Category Archives: Comic-Con

SDCC 2016 Review: THE DEATH OF STALIN, presented by Europe Comics

"The Death of Stalin," published by Europe Comics

“The Death of Stalin,” published by Europe Comics

The Death of Stalin” is a digital graphic novel presented by Europe Comics and is one of various select titles from Europe Comics being promoted at this year’s Comic-Con International in San Diego. This is quite an audacious, vivid, and insightful look at the strange events occurring shortly after Joseph Stalin had a stroke: the chaos and the subsequent grab for power. It is highly accessible: drops you right in, as if you were a fly on the wall, a fly that Stalin, himself, would have thought nothing of swatting and flicking away.

Who was Joseph Stalin? If you’re too young to have a frame of reference, that’s understandable. Think World War II. Think dictator. Then add to that one of the great mass murderers in history responsible for the deaths of millions. Joseph Stalin was the Soviet Union’s dictator from 1924 to 1953. And, in that time, he ordered the deaths of an estimated 50 million of his own citizens. So, you can imagine that his death would be a pretty big deal.

It once was common to find in your newspaper a grainy official photo of the Soviet leaders proudly reviewing the annual May Day parade displaying Soviet military might. That very same photo would, at a later date, pop back into those same newspapers with the latest news from the mysterious world of the Soviet Union. But the photo was altered: someone had been erased and replaced with someone else. There was plenty of doctoring of photos and executing of comrades during Stalin’s regime. While that may seem primitive by today’s standards, you can see something similar going on in North Korea. I feel like Rachel Maddow now as I hope I impress upon young readers that Kim Jong-un’s regime is a small scale throwback to what the Soviet Union was like.

Who Will Take Over After Stalin?

Who Will Take Over After Stalin?

To best convey the inner workings of the Kremlin during the last days of Stalin requires a dedication to characters. Go back to that grainy photo of politburo leaders at the May Day reviewing stand. How do you give those ghostly figures some life? Now, that must have been a challenge. This book is up to the task thanks to both a lively script by Fabien Nury and compelling art by Thierry Robin. Without a doubt, you are that fly on the wall. We are told that truth is stranger than fiction. Did Stalin, the night before he had his fatal stroke, really force the national symphony to replay a concert they had just performed just for the benefit of his own personal recording? I would not be surprised.

This two part story will thrill political junkies as well as history buffs. We see a relatively young Nikita Khrushchev as he maneuvers for power. In 1953, he was a mere 59 years-old! That’s “young” for Soviet leaders. In a matter of days, the tide would turn in his favor and he would replace Stalin. But not before a chaoic, bloody, and sometimes comical, turn of events. That said, this intriguing story will prove insightful and entertaining for any reader of any age.

The Death of Stalin” is now available at Europe Comics, which launched in November 2015 by a coalition of nine comics publishers, two rights agents, and an audio-visual company, from eight different European countries. Europe Comics is working towards the creation of a pan-European comics catalog, available in English and digital format, a website with comics information for readers and professionals, and a series of author tours and events across Europe and the USA.

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Filed under Comic-Con, Comic-Con 2016, Comics, Europe Comics, Graphic Novel Reviews, graphic novels, History, Russia

Interview: Jason V Brock on The Twilight Zone and The Group

George Clayton Johnson and Charles Beaumont, circa 1960. Illustration by Henry Chamberlain

George Clayton Johnson and Charles Beaumont, circa 1960. Illustration by Henry Chamberlain

Editor’s Note: If you are heading out to Comic-Con, and you wish to learn more about what we covered in this interview, go to a special panel, “Star Trek 50th Anniversary and George Clayton Johnson Tribute,” on Thursday, July 21st, 9:00 – 10:30 PM. Room: 9 upstairs inside San Diego Convention Center. Having written the first aired Star Trek episode, “The Man Trap,” George has secured his place within Star Trek as much as Twilight Zone.

Jason V Brock is a filmmaker, writer, editor, and artist. For this interview, I draw from Jason’s extensive knowledge of golden age television and pop culture. Among his work in film, he is known for his documentary on the writer Charles Beaumont (1929-1967), which is a rich source for our talk. At the same time, Brock’s academic work is just as compelling. I consider Jason a friend in the entertainment industry: we both share a certain sensibility. I hope you enjoy this concise version our geeking out on George Clayton Johnson and related things. We were both en route to a special tribute for screenwriter George Clayton Johnson that took place this February. So, it all makes sense.

In this interview, we’re chatting about that golden time in television that was “The Twilight Zone.” This is digging deeper into the background of the show and its key talent. For this talk, we’re focusing on George Clayton Johnson along with other members of what became known as “The Group,” which met from the early 1950s to the mid-1960s. Within that gathering of writers, the leader was Charles Beaumont. Some writers from The Group went on to write for The Twilight Zone.

HENRY CHAMBERLAIN: Jason, talk about Charles Beaumont, who remains something of a mystery: a great writer on the rise, dead at age 38. And then let’s shift to George, who also remains a mystery.

JASON V BROCK: There’s an interview with Charles Beaumont that was conducted by George Clayton Johnson. It was for a show called, “The Author and the Story.” And Beaumont recites from “My Fair Lady.” We include some of that in the documentary. If you can find that interview, it is well worth seeking out. Beaumont’s illness is a mystery. It does seem to come down to two possibilities: Alzheimer’s disease or Pick’s disease. I tend to think it was Pick’s disease as it fits in with what we know about Beaumont’s activity as he declined: slow and halting speech; a greater amount of impulsivity. What Beaumont’s friends believed was the main cause of Beaumont’s premature death was his routine use of Bromo-Seltzer, which had aluminum, a cause of dementia.

During this time that Beaumont was declining in health, he and George had a falling out. George was trying to figure out a new project. And they had a sort of disagreement. But, after a while, they mended fences. It was during that time that George discovered what was happening to Beaumont. Keep in mind that these were still young guys. The dementia started for Beaumont at around age 33.

Now, George will always remain a mystery. He was an enigmatic individual to be sure. A lot of people don’t know this but he was an underwear model for a time. He did whatever to make ends meet. He was, as he liked to say, “a dog without a collar.” He wanted to do things his way and succeed on his own terms. He was punk rock before that became a thing, and I admire that about him. He was a very intelligent person. He only had an eighth grade education. He was born in a barn in Cheyenne, Wyoming. He went through many phases. He was a beatnik and then became enthralled with hippiedom, and that aspect never left. He was a vegetarian. And he was involved with supporting the legalization of marijuana. Politically, he had more of a Libertarian ideal. He was also mercurial, open to new ideas, never crystallized in his mindset.

Ray Bradbury asked, “Who can explain the mystery of personality?” And I think George fits that perfectly. You could ask him one thing and he would answer back with the most unexpected things.

There was that aspect of overcoming the odds for George and his feeling a need to prove himself.

I look at The Group and think of it as the atom with Charles Beaumont as the nucleus. They’re all in different shells around Beaumont. The atom blew apart once the nucleus was gone. Everyone went in different directions. In the hierarchy, Beaumont was at the top. But, beyond that, in relation to success, was Richard Matheson in a role as mentor. Then there was Ackerman and Bradbury who were relatively older. What’s interesting is that Nolan and Johnson told me that they felt they were lowest on the totem pole in relation to the group. However, Nolan and Tomerlin were, in fact, closest to Beaumont. And then George was next to them.

George was more responsible. The three others did as they pleased. They would go to Monaco and crash a dinner for Princess Grace. They loved Grand Prix racing. They would run off and do all these things at the drop of a hat. Go hang out with Ian Fleming. George stayed home with his family. Richard Matheson stayed home with his family. George was one of the few who bought his house. He bought it early on and lived the rest of his life there. He hungered for that stability and security.

Considering those four core members, tell us more about John Tomerlin.

What’s interesting about him is that he was a catalyst for a number of things. He started in radio and that was his big love. He wasn’t really interested in television or film. The rest of the group dragged him into that. He was interested in competing and conquering. He was feisty. He became a bridge champion, and pilot. He was mostly in love with the Norman Corwin school of writing for radio. That’s like saying today that you’d like to write like the original Twilight Zone when we’re in the midst of Kardashian cult TV. It ain’t gonna happen!

Share with us more about other members of The Group. They seem to fade into the background and yet they’re all interesting in their own ways. There’s Chad Oliver, for instance, he seems pretty obscure but I come to find that he had his cult following.

Well, Chad Oliver really did enjoy science fiction. I don’t think that was where Beaumont’s heart was. It’s weird that Johnson and Nolan would think they were lowest on the totem pole since that was not true. After you move past the core, there are the top ten. Altogether, you could say there were thirty writers associated with The Group. If you’re thinking conceptually, outside of Bradbury, Beaumont was most influential closely followed by Richard Matheson. And then, after that, Nolan.

After that, it depends, as you give merit on a story by story basis. Stylistically, Beaumont was at the top. Followed by Nolan, and then Johnson. I would place Matheson at the bottom, as a stylist. His writing was very direct; he was not an atmospheric writer. His ideas and his characterizations are his strengths, and his novel way of looking at the universe. While Beaumont’s writing was more rich, a lot more substance to his delivery. Bill Nolan was a lot like that too, especially early in his career. Later in his career, his writing is more like Dashiell Hammett or Raymond Chandler or Hemingway. He started in the style of Bradbury, as did Beaumont. George also emulated Bradbury. And then they moved on. Bill did a lot of television with Dan Curtis. Mathewson wrote a tremendous amount for television and film, beginning with Roger Corman. His writing lent himself to screenplays. He wrote about a hundred short stories and then switched to novels.

Talk more about the dynamics of what was going on behind the scenes of The Twilight Zone: Rod Serling and Ray Bradbury.

The Group would not have happened if not for Rod Serling. It was Serling who was the big shot in television. Ray Bradbury wanted to do that too. Serling came from the East Coast and steeped in great television, like Paddy Chayefsky. Bradbury has his side of the story of what caused the great rift between them–and we cover that in our documentary. I can see that it was jealously at play: Bradbury wanted what Serling had. But, The Twilight Zone, in fact, was always on precarious ground. Then there’s Night Gallery which left Serling without creative control which he regretted very much. Writers from The Twilight Zone went on to write for Star Trek and for Night Gallery. Nolan and Johnson both wrote a number of scripts for consideration on Star Trek. And, it was Johnson who wrote the first Star Trek episode aired, “The Man Trap.”

I can understand how Ray Bradbury would have felt that he could have done a better job than Rod Serling, even if that was not the case.

Bradbury would have directly said that. Serling got to the point too describing Bradbury’s style as best for the page and not the screen. Bradbury is more in line with Edgar Alan Poe. And that is more of an internal mode of writing. It is very difficult to transfer that onto a script. On the other hand, you can say Serling’s writing can be very talky. The modern equivalent to Serling would be Aaron Sorkin. Your mind is just snapping and crackling to that kind of writing. Serling was very much like that on his work for Playhouse 90.

Clusters of writers do crop up. You think of The Lost Generation Expats in Paris, The Lovecraft Circle, The Beats, The Group. It’s very hard, if not impossible, to form this bond online. You need that human connection.

Rod Serling is quite fascinating. And he did know what he was doing even if he had not been known for science fiction and fantasy prior to The Twilight Zone.

Yes, he had always been reading in the field. He had always been interested in science fiction and fantasy, reading it since he was a boy. He just didn’t have an outlet for it yet. He wasn’t a prose writer, that wasn’t his form of writing. He started in radio, just like John Tomerlin. Serling started writing from his direct experience in the war. He was in the Pacific during World War II. I recommend a memoir by Anne Serling, “As I Knew Him,” about her father. It is very well written. She describes how her dad wrote initially in a diary form to help him overcome PTSD. This would lead him to radio and, with his clipped style of talking, he was a natural for it. Later, he wins a writing contest for television. The writer who came in second was Earl Hamner Jr., who would go on to write a number of Twilight Zone episodes.

Indulge me and go even further into the background of the writing for The Twilight Zone. For one thing, everyone involved was hip to Weird Fiction.

If you break it down, story by story, what these writers were most interested in was Magical Realism. They didn’t really call it that back then in the United States. Bradbury had that aspect. Serling definitely had it. When you start looking at other writers from The Group, John Tomerlin and Jerry Sohl were much more interested in serious and realistic stories. So, it comes down to Nolan, Matheson, Beaumont, and Johnson.

They all loved F. Scott Fitzgerald. They all loved Hemingway. They could not help but admire Hemingway as he was the big force in writing at the time. Hemingway had that succinct style that fit right in with their interest in noir. They tapped into the Magical Realism in Faulkner. They all loved Poe. And they all loved Bradbury and wanted to follow in his footsteps and write for the pulps. Beaumont loved Lovecraft. He loved Dalton Trumbo’s “Johnny Got His Gun.” Had Beaumont lived, he would have pursued more work with social commentary similar to Rod Serling. It’s very interesting as to how it all came together as it did. It is something I’d like to write about in the future.

Thank you, Jason. As always, a pleasure. I look forward to our next conversation.

Same here, Henry.

Keep up with Jason V Brock by visiting his website for his work and that of his wife, Sunni K Brock, right here.

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Filed under Charles Beaumont, Comic-Con, George Clayton Johnson, Hollywood, Interviews, Jason V. Brock, movies, Ray Bradbury, Richard Matheson, Rod Serling, Star Trek, The Twilight Zone, William F. Nolan, writers, writing

Book Review: ‘A Hundred Thousand Worlds’ by Bob Proehl

"A Hundred Thousand Worlds" by Bob Proehl

“A Hundred Thousand Worlds” by Bob Proehl

Bob Proehl is in touch with the natural, yet complex, details of a mother and son relationship. In Proehl’s debut novel, he has Valerie Torrey face the bittersweet transition of her son, Alex, leaving behind childhood and quite literally having to say goodbye to his mom. It’s complicated but, in this case, inevitable.

Alex Torrey is a nine-year-old boy who hasn’t seen his dad, Andrew, in six years. In Alex’s world, his dad is three things: an actor in Los Angeles; a movie star he can see on TV; and, just for fun, the character he plays, a time traveling secret agent. It was Valerie who made the reckless decision to kidnap her son and raise him in New York. Now, Val seems to want to make things right by reuniting Alex with Andrew. Throw in an assortment of superheroes, monsters, and robots, and you have the engaging debut novel by Bob Proehl, “A Hundred Thousand Worlds,” published by Viking.

This story hangs together very well on the tiny frame of nine-year-old Alex, who is at that magical age of still being very much a child and yet capable of profound observation. He is a character type that has been brilliantly employed in some great fiction from such diverse writers as Günter Grass, John Irving, and Jonathan Safran Foer. So, Proehl has created his very own charming and sad little imp. Alex questions everything. He has certain rituals he follows to help him find answers like reversing the letters to various names hoping to tap into some hidden meaning. It makes no sense to an adult but follows kid logic. From this heartbreaking innocence we can compare our own journey to self-discovery.

Valerie met Andrew while the two were starring in the hit sci-fi series, “Anomaly.” The mystery is what triggered Valerie to run away with Alex to New York. Proehl sets in motion a clever device to get Valerie, Andrew, and Alex reunited. Six years of separation from his father has taken its toll on Alex, a situation crying out for resolution. Valerie leverages her pop culture status and picks up some appearances on the comic book convention circuit, enough to cover her expenses on her odyssey with Alex, from New York back to Los Angeles. Along the way, we get plenty of jokey references to the comic book industry, many which will be appreciated by diehard fans.

Proehl’s work is ambitious as he juggles numerous pop culture references while developing something deeper. He does a wonderful job of straddling the lighthearted accessibility of a young adult novel with the richer field of literary fiction. Valerie, for example, is quite compelling as a flawed character. Andrew has made some obvious bad choices but Valerie has much to work out like her smothering overprotective nature.

Proehl knows how to satirize pop culture quite well. It is remarkable that he also knows how to evoke the qualities that attract us to mass entertainment. Nothing is ever so simple, not a divorce, not a child, not even a comic book.

“A Hundred Thousand Worlds Hardcover” is published by Viking, an imprint of Penguin Random House, available as of June 28, 2016. For more details, visit Penguin Random House right here.

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Filed under Book Reviews, Books, Comic-Con, Comics, pop culture, Superheroes

Preview: Jackie Estrada’s Comic Book People 2

ComicBookPeople90S_2 D1.indd

Jackie Estrada’s “Comic Book People 2,” a behind-the-scenes look at the comics industry in the 1990s, will be available at your local comics shop on September 2 and on Amazon on September 10. You can currently find the first book “Comic Book People: Photographs from the 1970s and 1980s,” right here. You can find “Comic Book People 2” scheduled for release at your LCS right here.

Comic-Book-People-2-Ellen-Forney

“Comic Book People 2” is a high-quality hardcover coffee table book that offers a unique peek at the comics industry in the 1990s. It features some 600 candid photos of comics creators taken by Jackie Estrada at the San Diego Comic-Con, WonderCon, Chicago ComiCon, APE, SPX, and other shows during the decade, along with commentary and anecdotes about each person. The photos depict not only the big names of the period but also up-and-coming stars early in their careers as well as Golden and Silver Age comic book greats who were still with us.

Comic-Book-People-2-Frank-Frazetta

“The 1990s were a great time for new faces that are now familiar fixtures, such as Neil Gaiman, Grant Morrison, Jeff Smith, Terry Moore, Garth Ennis, Colleen Doran, David Lapham, and Paul Pope,” says Estrada. “But even as these new creators came on the scene, a number of Golden and Silver Age greats were still with us, and I was fortunate to be able to photograph many of them.” Among the venerated artists in the book are Frank Frazetta, Carmine Infantino, Gene Colan, Al Williamson, Sheldon Moldoff, Nick Cardy, and of course Will Eisner and Jack Kirby.

The 1990s were a transitional era in comics: Image emerged, lots of other new publishers got into the mix, the direct market flourished, and the self-publishing and indie comics movements really took off. The number of comic conventions also increased all around the U.S. And Jackie Estrada was there, capturing the scene in candid images.

It was during the 1990s that Estrada and her husband Batton Lash formed Exhibit A Press to produce his comics series Wolff& Byrd, Counselors of the Macabre (aka Supernatural Law). Many of the photos in Comic Book People 2 were taken at shows where they exhibited, from the Chicago ComiCon and WonderCon to the Small Press Expo and APE, as well as the San Diego Comic-Con. The book covers the full spectrum of creators, from mainstream superhero writers and artists to small press cartoonists, as well as people behind the scenes in the industry, such as publishers, editors, retailers, and distributors. Among the events of the 1990s featured are the foundings of Milestone and Friends of Lulu and activities of the Comic Book Legal Defense Fund.

Jackie has been both a comics fan and a photographer since the 1960s, and she has been to every San Diego Comic-Con. Her involvement in comics has included editing publications for Comic-Con, being the administrator of the Will Eisner Comic Industry Awards since 1990, serving as president of Friends of Lulu, and being the co-publisher of Exhibit A Press, which has produced Comic Book People 2. Her photos of comics creators have appeared in numerous books and publications, from Paul Levitz’s 75 Years of DC Comics and Julius Schwartz’s autobiography Man of Two Worlds to Alter Ego and Comics Buyer’s Guide. Most prominently, dozens of her photos were used in Dark Horse’s Comics: Between the Panels and in Comic-Con: 40 Years of Artists, Writers, Fans, and Friends. Most recently, her photos could be seen in the PBS special, “Superheroes: A Never-Ending Battle,” on the history of superheroes.

You could not ask for a better guide on the formidable world of comics than Jackie Estrada.

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Filed under Cartoonists, Comic-Con, Comics, Ellen Forney, Frank Frazetta, Jackie Estrada, Photography, pop culture, Will Eisner

Everyone Can Enjoy Cosplay at PureCostumes.com

Deluxe Darth Vader Adult Costume available at PureCostumes.com

Deluxe Darth Vader Adult Costume available at PureCostumes.com

Cosplay is for everyone at PureCostumes.com. It can be anytime and anywhere. If you feel like dressing up as Darth Vader, just go for it. I know I’d like to. And there’s so much more to find at this unique outlet for all kinds of costumes.

Steampunk Fantasy Adult Costume from California Costumes available at PureCostumes.com

Steampunk Fantasy Adult Costume from California Costumes available at PureCostumes.com

Let’s say you’re into steampunk, PureCostumes.com has got you covered with the steampunk costumes by California Costumes. The key is in all the details and this year will see a bunch of new styles that are sure to please any steampunk enthusiast.

Pinky Pie Adult Costume available at PureCostumes.com

Pinky Pie Adult Costume available at PureCostumes.com

Keep browsing and you are bound to find something that strikes your fancy. Maybe you’re a fan of My Little Pony. Then check out all the options, from the youngest fans to adult fans, at PureCostumes.com.

Spider-Man costume available at PureCostumes.com

Spider-Man costume available at PureCostumes.com

Or maybe you’re looking for something classic, like a Spider-Man costume. You can find it right here.

Minions costumes available at PureCostumes.com

Minions costumes available at PureCostumes.com

With something for the whole family, PureCostumes is definitely your one-stop-shop. So, the next time you’re feeling like cosplay, go visit PureCostumes right here.

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Filed under Comic-Con, Comics, Cosplay, Costumes, Halloween, Holidays, Lifestyle, pop culture, Purecostumes.com

Comic-Con 2015 Movie Review: ‘Vintage Tomorrows’

Historian James Carrott poses with Cherie Priest. Photo by Ben Z. Mund

Historian James Carrott poses with Cherie Priest. Photo by Ben Z. Mund

“Vintage Tomorrows” has got to be the best title you could give a documentary on the steampunk movement and it lives up to it. This is a much-needed comprehensive look, both informative and quite a lot of fun. The documentary made its world premiere at the Comic-Con Int’l Independent Film Festival this last weekend.

Produced and directed by Byrd McDonald, this documentary is based on the book, “Vintage Tomorrows,” by James Carrott and Brian David Johnson. They’re in the doc and so are many other notable figures. Interviews and appearances include authors William Gibson and Bruce Sterling (The Difference Engine), Cherie Priest (Boneshaker), China Miéville (Perdido Street Station), Cory Doctorow (Makers), Gail Carriger (The Parasol Protectorate series), Paul Guinan and Anina Bennett (Boilerplate: History’s Mechanical Marvel), Ann and Jeff VanderMeer (Steampunk, The Steampunk Bible), Nisi Shawl (Everfair) and Phil and Kaja Foglio (Girl Genius), and founder of Steampunk Magazine Margaret ‘Magpie’ Killjoy.

What’s all the fuss about, you ask? The story of steampunk, followers will tell you, is for everyone. To give a sense of the many voices and answers to the question, “What is steampunk?” we begin with a whirlwind of responses from many of the participants. Initial segments are sliced together with one person seeming to complete another’s sentence. “Steampunk is…” leads to answers such as “based upon science fiction of the 19th century” and on down to line to rallying cries such as, “you show up in a top hat and spats and you’re there to cause a riot!”

For an ostensibly literary movement, you would expect a rather low-key and subtle vibe running throughout. And, darn it, that is basically what you have and there’s nothing wrong with that. However, what people who are involved with steampunk would have you know is that there’s a strong sense of wonder, adventure, and excitement attached as well. And things are evolving. What may have begun as a quirky meeting of minds, circa 2005, has found formidable and creative leaders in the last ten years.

Steampunk today takes itself more seriously. The irreverence has been tempered a bit with a higher level of self-scrutiny. For instance, as the documentary explains, in order to be more inclusive, steampunk needed to confront the Victorian era’s colonialism and elitism. While history is what it is, attempts are made to address the past. For instance, you hear one participant say she no longer wears a pith helmet, an obvious symbol to her of colonialism.

Attempts to bring the Victorian era into the 21st century are likely to always be weird but that is part of steampunk. Enthusiasts will tell you that a big method to the madness is an attempt to get back to something tactile and real. While a steampunk follower may own an iPhone or iPad, that doesn’t mean he or she doesn’t do it grudgingly. A recurring battle cry is that we’ve lost something vital with today’s technology. There is no steampunk smart phone or laptop. However, we have each other. We have community. Steampunk encourages you to not be afraid to look backward as you find your way forward.

Be sure to visit the official Vintage Tomorrows website right here.

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Filed under Comic-Con, Documentaries, pop culture, Steampunk

Comic-Con 2015: THE PEANUTS MOVIE release date: November 6, 2015 (USA)

The-Peanuts-Movie-6-November-2015

The ultimate Peanuts movie is on its way!

If you’re at Comic-Con, then you’ll want to make your way to Petco Park, at 100 Park Blvd, for a very special look inside Snoopy’s dog house. Explore within the walls of a giant inflatable Snoopy doghouse. The kids will love snuggling with beagles, snapping selfies with Snoopy, exclusive giveaways and lots more. July 9-July 12, from 9:00AM-6:00PM /PST.

From the imagination of Charles M. Schulz and the creators of the ICE AGE films, THE PEANUTS MOVIE will prove that every underdog has his day.

If you enjoyed the recent animated feature, “Mr. Peabody & Sherman,” (my review here) then you’re also going to want to see “The Peanuts Movie.” Presented by Blue Sky Studios and 20th Century Fox, this is sure to please those of us who have loyally followed the Peanuts gang over the years all the way down to the newest of viewers.

The synopsis: Flying ace Snoopy (Bill Melendez) takes to the skies to chase his nemesis, the Red Baron, while best friend Charlie Brown (Noah Schnapp) embarks on his own epic quest.

The release date for The Peanuts Movie is November 6, 2015 (USA). Be sure to visit the official website right here. For even more about Peanuts, you’ll also want to visit the Charles M. Schulz Museum and Research Center in Santa Rosa, California. To be sure, they are celebrating this latest Peanuts venture. Find them here.

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Filed under animation, Charles M. Schulz, Charlie Brown, Comic-Con, Comic-Con 2015, Comic-Con International, Comics, movies, pop culture

Gifts 2014: NERD BLOCK

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Here at Comic Grinder HQ, we’re constantly looking for cool stuff to share with you. I had just made a fresh batch of hot cocoa and was gearing up for the day when Roy burst into the office with the latest mail bag, which happened to be bursting too, at the seams, no less. “You better step it up, we have a motherload of packages and parcels. Best you get to reviewing straightaway!” And so I did. I picked up the first box and, lo and behold, it was from Nerd Block. I have heard many good things about them and I went right into taking stock of the box’s contents in the video below:

Nerd Block makes a great gift for anyone. If you enjoy pop culture, then Nerd Block has got something for you. Nerd Block is a monthly mystery package delivered right to your door filled with nerdy apparel, toys, and collectables! Every Nerd Block comes with a custom t-shirt (in your size) and 4-6 epic items. There are different themes to choose from. You can stop your subscription at any time. Packages range in price from $13.99 to $19.99. Visit our friends at Nerd Block right here.

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Filed under Comic-Con, Comics, DC Comics, Gifts, Gifts 2014, Marvel Comics, Nerd Block, pop culture, Star Wars

Whitney Matheson Completes a 15-Year Run with USA Today

Whitney-Matheson-Pop-Candy-Meetup-2011

A routine that was so essential to so many of us out there has come to an end. Whitney Matheson completes a 15-year run of Pop Candy, the pop culture blog at USA Today.

We will all miss Whitney Matheson at Pop Candy at USA Today but, of course, when one door closes, another door opens. September 3 was her last day as she was laid off from her post that she had held for 15 years. Of course, fans have been caught by surprise and are showing their support at Whitney’s Twitter.

Here is one from the archives: A CNN iReport put together by Jennifer Daydreamer and yours truly, this is an impromptu interview with James Sime, owner of Isotope, The Comic Book Lounge, that segued into an impromptu interview with Whitney Matheson. The discussion here involves the state of comics, which is always evolving, and how they coexist with Hollywood. This is from 2010, the year that “Scott Pilgrim” and “The Walking Dead” were big winners at the Eisner Awards at Comic-Con International in San Diego.

Whitney hosted some awesome Pop Candy meetups through the years. Well, perhaps there will be something similar in the future.

Good luck to you, Whitney! We look forward to future observations and excellent writing! You are one of the best!

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Filed under Comic-Con, Comic-Con 2010, Comics, Entertainment, Hollywood, Isotope Comics, James Sime, Jennifer Daydreamer, Journalism, Media, movies, Newspapers, Pop Candy, pop culture, Television, Whitney Matheson

Interview: David Ury and ‘Everybody Dies: A Children’s Book For Grown-Ups’

David Ury and "Everybody Dies: A Children’s Book For Grown-Ups"

David Ury and “Everybody Dies: A Children’s Book For Grown-Ups”

Daivd Ury is really onto something. Who is David Ury? you may ask. Most likely, you’ve seen him around, getting throttled, axed, murdered, or most notably, having an ATM fall on him in AMC’s critically-acclaimed “Breaking Bad.” Yes, he’s one of those character actors that you like but might not know unless you’re looking in the right places. Ury has definitely been working hard. You can catch his hilarious collaboration with his alter-ego, Kevin Tanaka, right here:

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Filed under Books, Children's Books, Comic-Con, Comic-Con 2014, Death, Illustration, Interviews