William F. Nolan was one of the grand old men from the golden age of science fiction and horror spanning pulp fiction, television and the movies. Starting out as an illustrator in Kansas City, Nolan ultimately made his way to Hollywood and became part of a group of writers within the orbit of Ray Bradbury, and subsequently Charles Beaumont, all trying to break into television. As part of the inner circle of writers, casually known as, “The Group,” little by little, Nolan gained some ground.
Category Archives: Logan’s Run
GEORGE’S RUN: The Webcomic on George Clayton Johnson, The Twilight Zone, Star Trek, and Logan’s Run!
Twilight Zone. Star Trek. Logan’s Run. George Clayton Johnson was a big part of it all. This is his story. Welcome to GEORGE’S RUN, my tribute to the legendary storyteller.
I created a graphic novel all about George, his work, and his times. There was no clear destination in mind other than it needed to be done. I foresee a printed book in one form or another at some point. For now, I roll out a webcomic. A work of alternative comics such as this can definitely benefit from going through the webcomic process even if it receives little obvious fanfare in that state. This is a rather strange and quirky tale as much a story as a story about stories. These pages will further reward upon a second and third contextual reading, I believe, what with the observational bits, factoids, and unexpected detours. All the more reason to see this inevitably in a proper book format.
For those familiar with what I’ve been up to here at Comics Grinder, you’ll appreciate that this announcement is a pretty big deal. That graphic novel project I’ve been referring to all of you is finally making its way into the world as a webcomic. I have loaded up some pages to kick things off and will continue to update accordingly. I will do my best to keep to a weekly schedule. The plan is to update the site every Wednesday. You can find updates here at Comics Grinder as well as enjoy the distinctive webcomic experience at the George’s Run website right here.
It all began with my podcast interviews. You can check out some of my conversations with George over here and over here. I concluded that George’s life story had to be turned into a graphic novel and I’m just the guy to do it!
If you are a fan of pop culture in any form, this is for you. If you enjoy a fun and quirky tale, this is for you. The best thing is that no prior knowledge is required. You don’t have to know anything about science fiction or the golden age of television or how writers sometimes work together to spin tales like magical little elves.
Prepare to embark upon a journey with a wizard storyteller into the mysterious past and onward into the marvelous future.
Okay, that’s my pitch. I know many of you out there are cheering me on. Do drop by and visit the George’s Run webcomic and just say hello. As always, I will keep you posted on the progress of this very special project as it evolves as a webcomic and ultimately finds its way into print. You know, this is something of an open letter to anyone interested in seeing where we can go with a book. Any literary agent or publisher is welcome to contact me. That said, self-publishing has evolved to such great prominence and tangible clout. The bottom line is that, like a film, a novel, a poem, whatever it is, there’s something about being able to take in a work as a whole so I’m excited about seeing this through and ultimately having a book version. Thanks for your support and I’ll continue to do my best.
Wren McDonald is a cartoonist and illustrator. His illustrations appear in The New York Times, The New Yorker, GQ, The Washington Post, The Hollywood Reporter, and many other places. His first full-length graphic novel, a quirky cyberpunk thriller, “SP4RX,” was recently published by Nobrow Press.
If you are in the New York City metro area this weekend, you can see Wren at Comic Arts Brooklyn. CAB is taking place this weekend with the main event this Saturday, November 5th, at Mt. Carmel Gymnasium, 12 Havemeyer Street, from 11am to 7pm, in beautiful Brooklyn! You can find Wren at CAB, downstairs at Table D31.
Wren McDonald has shot like a rocket since graduating from Ringling College of Art and Design in 2013. Wren has a refreshing take on both comics and illustrations: a rare set of skills, talent, passion, and drive. So, without further ado, here is my interview with Wren McDonald, recorded this Wednesday, as he prepares for Comic Arts Brooklyn.
HENRY CHAMBERLAIN: Wren, if we were to do a virtual tour of your studio, what would we find there?
WREN McDONALD: Well, my studio is my bedroom. So, here’s my bed and here’s my desk. That’s my studio! (Laughter)
That’s the set of circumstances for a lot of cartoonists and illustrators, isn’t it?
Yeah, especially living in New York. It just doesn’t make much financial sense to have a separate studio. But I have plenty of room here. It’s pretty spacious. I can spread out and get my work done. I have a super big desk and an iMac. And I actually have (laughs) the extended studio in the living room! There I have a Lasergraph copier where I print out my mini-comics and zines.
That’s for serious cartoonists.
I direct folks who are new to your work to go to your website, wrenmcdonald.com. There you will find a cornucopia of stuff. I’m focusing on one of your current illustrations of Trump and Clinton and they are both sitting in a classroom. These two are hyperreal, larger-than-life, cartoonish. You can’t make them up. Could you give us a window into how you created that illustration?
That illustration was funny because I got the assignment the day before it was due, which was also the day before I was traveling to MICE Expo in Boston, a comics show that I was just at this last weekend. That was like a super rush job which was really intense. The art director at The New Yorker, Rina Kushnir, who is super great, I work with her a lot, she emailed me the article. She said it was last minute but she asked if I could do it. And I said, yes, of course.
Rina needed sketches in the morning and then the final that evening, around 5pm or 6pm. So, that morning, I sent in like four sketches. They were sort of goofy and funny. Like you say, these candidates are already cartoony so it’s easy to characterize them. Rina chose the one she liked. That was at noon. From that point, I got to work on the final and sent it over in the evening.
Those jobs are always pretty stressful but I enjoy doing them a lot because I feel that I work really hard and get a real day’s work in and have something to show for it.
It’s a beautiful illustration.
I wanted to ask you about your evolving into the illustrator you are today. Your work is appearing everywhere. Only a few years ago you were in Florida just starting out. Could you give us the cook’s tour of how you got where you are today.
Sure, I graduated from Ringling College of Art and Design, which is in Sarasota, Florida, in 2013. When I was in school, I had a website and was posting things on social media, like Tumblr, and I think that helped me get my feet off the ground in terms of people seeing my work.
From that point, I started going to comics shows like TCAF in Toronto, Comic Arts Brooklyn, and MoCCA. I tabled at TCAF and other shows I would just go to. I’d have mini-comics to give out to help make people aware of me. It’s two different paths, comics and illustration, so I’ll talk about them separately.
The illustration stuff is, like I say, social media and tracking down email contacts and networking. And a lot of promotional stuff. You want to create a portfolio that really looks like editorial illustration. Editorial work has a snowball effect. You start to get jobs and you’re seen as a professional.
The comics stuff is going to shows and socializing. I was approached by Peow! Studio, based in Sweden, about publishing one of my short stories in of one of their anthologies, “Time Capsule.” I thought that was super cool since I was familiar with their work. I was super excited. I think that was the first comics story that I had published out in the world besides my own stuff online, on Tumblr. Soon after that, I talked to Nobrow about doing a short story (CYBER REALM) for their 17×23 series which is a platform to try out new talent. That’s a small format, just 24 pages. We did that and enjoyed working together. So, Nobrow said they wanted to try something longer. That’s what I wanted to do so it worked out that way.
It’s amazing how quickly things came together. Did you already have an idea of what SP4RX was going to be like while you were working on CYBER REALM or did one work just follow the other?
I didn’t have one story cocked and loaded beforehand. I always hear other cartoonists, or writers, when they talk about their work, saying they had this story they’d been working on since they were 10 years-old and it’s part of an epic world they’ve created. I’m not one of those people. When I sit down to write a story it’s about brainstorming and anything that peaks my interest.
For SP4RX, I’ve always been interested in the cyberpunk genre, especially movies and comics. I wanted to work in that genre. I was already creating work dealing with technology, robots, and dystopian settings. I think it just made a lot of sense to me.
We’re always hearing about the digital versus the physical. I direct people to the comic you did for The Comics Journal. How did that come about?
I’m not sure if Nobrow contacted The Comics Journal, or the other way around, but The Comics Journal approached me about doing one of their A Cartoonist Diary columns. I was all for it since I have the attitude of wanting to try something out and make it work. I had not done diary comics before so I had to think about how to do this. Mine is not a traditional diary comic since it has these fantastical elements to it. Despite it being involved with things I was experiencing, the more apt title to it turned out to be “Not A Cartoonist Diary.” That was a fun project.
Over the years, illustration is deemed dead and then it comes right back. It all runs in cycles. You’re firmly in both the world of comics and illustrations. Some cartoonists, I know, have never printed mini-comics nor done the comic fest circuit. But you love that.
Right! I love making comics, reading comics, and telling stories. I am passionate about my comics work because I am able to draw what I want to draw. Illustration is a fun back and forth since it involves work that I would not necessarily choose to draw: it’s more like a puzzle. Okay, how do I use these images to convey a specific idea, very concisely, to pair with the article? It’s a fun back and forth. Maybe I’ve been working on comics for two weeks straight, and then I get an editorial assignment. That’s great, I can take a break from comics and do an illustration, take a break from having my face too close to the page and switch my train of thought–and vice versa.
If we were just chatting, we’d end up talking about books and movies, especially science fiction and cyberpunk. I imagine that “Videodrome” must be a favorite for you.
I do love “Videodrome.” David Cronenberg is amazing but I don’t think that “Videodrome” had a specific influence on SP4RX. Instead, concerning SP4RX, I had just read William Gibson’s “Neuromancer,” which I thought was like the coolest book ever. It is considered “cool.” I wanted to make something “super cool” like that! I’d always been into “Akira” by Katsuhiro Otomo. And “Ghost in the Shell” by Masamune Shirow and his Appleseed series. And movies like Paul Verhoeven’s “Total Recall” or “Robocop.” Or James Cameron’s “Terminator II.” “The Matrix.” “Aliens.” Stuff like that. I wanted to do something in the vein of that genre.
Let’s focus back on SP4RX: a super hacker going up against corporate enslavement. How close are we today to corporate enslavement?
There’s a lot of parallels that I was drawing from. Basic stuff that I’d see on the news. Even just going about my day-to-day, going shopping or whatever, that would end up in SP4RX. It’s a world with hover cars and sci-fi elements but there are plenty of parallels to our real world throughout. For example, I’d be watching some crazy video on YouTube with one newscaster harassing another newscaster and I would basically copy and paste that into the book. Within a sci-fi setting, you can focus on the human element. You don’t get caught up in a specific nation or political agenda. It’s just people in this science fiction world.
Everyone may not get a hover car but we’ve got plenty of the weird and nefarious stuff already. What do you think about Edward Snowden and us being monitored? The future is here.
Yeah, it makes me think that the cyberpunk genre and movement is more relevant than ever. When the internet was first coming about, that genre seemed so cheesy. It’s fun to laugh about it but there’s so much of it that’s relevant. Like you say, that NSA stuff is really happening. It’s important to pay attention to that and be aware.
Is there anything you’d like folks to know about that you are currently doing?
It depends upon when you think this post will go up. There’s Comic Arts Brooklyn this weekend.
I can push things up and get this out by Friday. I’d love to go to CAB. I have my own book I’m working on that is very much science fiction oriented. It’s about the science fiction writer George Clayton Johnson. His career and life’s journey has a very intriguing arc. He began with writing the story for the Rat Pack classic, “Ocean’s Eleven” and crescendoed with co-writing the novel that was the basis for the cult classic, “Logan’s Run.”
Oh, yeah, that movie has a nice sci-fi cheesy quality.
Well, the thing with George was that he kept to his set of values and the integrity of his storytelling. “Logan’s Run” is an example of a big studio having its own ideas on what the story should be. It’s totally fun though and I think a remake would be great. The original novel is very different. I think you’d enjoy it.
I will check it out.
But getting back to CAB.
Yes, I will be at Comic Arts Brooklyn this Saturday, November 5th. You can find me downstairs at Table D31. So, come by and say hello! And I have a new mini-comic that will debut at CAB and then be available on my site which is called, “Dirt Dart,” a 12-page story about a soldier lost on another planet.
Well, it’s been fun talking with you, Wren. I know that you’re having the time of your life.
Yes, staying busy!
Thanks so much, Wren.
Thank you, Henry. When you’re in New York, stop by and we can have a drink.
You can listen to the interview by clicking the link below. I did not make any edits so you’ll pick up on some slight differences from the transcription which is a smoother read. One thing to mention here is that I was not aware of the title, SP4RX, being pronounced “Sparks.” I must have been firmly in the mindset of George Lucas and his 1971 classic, THX 1138:
SP4RX is out now. Find it at Nobrow Press right here. Visit Wren McDonald right here. And, if you are in the New York City metro area, be sure to visit Comic Arts Brooklyn this weekend. Visit CAB right here.
On February 2nd, Groundhog Day, if it’s cloudy when the groundhog emerges from its burrow, spring will come early. If it’s sunny, then the groundhog will see its shadow and there will be six more weeks of winter. So goes the folktale. What better way to celebrate this holiday than by viewing 1993’s “Groundhog Day,” starring Bill Murray and Andie MacDowell? It’s an idea that totally makes sense to author Ivan Walters. He takes that even further by offering you a movie for every single day of the year. He provides vital info on his featured choice, a synopsis, plus an alternate pick. The book is entitled, “A Year of Movies: 365 Films to Watch on the Date They Happened,” published by Rowman & Littlefield.
It’s quite a brilliant concept. The trick is to find an explicit mention of a date in a movie. Inevitably, the date is either crucial to the plot or is part of a pivotal moment in the movie. For instance, say you wanted to view a movie that has a significant attachment to the day that this review is posted, January 18th. That date leads you to 1976’s “Logan’s Run.” and a pivotal scene. To quote the book: “Logan, Jessica, and the old man return to the city on January 18th, 2274 (1:43:40 to 1:56:39), for a confrontation that will change their world forever.”
This book has a high fun factor to it. Many of the movies are within the last 20 to 30 years with a generous helping of older classics like 1941’s “Citizen Kane.” It is a refreshing and entertaining way to look at movies. It becomes an offbeat game anyone can enjoy while also providing insight. I like how the book kicks off with 1976’s “Rocky.” January is so symbolic, full of hope and fresh starts. I think of “Rocky” as that quintessential shaggy dog story about self-empowerment and beating the odds. Great idea to have set the big fight on New Years Day, January 1st, 1976. Not all the dates are so easy to spot. In the case of “Citizen Kane,” for example, it is attached to December 4th 1919, the date that Kane’s mistress-turned-wife has a nervous breakdown and ends her floundering career as an opera singer. Kane’s world steadily darkens from that point onward.
“A Year of Movies: 365 Films to Watch on the Date They Happened” is a 454-page hardcover. For more details, visit our friends at Rowman & Littlefield right here.
One of George’s favorite themes as a writer was that of cheating death. News outlets have already reported on his death but he is still among us, the living. This is an irony that I must think is appreciated by George. His legion of fans have entered a process of mourning. His spirit, I must think, is pleased, restful, and joyful. Some fans believe he will hang on with us until Christmas.
George Clayton Johnson is in hospice and nearing the end. Of course, he will always live on. His impressive writing career began when he thought up the ultimate heist story. That was to be the Rat Pack classic, Ocean’s Eleven.
George Clayton Johnson has led a full life as a writer, activist, and all-around humanitarian. He will always be an important part of some key pop culture: Ocean’s Eleven, The Twilight Zone, Star Trek, and Logan’s Run. It’s pretty phenomenal when you stop and think about it. And such a decent man. Such a very decent man.
George came from humble origins, poverty-stricken Cheyenne, Wyoming during the Great Depression. He followed his heart, became great friends with legends and, in the process of living, loving, and creating, became a legend himself. This man did not seek out notoriety in some contrived manner. George had the great fortune of possessing just the right combination of talent, determination, and luck. As for luck, he gravitated toward other great talent. As for talent, he’d always had that. He loved to read since he could remember and writing came naturally to him. And, as for determination, that’s just second-nature to a man like George.
This is the man who co-wrote the novel that led to Ocean’s Eleven. He then went on to write iconic episodes of The Twilight Zone. He wrote the first aired episode of Star Trek. And, in a great capping off to a career, co-wrote the novel that led to the cult-classic Logan’s Run. But there’s much more to it than that. On a deeper level, it was always about maintaining one’s integrity and fighting to create something original in a world that demands the tried and true.
I had the opportunity to interview George for a couple of podcast interviews and got to chat a bit over the phone with him. During the course of one of our conversations, I suggested to him that his life and times would add up to an interesting book. I began work on it. We got to meet in person at his home in Los Angeles in December of 2014. For the next year, I began work on a book in a graphic novel format. It was through knowing George that I opened myself up more to my own love of writing. It was George who helped me rediscover Theodore Sturgeon. And it was George, because of his spirited way, that I opened myself up more to the world in general.
We had planned to meet again this year like before, in December of 2015, but, by then, it was too late. George was already in hospice care and, in the time that followed, it became clear that his time left was short. I had hoped to show him what I’d created thus far. But, I immediately understood, a significant page had turned. The time for asking questions or seeking advice had passed. I understood that I was alone to proceed. George had passed on the baton, just like he did for so many others like me.
The truth is that George will always be around.
The new print and ebook edition of the original novel, “Logan’s Run,” by George Clayton Johnson and William F. Nolan, is now out, published by Vintage Books, a division of Penguin Random House. Check out the new line of Vintage Movie Classics right here. This is the bestselling dystopian novel that inspired the 1970s science-fiction classic starring Michael York, Jenny Agutter, and Richard Jordan. For many of you out there, enough said. It will instantly bring to mind crystal palm flowers flickering red. If that means nothing to you, then you’re in for a treat. Perhaps knowing that such works as “The Hunger Games” and the Divergent trilogy owe much to this novel with pique your interest.
It is a beautiful new edition for longtime fans and newcomers alike. For the longest time, this title was essentially out of print, as far as a mass market printing was concerned. The original novel was a huge hit in its day, only to be magnified by its tie-in with the major motion picture. The novel was never forgotten and, in fact, its legend grew. Special edition print runs came out over the years and you could always find an old copy of the many editions that exist. For collectors, there are many iconic paperback editions to choose from. But the fact remained that the time had come for a new readily available edition and now we have it. I’ve been a big supporter of bringing out a new edition. You can read my review of the original novel and my call for a new edition right here.
The forward is by Daniel H. Wilson, author of several books on possible dystopian futures, including Where’s My Jetpack?, Robogenesis, and the forthcoming, Quarantine Zone. Wilson provides just the right balance of looking back to his own childhood experience with Logan’s Run and observations on the novel’s enduring relevance. Wilson’s enthusiasm for his subject is infectious and adds a contemporary boost to a timeless classic.
The novel, first published in 1967, paints a very compelling, and alarming, picture of a society overly dependent upon technology for all aspects of life. Youth has been conditioned to seek out distraction and pleasure over all else, including quality of life. That said, for anyone familiar with the movie, this is also one very entertaining story. The movie echoes the novel as it veers off into its own high level of kitsch. But no harm done. The movie remains a cult classic and an excellent gateway to the original novel.
I have always held a fascination with how movies adapt novels so I am thrilled to discover Logan’s Run is part of a new line of books from Vintage Books. Vintage Movie Classics includes a wide variety titles like “Night of the Hunter,” the bestselling National Book Award-finalist that inspired Charles Laughton’s expressionist horror classic starring Robert Mitchum and Shelly Winters. Other available titles: The Bad Seed, The Bitter Tea of General Yen, Back Street, Alice Adams, Show Boat, and The Ghost and Mrs. Muir. This is truly astounding for the broad range and the opportunity to rediscover lost gems.
William F. Nolan is a writer with a brilliant career. Stephen King has acknowledged Mr. Nolan as “an expert in the art and science of scaring the hell out of people,” and Ray Bradbury has spoken of Mr. Nolan’s ability “to create an atmosphere of ultimate terror.” Crafting an interview with him can take a variety of directions. You could focus on race car driving, movies, television, horror, or science fiction. I chose to talk about genre fiction, specifically the pulp era, as Mr. Nolan is an authority on that subject. And, of course, we made our way to the biggest title that Mr. Nolan is attached to, Logan’s Run. He co-wrote, with George Clayton Johnson, the original novel and has gone on to write further Logan’s Run novels as well as the pilot episode to the television series.
Imagine yourself a young person with big plans to embark on a career in writing. It’s the 1950s. You’ve made it out to Los Angeles. You grew up reading pulp fiction. You adore it. Max Brand Westerns are the best! But you also love hard-boiled detective stories. Who better than Dashiell Hammett to deliver on that score, right? And then there’s science fiction. If only you might meet up with your hero, Ray Bradbury. Wouldn’t that be the tops? Sure enough, you meet Ray Bradbury. Not only that, Mr. Bradbury takes you under his wing and helps set your writing career on a high-flying course. That would be your first published story, “The Joy of Living”, in If magazine in 1954. Welcome to the life of William F. Nolan.
We focus on three major writers and, in turn, see how Nolan learned from them, adopted their techniques and tenacity, to become a professional writer in his own right. We talk about Ray Bradbury and his penchant to pay it forward with other writers. “We all support each other,” Nolan says. We talk about Frederick Faust, known as “Max Brand,” among other pseudonyms, and his uneasy relationship with fame. As for Faust’s all-time famous title, “Destry Rides Again,” it paled in comparison to his devotion to writing poetry, which never sold. It’s a similar case with Dashiell Hammett. Despite his wildly popular “Thin Man” stories, he wasn’t satisfied and had hoped to develop writing beyond his genre, but never did. Oddly enough, despite any reservations from Faust or Hammett, all three of these writers are held in high regard. But only Bradbury was to live to see and appreciate his place in fiction as well as his notoriety.
It’s a perplexing predicament to be, or aspire to be, a writer. “The problem is that most students of writing are lazy,” Nolan points out. “They want to become Stephen King over the weekend. Well, you can’t become Stephen King over the weekend. Stephen King couldn’t do that. People have some idea that he’s always had it easy and been rich. But, no, he spent ten years writing and struggling before ‘Carrie’ came along and made him a tidy sum of money.” And far be it for a writer to always be the best judge of his own work. As the story goes, King threw away the manuscript to “Carrie” in a fit of frustration. He tossed it into a waste basket only to have his wife fish it out and persuade him to send it to his agent. Good thing he did just that.
“Writing is like a roller coaster,” Nolan says. But he is also inspired to share the fact that hard work will pay off. What best illustrates this is just talking shop with him. For example, you get great insight exploring the work that Nolan has done with George Clayton Johnson. Among the dozen or so writers that Nolan has worked with, it is with Johnson that he wrote his first teleplay and, years later, his first novel. It was to be firsts for both of them. In 1959, Nolan and Johnson wrote their first teleplay, “Dreamflight,” for “The Twilight Zone.” It was never produced. Thanks to the jet age, the show found itself with one too many airplane-related stories. It’s since been printed in the anthology, “Forgotten Gems.” And it is a gem, a modern day take on Sleeping Beauty.
In the intervening years, Nolan and Johnson would continue to grow as writers, in no small measure due to the collaborative process they developed as part of what became known as The Southern California Writers Group. And so they did work together again, including two unproduced “Star Trek” teleplays, finally leading up to one of the best collaborations ever, the original “Logan’s Run” novel.
As we closed out our interview, I asked about upcoming projects and William F. Nolan is, at 87 this March, as busy as ever. On his list of top priority items, he included his longtime friend and collaborator, writer/artist/filmmaker Jason V. Brock, who is set to work with Nolan on a new Logan’s Run novel that will deconstruct what has come before and is entitled, “Logan’s Fall.” Also on the list: “Images in Black,” an edited collection of Ray Bradbury stories with an African-American theme; “A Man Called Dash,” a definitive biography of Dashiell Hammett; “Soul Trips,” a collection of Nolan poetry; and a Nolan horror collection for the series, “Masters of the Weird Tale,” to be published by Centipede Press.
Just click below to listen to the podcast interview. Enjoy:
There is something downright thrilling about a project that is adding to the appreciation of Logan’s Run, a franchise with numerous tropes and backstory. Logan’s Run means a lot of things to a lot of people. There are diehard fans of the original novel, the major motion picture, and the television program. This omnibus edition collects all six issues of the Bluewater Comics series of Logan’s Run Last Day. It is a story that gives a big nod to the original novel, basically makes a case for what a remake of the movie might look like, and is a fine example of what you can do to tease out more nuances to such an iconic work.
George Clayton Johnson is a born storyteller. Listen to him and you’ll find a good yarn told by someone with a love for the spoken and written word. He is, after all, one of the big players of pop culture: Among his credits: writer of landmark episodes of THE TWILIGHT ZONE; writer of the first broadcasted episode of STAR TREK; co-writer of OCEAN’S ELEVEN; co-writer of LOGAN’S RUN. For this interview, George and I began to talk about William Shatner. I was thinking over how William Shatner can be misunderstood as only being brash when that’s definitely not the case. With “Star Trek Into Darkness” arriving in theaters on May 17, Mr. Shatner was an excellent point of departure.
We quickly moved forward with a look back to Roger Corman’s 1962 “The Intruder,” a significant drama about the high tensions in the American South during the Civil Rights Movement. Mr. Corman was having difficulty in finding actors and approached Mr. Johnson, as well as his writing partner, William F. Nolan, about playing roles in the film. They were more than happy to join in. The film is based on the novel by Charles Beaumont, a science fiction writer, and a fellow contributor with Mr. Johnson to “The Twilight Zone.”
George then related a wonderful story about the origins of “Star Trek” and we ended with news of an exciting possibility. There is a tantalizing possibility of “The Twilight Zone” making its way to the stage. As George envisions it, the story would take place in a rest home, just like the famous “Kick The Can” episode. It would be about a seasoned writer who has had a lifetime of success and wants to knock one more ball out of the park. He has an idea for another story. This one will be about an individual focusing on a special moment, either in the past or the future. The trick is to avoid the present. In that way, you can live forever. In the course of the production, there will, in fact, be a series of stories and each will play off landmark “Twilight Zone” episodes that George wrote. And, to top it off, there needs to be a narrator, of course. Who better than Rod Serling? If all goes according to plan, this will be a musical.
Who would play the role of Rod Serling? Well, that brings us back to the subject we began our interview with: William Shatner is on the short list of possibilities. That is certainly an exciting prospect. Mr. Shatner came of age in that era, he knows the talent behind the original series, and he starred in one of the most memorable episodes, “Nightmare at 20,000 Feet.” He would be an excellent choice.
There are a number of details to consider about taking such a project, conceivably, all the way to Broadway. Not least of concerns is getting just the right tone to what the Rod Serling narrator would say. He might be presented like a hologram. And he certainly will have a vital role to play, much like the narrator of “Our Town.” It was very gracious of George to share this project in the making with us. He has a number of projects in the works and this one is very dear to his heart. These are the early stages. We all hope it will come together.
Other subjects we cover in this interview are what led up to the original novel, “Logan’s Run,” and what may lie ahead, and a most intriguing thing that happened when George Clayton Johnson and J.J. Abrams discussed working together.
The full interview is below. Enjoy!
George Clayton Johnson makes his living by daydreaming, as he has put it. And those dreams have led him to some amazing places. You may know about him already or, perhaps, you’ve heard of his work. The story that he co-wrote with Jack Golden Russell was the basis for the 1960 and 2001 films, “Oceans Eleven.” He wrote the first aired episode of “Star Trek.” With William F. Nolan, he co-wrote the novel that was the basis for the cult classic film, “Logan’s Run.” Along with other remarkable television writing and countless science fiction stories, Mr. Johnson wrote some of the most poignant and beloved episodes of “The Twilight Zone,” including “Kick The Can,” which was remade in the movie version.
Mr. Johnson’s life is the stuff of legend. He was born in a barn, in 1929, Cheyenne, Wyoming, and not exactly set on a path for the success he has achieved. But with a strong force of will, George Clayton Johnson gave his life shape and purpose. Leaving behind a troubled upbringing, he set out at the age of fifteen to make his living as best he could. He started out as a shoeshine boy. Later, in the army, he mastered the job of draftsman and was involved with charting the intricate underground wiring systems related to the Panama Canal. By the late ’50s, he had set his mind on being a writer and this led to his story about an outrageous Las Vegas casino bank heist. This became his calling card and led to his joining a group of elite science fiction writers in Southern California. From there, he met Rod Serling who just happened to be preparing for a new show that would chart a new course for television, “The Twilight Zone.”
Where to begin with such a talent? One big point of interest: the remake of “Logan’s Run.”