Tag Archives: Sci-Fi

Graphic Novel Review: LEGEND OF SUMERIA

Legend of Sumeria

LEGEND OF SUMERIA is a graphic novel set in a future where social media and genetics collide. Among a growing number of graphic novels integrating elements of real science with fiction, this one does best with its offbeat humor. There are plenty of intriguing subplots here but what will get the reader every time is that quirky human touch. Just as we marvel over the fact that there is just a speck of difference between our genomes, so too do we zero in on those storytelling nuances. This is not a perfect work but it is weird and odd enough to keep your interest.

“You smell like my mother used to. And I know she was not evil.”

Our main character is Dr. Bruce Abbot, who works for The SEQ Network. He is not very happy at all with that arrangement. Not when there is such a high level of mutual distrust. And especially not when a corporate lab experiment could trigger the end of human civilization! Add to that a cryptic organization lurking in the shadows and bent on destroying SEQ and you’ve got quite a lot of narrative to juggle. There is definitely a lot of stuff to like here such as the premise of trusting a corporation with your DNA especially so that you can have tailor-made intense and unique experiences.

New York, 2027

I’m not sure everything adds up here but I would advise to take what you want from this and don’t sweat the details. As it is, the story lurches enough with its insertion of sexual content. It is not exactly necessary and just makes the book inappropriate for younger readers. A more alluring vibe could have been achieved if the art was stronger. That said, the art is spot on for the overall offbeat quality to this work. So, I hardly dismiss this book out of hand as it brings up some intriguing ideas about how we humans can be outdone by our own hands.


LEGEND OF SUMERIA is co-created and written by Jay Webb and Dr. Biju Parekkadan. Lead artist is Anthony LaGaipa. It debuts on March 20, 2018. For more details, visit the official site right here.



Filed under Comics, DNA, Sci-Fi, Science, science fiction

Comics Review: PRISM STALKER #1

PRISM STALKER by Sloane Leong

Sloane Leong is one of those special cartoonists who immerse themselves deep into a world of their own. This sort of artist-warrior is without exception, both writer and artist. Leong, following this highly individual tradition, has worked up her skills (never complaining since it never seemed like work) and come out the other side with comics of a caliber that has led her today to launching PRISM STALKER, her new title with Image Comics.

For a comics critic who also both writes and draws comics, I am confident in sharing with you what sets Leong apart. Among the many independent cartoonists out there, just like any other artists, a number of them will take one detour or another. Some will feel most comfortable remaining within self-published cliques. Others may need to keep a project under wraps and work on it on their own terms. But, if the stars are in alignment, and the cartoonist is particularly driven, the transition can be made from bohemian poet to career path. In the ideal case, the work retains that same idiosyncratic vibe. The work retains its integrity. The artist retains their integrity.

What you see on the comics page, the merging of words and images, takes on an added significance when created by a cartoonist in the traditional role of artist-writer. You end up with a window into the subconscious mind. I would argue that you can feel a disconnect, perhaps subtle or maybe distracting, in a collaborative work. That is why you hear so much said on the importance of chemistry between writer and artist. But you don’t have that concern when you’re running the whole show. In the case of Leong, she has taken on the added roles of lettering and coloring. All of that adds up to a more personal perspective. And, by the way, it is no surprise that cartoonists at this level are attracted to and invest a lot of energy upon depicting dreams.

And then you add a passionate vision and you have the whole package. A look at Leong’s website shows us a person with a heart-felt desire to tell the stories of those who have been pushed to the margins. That is exactly what we see here: Vep, our main character is toiling away as a slave on a hive colony run by giant insects. Who doing what where? you may ask. It is a very dream-like sci-fi tale about very serious problems.

This is a story that casts a very wide net and succeeds by balancing all the details. Vep is a strong and compelling character who the reader is immediately drawn to. The setting is pretty outrageous and highly ambiguous and becomes a character in its own right. You could say this is a comic that is both character and atmosphere driven. It becomes a true meld of visual and literary delight. You feel that unique push-pull connection. You recognize trippy originality when you see it right down to that wildly eccentric title, PRISM STALKER!

Rating of 10/10

PRISM STALKER #1 is available as of March 7, 2018. For more details, visit Image Comics right here.

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Filed under Comics, Comics Reviews, Image Comics, Sci-Fi, science fiction

Emerald City Comicon 2018: March 1-4

Emerald City Comicon 2018: March 1-4

Emerald City Comicon is and integral part of the fabric of Seattle. It is a tradition that has grown and developed into an impressive and highly anticipated annual event. ECCC is one of the first, if not the first stop, for many creatives as they embark upon their comics convention tours–and a most welcome one. That has a lot to do with ReedPOP‘s leadership. And, of course, it has a lot to do with so many loyal fans of a uniquely Pacific Northwest celebration of pop culture. Maybe folks are more polite and mellow in this region. We won’t dissect it any further and just be grateful. Now is the time to get ready and to keep an eye out for updates on all things ECCC.



Whether it is a chance to see two of the legends from “Back to Future,” Christopher Lloyd (Doc Brown) and Tom Wilson (Biff Tannen) or a favorite talent at Artist Alley, there is something for everyone at ECCC.


ECCC Artist Alley 2018

ECCC Artist Alley 2018

As usual, Comics Grinder will venture out and report back from various panels, activity on the showroom floor, and whatever should catch the eye. If you are in Seattle, and love comics and pop culture, then make sure to be part of Emerald City Comicon.


Filed under Comics, ECCC, Emerald City Comicon, pop culture

Kickstarter for THE SILVER METAL LOVER by Trina Robbins


Jane is 16 years old and believes that she does not know how to live her life. We can all relate to that–but Jane’s world is far more complicated, set in the distant future where robots are capable of providing human companionship. “The Silver Metal Lover,” the 1981 cult classic science fiction novel by Tanith Lee, was adapted in 1985 into the highly engaging graphic novel by Trina Robbins. It has never been reprinted in any form until now. Drew Ford runs his own imprint at IDW called IT’S ALIVE! and he has a stellar track record for finding gems from the past and giving them a whole new life. A Kickstarter campaign in support of an exciting new edition is reaching its final stages, closing January 5th. Check it out right here.


This new edition will have a new cover and afterword by Colleen (A DISTANT SOIL) Doran, a new foreword by Gail (BIRDS OF PREY) Simone, and a new intro by Trina Robbins herself. All of this will be printed at 8.5″ x 11, full color, on glossy paper, all tucked inside a beautiful hard cover.

Drew Ford on this very special project:

“This cult classic science fiction romance is an important early example of ‘the graphic novel’ as a storytelling vehicle, telling an intimate story of a young girl’s first love…who just happens to be a robot! We are very honored to shine a light on the brilliant work of the late Tanith Lee. And we are thrilled to be working on our second book with the legendary Trina Robbins! Also, we must send out a huge THANK YOU to Colleen Doran and Gail Simone for coming along for the ride! We hope you will give it a look, and consider making a pledge.”

Many exciting rewards are being offered, including signed copies of the book, exclusive prints from Colleen Doran, sketches by comic book pros, and even original pages of comic book art by Trina Robbins!

This is a book that is sure to please fans of science fiction and comics alike. Visit the campaign right here.


Filed under Comics, Drew Ford, IDW Publishing, IT’S ALIVE! Press, Kickstarter, Sci-Fi, science fiction, trina robbins

Movie Review: ‘Valerian and the City of a Thousand Planets’

“Valerian and the City of a Thousand Planets”

“Valerian and the City of a Thousand Planets” is a very big deal–and deservedly so! It exceeds the expectations of the most diehard fan with a heady mix of style and substance. I am so happy to have seen it and I would gladly go see it again and again. I was hoping for something special. I went in with thoughts that this could be a like a French Star Wars, perhaps divided by Star Trek, and then multiplied by Doctor Who. Something really special–and that it is!

My concern was that there might be some culture clash for some viewers: American tastes at odds with this Euro-movie based upon a Euro-comic book series. But, I conclude, that really is such a non-issue. There is a decidedly offbeat sensibility going on with this movie but isn’t that what we all love about the Star Wars franchise, along with other loopy and irreverent entertainment?

Another worry was that I had heard that this movie was too dependent upon CGI. Well, ahem, there’s nothing wrong with CGI when it works. Just think of “Avatar.” Much like “Avatar,” the CGI in “Valerian” is simply an integral part of the experience. There are so many iconic moments in this movie that are all about the CGI. For instance, the wonderfully elaborate sequence with Valerian (Dane DeHaan) running through a multitude of dimensions. Or Laureline (Cara Delevingne) arguing with some very dim servant creatures. Or, one of my favorite moments, Bubble (Rihanna) and her beautiful dance sequences.

Dane DeHaan, Luc Besson. and Cara Delevingne

There’s a very intriguing thing going on with the dynamic between Valerian and Laureline. The two are lovers but they have a lot of work ahead of them. They are intentionally distant in how they interact with each other, in an other-worldly comic book way. This disconnection between the two lovers leaves the viewer wondering about them. When Valerian repeatedly tells Laureline that he wants to marry her, it comes across as highly ironic. It would be wrong to dismiss the acting as wooden. It is part of what director Luc Besson intentionally wants. It is part of what the script aims for. I think some critics have unfairly expected more natural performances and gleefully found fault where there is none.

Given the surreal and whimsical elements in this movie, it remains a well-built and grounded piece of work. The opening sequence brings to mind the opening scenes to “Wonder Woman” set in the idyllic Themyscira. In this case, it is an ideal world of peaceful beings. The civilization depends upon little creatures who happily produce pearls that power their world. These beings, like the young lovers, Valerian and Laureline, are quite otherly. It is this otherliness that informs this rather sophisticated narrative that gently balances irreverence and idealism. Just the sort of thing you’d expect from the very best comics.

Of course, you can’t please everyone. Americans, in particular, have become quite reliant upon extra bells and whistles, even after they’ve just been presented with a formidable visual feast. No, it doesn’t seem to matter if they’ve just viewed a masterpiece–Where’s the gag reel?! they demand. And, with that in mind, you may love the video below that includes just that sort of bonus content:

“Valerian and the City of a Thousand Planets” is undoubtedly a joyride of a movie. You will love it. Visit the official Valerian movie website right here.


Filed under Comics, Europe, European Comics, France, Movie Reviews, movies, Sci-Fi, science fiction, Star Wars

Comics Focus on Everything You Need to Know About ‘Valerian and the City of a Thousand Planets’

It all began as a French comic book series.

“Valerian and the City of a Thousand Planets” will open in U.S. theaters on July 21st. It all began as a French comic book series. First published in Pilote magazine in 1967, the final installment was published in 2010. The science fiction comics series was entitled “Valérian and Laureline,” or just “Valérian,” created by writer Pierre Christin and artist Jean-Claude Mézières. The first volume in a complete collected works was recently published by Cinebook. “Valerian – The Complete Collection Vol 1” is now available from Cinebook. You can also purchase it at Amazon right here.

“Valerian – The Complete Collection Vol 1”

This deluxe edition includes various supplementary material related to the movie. It starts out with an exclusive interview with the film’s director, Luc Besson (The Fifth Element). He shares his childhood adoration for the Valerian comics. He dutifully awaited each new installment in Pilote magazine, just like all the other kids he knew. The Valerian comics, with their mix of classic science fiction and whimsical fantasy, helped to influence Star Wars. And perhaps, only now, has movie technology caught up to do justice to a Valerian movie.

Drawing by Jean-Claude Mézières of Star Wars meets Valerian

All you really need to know to enjoy the movie is that it’s like Star Wars but with a distinctively French flare. The main characters are a couple of special operatives, Valérian and Laureline, on a mission to save the world, or should I say, the universe! It is in reading the actual comics that a reader quickly picks up on that refreshing sense of irreverence that is Valerian. Keep in mind that director Luc Besson worked with Valerian artist Jean-Claude Mézières on “The Fifth Element.” Indeed, this is a very special case of a major motion picture and its comics source material working seamlessly together.

Now, consider the significance of the Valerian comics because, make no big mistake, Valerian set the stage for much that was to come. Valerian comics, in their day, were groundbreaking. There was nothing quite like it in its scope and influence. These comics hit France in the Sixties during a major time of transition: a post World War II culture seeking out fresh new entertainment. To get away from the gray and the drab, the two French creators of Valerian went west to the U.S. for a time to get recharged. In fact, their first work together originated in Salt Lake City, Utah!

Panel excerpt from Valerian

In the U.S., Mézières, the artist, and Christin, the writer, were enthralled with wide open spaces, colorful B-movies, and great promise for change, as demonstrated with the Civil Rights movement. They honed their skills. Mézières focused on such artistic talent as Giraud, Jijé, Franquin, and Mad magazine. Christin focused on science fiction writers like Asimov, Van Vogt, Vance, and Wyndham. And, together, they created Valerian.

This first volume of the collection contains books 1 and 2 of the series: The City of Shifting Waters – in its original two parts, 9 pages longer format – and The Empire of a Thousand Planets. It also includes book 0, Bad Dreams, translated into English for the first time: the very first adventures of our two heroes, published after City and retroactively numbered.

And to really get a sense of what’s in store with the Valerian movie, check out this particularly informative trailer below that goes into the vital connection to the original comics. Yes, Valerian is a big deal. Consider it as big as Star Wars:

“Valerian – The Complete Collection Vol 1” is a 160-page full color hardcover suitable for all ages. Buy it on Amazon right here.


Filed under Bande Dessinée, BD, Comics, European Comics, French Comics, Sci-Fi, science fiction, Star Wars, Valerian

Review: ‘Läskimooses’ by Matti Hagelberg

Panel excerpt from “Läskimooses” by Matti Hagelberg

“Läskimooses,” by Matti Hagelberg, has got to be one of the most unusual of comics. It comes out in single issues and the plan is for the complete collected work to be an epic over 1,000 pages. Currently, this art/sci-fi comic book totals around 700 pages, is published 7 issues per year, and is the longest single comics story ever to be produced in Finland.

Hagelberg is best known for his scratchboard technique that he has used in most of his works, published by L’association and Le Dernier Cri in France (Raw Vision 83). It is a wonderfully obsessive vision, part parody and part stream of consciousness. Hagelberg is on an adventure to find the meaning of life and the secrets to the universe byway of conspiracy theories. Only a determined artist like Hagelberg can sustain such a quest. It makes for fascinating results.

Artist Matti Hagelberg

It’s not uncommon for an artist to keep to one theme or one universe in their body of work. Hagelberg has always drawn stories set in the same universe. His epic Läskimooses comics are quite a dramatic example of focused work harkening back to classic comic strips. His theme of exploring the universe is broad enough to sustain a lifetime’s work. The energy and enthusiasm comes across the page. He has set up some fun devices to keep the narrative flowing like an ongoing conversation between characters discussing cosmic subjects. You don’t need to know how to read Finnish to enjoy it either.

Läskimooses #28

I always enjoy writing about comics from outside the United States. Sometimes, I am not sure how to hook into a work and I find it is better to let it simmer and then I come back to it. So is the case with “Läskimooses.” You can now enjoy an issue of the comic book with a handy translation sheet in English. That will certainly clear up any questions about why you’re seeing a bunch of monkeys or what’s going on regarding a volcanic eruption.

Page from Läskimooses #28

Again, let me emphasize that the visuals are pretty stunning all by themselves. Some issues, like #28 above, are only images, no text at all. Basically, all you need to know to begin with is that Läskimooses and Ohto are both planets and figure prominently in the narrative. The two ongoing characters have their own ideas on existential matters that they’re working through. It’s interesting that Hagelberg’s initial idea was to set his story on the Mars of Edgar Rice Burroughs. He had a spectacle in mind right from the start. Anyway, we’re all working through our own existential issues, right? It’s fun to see an artist with such an unabashed and audacious attitude share with us his vision of the sublime and the profound. I look forward to what develops next with this intriguing and unusual project.

To get an issue of “Läskimooses,” with an English translation sheet included, go to Printed Matter right here.

For a closer look at the artist at work, check out this video right here.

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Filed under Comics, Comics Reviews, Europe, European Comics, Finland, Matti Hagelberg, Scandinavia, Sci-Fi, science fiction



For a sampling of some of the best independent cartoonists today, one great source is the NOT MY SMALL DIARY anthology, edited by Delaine Derry Green. Cartoonist John Porcellino, known for his “King Cat” comics, has called Delaine’s anthology, “One of the most important comic-zines in history.” Here is a look at Issue 19: Unexplained Events, which showcases the work from 43 talented artists.

Panel excerpt from Kevin Van Hyning’s “The Curse of Macbeth”

So, the theme of “unexplained events” leaves open a wide field of opportunities from things that go bump in the night and beyond. One of the most inventive, jarring, and downright entertaining pieces comes from Kevin Van Hyning. It’s a pretty messed up misadventure and I hope and pray that nothing close to this actually happened to Kevin. Like a lot of creative people, myself included, Kevin has many outlets, like performing on stage. In “The Curse of Macbeth,” we see what can happen when an actor confronts the age-old superstition of daring to say “Macbeth” before a show. It’s supposed to be very bad luck! And, as it turns out in this comic, it’s the sort of bad luck that can knock your teeth out! Inspired work! A big takeaway for me is learning of this curse as I don’t believe I’d ever heard of it before. But it has a long tradition dating back to the very first time it was performed in 1606. Teeth kept being knocked out and worse!

David Lasky’s “Mothman”

As a cartoonist myself, who has observed and commented upon the comics scene for many years, I am delighted to see page after page of inspired work from familiar and new talent. What you find in this book is a treasure trove of comics experimentation. Each creator is working within their own special confines, powered by their own personal engine. This is a fascinating book and a must-read for anyone interested in contemporary comics. Each artist you visit here is like a little island onto itself. We paddle ashore and reach the Isle of David Lasky. Here we find enigmatic work giving out a melancholic howl. In the one-page “Mothman,” we find the distinctive Lasky poetic comic. Relax your shoulders and linger over it.

Panel excerpt from “My ‘Unsual’ Sighting’ by James Burns

The universal symbol for the unexplained seems to always go back to UFOs. And so I close with a piece by James Burns, “My ‘Unusual’ Sighting.” The most eerie and creepy incidents are beautifully underscored by the mundane. Often the most profound things must compete with the most banal and so it is in this comic. It is 1966 and a bunch of kids innocently look up in the sky and seem to be watching their favorite sci-fi show in the clouds–but they’re not. Or what are they seeing? Ten years later, Burns is eighteen and has an opportunity to possibly confirm his most wildest speculation. But he’s still a kid–and what is he supposed to do if his suspicions are correct? Nicely done and a fitting example to a most impressive collection of work in comics.

Be sure to keep up with Not My Small Diary at Delaine Derry Green’s My Small Web Page right here.


Filed under Alt-Comics, Alternative Comics, Anthologies, Comics, Humor, Independent Comics, Indie, Not My Small Diary

Book Review: ‘Day for Night’ by Stacey E. Bryan

Illustration by Henry Chamberlain

Damien Hirst, the bad boy of art famous for displaying sharks in art galleries, once asked his 6-year-old son which he would prefer in his bed, a girl or a zombie. The boy instantly replied, “Zombie!” That is a crude and random example, I know. But perhaps it makes a bigger point about our collective fascination with the macabre, the unknown…and sometimes that is made most clear from a child’s point of view. That brings me to “Day For Night,” a new novel by Stacey E. Bryan. It has zombies of a sort. And it even has a shark! Like my example, there’s a fine-tuned crude and random vibe to this book.

This is very much a Los Angeles tale. Bryan indicates any pause as a “beat,” reminding us we’re in Tinseltown, full of daily theatrics and scripts coming out of everyone’s ears. We also get a lot of local flavor with characters living out in Brentwood, Culver City, and Marina Del Rey. There’s much talk about the well-hidden Toluca Lake. Everything seems to converge for a time at Sepulveda Boulevard. Plus numerous movie references not the least of which is Francois Truffaut’s “Day for Night.” An old tattered poster for the film decorates the apartment laundry room our main character, Rae, finds herself in at the start of the book.

At first, we don’t know if Rae is caught in the throes of an anxiety attack but she readily declares she is experiencing the end of the world. Is she perhaps an aspiring actress? Yes, she is. But what she describes next leaves much room for further speculation. Rae witnesses her neighbor Annie levitate up above the tile floor. Annie blacks out just as Rae throws her yellow bra at the glowing force surrounding her friend. By the time that Annie wakes up, it’s too late to rationally explain to her that something most supernatural (thwarted alien abduction?) has just occurred. Annie completely missed it. Rae experienced the whole thing!

And so our story unfolds alternating between typical Angeleno angst and unexplained phenomena. It’s a wonderful balancing act that Bryan maintains. Basically, half the novel favors events more grounded in reality and then, as the weird stuff pushes its way to the foreground, you get a more mature version of Buffy the Vampire Slayer. Rae is in her thirties and, like her counterparts has had time to become more hardened and jaded than Buffy. Rae is a tough cookie recovering from quite a lot of rough scrapes, especially the day a tiger shark got too close and chomped off some of Rae’s fingers.

Bryan is totally in command of her story and has fun teasing out moments for her main character, Rae. Funny internal monologues give way to sudden outbursts followed by the latest development in Rae’s bumpy journey. Along the way, she encounters romance ranging from comical to intense. Throughout, Rae discovers a tapestry of connections that sustain her and help her grow ranging from the mundane to the sublime.

“Day for Night,” a novel by Stacey E. Bryan

Bryan has mastered that same melding of the everyday with the supernatural that has appealed to legions of Buffy the Vampire Slayer fans. The pithy exchanges between Bryan’s characters crackle with hard-won insight. It is insight mixed with harsh reality…and the movies. This is L.A., after all. It’s a mix of gumption that just might be enough to take on vampires and space aliens.

“Day for Night” is published by Vagabondage Press. You can find it on Amazon right here. And you can find Stacey at her website right here.


Filed under Aliens, Book Reviews, Buffy The Vampire Slayer, Horror, Los Angeles, Satire, Supernatural, Vampires

Advance Review: ALIENS: DEAD ORBIT #1 by James Stokoe


The much anticipated Aliens comic book by James Stokoe, published by Dark Horse Comics, will release on April 26th. ALIENS: DEAD ORBIT is going to be one of the comics highlights for 2017. Let’s take a look.


James Stokoe has a way of drawing with his light and curved lines gathering up an intoxicating level of details. You could very well tell a whole story just from one panel: the way the wrinkles hug a young woman’s flight suit; the curious waft of steam rising from her cup of coffee; and, no doubt, the cryptic slogan emblazoned across the mug she holds. Now, that means something. Is it here just for irony or perhaps more? We’ll just have to see. Welcome to the first issue of ALIENS: DEAD ORBIT, story, art, and lettering by James Stokoe, published by Dark Horse Comics.


Dark Horse provides us here with a shining example of their inventive and daring approach to creating work for a franchise. With Aliens, it’s a dance we readers want to engage in before we get to the monsters. The whole look and feel has to settle into place. We want to gradually get to know the characters. With James Stokoe (Wonton Soup, Orc Stain, Godzilla: The Half-Century War) we have an artist/writer with the passion to engage with each trope and build up something totally enthralling and new.

As we begin this issue, we have the classic set-up of a lone survivor on a rust bucket of a space station. Who is he? What happened? What happens next? Where’s the monster? All valid questions and we get to a lot of them. Wassy, short for Wascylewski, is a chain-smoking hardened soldier. He is willing to keep his head down and do his job. That’s a good plan until things get complicated. Suffice it to say, there’s an incident. Oh, it starts out small but then it builds.


Character development is really fun and solid here. This is a young crew. Our Captain Hassan comes across as impulsive, sort of a scruffy version of Captain Kirk. Well, sort of. Hassan seems to be on unsteady ground. There’s definitely a lot of unpredictable energy here. This is a crew that seems to already be on a short fuse to begin with. Any of the crew members we meet, perhaps with the exception of one, could prove to be Hassan’s equal, and rival. At least, that’s the sense I get from this dynamic.

I think Stokoe is a total natural at what he does. This is a guy who just loves to draw and to tell stories. The colors are gorgeous. The palette of light blues and oranges is a refreshing alternative to brooding dark greens that we usually associate Alien stories with. I also really appreciate the lettering. Word balloons have a nice organic feel. The lettering itself could actually be hand-drawn. It sure has that nice crisp look that a pro at hand-lettering can achieve. This whole first issue is quite a beauty and no reason to believe the rest won’t be just as stunning. Can’t wait for more!

ALIENS: DEAD ORBIT #1 is available as of April 26, 2017. For more details, visit Dark Horse Comics right here.


Filed under Aliens, Comics, Comics Reviews, Dark Horse Comics, Ridley Scott, Sci-Fi, science fiction