SUPERMAN SMASHES THE KLAN (DC Graphic Novels for Young Adults, paper, $16.99)
The big news for the 2021 Eisner Awards at Comic-Con in San Diego is that cartoonist Gene Luen Yang was the big winner of the evening, taking home three Eisner Awards, including two for Superman Smashes the Klan (Best Publication for Kids, and Best Adaptation from Another Medium) and one for Dragon Hoops (Best Publication for Teens). That’s the big takeaway and quite a worthy one at that. Also, just as important is the news of Junji Ito‘s Remina (translated by Jocelyne Allen) manga winning this year’s Best U.S. Edition of International Material—Asia award. Junji Ito also won the Best Writer/Artist award for his Remina and Venus In The Blind Spot manga.
Panel excerpt from DRAGON HOOPS
While we inevitably focus on the winners–let’s also pay attention to the nominees. And then there are all the others who did not make it that far. I’ll tell you right now that these award lists are not the final word, but a great guide nonetheless. In a perfect world, for instance, Welcome to the New World, a graphic novel by Jake Halpern and Michael Sloan, would have been nominated for the 2020 book published by Henry Holt. It was nominated for an Eisner as a webcomic in 2018, so that’s a good thing. Among this year’s winners, I do think the Eisners got it spot on for Best Reality-Based book going to Kent State: Four Dead in Ohio, by Derf Backderf. And it was great to give a shoutout to Bowie: Stardust, Rayguns & Moonage Daydreams byway of an award for Best Penciller/Inker to Michael Allred.
Anyway, I think it helps to make you dig around a little to see who won…you’ll see what I mean….
From Henry Chamberlain’s graphic novel, George’s Run
William F. Nolan was one of the grand old men from the golden age of science fiction and horror spanning pulp fiction, television and the movies. Starting out as an illustrator in Kansas City, Nolan ultimately made his way to Hollywood and became part of a group of writers within the orbit of Ray Bradbury, and subsequently Charles Beaumont, all trying to break into television. As part of the inner circle of writers, casually known as, “The Group,” little by little, Nolan gained some ground.
There are times when an illustration is most apt. Summer Movies: 30 Sun-Drenched Classics, by John Malahy and Turner Classic Movies, published by Running Press, inspired me to highlight some of my own favorites from this fun and informative book! Among a number of factoid-filled books, this one really stands out for some very specific reasons. This is not just a listing of popular titles. You will actually learn a lot here–about fan favorites and less familiar classics. I’m very impressed with the genuine attention to detail as the author invites the reader to try out some lost gems, like 1928’s Lonesome about a couple of star-crossed lovers who have a dream date at Coney Island and then, by the hard luck of fate, get lost from each and frantically try to reconnect.
Cinema is one of the great pleasures in life. If you love good movies, then you will be delighted with the lineup for the Turner Classic Movies Film Festival (May 6-9 2021). This post will point you in the right direction as well as provide an added bonus. One of the titles featured during the festival is 1996’s Nichols and May: Take Two. I had the honor of interviewing Mark Harris, author of the New York Times Bestseller, Mike Nichols: A Life. I hope you enjoy our chat and be sure to catch all the great movies during the festival. During our conversation, I tried to fit in as much as possible regarding Mike Nichols (1931-2014), such a iconic figure in the world of improv comedy, theater and film known for such landmark films as Who’s Afraid of Virginia Woolf? (1966), Catch-22 (1970), and Carnal Knowledge (1971). And those three titles are just scratching the surface!
Cast and producers including Al Pacino, third from left, Meryl Streep, third from right, and Mike Nichols, second from right, hold the award for outstanding miniseries for their work on “Angels In America,” at the 56th Annual Primetime Emmy Awards Sunday, Sept. 19, 2004, at the Shrine Auditorium in Los Angeles. (AP Photo/Mark J. Terrill)
Harris first got to know Nichols during his work adapting Tony Kushner’s landmark play, Angels in America. By then, Nichols was in his seventies and a master of his craft many times over. During our talk, Harris noted: “It is remarkable to me how Nichols kept looking outward during a production, while the meter was still running, finding ways to construct and to add.” As for what might be said in describing Nichols’s body of work, Harris said it wasn’t a matter of maintaining a thematic structure. It was really more down to earth. “It was about finding what excited Nichols to pursue a project: a script, a collaboration, a writer, an actor.”
NICHOLS AND MAY: TAKETWO (1996): TCM premiere of this documentary about the influential comedy team of Mike Nichols and Elaine May. Four of their radio sketches have been re-created with new animation created especially for the program.
Includes conversation with author Mark Harris, Mike Nichols: A Life.
Nichols and May: Take Two
SATURDAY, MAY 8 11:45AM ET
And remember, the festival kicks off May 6th! This year’s Festival will be presented virtually and feature four days of incredible programming on TCM and within the Classics Curated By TCM Hub on HBO Max, a dedicated destination for classic movie fans within the HBO Max app.
Who’s Afraid of Virginia Woolf? (1966)
Carnal Knowledge (1971)
2021 TCM Classic Film Festival
Thursday, May 6 through Sunday, May 9 at two virtual venues: the TCM networkandtheClassics Curated by TCM Hub on HBO Max.
To learn more, go to the TCM Film Festival site right here. You’ll discover a unique film festival experience on TCM.
1956: Sweet Sweet Little Ramona. by Steve Lafler. Cat-Head Comics. 2020, 56pp. $9.95
Adorable Ramona is sweet down to her toes. She also happens to be a guy. But, hey, no problem there say the fellas from the Garment District. Ramon, as Ramona, is just so delightful. So, no problem. Nobody’s perfect! That’s the punchline to 1959’s Some Like it Hot, by the way. The artist and writer Steve Lafler doesn’t actually use that line. In fact, his graphic novel is completely different from what goes on in the Billy Wilder classic. That said, there are definitely some similar elements at play. And perhaps the biggest theme is one recurring in just about every Lalfer book, that of music, specifically jazz, hot jazz! Since, after all, some do indeed like it hot!
Now, Steve Lafler turns out to be a very cool cat–and we’re about to take a deep dive into all things Lafler. Well, as much as I see fit to shoe-horn into this review. We’ll save some more for an interview with Steve Lafler next week. That sounds good, no? Lafler’s latest book, 1956, features a whole tableaux of goodfella types, all of them working various middle management jobs in the Garment biz, an industry with just enough of a glimmer of glamour to be suitable for these big city gentlemen. Lafler mixes the whimsical with the gritty. His style is clean lines in the service of a loose and street smart sensibility that brings to mind such greats as the Hernandez brothers and Kim Deitch. It’s quirky, idiosyncratic, and very much alt-comics. But that only makes sense since alternative comics are very much a part of Lafler’s scene. 1956 proves to be an utter delight.
The one thing I have come to understand from reading Lafler comics is that this is one devil-may-care dude who knows how to dish it out a la bohemian. I envy the ease with which he seems to glide through life. Maybe it takes one to know one. I know it’s not all peaches and cream. That’s part of the point. It’s about making the most of what you’ve got, living by your wits, and not taking anything so seriously that it hurts– except for family. You look out for your loved ones, right? Why do I digress so? I think Lafler just puts me in a very irreverent mood.
Now, take some of his other work and you’ll start to see some patterns. You’ll see that jazz motif bebop around. You’ll see some hard luck hound dogs–or bugs. And you’ll definitely see a lot of that joie de vivre thing we all want some of. You find it all wrapped in a bow in Lafler’s BugHouse, albeit tinged with the harsh realities of life in the big city. Yes, these bugs play a lot of jazz but they’re also prone to drug addiction. Sad bittersweet bugs.
Death Plays a Mean Harmonica
A more recent Lafler work is Death Plays a Mean Harmonica. I find this to be quite a masterpiece incorporating a healthy dose of auto-bio mixed in with everything that Lafler has learned about the uncanny world of comics. Lafler takes his own family’s decade living abroad in Oaxaca, Mexico, and turns it into the misadventures of Rex and Gertie and their two young children. Lafler let’s the good times roll with plenty of magical realism which includes a skeleton who regulars meets with Lafler while he’s asleep. They philosophize and, of course, enjoy playing music together. This serves as background for the main event. It turns out that Gertie is a secret superhero by night! Lots of fun! Bravo!
For more information, including comics, illustrations, paintings, and various merchandise, be sure to visit Steve Lafler.
Mise-en-Scène or Depth of Field technique in CITIZEN KANE
Like any visual medium, as in painting and cinema, there are particular ways of seeing that are useful, even essential, when studying the mechanics of comics. Mise-en-Scène or Depth of Field is a fascinating aspect to comics that occurs more often than you might think. Sometimes it’s done more formally and explicitly and sometimes not so much. But, when done right, it can be very striking and truly enhance the comics experience. First, consider the picture plane, an impression of space, like the imaginary wall separating the audience and overlooking the space on the stage. Then think of foreground, middle ground, and background. We are considering everything. The term, Mise-en-Scène, in French, literally means “put into the scene” but I like to also emphasize it refers to making the most of the three planes depicted in a scene.
From work-in-progress by Henry Chamberlain
You are looking at a scene, in a painting, or a film, or in comics, from the close range, mid-range, and way in the back range. What you might place in these three planes can significantly move your narrative forward. A reliable trope would be to set up your scene to include past, present, and future: cast the middle as present tense for the main character, with the past set in the back; and the future set up front. That’s what I ended up doing with the above image after noodling around for a while. But it can be anything you like, anything that makes for an interesting composition.
You can call this process, “The Three Plane Method.” That comes to mind. Or you can use the term used in theater and cinema, Mise-en-Scène. In film and photography, think of this as playing with Depth of Field. In the end, you’re exploring what this technique can do for you as you compose a frame or a scene. If you want some truly riveting examples, take a closer look at how images are stacked upon each other in layered scenes in Citizen Cane to create mesmerizing montages. Some are stable landscape type moments and others are dazzling scenes which have the camera rolling for one long dizzying shot like the one that begins outside during a gloomy snow storm and snakes its way into a cozy cabin.
from The Leaning Girl from the The Obscure Cities series by François Schuiten and Benoît Peeters.
The best comics tend to be, at least for me, thoughtfully composed. While comics has its own language and techniques unique to its medium, it does manage to borrow from other mediums–and make it its own. That said, it was interesting to go about finding a decent example in comics of true Mise-en-Scène. I think my initial impulse is proven because it wasn’t easy to just stumble upon something. Paul Pope? Nada. Blutch? Nada again. David Mazzucchelli? Frank Quitely? No and no again. You can’t ignore the fact that comics is a sequential art. In general, comics is mostly invested in a steady flow of a concise combination of words and pictures. Those visionary auteur cartoonists will, on occasion, create panels or whole pages with bravura artwork but these are usually some attempt at detailed exteriors or interiors to establish time and place. Not necessarily work making the most of all three planes. The long and the short of it is that a lot of comics involves people speaking to each other or going from one place to another and not much else. Many exceptions exist and hurray for them. I finally found the above excellent example to share with you from The Leaning Girl from The Obscure Cities series by François Schuiten and Benoît Peeters.
Future State: The Next Batman #1. DC Comics. Written by John Ridley. Art by Nick Derington. Colors by Tamra Bunvillain. January 6, 2021. $7.99
Batman, at his best, is always good as a sign of the times, right? Here is a Batman from the not-too-distant future and pointedly familiar to the immediate present. Gotham, like other big cities, has fallen under, as this comic book states, “a cloud of tyranny and disinformation.” Okay, unpack that for a little while and let me know what you get. There are so many camps people can fall into these days but, no matter the lens seen through, it seems we can all at least agree we are living through some troubled times. Note the fateful date of publication of this comic book: January 6, 2021. Coincidences can be very spooky.
Future State: The Next Batman #1
This comic book has a perfect premise: in the future, it’s legal to shoot to kill anyone wearing a mask. Are we heading towards that level of insanity? This story begs the question, Aren’t we pretty much already there? Once we have the plot in place, hey, this highly provocative Batman story has legs and can basically comment on today’s headlines, albeit in an artful indirect sort of way, thinly-veiled as it is. You don’t need to worry too much about the actual story about the mysterious Magistrate now being in charge after the “A-Day” incident. What we’re mostly after here is a mood and feeling, a certain texture. And this comic definitely has that going on.
Cities riddled with chaos from “hype soldiers.”
The Future State series won’t be around for too long so seek it out now while it’s hot. It’s an opportunity to mix things up and avoid whatever restrictions need to be respected within DC Universe canon and whatnot. There are two more stories, separate from the main story, included in this comic book and, despite the air of creative freedom, these two seem loaded down a bit from keeping track of various superhero identities and protocols. They seem just fine but may put off the more casual reader.
Wear a mask and be somebody!
All in all, it’s clear that writer John Ridley (12 Years a Slave) knows exactly what he’s doing and is having a good time with this alternate Batman feature. It’s a chance for Batman to punch out one of the urban offenders and yell out for him to get a life. It’s a chance to do a little calling out in general and state that our politics has gotten toxic and has resulted in toxic protest and honest rank and file police are all too often caught in the middle of it all. Is that too controversial to say out loud in public on social media? Maybe just enough–or a lot–but certainly reasonable too for a lot of folks. Ridley isn’t out to just push buttons as much as to do some intelligent, and balanced, shouting out from the rooftops in hopes that Batman has any good ideas. And that should work since he usually does.
Comics Grinder has always got you covered for interesting tidbits, insights, and suggestions regarding comics, pop culture, and culture in general. Here are some quick suggestions for discerning Comics Grinder followers:
I’m going to keep this simple and jump right in with 10 items for your consideration beginning with Wes Anderson: The Iconic Filmmaker and his Work, by Ian Nathan, an “unofficial and unauthorised” yet stunning tribute to the beloved filmmaker. 176-page hardcover with deluxe slipcase, fully illustrated. $35. From White Lion Publishers, an imprint of The Quarto Group.
Next up will please any fan of D&D, especially younger players or anyone who enjoys a trading card style description of characters. This is Beasts & Behemoths, the fifth and latest installment in the Dungeons & Dragons Young Adventurer’s Guide series. It is by Jim Zub, Stacy King, and Andrew Wheeler. 112 pages, full-color illustrations. $12.99. From Ten Speed Press and Penguin Random House.
Moving right along, this book will need to be in your kitchen and bar as soon as possible, whether you’re a D&D fan or not yet. Welcome to Heroes’ Feast: The Official D&D Cookbook. Yes, now you can eat and drink like a hero. There are recipes here for everything from Honey-Drizzled Cream Puffs to Sembian Honey-Glazed Rothe Ribs to Bytopian Shepherd’s Bread to Roll Rum! Seriously, this is an impressive cookbook with lavish illustrations alongside charming and meticulous D&D factoids and insights. If you’ve been looking for a way to hook yourself into the world of D&D, then seek out this cookbook. Fully illustrated. 240 pages. $35. From Ten Speed Press, an imprint of Penguin Random House. Quite honestly, this is the best gift for 2020 on so many levels.
If you are a fan of Critical Role, then you are in very good company as this is one of the most popular role-playing game communities ever. Now, you can join in on all the fun and get all you’ve ever wanted to know about this fantasy RPG livestream phenomena in one deluxe book, The World of Critical Role: The History Behind the Epic Fantasy, by Liz Marsham and the Cast of Critical Role. Just like the name suggests, go deep into this world with up-close and personal features on all the talent involved. Critical Role was established in 2015 by a group of friends with a passion for storytelling and has evolved into a multi-platform media company with a variety of shows, comic books, graphic novels, animation, podcasts and more. Its epic adventures and memorable characters attract millions of viewers live every week. Yes, this is a big deal and, if you’re new to it, then all the more reason to get this book. This is a 320-page fully-illustrated hardcover, $35. From Ten Speed Press, an imprint of Penguin Random House.
Let’s shift over to the Star Wars universe and a most compelling book indeed. For anyone who cares about quality storytelling, and enjoys Star Wars lore, this is a perfect gift. From a Certain Point of View: The Empire Strikes Back is an anthology celebrating the 40th anniversary of The Empire Strikes Back with forty acclaimed science fiction writers. You will find such gems as Hank Green chronicling the life of a naturalist caring for tauntauns on the frozen world of Hoth. Or about Charles Yu’s quirky look at what it’s like to be in Darth Vader’s death grip? So much to enjoy here. So kick back with a Roll Rum and get into some serious Star Wars storytelling. This is a 564-page hardcover, $35. From Del Rey, an imprint of Penguin Random House.
It’s impossible not to like the hilarious work by Yehuda Devir and Maya Devir with their comics adaptation of their everyday lives. It all began as a fun spoof on young married life. Yehuda would draw. Maya would art direct. Next thing you know, these candid illustrations went viral on social media. Welcome to One of Those Days, a collection of these funny and touching illustrations that just about anyone can relate to. This is a 272-page full color hardcover, $30. From Penguin Random House.
Dbury@50 Celebrates 50 Years of Doonesbury
Garry Trudeau’s Doonesbury has been around for fifty years and it’s time to celebrate. Enter, Dbury@50: The Complete Digital Doonesbury, from Andrews McMeel Publishing, priced at $125. This includes a 224-page “user manual,” a poster, and a thumb drive which includes what looks like a little website presenting all the comic strips on a per week basis. The fifty-year milestone celebratory package takes readers through each year of the strip, providing historical context and featuring key storylines, and proves to be a valuable first step in preserving a significant comic strip for future generations.
Another huge property is anything and everything to do with Frank Herbert’s monumental novel, Dune. Was it ever really meant to be more than a novel? Well, how about a graphic novel? The answer is yes and no. Apparently, it takes more than one graphic novel to properly attempt to cover the novel. Enter, Frank Herbert’s Dune: The Graphic Novel, Book 1. It offers a good mix of the cinematic and more cerebral that should satisfy true believers and newcomers alike. This is a 176-page hardcover, $24.99. From Abrams ComicArts.
If anyone tells you that they’ve finished reading XX, the new mammoth novel by Rian Hughes, they are lying to you. This work clocks in at 992 pages. It actually weighs in at almost 3 pounds. Isn’t that close to the weight of a newborn baby? No, the average weight is around 7 pounds. Okay, I don’t want to overstate this. What I do want to say is that the book is huge and sometimes big books come with a lot of hype. In this case, we have an art house book with a lot of type, as in fancy footwork with various fonts. This is supposed to be a glorious melding of the literary arts with the graphic arts from a master designer. I’m not sure that I’m buying all that. If you are looking for something really compelling and unusual that is playing with the literary and the visual arts, you may still need to go back to 2000 and House of Leaves by Mark Z. Danielewski. That said, I’m still working on this mountain of a book and the basic story hasn’t really hooked me in yet. I’d love to know what you think if you have indeed made it to the end. This is a hardcover, $26.43. From Abrams.
How much do you like Batman? I love me a good Batman story, but I mean something really good. Well, a lot of good things came from Batman: The Animated Series. The higher-ups at the Big Two Publishers can be a mysterious bunch but, when they prioritize, they can achieve remarkable results. Look, iconic characters like Batman are only as good as the creative team behind a certain project. What made Batman: The Animated Series work out so well was the creative team led by Bruce Timm back in the early ’90s. It seems that Timm set the gold standard and it has been honored ever since. I have yet to see a subpar DC Comics/Warner Bros. animated feature. The book, Batman: The Animated Series, honors all that hard work and dedication with stellar artwork. Enjoy. This is a 144-page hardcover, $60. From Insight Editions.
Go check out The Revolution of Cassandra for an unusual new work in comics. Here is a quirky story covering some serious subject matter. It reminds you of the fundamental need of making your voice heard. We can take that too much for granted in the United States. Just imagine what it’s like in parts of the world where the government is actively involved in keeping its citizens docile. Filmmaker Eric D. Howell is a fascinating storyteller dude–just the sort of creative person to lead the way with this audacious graphic novel, with Hollywood flair. Howell got into the entertainment business as a stuntman and, through determination, has risen up the ranks to movie director. You may know him from the 2017 Emilia Clarke movie, Voice from the Stone. By any measure, Howell’s career path is an impressive one.
USE MY VOICE by Amy Lee of Evanescence
Enter The Revolution of Cassandra, Howell’s new tale of adventure and idealism about two very different sisters, Moira and Cassie, and how they stumble into a civil war and perhaps lead a revolution. As I say, Howell’s new graphic novel has a very cool Hollywood connection. For starters, Howell is a well-liked and well-connected person. One of his friends is a very cool musician you may know. The Revolution of Cassandra served as an inspiration for Howell’s friend and Grammy Award-winning musician, Amy Lee of Evanescence, as she was writing her band’s new song, “Use My Voice.” The song’s video, directed by Howell, has been viewed more than two million times on YouTube since its premiere in late August.
Cassandra’s toes know the earth.
A few more words about this graphic novel. If you’re looking for an immersive work with a true cinematic look and feel, then The Revolution of Cassandra is for you. It is a mature work in the sense that adults will enjoy it for its more adult and sophisticated sensibility. It’s not for kids, per se. Let’s go with teens and up. This is set, after all, in a very gritty backdrop. There are rough men wandering about who are prone to pushing around women, if they can. That is, unless they’re confronting Moira and Cassie. Overall, there’s an earthy and authentic vibe running through. Moira is more reckless. Cassie is more the Earth Mother with her bare feet, or in Birkenstocks, solemnly gauging the environment.
The Revolution of Cassandra
Now, imagine attempting to stand out at a truly significant comics convention, like Comic Con in San Diego. Well, this is where brand sharing helps. Howell has partnered with Republic Restoratives Distillery and Craft Cocktail Bar in Washington, D.C. to introduce Purpose Rye. Purpose is the first single barrel expression from Republic Restoratives Distillery and is a limited run of only 100 barrels. This 95% rye mash bill has been aged in American oak for nearly five years, imparting rich notes of caramel, spice, hints of smoke and cocoa nibs. Every bottle of Purpose Rye sends a donation directly to Fair Fight Action which protects free and fair elections around the country. Purpose Rye is available for order online via Schneider’s of Capitol Hillin Washington, D.C. Twin Cities bartenders will be mixing Cassandra inspired cocktails this month to inspire customers to “use their voice” to support the social causes that matter to them. For Cassandra cocktail recipes, follow @revolutionofcassandra on Instagram.
Under the right circumstances, and responsibly, alcohol and comics do mix.
It was a lot of fun chatting with Howell and you can check out our conversation by clicking below:
The first chapter of The Revolution of Cassandra is available now for you to view for free.
Jack Kirby: The Epic Life of The King of Comics. by Tom Scioli. Ten Speed Press, 2020. 202pp, $28.99.
A book that is doing very well these days and just got back on my radar is an in depth look at the life and times of Jack Kirby, the creator or co-creator of such icons as Captain America, the Fantastic Four, and Black Panther. Now, all sorts of things pop in and out on my radar but this one compels me to share. Tom Scioli feels like a doppelganger at the moment: we are both auteur cartoonists determined to get to the bottom of the story. Scioli hitched his wagon to one star and I did to another. In Scioli’s case, it is Jack Kirby. In my case, I have a book that I’m shopping around with George Clayton Johnson as your guide to a wider world. In Scioli’s case, Jack Kirby is the focus and, from there, we see a wider world too. Also, I must stress that Scioli is a one-person operation, a true auteur. That’s the same way that I roll. It’s not easy but it is most rewarding and, in fact, provides the reader with the ultimate comics artistic expression coming from one creator.
Jack Kirby: The Epic Life of the King of Comics
Recently, I’ve been taking a very close look at Jack Kirby and how he figures in the study of comics as a true art form. We are very enlightened about comics, as a general audience, but the dust perhaps has yet to settle on all these questions of what constitutes art. For the record, I will state again that there is no question that comics is as legitimate an art form as any other. Comics is a big deal and will only continue to grow in estimation and appreciation. As for Mr. Kirby, well, of course, he was an artist of the first rank in many ways and he dazzled all of us with what he was able to accomplish. What is so fascinating about Tom Scioli’s book is that here you have a true comics artist providing his own careful and idiosyncratic look at another comics artist. This is an outstanding example of an extended study of comics created in the comics medium. We have precious little of these sort of works, comics about comics. In fact, we have far more comics about painters, novelists, and various other historical figures. Ah, but that will change. We still have plenty of time, right? No rush. We can relax and appreciate Tom Scioli’s very home-grown approach, which all adds up to visual storytelling at a deep and intimate level. Scioli has a very offbeat style as unique to him as his own handwriting or his casual chatting. So, in a sense, Scioli has pared it all down to just a regular guy holding court and riffing on one of his favorite subjects. Yes, that’s perhaps the best way to look at this book. Maybe it’s not an official biography or the last word on Jack Kirby but it is definitely an unusual and personal take on him.
Take any figure, well-known or not, and there’s a very high probability of creating a compelling story in the right hands. That is precisely what is happening here. Tom Scioli has the passionate interest in his subject and that energy propels the reader. It’s not like anyone, outside of friends and family, knew anything about the actual life lived by Jack Kirby. And some things will always be left to speculation. Here is where the power and magic of comics comes into play. The comics creator is compelled to make you, the reader, care and so the process begins from the very first page, the very first panel. On page one, we see a family history unfold back in the old country of Galicia. Kirby’s parents meet in New York City at an Austrian social and, by the next page, little Jack Kirby is born, August 28, 1917. It is a life of limited resources on the Lower East Side but it is a life full of love. By the very next page, little Jack awaits the birth of his baby brother while poring over the pages of Krazy Kat comics! And, by page four, it is clear that the only color in little Jack’s life comes from the Sunday funnies. Jack is set for a life of adversity with comics already proving to be a gateway to something more.
Yes, Jack Kirby worked alongside Bob Kane for a time.
Fast forward and, indeed, a life emerges filled with challenge and adventure. And, of course, it is Jack’s particular life story that will bring the reader up close to how things worked at Marvel Comics, specifically the working process known as “The Marvel Method,” with the legendary big-name editor, Stan Lee–and all the complications and frustrations that wrought. But before any of that happens, a lot of rain must fall, a lot of struggle and uncertainly coupled with steadfast determination. Before Jack Kirby became part of the Marvel bullpen, he had to pay his dues in a far more modest role as part of Will Eisner and Jerry Iger’s comic strip staff. This is a staff that included, among others, the now much despised Bob Kane, infamous for stealing credit for Batman from co-creator Bob Finger! Just one of the gems of info to be found here. As the saying goes, a creative person needs to be their one biggest fan. That is what Jack Kirby was for himself, his biggest fan. It was that level-headed persistence that would get him to the promised land of the Fourth World and a legion of his own fans.
One of the great things about a book like this is how it ends up becoming a treasure trove of information. It just happens naturally as all the dots are connected. This is what resonates the most with readers, especially those invested in art process and pop culture. Even a casual reader will get caught up in the events and get hooked into learning more about the lad who literally picked up a copy of Wonder Stories just before it was swept into a gutter and saw his fate within the pages of the first pulp magazine he’d ever read. As I’m in a position to articulate these matters regarding comics, pop culture and art, I’m thrilled to do so here and on any panel at any comics convention. This very unique look at Jack Kirby is very exciting stuff. No doubt, when you find one book like this, well, it leaves you wanting more. That is what leads me to know that my book will find a home. I’m so happy to see that Tom’s book found a fine home and has been welcomed by scores of readers!