Category Archives: San Diego Comic-Con

2019 Will Eisner Comic Industry Awards Nominees Announced

 

Alex de Campi

Excitement is in the air as nominees are rejoicing over being part of this year’s Eisner Awards for Comics Excellence. The Eisner is the equivalent to The Oscar in the comics industry. The awards are presented every year at Comic-Con International: San Diego. This year’s ceremony is Friday, July 19, 2019. The official list has just been released and you can see it here or just look down below. A good amount of alternative comics and big publishers made the list with a big lead for Image Comics and D.C. Comics. As noted above, Alex de Campi received multiple nominations, as did Tom King.

Noah Van Sciver

Judges for this year are comics journalist Chris Arrant (Newsarama), academic/author Jared Gardner (Ohio State University), librarian Traci Glass (Multnomah County Library system in Portland, Oregon), retailer Jenn Haines (The Dragon, Guelph and Milton, Ontario, Canada), reviewer Steven Howearth (Pop Culture Maven), and comics creator Jimmie Robinson (CyberZone, Amanda & Gunn, Bomb Girl).

Nate Powell

The official SDCC statement follows:

Image and DC received the most nominations: Image with 19 (plus 11 shared), and DC with 17 (plus 7 shared). Image swept the Best New Series category, with all six nominees (including Brenden Fletcher and Karl Kerschl’s Isola, up for 2 other categories as well). Also strong for Image are Steven Seagle’s Get Naked anthology (3 nominations), Ed Brubaker and Sean Phillips’ My Heroes Have Always Been Junkies (2 nominations), and the Alex de Campi–edited Twisted Romance (2 nominations plus 1 shared). For DC, Tom King and Mitch Gerads’ Mister Miracle is up for 4 nods, Eternity Girl has 2 nominations plus 1 shared, MAD and Exit Stage Left have 2, and Batman is nominated in Best Continuing Series plus several shared categories.

Other  publishers with multiple nominations include IDW (10 plus 2 shared), Lion Forge (10), First Second (9 plus 1 shared), Marvel (7 plus 5 shared), Dark Horse (7 plus 3 shared), BOOM!(5 plus 1 shared), Drawn & Quarterly (5), and Gallery 13 (3 plus 2 shared). Six companies had 3 nominees: Beehive Books, Ohio State University Press, TwoMorrows, VIZ Media, and WEBTOON. Eight companies have 2 nominations each, and another 30 companies or individuals have 1 nomination each.

In addition to Isola, Mister Miracle, and Get Naked, titles with the most nominations include two books from Lion Forge/Magnetic Press, with 3 each: Watersnakes by Tony Sandoval (Best Publication for Teens, Best Writer/Artist, Best Painter) and A Sea of Love by Wilfrid Lupano and Grégory Panaccione (Best U.S. Edition of International Material, Best Painter, and Best Publication Design).

The creator with the most nominations is Tom King with 5: Best Short Story (from DC’s Swamp Thing Winter Special), Best Continuing Series (Batman), Best Limited Series (Mister Miracle), Best Graphic Album­–Reprint (The Vision hardcover), and Best Writer. Two creators have 4 nominations each: Alex de Campi (Best Graphic Album–New: Bad Girls, Best Anthology: Twisted Romance, Best Writer, Best Letterer) and Jeff Lemire (Best Single Issue: Black Hammer: Cthu-Louise, Best Continuing Series: Black Hammer: Age of Doom, Best New Series: Gideon Falls, Best Writer). Creators with 3 nominations are Karl Kerschl (Best New Series, Best Penciller/Inker, Best Cover Artist for Isola), Grégory Panaccione (Best U.S. Edition of International Material, Best Painter, and Best Publication Design for A Sea of Love), and Tony Sandoval (Best Publication for Teens, Best Writer/Artist, Best Painter for Watersnakes).

Eleven individuals are nominated for 2 Eisners: John Allison,  Emily Carroll, Nick Drnaso, Mitch Gerads, Sonny Liew, Carolyn Nowak, Sean Phillips, Nate Powell, Mark Russell, Noah van Sciver, and Jen Wang.

Voting for the awards is held online, and the ballot will be available at www.eisnervote.com. All professionals in the comic book industry are eligible to vote. The deadline for voting is June 14. The results of the voting will be announced in a gala awards ceremony on the evening of Friday, July 19 at a gala awards ceremony at the Hilton San Diego Bayfront Hotel. Jackie Estrada is the Eisner Awards Administrator.

Best Short Story

  • “Get Naked in Barcelona,” by Steven T. Seagle and Emei Olivia Burrell, in Get Naked (Image)
  • “The Ghastlygun Tinies,” by Matt Cohen and Marc Palm, in MAD magazine #4 (DC)
  • “Here I Am,” by Shaun Tan, in I Feel Machine (SelfMadeHero)
  • “Life During Interesting Times,” by Mike Dawson (The Nib), https://thenib.com/greatest-generation-interesting-times
  • “Supply Chains,” by Peter and Maria Hoey, in Coin-Op #7 (Coin-Op Books)
  • “The Talk of the Saints,” by Tom King and Jason Fabok, in Swamp Thing Winter Special (DC)

Best Single Issue/One-Shot
  • Beneath the Dead Oak Tree, by Emily Carroll (ShortBox)
  • Black Hammer: Cthu-Louise, by Jeff Lemire and Emi Lenox (Dark Horse)
  • No Better Words, by Carolyn Nowak (Silver Sprocket)
  • Peter Parker: The Spectacular Spider-Man #310, by Chip Zdarsky (Marvel)
  • The Terrible Elisabeth Dumn Against the Devils In Suits, by Arabson, translated by James Robinson (IHQ Studio/ Image)

Best Continuing Series
  • Batman, by Tom King et al. (DC)
  • Black Hammer: Age of Doom, by Jeff Lemire, Dean Ormston, and Rich Tommaso (Dark Horse)
  • Gasolina, by Sean Mackiewicz and Niko Walter (Skybound/Image)
  • Giant Days, by John Allison, Max Sarin, and Julaa Madrigal (BOOM! Box)
  • The Immortal Hulk, by Al Ewing, Joe Bennett, and Ruy José (Marvel)
  • Runaways, by Rainbow Rowell and Kris Anka (Marvel)

Best Limited Series
  • Batman: White Knight, by Sean Murphy (DC)
  • Eternity Girl, by Magdalene Visaggio and Sonny Liew (Vertigo/DC)
  • Exit Stage Left: The Snagglepuss Chronicles, by Mark Russell, Mike Feehan, and Mark Morales (DC)
  • Mister Miracle, by Tom King and Mitch Gerads (DC)
  • X-Men: Grand Design: Second Genesis, by Ed Piskor (Marvel)

Best New Series
  • Bitter Root, by David Walker, Chuck Brown, and Sanford Green (Image)
  • Crowded, by Christopher Sebela, Ro Stein, and Ted Brandt (Image)
  • Gideon Falls, by Jeff Lemire and Andrea Sorrentino (Image)
  • Isola, by Brenden Fletcher and Karl Kerschl (Image)
  • Man-Eaters, by Chelsea Cain and Kate Niemczyk (Image)
  • Skyward, by Joe Henderson and Lee Garbett (Image)

Best Publication for Early Readers (up to age 8)
  • Johnny Boo and the Ice Cream Computer, by James Kochalka (Top Shelf/IDW)
  • Petals, by Gustavo Borges (KaBOOM!)
  • Peter & Ernesto: A Tale of Two Sloths, by Graham Annable (First Second)
  • This Is a Taco! By Andrew Cangelose and Josh Shipley (CubHouse/Lion Forge)
  • Tiger Vs. Nightmare, by Emily Tetri (First Second)

Best Publication for Kids (ages 9–12)
  • Aquicorn Cove, by Katie O’Neill (Oni)
  • Be Prepared, by Vera Brosgol (First Second)
  • The Cardboard Kingdom, by Chad Sell (Knopf/Random House Children’s Books)
  • Crush, by Svetlana Chmakova (JY/Yen Press)
  • The Divided Earth, by Faith Erin Hicks (First Second)

Best Publication for Teens (ages 13–17)
  • All Summer Long, by Hope Larson (Farrar Straus Giroux)
  • Gumballs, by Erin Nations (Top Shelf/IDW)
  • Middlewest, by Skottie Young and Jorge Corona (Image)
  • Norroway, Book 1: The Black Bull of Norroway, by Cat Seaton and Kit Seaton (Image)
  • The Prince and the Dressmaker, by Jen Wang (First Second)
  • Watersnakes, by Tony Sandoval, translated by Lucas Marangon (Magnetic/Lion Forge)

Best Humor Publication
  • Get Naked, by Steven T. Seagle et al. (Image)
  • Giant Days, by John Allison, Max Sarin, and Julia Madrigal (BOOM! Box)
  • MAD magazine, edited by Bill Morrison (DC)
  • A Perfect Failure: Fanta Bukowski 3, by Noah Van Sciver (Fantagraphics)
  • Woman World, by Aminder Dhaliwal (Drawn & Quarterly)

Best Anthology
  • Femme Magnifique: 50 Magnificent Women Who Changed the World, edited by Shelly Bond (Black Crown/IDW)
  • Puerto Rico Strong, edited by Marco Lopez, Desiree Rodriguez, Hazel Newlevant, Derek Ruiz, and Neil Schwartz (Lion Forge)
  • Twisted Romance, edited by Alex de Campi (Image)
  • Where We Live: A Benefit for the Survivors in Las Vegas, edited by Will Dennis, curated by J. H. Williams III and Wendy Wright-Williams (Image)

Best Reality-Based Work
  • All the Answers: A Graphic Memoir, by Michael Kupperman (Gallery 13)
  • All the Sad Songs, by Summer Pierre (Retrofit/Big Planet)
  • Is This Guy For Real? The Unbelievable Andy Kaufman, by Box Brown (First Second)
  • Monk! by Youssef Daoudi (First Second)
  • One Dirty Tree, by Noah Van Sciver (Uncivilized Books)

Best Graphic Album—New
  • Bad Girls, by Alex de Campi and Victor Santos (Gallery 13)
  • Come Again, by Nate Powell (Top Shelf/IDW)
  • Green Lantern: Earth One Vol. 1, by Corinna Bechko and Gabriel Hardman (DC)
  • Homunculus, by Joe Sparrow (ShortBox)
  • My Heroes Have Always Been Junkies, by Ed Brubaker and Sean Phillips (Image)
  • Sabrina, by Nick Drnaso (Drawn & Quarterly)

Best Graphic Album—Reprint
  • Berlin, by Jason Lutes (Drawn & Quarterly)
  • Girl Town, by Carolyn Nowak (Top Shelf/IDW)
  • Upgrade Soul, by Ezra Claytan Daniels (Lion Forge)
  • The Vision hardcover, by Tom King, Gabriel Hernandez Walta, and Michael Walsh (Marvel)
  • Young Frances, by Hartley Lin (AdHouse Books)

Best Adaptation from Another Medium
  • Anne Frank’s Diary: The Graphic Adaptation, adapted by Ari Folman and David Polonsky (Pantheon)
  • “Frankenstein” by Mary Shelley, in Frankenstein: Junji Ito Story Collection, adapted by Junji Ito, translated by Jocelyne Allen (VIZ Media)
  • Out in the Open by Jesús Carraso, adapted by Javi Rey, translated by Lawrence Schimel (SelfMadeHero)
  • Speak: The Graphic Novel, by Laurie Halse Anderson and Emily Carroll (Farrar Straus Giroux)
  • To Build a Fire: Based on Jack London’s Classic Story, by Chabouté (Gallery 13)

Best U.S. Edition of International Material
  • About Betty’s Boobby Vero Cazot and Julie Rocheleau, translated by Edward Gauvin (Archaia/BOOM!)
  • Brazen: Rebel Ladies Who Rocked the World, by Pénélope Bagieu (First Second)
  • Herakles Book 1, by Edouard Cour, translated by Jeremy Melloul (Magnetic/Lion Forge)
  • Niourk, by Stefan Wul and Olivier Vatine, translated by Brandon Kander and Diana Schutz (Dark Horse)
  • A Sea of Love, by Wilfrid Lupano and Grégory Panaccione (Magnetic/Lion Forge)

Best U.S. Edition of International Material—Asia
  • Abara: Complete Deluxe Edition, by Tsutomu Nihei, translated by Sheldon Drzka (VIZ Media)
  • Dead Dead Demon’s Dededede Destruction, by Inio Asano, translated by John Werry (VIZ Media)
  • Laid-Back Camp, by Afro, translated by Amber Tamosaitis (Yen Press)
  • My Beijing: Four Stories of Everyday Wonder, by Nie Jun, translated by Edward Gauvin (Graphic Universe/Lerner)
  • Tokyo Tarareba Girls, by Akiko Higashimura (Kodansha)

Best Archival Collection/Project—Strips
  • Pogo, vol. 5: Out of This World At Home, by Walt Kelly, edited by Mark Evanier and Eric Reynolds (Fantagraphics)
  • Sky Masters of the Space Force: The Complete Sunday Strips in Color (1959–1960), by Jack Kirby, Wally Wood et al., edited by Ferran Delgado (Amigo Comics)
  • Star Wars: Classic Newspaper Strips, vol. 3, by Archie Goodwin and Al Williamson, edited by Dean Mullaney (Library of American Comics/IDW)
  • The Temple of Silence: Forgotten Words and Worlds of Herbert Crowley, by Justin Duerr (Beehive Books
  • Thimble Theatre and the Pre-Popeye Comics of E. C. Segar, edited by Peter Maresca (Sunday Press)

Best Archival Collection/Project—Comic Books
  • Action Comics: 80 Years of Superman Deluxe Edition, edited by Paul Levitz (DC)
  • Bill Sienkiewicz’s Mutants and Moon Knights… And Assassins… Artifact Edition, edited by Scott Dunbier (IDW)
  • Dirty Plotte: The Complete Julie Doucet (Drawn & Quarterly)
  • Madman Quarter Century Shindig, by Mike Allred, edited by Chris Ryall (IDW)
  • Terry Moore’s Strangers in Paradise Gallery Edition, edited by Joseph Melchior and Bob Chapman (Abstract Studio/Graphitti Designs)
  • Will Eisner’s A Contract with God: Curator’s Collection, edited by John Lind (Kitchen Sink/Dark Horse)

Best Writer
  • Alex de Campi, Bad Girls (Gallery 13); Twisted Romance (Image)
  • Tom King, Batman, Mister Miracle, Heroes in Crisis, Swamp Thing Winter Special (DC)
  • Jeff Lemire, Black Hammer: Age of Doom, Doctor Star & the Kingdom of Lost Tomorrows, Quantum Age (Dark Horse); Descender, Gideon Falls, Royal City (Image)
  • Mark Russell, Exit Stage Left: The Snagglepuss Chronicles, Green Lantern/Huckleberry Hound, Lex Luthor/Porky Pig (DC); Lone Ranger (Dynamite)
  • Kelly Thompson, Nancy Drew (Dynamite); Hawkeye, Jessica Jones, Mr. & Mrs. X, Rogue & Gambit, Uncanny X-Men, West Coast Avengers (Marvel)
  • Chip Zdarsky, Peter Parker: The Spectacular Spider-Man, Marvel Two-in-One (Marvel)

Best Writer/Artist
  • Sophie Campbell, Wet Moon (Oni)
  • Nick Drnaso, Sabrina (Drawn & Quarterly)
  • David Lapham, Lodger (Black Crown/IDW); Stray Bullets (Image)
  • Nate Powell, Come Again (Top Shelf/IDW)
  • Tony Sandoval, Watersnakes (Magnetic/Lion Forge)
  • Jen Wang, The Prince and the Dressmaker (First Second)

Best Penciller/Inker or Penciller/Inker Team
  • Matías BergaraCoda (BOOM!)
  • Mitch Gerads, Mister Miracle (DC)
  • Karl Kerschl, Isola (Image)
  • Sonny Liew, Eternity Girl (Vertigo/DC)
  • Sean Phillips, Kill or Be Killed, My Heroes Have Always Been Junkies (Image)
  • Yanick Paquette, Wonder Woman Earth One, vol. 2 (DC)

Best Painter/Multimedia Artist (interior art)
  • Lee Bermejo, Batman: Damned (DC)
  • Carita Lupatelli, Izuna Book 2 (Humanoids)
  • Dustin Nguyen, Descender (Image)
  • Gregory Panaccione, A Sea of Love (Magnetic/Lion Forge)
  • Tony Sandoval, Watersnakes (Magnetic/Lion Forge)

Best Cover Artist (for multiple covers)
  • Jen Bartel, Blackbird (Image); Submerged (Vault)
  • Nick Derington, Mister Miracle (DC)
  • Karl Kerschl, Isola (Image)
  • Joshua Middleton, Batgirl and Aquaman variants (DC)
  • Julian Tedesco, Hawkeye, Life of Captain Marvel (Marvel)

Best Coloring
  • Jordie Bellaire, Batgirl, Batman (DC); The Divided Earth (First Second); Days of Hate, Dead Hand, Head Lopper, Redlands (Image); Shuri, Doctor Strange (Marvel)
  • Tamra Bonvillain, Alien 3 (Dark Horse); Batman, Doom Patrol (DC); Moon Girl and Devil Dinosaur, Multiple Man (Marvel)
  • Nathan Fairbairn, Batman, Batgirl, Birds of Prey, Wonder Woman Earth One, vol. 2 (DC); Die!Die!Die! (Image)
  • Matt Hollingsworth, Batman: White Knight (DC): Seven to Eternity, Wytches (Image)
  • Matt Wilson, Black Cloud, Paper Girls, The Wicked + The Divine (Image); The Mighty Thor, Runaways (Marvel)

Best Lettering
  • David Aja, Seeds (Berger Books/Dark Horse)
  • Jim Campbell, BreathlessCalexit, Gravetrancers, Snap Flash Hustle, Survival FetishThe Wilds (Black Mask); AbbottAlice: Dream to Dream, Black Badge, CluelessCodaFenceFireflyGiant DaysGrass Kings, Lumberjanes: The Infernal CompassLow Road WestSparrowhawk (BOOM); Angelic (Image); Wasted Space (Vault)
  • Alex de Campi, Bad Girls (Gallery 13); Twisted Romance (Image)
  • Jared Fletcher, Batman: Damned (DC); The Gravediggers Union, Moonshine, Paper Girls, Southern Bastards (Image)
  • Todd Klein— Black Hammer: Age of Doom, Neil Gaiman’s A Study in Emerald (Dark Horse); Batman: White Night (DC); Eternity Girl, Books of Magic (Vertigo/DC); The League of Extraordinary Gentlemen: The Tempest (Top Shelf/IDW)

Best Comics-Related Periodical/Journalism
  • Back Issue, edited by Michael Eury (TwoMorrows)
  • The Columbus Scribbler, edited by Brian Canini, columbusscribbler.com
  • Comicosity, edited by Aaron Long and Matt Santori,  www.comicosity.com
  • LAAB Magazine #0: Dark Matter, edited by Ronald Wimberley and Josh O’Neill (Beehive Books)
  • PanelxPanel magazine, edited by Hassan Otsmane-Elhaou, panelxpanel.com

Best Comics-Related Book
  • Comic Book Implosion: An Oral History of DC Comics Circa 1978, by Keith Dallas and John Wells (TwoMorrows)
  • Drawn to Purpose: American Women Illustrators and Cartoonists, by Martha H. Kennedy (University Press of Mississippi)
  • The League of Regrettable Sidekicks, by Jon Morris (Quirk Books)
  • Mike Grell: Life Is Drawing Without an Eraser, by Dewey Cassell with Jeff Messer (TwoMorrows)
  • Yoshitaka Amano: The Illustrated Biography—Beyond the Fantasy, by Florent Gorges, translated by Laure Dupont and Annie Gullion (Dark Horse)

Best Academic/Scholarly Work
  • Between Pen and Pixel: Comics, Materiality, and the Book of the Future, by Aaron Kashtan (Ohio State University Press)
  • Breaking the Frames: Populism and Prestige in Comics Studies, by Marc Singer (University of Texas Press)
  • The Goat-Getters: Jack Johnson, the Fight of the Century, and How a Bunch of Raucous Cartoonists Reinvented Comics, by Eddie Campbell (Library of American Comics/IDW/Ohio State University Press)
  • Incorrigibles and Innocents, by Lara Saguisag (Rutgers Univeristy Press)
  • Sweet Little C*nt: The Graphic Work of Julie Doucet, by Anne Elizabeth Moore (Uncivilized Books)

Best Publication Design
  • A Sea of Love, designed by Wilfrid Lupano, Grégory Panaccione, and Mike Kennedy (Magnetic/Lion Forge)
  • The Stan Lee Story Collector’s Edition, designed by Josh Baker (Taschen)
  • The Temple of Silence: Forgotten Worlds of Herbert Crowley, designed by Paul Kepple and Max Vandenberg (Beehive Books)
  • Terry Moore’s Strangers in Paradise Gallery Edition, designed by Josh Beatman/Brainchild Studios/NYC (Abstract Studio/Graphitti Designs)
  • Will Eisner’s A Contract with God: Curator’s Collection, designed by John Lind (Kitchen Sink/Dark Horse)

Best Digital Comic

Best Webcomic

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Henry Chamberlain’s Campaign To Support A Comics Reviewer and Creator

From Henry Chamberlain's "Ballard Comics"

From Henry Chamberlain’s “Ballard Comics”

I am heading out to Comic-Con International in San Diego this year and this is the year that we take things to a new level. With your support, we can do some exciting new things here at Comics Grinder and beyond. You can check out the new campaign, “Support A Comics Reviewer and Creator,” over at GoFundMe right here.

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Greg Koudoulian’s Campaign To Raise Funds For Comic-Con Documentary

Greg-Koudoulian-San-Diego-Comic-Con-A-Legacy-In-Time-Documentary

Greg Koudoulian is a distinguished supporter and archivist of Comic-Con International in San Diego. His roots go back to the early years of Comic-Con. He has an impressive collection of rare memorabilia that has reached the level of museum quality. And Greg knows everyone.

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SDSU Library Launches New Website: THE COMIC-CON KIDS: FINDING AND DEFINING FANDOM

Comic-Con belongs to everyone. It is a shared experience. And it has a unique history full of heart. There’s a clarity of purpose and pure simplicity about the original Comic-Cons that you can still find at Comic-Con today many times over. Of course, it is not what it used to be. The history is priceless, beginning with a band of kids, ranging in age from 12 to 17, who were integral in putting together the first Comic-Con in 1970. Since 2011, San Diego State University Library has been collecting personal histories through a series of interviews with individuals involved in San Diego’s early Comic-Cons. SDSU Library takes a big step forward with a new website that explores the cultural history of Comic-Con.

Press release follows:
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SDCC: INFOGRAPHIC

The stats here will not come as a surprise to regulars of the San Diego Comic-Con but it will prove enlightening to newcomers. Comic-Con International: San Diego is the place to be for the annual pop culture extravaganza of a lifetime. And, remember, it all began with some teenagers eager to have a place to meet to swap comics and celebrate related fandom back in 1970. Enjoy this colorful and informative graphic from our friends at BuyCostumes.com.

San-Diego-Comic-Con-Stats-2013

Comic-Con International: San Diego returns to the San Diego Convention Center in 2013, beginning with Preview Night on Wednesday, July 17, with the four days of the event running Thursday, July 18 through Sunday, July 21. 2013 marks the 44th year for the show, making it the country’s longest continuously-run comics and popular art convention.

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WONDERCON INTERVIEW: Greg Koudoulian and Collecting Comics

Greg-Koudoulian-Collecting-Comics-WonderCon-2013

If you are heading out to WonderCon, you will definitely want to set aside time for a very special panel discussion on the wonderful world of collecting comics. This panel is moderated by an important player in the world of comics and Comic-Con, Greg Koudoulian. Greg goes back to the beginning of the San Diego Comic-Con and has many friends to show for it. He started out as a film contributor for the early Comic-Cons and even went on to host is own mini-monthly cons in LA in the early ’70s.

It was in 2009 that an idea took hold that has been growing ever since. Shel Dorf, the leading founder of Comic-Con, was in hospital and did not have long to live. Greg, and a close group of friends, which included George Clayton Johnson, Richard Alf, William Clausen, Mike Towry, and Clatyon Moore, created The Shel Dorf Fan Club and Entourage. It was a beautiful gesture that pleased Shel very much and a wonderful way to say goodbye. Since 2009, the club has honored numerous talents in the industry with plans for much more to come, even an art museum. Then, early in 2012, SDCC co-founder Richard Alf passed away. This sad event has only spurred the Fan Club and friends to greater action. It is good to mention here that Richard Alf and Mike Towry were working on San Diego Comics Fest, a return to a more intimate event reminiscent of the early years of Comic-Con. And San Diego Comic Fest held its first annual event in 2012.

Through it all, Greg Koudoulian has remained a trusted, active, and much loved part of Comic-Con and its legacy. There are some special plans up ahead for the cartetaking of valuable archival material. While no formal announcements are ready to be made, it is what Greg is doing today that will lead to some exciting prospects for securing Comic-Con history in the future. One project is a documentary of the early San Diego Comic-Cons of the 1970s. The documentary has a working title of “Planet Cortez, A Legacy in Time.” The work involved is multi-layered: everything from digitizing a vast collection of material as well as creating essential new material.

When asked about his thoughts on the emergence of geek culture, specifically the evolution of the comics collecting culture, Greg is ready with an answer: “When Charles Kuralt, of CBS, went to Cherokee Books in Hollywood in 1973 and said that there might be a goldmine in your grandma’s attic, things went through the roof. When you’ve got Walter Cronkite endorsing your hobby on national television, that got it booming! The prices in the Overstreet Comics Price Guide began to inflate. For example, I bought ‘Superman #2’ in 1974, in fair condition for $125 and, a year later, sold it for $250. Around that time, Johnny Carson had on as a guest on ‘The Tonight Show’ someone who’d bought a copy of ‘Action Comics #1’ for $1,800. I was interviewed for the pilot to Tom Snyder’s ‘Tomorrow Show’ with my comics collection. And I managed to get a copy of ‘Action Comics #1’ lent to me to show but my interview never aired.”

And this leads us back to the WonderCon panel, “The Business & Hobby of Collecting Comics,” March 31, Sunday, 3:30-4:30 PM, Room 213AB. The panel will offer a variety of insights and stories to tell. Plus, stick around for some fun giveaways. Go to the Facebook page here. You can also call the hotline: 858-215-3659

Here are the details:

“The Business & Hobby of Collecting Comics,” March 31, Sunday, 3:30-4:30 PM, Room 213AB

From personal collections, working with museums and art galleries and even a little bit of hoarding, George Clayton Johnson, Barry Short, John Ellis, Eric Hoffman, Michael Hamersky, Alan Williams, and Dave Arshawsky are all fans and collectors of most things related to science fiction and comics. Collecting is a major industry these days; just watch the cable shows dedicated to it! Join moderator Greg Koudoulian to discuss how we can make sure that our histories and legacies are preserved for future generations, in both museums and art galleries and your own home!

The panelists:

George Clayton Johnson, wrote 8 original “Twilight Zone” stories and screenplays, wrote the first episode of “Star Trek” to be broadcast, and co-created “Ocean’s 11,” and “Logan’s Run.”

Barry Short, was a former Program Director for SDCC from 1982-86 and owner of 21st Century Comics from 1986-2003.

John Ellis, Partner in the Milton Caniff Estate, a Special Effects artist and writer.

Greg Koudoulian, Moderator, Early SDCC film program contributor, also produced first Mini Cons on the west coast in 1973-74 and a Collector too.

Eric Hoffman, Writer, Film Historian and collector of most SF Genre! Early SDCC film program contributor too.

MICHAEL HAMERSKY, Comics Dealer, blogger, and expert on the Comics Industry, past, present and future.

Alan Williams, former Comic Book store owner, Fanzine expert and writer.

Dave Arshawsky, Comic Book Artist, Toy designer, Sculptor, writer and Collector.

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“The Subculture of Real Life Superheroes” on Thrash Lab

Subculture of Real Life Superheroes 2012

Next time you’re in San Diego, which could be Comic-Con for many of you, keep an eye out for a group of Real Life Superheroes known as, “Xtreme Justice League.” Or maybe they’ll be keeping their eyes on you. Director Sheldon Candis has created a compelling short documentary, “The Subculture of Real Life Superheroes,” about this group of urban activists that you can see on Ashton Kutcher’s Thrash Lab, a YouTube Premium Channel. The short doc is part of Trash Lab’s popular web series, “Subculture Club.”

Be sure to see Candis’s LUV, which did well this year at the Sundance Film Festival. LUV is the story about a boy and his uncle during 24 hours on the mean streets of Baltimore. It is set for an exclusive run at AMC theaters starting on January 18.

More details follow:

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INTERVIEW: GEORGE CLAYTON JOHNSON and the REMAKE of LOGAN’S RUN

George Clayton Johnson makes his living by daydreaming, as he has put it. And those dreams have led him to some amazing places. You may know about him already or, perhaps, you’ve heard of his work. The story that he co-wrote with Jack Golden Russell was the basis for the 1960 and 2001 films, “Oceans Eleven.” He wrote the first aired episode of “Star Trek.” With William F. Nolan, he co-wrote the novel that was the basis for the cult classic film, “Logan’s Run.” Along with other remarkable television writing and countless science fiction stories, Mr. Johnson wrote some of the most poignant and beloved episodes of “The Twilight Zone,” including “Kick The Can,” which was remade in the movie version.

Mr. Johnson’s life is the stuff of legend. He was born in a barn, in 1929, Cheyenne, Wyoming, and not exactly set on a path for the success he has achieved. But with a strong force of will, George Clayton Johnson gave his life shape and purpose. Leaving behind a troubled upbringing, he set out at the age of fifteen to make his living as best he could. He started out as a shoeshine boy. Later, in the army, he mastered the job of draftsman and was involved with charting the intricate underground wiring systems related to the Panama Canal. By the late ’50s, he had set his mind on being a writer and this led to his story about an outrageous Las Vegas casino bank heist. This became his calling card and led to his joining a group of elite science fiction writers in Southern California. From there, he met Rod Serling who just happened to be preparing for a new show that would chart a new course for television, “The Twilight Zone.”

Where to begin with such a talent? One big point of interest: the remake of “Logan’s Run.”

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Who Will Win An Eisner? Who Would You Vote For?


So, who should win for Best Short Story or Best Lettering? Well, maybe Best Writer and Best Graphic Album-New are the sexiest categories, among the options, at the Eisner Awards ceremony at Comic-Con International: San Diego, Friday, July 23, starting at 8:30 PM. In those two categories, I’d have to say that Ed Brubaker will once again win the honor for such a remarkable body of work: “Captain Ameica,” “Daredevil,” “Marvels Project” (Marvel), “Criminal” and “Incognito” (Marvel Icon). That man loves what he does and it shows! The same, of course, can be said for David Mazzucchelli and he should easily win for best graphic novel, or album (whatever), for the landmark work, “Asterios Polyp,” published by Pantheon.

I see “The Unwritten” makes it into a number of categories for consideration: Best Single Issue, Best Continuing Series, Best New Series. It definitely should be acknowledged as something out of the ordinary but I wonder if the premise is losing steam. Another easy choice would be David Small’s “Stitches,” but that one really stuck with me and I hope he wins for Best Writer/Artist-Nonfiction. And J.H. Williams III needs to be honored for his work on “Detective Comics” with Best Penciller/Inker and Best Cover Artist. John Porcellino should win for Best Graphic Album-Reprint for his beautiful, “Map of My Heart,” published by Drawn & Quarterly. It will be fun to see Berkeley Breathed’s “Bloom County” win for Best Archival Collection. I liked to see R. Crumb’s “The Book of Genesis” win for Best Adaptation from Another Work. It would also be nice to see Tony Millionaire’s “Drinky Crow’s Maakies Treasury,” published by Fantagraphics, win for Best Humor Publication. And wouldn’t it be nice to see Kevin Cannon’s “Far Arden,” published by Top Shelf, win for Best Publication for Teens? It need not be considered just a teen book. It’s a great work of comics.

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Comic-Con 2010: I Want Kick-Ass


Tons and tons being promoted. This one brought a smile to my face. There will be some guy in a official Kick-Ass DVD costume and people can get their photo taken with him or something like that. Wait a minute, here’s the ad copy that basically says the same thing:

In support of the Blu-Ray/DVD release of KICK-ASS on August 3rd, Lionsgate has assembled a rag-tag team of self-made Comic Con superheroes who’ll be canvassing the convention center, looking to recruit fellow superheroes! Keep an eye out for the Kick-Ass Comic Con Ass-Kicking Committee; they’ll be armed with a life-sized DVD box where fans will be able to photograph themselves on the cover of the DVD/Blu-Ray packaging for KICK-ASS.

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