet. Start a blog. In the age of newspapers, you had to tap dance, beg, and plead to join the party. Those days are over! To all you heavy sentimentalists, don’t forget, we are well into a new century. Dry off those tears. The Village Voice is still alive in the format for a new age. The print version was your dad’s Village Voice. Sorry, but we can only move forward.

One last thing, be sure to actually read, and support, The Village Voice. Just because it’s digital doesn’t mean it can only survive on sentiment. Visit and support The Village Voice right here.

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Filed under Alt-Weeklies, Comics, Culture, Newspapers, pop culture, The Village Voice

Review: ‘Lucy & Andy Neanderthal: The Stone Cold Age’

“Lucy & Andy Neanderthal: The Stone Cold Age” by Jeffrey Brown

Jeffrey Brown has the uncanny ability to get in touch with his inner tween. He has all the snarky put-downs and sulky sighs down pat. It all adds up to a lot of fun for young readers with his latest graphic novel, “Lucy & Andy Neanderthal: The Stone Cold Age,” published by Crown Books. If you have patience and a sense of humor, you too can appreciate the angst of the pre-teen. For starters, nothing goes to plan in this world. Then set your pre-teen story 40,000 years ago during the Ice Age, and you’re set.

Andy can’t get a break!

Our title characters prove to be two highly mercurial tweens. Lucy seems nice but she is prone to not participate and let the team down. Andy seems capable but he is prone to self-serving behavior and hurtful naysaying–not admirable qualities when trying to live with others. Neither Lucy nor Andy appear to possess even one valuable character trait needed to survive the severe conditions in this story. These two characters are not particularly likable nor admirable and that’s part of the humor that Brown likes to play with.

Learning through humor.

Brown really doesn’t sweat over having things tidy and proper. His artwork, and his script, have a very casual vibe. In fact, it is a clever mix of irreverence and thoughtful planning. While it feels like one of the young characters created this book, clearly there is a well-crafted structure. Alternating between the Ice Age story is a contemporary story that follows Pam and Eric, a couple of intrepid young paleontologists. From Pam and Eric we learn such things as the climate has been consistently warming up for the last 12,000 years. And, intertwined within the narrative, Brown provides all sorts of educational goodies like Timeline of Key Discoveries, Ice Age Fact vs. Fiction, Silly Cavemen Myths, and more.

This book is intended for an age range of 8 to 12 years-old. This will definitely appeal to fans of Big Nate, Diary of a Wimpy Kid, and The Terrible Two. “Lucy & Andy Neanderthal: The Stone Cold Age” is a 224-page hardcover, the second in a series, published by Crown Books, an imprint of Penguin Random House. It will be available as of August 29, 2017, and is available for pre-order.

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Filed under Comics, Education, Graphic Novel Reviews, graphic novels, Jeffrey Brown, Teachers

BEARDO Comic Strip Ends

The final installment of BEARDO, by Dan Dougherty, is now available as a print.

BEARDO, the long-running humor comic strip about family life by Dan Dougherty, has reached its end. Dan Dougherty is one of the finest cartoonist/illustrators in the business. He has all the qualities and skills that make him a professional: a strong work ethic, dedication to craft, and steadfast persistence. These darn cartoons don’t get drawn by themselves, folks. It takes a special person to see it through and make it all look so effortless. The above comic strip is a prime example.

The final installment of BEARDO, by Dan Dougherty, is now available as a print. Visit Dan and pick up your print right here. And, while you’re visiting Dan at his site, you’ll discover all the other work he’s been up to including a thrilling comic book series, TOUCHING EVIL, and his band, On the Off Chance.

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Filed under Comic Strips, Comics, Dan Dougherty, Family, GoComics, Humor

Review: JURASSIC by Ted Rechlin

JURASSIC by Ted Rechlin

Dinosaurs fascinate us on a level all its own. Over a hundred years ago, when Winsor McKay was looking for a way to wow the public with his animation, he turned to a brontosaurus, Gertie the Dinosaur. Beyond that wow factor, there is a need to know what these creatures were really like. And that is where the work of writer/artist Ted Rechlin is so important for young readers…and even older readers. In a series of books that use a comic book format, Rechlin brings to life a fascinating assortment of facts about dinosaurs. Rechlin’s approach evokes the best in wildlife documentaries with the unique storytelling qualities of comics. Rechlin’s latest book is simply entitled, “Jurassic,” published by Rextooth Studios, and distributed by Farcountry Press.

The mighty Supersaurus!

“Jurassic” is the new graphic novel from Ted Rechlin (Tyrannosaurs Rex, Bears). Printed in a hardbound, comic-book style, “Jurassic” is a thrilling prehistoric adventure for all ages. Featuring epic action, stunning artwork, and the return of the Brontosaurus. Ted Rechlin is a phenomenal Montana artist who has worked for DC Comics and Dover Publication and currently runs Rextooth Studios. He also just released Dinosaurs Live! (coloring book, Farcountry Press). “Jurassic” is part nature documentary, part action epic, and follows a brontosaurs calf navigating through the perilous age of the dinosaurs.

Allosaurus vs. Torvosaurus

Author and Illustrator Ted Rechlin is becoming a king of the dinosaurs. “I just keep drawing them” says Rechlin. “I love getting the chance to show them as living, breathing creatures. I love knowing that people will read this and imagine how they might have behaved.” Having already published Tyrannosaurus Rex and just recently completed Dinosaurs Live! The Ultimate Coloring Book, Rechlin’s love and knowledge of the Mesozoic world shines in all his work.

Allosaurus wins!

His newest release, “Jurassic,” is a primeval adventure in animal behavior. Part nature documentary, part action epic, Rechlin welcomes readers of all ages to experience the golden age of dinosaurs. “One of my favorite parts of this time period is the sheer scale of these creatures,” Rechlin says, “We have mega-carnivores like the Torvosaurus hunting prey alongside the massive and whale-sized Camarasaurus.”

Allosaurus rests.

One of these giant-sized herbivores, and the central protagonist in “Jurassic,” Brontosaurus, has just recently come back into prominence thanks to new scientific discoveries. Years ago, the species had been downgraded and grouped as a subspecies of Apatosaurus, but recent findings confirmed that it was a distinct and valid species of sauropod. “Brontosaurus was one of my favorite dinosaurs as a kid,” says Rechlin. “After paleontologists reconfirmed its existence as a species, I knew I wanted the book to feature a young brontosaurs’ journey to become the ‘thunder lizard’ he was born to be.”

Beautifully illustrated, packed with thrilling action sequences, the most up-to-date science, and a passion for the prehistoric world, “Jurassic” (ISBN: 978-1-59152-203-4, $19.95, Sweetgrass Books, 2017) is available at local bookstores and gift shops, through online retailers, or from Farcountry Press right here. And be sure to visit Ted Rechlin right here.

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Filed under Comics, Dinosaurs, Education, Graphic Novel Reviews, graphic novels, Ted Rechlin

Review: ‘Haytham: A Childhood in Syria’ by Kyungeun Park & Nicolas Hénin

“Haytham: A Childhood in Syria” by Kyungeun Park & Nicolas Hénin

“Haytham: A Childhood in Syria” depicts a typical Syrian family in clear and accessible terms–and that alone is a powerful vehicle to understanding Syria today. Like many an American family, each individual helps the other to progress. In the al-Aswad family, much is expected from young Haytham. He demonstrates both academic and athletic skill. And he adores his activist father. It is in following this family that the reader is given a unique perspective into how average Syrians live under a dictatorship–and how they resist.

Growing up with the Assad regime.

The story begins with Haytham reveling in the beauty of lemon trees in his family’s garden. By age four, he observes the first signs of threat from the outside world. The dictator Hafez al-Assad has died. Haytham’s father is jubilant. But the celebration is short-lived. Assad’s son, Bashir, takes over control. And so the control of the Ba’ath Party continues and intensifies. The Ba’ath Party is Soviet-inspired, complete with its own secret police, the Mukhabarat.

A graphic novel about Syria that educates and enlightens.

The script is based upon the true story of Haytham al-Aswad. It is written by Nicolas Hénin, a French journalist who was held hostage by Isis for 10 months. Hénin has spoken out against air strikes in Syria, saying they represent “a trap” for Britain and other members of the international community. The reader will appreciate the sense of urgency to this story, an authentic work of reportage uniquely brought to life in a graphic novel format. The story of Mr. Hénin, and his thoughtful views, are very compelling:

Illustrator Kyungeun Park (Yallah Bye) does a heroic job of bringing Hénin’s script to life. Park has a very warm approach to family and character details. The reader is made to feel at home and compelled to invest in the story. Park does great justice to a graphic novel equipped to do much good: to both educate and enlighten.

Kyung-eun Park, Haytham al-Aswad, and Nicolas Hénin

Crossing the border into Jordan.

“Haytham: A Childhood in Syria” is an 80-page graphic novel, black & white with gray tones. This book was originally published in France by Dargaud. You can find it at izneo, the place to go to read European comics in French and in English. Izneo BD Comics Manga is the best app for French-Belgian comics, with thousands of digital comic books. Give the izneo comics reader a test drive right here.

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