And so it begins, a Disney Star Wars movie. Disney had its share of false starts when it started venturing away from such titles as “Superdad” and “The Apple Dumpling Gang” to its first PG-rated movie, a sci-fi action flick no less, the box office flop that was 1979’s “The Black Hole.” At the time, it was deemed too expensive for Disney to use some Star Wars magic and rent equipment from George Lucas and his Industrial Light and Magic. Of course, all that was a long time ago. After the Disney buyout of Lucas to the tune of $4.05 billion, would Disney gain some real Star Wars cred? The goal seems to be met.
This Star Wars movie had to be better than the last three installments and it had to harken back to that something special from the original, without kowtowing to it. Were the Egyptian pyramids this intimidating to build? Yes, I think so. When I read Lev Grossman wax on about Star Wars in Time magazine, it felt like he was describing something too big to fail. When I saw the Star Wars special edition of Jimmy Kimmel Live, I saw in J.J. Abrams one relieved dude. The major players from the cast were there with Mr. Abrams. And they too looked relieved, after having carried a mighty weight upon their shoulders. They had all survived an enterprise involving enough money to bankroll a number of countries’ annual budgets.
Lor San Tekka (Max von Sydow) in Star Wars: The Force Awakens
This movie was designed to not disappoint anyone. And, if you believe the speculation from diehard fans, the opening line says it all, “This will begin to make things right.” The opening line is recited by Lor San Tekka (Max von Sydow) at the prospect of finding a gone missing Luke Skywalker. But, as core fans will tell you, it sure sounds like a coded message related to fans’ distaste for the Star Wars prequels. This is something that Abrams certainly took to heart.
Finn (John Boyega)
and Rey (Daisy Ridley) in Star Wars: The Force Awakens
There is no doubt that the shadow of the Star Wars legend looms larger than life here. An answer to R2-D2. Check. An answer to Han Solo. Check. An answer to Yoda. Check. And so on down the line to the Mos Eisley Cantina and Luke Skywalker’s X-34 Landspeeder. The sense of urgency to get it right is ferociously palpable. It is directed into every single scene by J.J. Abrams. Abrams wrote the final script with original trilogy writer Lawrence Kasdan. The two best new additions to the franchise: John Boyega as Finn, a runaway deserter; and Daisy Ridley as Rey, a reluctant new hero in touch with The Force.
In simpler times: Mark Hamill, Carrie Fisher, and Harrison Ford
Star Wars was never true science fiction. It was fantasy and, more to the point, a comment on fantasy. At its core, Star Wars was a quirky tribute by George Lucas, a nostalgic look back to Buck Rogers and action-packed pulp fiction. It was a nostalgia for childhood entertainment that was then reconfigured into something even more enchanting. By the time that the original trilogy was completed, George Lucas was done. So, it’s hard to really blame him for the direction he took with the prequels which was as far removed from the original source as possible. It was simply too early to get all nostalgic over something that was nostalgic to begin with. And, anyway, Harrison Ford would never have reprised his role at that point. More time would need to pass which brings us to what amounts to this fun revisit.
But how often can you successfully tap into nostalgia with a franchise like Star Wars? As the James Bond franchise has learned, it all needs to be measured out in proper doses. For now, it looks like a new trilogy has been mapped out that holds on to what made Star Wars worthwhile to begin with. In the end, at its best, Star Wars was an eccentric notion by an eccentric guy named George Lucas. It’s now a franchise designed to not disappoint anyone.
