Tag Archives: Movies

Movie: 24 HOURS IN SEATTLE

Henry Chamberlain in 24 HOURS IN SEATTLE

What if you had a special 24 hours to lift up your creative spirit? That’s how I feel about the annual 24-Hour Comics Day. It is observed around the world by a multitude of diehard fans and seasoned cartoonists.

Henry Chamberlain loves 24-Hour Comics Day!

This last weekend, October 7-8, was 24-Hour Comics Day. It all began on a dare back in 1990 when two cartoonists entered into sort of a duel: Scott McCloud (Understanding Comics) challenged Stephen Bissette (Swamp Thing) to complete a comics narrative within the span of 24 hours. Since then, countless others have taken up the freaky fight. It has become a personal quest for me too! This year, I took up the challenge in my room at the Kimpton Palladian Hotel.

Drawing into the night.

These kind of activities that pull us out of our everyday existence are essential. I cannot help but seek them out. I need to be placed out of my element from time to time, as often as possible, when you get down to it. I have my methods. And the 24HCD is one of them! I hope you enjoy the movie I created. Yes, I put together a movie while I was also creating comics while I was also intoxicated by wine, coffee, and the overall luxurious experience of the Palladian. Also, it was quite nice being just walking distance from Pike Place Market. By the way, I got to meet the legendary Pike Place Market busker, Jonny Hahn!

And this will not be the last of this sort of thing! More on its way. I welcome any feedback you may have. You can leave a comment here or you know how you can reach me too.

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Filed under 24 Hour Comics, 24 Hour Comics Day, 24HCD, Comics, Henry Chamberlain, Seattle

Review: WEED MAGIC

WEED MAGIC, published by Bliss on Tap Publishing

Cannabis humor is tricky. The subject comes with its own unique background that easily attracts goofy humor. It can also definitely have redeeming quality. I’m talking about overall quality and craft. In movies, think: Cheech & Chong. Seth Rogen and James Franco. In comics, think: Robert Crumb. Simon Hanselmann. If you are really cool and smart about it, you can succeed with goofy jokes about pot. WEED MAGIC, published by Bliss on Tap Publishing, is a new comic book series that gives it a try. Let’s take a closer look.

Here’s the deal: you are already preaching to the choir when you create a cannabis comic so you really don’t need to overstate your case. That is a big challenge to contend with. And, to be fair, you are also dealing with a variety of opinions and tastes. Some people think Kevin Smith is spot on with his cannabis humor and some think not so much. It does seem that people can get way too caught up in proving that they have cannabis cred and that they’re up for the most wildest of misadventures. In general, less is more. Some people think more is not enough. At first, I was leaning towards this being a problem for this comic. Attempts at going full-on Mary Jane can fall short and feel too generic and calculated. But, after careful consideration, I say this comic grows on me.

Two friends just getting by…

The narrative steadily takes form and the reader can expect to roll with the offbeat humor. This is light entertainment done right. This is written by Brian Phillipson and Jordan Lichtman with art by Alex Cormack. Brian Phillipson is the president and co-founder of Bliss on Tap Publishing. It is easy for readers to take for granted the hard work involved in creating something that falls in the light humor category. But this is a sharp and well-executed smooth read. The dynamic use of color by Cormack is in step with the pace and humor. We’re in good hands down to spot on lettering by Alex Murillo.

…then, one day, they stumble upon a big bag of magic weed.

The story does a good job of playing off the typical superhero origin story. Set in Los Angeles, in Hollywood, we follow two friends as they discover their true destiny. Bunny Cortez dreams of making it big as a filmmaker. Moe Green is more down to earth as a law clerk on a fast track to becoming an attorney. But both of these guys are not happy, at least not as happy as they’d like to be. Until, one day, they stumble upon a big bag of magic weed. Hey, I could see this attracting the attention of Seth Rogen and James Franco or the next wave of talent that aspire to be Rogen and Franco. It could happen. Lastly, we’re just discussing the first issue here. From what I see, I am intrigued and look forward to the collected trade. All in all, a strong first issue. Seek this out.

Rating: 10/10

WEED MAGIC is available as of October 4: digitally on all major distribution platforms, including Amazon, Apple iTunes, Hoopla, Comixology, Google, Scribd, Nook, and Drivethrucomics. And for fans attending New York Comic Con (October 5-8), Bliss on Tap will be featuring WEED MAGIC at booth 945 along with a special collectible.

Visit Bliss on Tap right here.

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Filed under Bliss on Tap Publishing, Cannabis, Comics, Hollywood, Humor, Marijuana, New York Comic Con

Review: THE BLOODY CARDINAL by Richard Sala

THE BLOODY CARDINAL by Richard Sala

Everything is always perfectly distilled in a work of comics by Richard Sala. Everything from a dramatically constricted pupil to a young woman’s dainty feet. Sala has a way of cutting to the chase: he knows that he wants thrilling motifs and pretty girls–and he does a beautiful job of it. Sala is in fine form with his latest graphic novel, “The Bloody Cardinal,” published by Fantagraphics.

This new Sala villain makes quite an entrance and certainly looks pretty menacing. The Bloody Cardinal is no slouch, either, when it comes to murder. Clara Clarette, a charming young woman who had just purchased a mysterious book, is killed by the bird fiend. Enter Inspector Coronet, and his trusty compatriot, Dr. Sun. The good doctor has a mystical quality about him. He senses a malevolent bird-like creature is responsible for this crime. Sala does not miss a beat and paves the way for the reader to be undeniably hooked.

If you’re new to Sala, you are definitely in for a treat, especially if you enjoy a devilishly good mystery. At its heart, this is a good tightly-wound mystery. The narrative keeps popping along at a brisk pace. Each panel is a wonderfully rendered watercolor. Some cartoonists, like Sala, also happen to be painters at an accomplished level. You can’t help but appreciate how Sala distills scenes and characters to their essence.

The evil eye.

“The Bloody Cardinal” is an online serial, which follows in the tradition of his early classics, “The Chuckling Whatsit” and “Mad Night.” Perhaps it was one of these previous titles that was your introduction to his work. Sala has enjoyed a career spanning over thirty years with no signs of letting up. He has perfected a vision that, inspired by Gahan Wilson, Edward Gorey, and Charles Addams, he can safely call his own.

There is an undeniably sexy aspect to Sala’s work, as evidenced by all the compelling and voluptuous female characters in this book. The key distinction is that these are sexy, but not sexist, depictions in the service of a bigger picture. You get a worldly sense of the world from Sala: a world of books, mystery, the supernatural, and compelling young women to keep one on one’s toes. It is sophisticated fare accessible to general readers much in the same way that Hitchcock provided that special kind of entertainment in film. You could indeed say that Richard Sala is to comics what Alfred Hitchcock is to film. All those little details add up: apprehensive rats, a demonic puppet hung from a string, obsessive note-taking. The journey we take with Hitchcock as well as with Sala, with its Mcguffins and moody atmosphere, is as important as the destination, even more so.

A harbinger of doom.

In an interview last year with Tim Hodler, for The Comics Journal, Sala provides a window into the motivation behind his work: “What has always appealed to me over everything else, beyond horror or comedy or whatever, is a sense of the absurd. I think I got that from reading Kafka in high school and feeling a shock of recognition. I felt a kinship with absurd humor and black humor. Having an appreciation of the absurd – along with my childhood love of monsters – helped me survive in what was a dysfunctional (that is, crazy) household. I was drawn to the surreal and the expressionistic and the unreal, which is where I felt at home.”

“The Bloody Cardinal” is a 96-page full color trade paperback. This is a book that will appeal to a wide range of readers: anyone, say, 13 and up. For more details, visit Fantagraphics right here.

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Filed under Comics, Fantagraphics, Fantagraphics Books, Graphic Novel Reviews, graphic novels, Horror, mystery, Richard Sala, Supernatural

Review: ‘My Favorite Thing Is Monsters’ Vol 1 (of 2) by Emil Ferris

“My Favorite Thing Is Monsters” Vol 1 (of 2) by Emil Ferris

If you have not heard of this book yet, then let me introduce you to one of the new landmarks in graphic novels, “My Favorite Thing Is Monsters,” by Emil Ferris, published by Fantagraphics. Maybe you have heard of it. Or maybe, like me, you weren’t sure what to make of it at first. Certainly, one quick look through its pages, and you can tell this is something weird and wonderful. And, at 386 pages, this ain’t a book you’re gonna miss sitting there on the shelf.

An enigma begging for resolution.

As a cartoonist myself, the book is also a bit intimidating. All this awesome stuff to process–that I didn’t write and draw! As a reviewer, this is the sort of book that everyone comes out of the woodwork to review. People who never read graphic novels now suddenly have an opinion to express on the next big thing. But, don’t get me wrong, it is exciting to see a book like this gain the spotlight. That said, a number of things make this book significant and worthy of a long life after the current buzz.

A bigger look: two-page spread.

The best way to enjoy this book is to find a cozy seat and explore the pages for a while. Then just settle into it. Ferris has an uncanny sense for narrative flow. In a comic that she did about promoting the book, she included an observation by comics legend Art Spiegelman. He declared that Ferris had tapped into a new rhythm for comics. To be sure, Ferris has a distinctive approach. She beautifully alternates among various possibilities: from full page drawings to panel sequences; from just a hint of color to full color; from lots of text to minimal text. This exquisite contrast propels the reader into worlds unknown.

Deeze, the bad boy older brother.

Our story begins in Chicago on Valentine’s Day, 1968. There’s been a murder, or maybe a suicide, or God only knows what. Something happened upstairs. 10-year-old Karen Reyes has lost her dear friend, her upstairs neighbor in the apartment right above her: the elegant and enigmatic Anka Silverberg. She was shot in the heart. But her apartment door was bolted shut from the inside. So, yes, it was a suicide, right? Well, that’s what the police say. But Karen senses that just can’t be right. And so begins Karen’s investigation. Karen, the little girl who thinks she’s a monster. Yes, she really believes she’s some werewolf girl. And the only thing more scary than that is the M.O.B., that’s short for people who are Mean, Ordinary, and Boring.

Having to answer to mama.

Ferris fuels her work of magical realism with magical kid logic. Karen’s quest to get to the bottom of the death of Anka Silverberg, a holocaust survivor, becomes a multi-layered journey. Narrated by Karen, the reader becomes privy to a child’s inner world in a similar fashion to Jonathan Safran Foer’s celebrated novel, “Extremely Loud & Incredibly Close.” 10-year-old Karen ponders over the validity of monsters and concludes that they have as much right to exist as other unseen marvels like germs and electricity. Karen’s fanciful innocence clashes with harsh reality. Her older brother, Deeze is engrossed in various sexual conquests with little to no discretion as to whether Karen is around to hear it or see it. As a way to protect herself, Karen can always revert back to her own whimsical concerns, like whether or not tulips get homesick for Holland.

One of the many pulp magazine tributes.

This is a genuine must-read resonating with aficionados and the general public alike. Many of the pages in the book have become iconic, particularly the monster magazine portraits. This is a tale that intertwines the tumult of the 1930s and 1960s and ends up casting a mirror to our own very troubled era. The alternating formats that Ferris uses are the hallmark to this most innovative work. Ferris steadily modulates the narrative having the reader swim to the deep end and read passages suitable for a prose novel all the way to deceptively simple comic strip sequences. All the while, everything is held together cohesively with the consistent use of ball point pen rendered art on a background of notebook paper–that and one of the most compelling voices to grace the page.

As I say, in my video review, it is a hard thing to do in a graphic novel where a cartoonist creates something truly fresh that has the reader seeing things in a whole new way:

This is one of those rare books that can safely be called an instant classic. It is a long work in comics that truly makes good use of a high page count. In fact, a second volume is due out as early as Valentine’s Day of 2018. For more details, visit Emil Ferris right here. And visit Fantagraphics right here.

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Filed under 1960s, Comics, Emil Ferris, Fantagraphics, Fantagraphics Books, Graphic Novel Reviews, graphic novels

Netflix Movie Review: ‘To The Bone’

Lily Collins in “To The Bone”

If you subscribe to Netflix, you have seen or may plan to see “To The Bone.” As a major movie with a prominent star performer, the pressure is on to strike an authentic chord on the theme of eating disorders. One key factor in all this is that, if someone with an eating disorder is viewing this, they will know better than anyone else if only lip service is being paid or if something real is being said. Anyone in crisis wants to experience something real. Those who are loved ones, are certainly eager to understand and to help, but, in the end, it is always going to be up to that person who is struggling to find his or her own way out. What a movie like “To The Bone” does well is not to pretend to have all the answers. The movie is not there to magically solve anything. At best, the movie is there to open a window into a world, offer some perspective, offer up a look but make no claim to providing the ultimate solution. In all this, “To the Bone” succeeds.

Ellen (Lily Collins) is a 20-year-old anorexic girl who believes she has her eating disorder under control. She does not seem to want to listen to anyone’s advice on what and how to eat and yet she does not seem to completely close the door either. In a word, Lilly Collins gives a performance that is powerful. No doubt, she commands the screen with her gentle presence. Make no mistake, “To The Bone” is the sort of movie that matters. If one could only see every individual viewer reaction, it would light up the night sky. Collins is authentic. And writer/director Marti Noxon gives us an authentic screenplay and movie. It’s done by evoking that spontaneous feeling of sink or swim: giving the character room to fail so that she can summon the strength to turn the corner of her own free will.

This is a story all about free will. Eating disorders are a form of addiction, a way to control. Recovery is about finding a way out but it ultimately won’t work if the person in crisis is not in the driver’s seat. This movie works with all of this in mind. What we see is a series of stops, starts, falls, and attempts to get back up. The pace is slow because there is no magical cure to instantly bring one back from the brink. That said, we end up coming right back to the main character of Ellen in an intriguing cyclical fashion. Family tries to help. A charismatic therapist (Keanu Reeves) steps in with a tough love approach. There’s even a blossoming romance with a new boyfriend (Alex Sharp). But, in the end, we keep coming back to Ellen, alone–and yet not alone, processing things bit by bit.

Part of Ellen’s backstory involves her posting drawings about her anorexia on Tumblr that end up going viral. Not only that, one anorexic female fan of Ellen’s art kills herself. Her parents send Ellen the suicide note. It is a perfect example of how there are no easy answers, no one simple explanation to why this or that happens. It is in that spirit that this movie shines.

However, if there is a problem attached to this movie, it is simply that eating disorders are not simple matters nor is anything involving them. The obvious difficulty in making a movie about this subject is inherent in the process: Lily Collins had to undergo a severe, and life-threatening, weight loss. Sure, one can say it was a highly monitored process and the actor and the director took every precaution. Ultimately, there is no easy explanation to the ethics involved. On the one hand, the movie succeeds in opening a window. On the other hand, it opens up other issues about what such a movie owes its audience. Well, the movie is on Netflix for all to see so that train has left the station. Viewers will need to make their own call. The good news is that the movie itself does have something real to say.

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Filed under Anorexia, Eating Disorders, Movie Reviews, movies, Netflix

Movie Review: ‘Valerian and the City of a Thousand Planets’

“Valerian and the City of a Thousand Planets”

“Valerian and the City of a Thousand Planets” is a very big deal–and deservedly so! It exceeds the expectations of the most diehard fan with a heady mix of style and substance. I am so happy to have seen it and I would gladly go see it again and again. I was hoping for something special. I went in with thoughts that this could be a like a French Star Wars, perhaps divided by Star Trek, and then multiplied by Doctor Who. Something really special–and that it is!

My concern was that there might be some culture clash for some viewers: American tastes at odds with this Euro-movie based upon a Euro-comic book series. But, I conclude, that really is such a non-issue. There is a decidedly offbeat sensibility going on with this movie but isn’t that what we all love about the Star Wars franchise, along with other loopy and irreverent entertainment?

Another worry was that I had heard that this movie was too dependent upon CGI. Well, ahem, there’s nothing wrong with CGI when it works. Just think of “Avatar.” Much like “Avatar,” the CGI in “Valerian” is simply an integral part of the experience. There are so many iconic moments in this movie that are all about the CGI. For instance, the wonderfully elaborate sequence with Valerian (Dane DeHaan) running through a multitude of dimensions. Or Laureline (Cara Delevingne) arguing with some very dim servant creatures. Or, one of my favorite moments, Bubble (Rihanna) and her beautiful dance sequences.

Dane DeHaan, Luc Besson. and Cara Delevingne

There’s a very intriguing thing going on with the dynamic between Valerian and Laureline. The two are lovers but they have a lot of work ahead of them. They are intentionally distant in how they interact with each other, in an other-worldly comic book way. This disconnection between the two lovers leaves the viewer wondering about them. When Valerian repeatedly tells Laureline that he wants to marry her, it comes across as highly ironic. It would be wrong to dismiss the acting as wooden. It is part of what director Luc Besson intentionally wants. It is part of what the script aims for. I think some critics have unfairly expected more natural performances and gleefully found fault where there is none.

Given the surreal and whimsical elements in this movie, it remains a well-built and grounded piece of work. The opening sequence brings to mind the opening scenes to “Wonder Woman” set in the idyllic Themyscira. In this case, it is an ideal world of peaceful beings. The civilization depends upon little creatures who happily produce pearls that power their world. These beings, like the young lovers, Valerian and Laureline, are quite otherly. It is this otherliness that informs this rather sophisticated narrative that gently balances irreverence and idealism. Just the sort of thing you’d expect from the very best comics.

Of course, you can’t please everyone. Americans, in particular, have become quite reliant upon extra bells and whistles, even after they’ve just been presented with a formidable visual feast. No, it doesn’t seem to matter if they’ve just viewed a masterpiece–Where’s the gag reel?! they demand. And, with that in mind, you may love the video below that includes just that sort of bonus content:

“Valerian and the City of a Thousand Planets” is undoubtedly a joyride of a movie. You will love it. Visit the official Valerian movie website right here.

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Filed under Comics, Europe, European Comics, France, Movie Reviews, movies, Sci-Fi, science fiction, Star Wars

Celebrating 30 Years of The Simpsons

Simpsons Fun Facts!

The Simpsons celebrates 30 years on television. If you count the original one-minute shorts aired during “The Tracey Ullman Show,” The Simpsons began in 1987. The actual show began on December 17th, 1989. Frame Your TV has produced a series of visual assets to celebrate 30 years of the iconic show.

More Proof That The Simpsons Live in Portland, Oregon!

Just click onto any of these assets to enlarge them and learn a variety of fun facts about The Simpsons.

Top Ten Episodes!

The visual assets take you through some of the best episodes in the show’s history, a selection of the quotes from the show that we still use in everyday life, and includes some facts about the show that you may not be familiar with.

Great Quotes to Live By!

Did you know that Krusty the Clown was originally supposed to be revealed as Homer? The Simpsons family looked so different when the show was first broadcast and it was hard to imagine the impact they would have on popular culture and the television landscape.

More Fun Facts!

May The Simpsons enjoy another 30-year reign!

Accept the Impact of The Simpsons!

In the future, there will only be The Simpsons to entertain us!

Long Live The Simpons!

And have a wonderful Simpsons day!

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Filed under Comics, Matt Groening, The Simpsons

A New European Batman Graphic Novel: ‘The Dark Prince Charming’ by Enrico Marini

MARINI’s BATMAN!

French publisher Dargaud caused plenty of buzz when it announced last month a two-volume Batman graphic novel by legendary European comics creator Enrico Marini (Le Scorpion, Eagles of Rome, Gipsy). By itself, that is exciting news. But there was no news about a simultaneously published English version. Perhaps that was a secret that can only now be revealed. DC has just announced that it will be publishing this work, entitled, “Batman: The Dark Prince Charming.” Now, that’s some Batman news!

MARINI’s CATWOMAN!

With this work, Enrico Marini will make his American comics and mainstream superhero debut. If you’ve seen his work for “Le Scorpion,” for instance, you can expect some cool swagger. And Batman will need all his confidence for this new story as he confronts his arch-nemesis The Joker. According to the DC press release, what distinguishes this story from other Batman tales is that this time, “it’s personal!” When has it not been personal when it comes to these two characters? Whatever the case, this time, Batman is…European! And let’s not lose sight of another character in this tale: Catwoman! I will have more to say about Catwoman in an upcoming post.

MARINI’s BATCAVE!

Here is the official description of the story according to DC:

What secret connection do both Batman and The Joker share with a strange and mysterious young girl? After she’s kidnapped by The Joker, Batman must plunge deep into the underworld of Gotham City and race against time to find out where she’s being held. The stakes are high, and for Batman, it’s personal!

MARINI’s GOTHAM CITY!

Pretty cool news however you spin it! Book one of Batman: The Dark Prince Charming will be in stores on November 1, 2017. Look for book two coming in spring 2018!

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Filed under Batman, Catwoman, Comics, Dargaud, DC Comics, DC Entertainment, Enrico Marini

The Beatles’ Yellow Submarine Adapted as Graphic Novel

“Beatles: Yellow Submarine,” an official illustrated adaptation published by Titan Comics

What could be sweeter than a graphic novel adaptation of The Beatles’ Yellow Submarine? Yes, Titan Comics has announced a licensing agreement with Apple Corps Ltd to publish such a work! The fan base for The Beatles is in a league all its own so this is a huge deal. If no Blue Meanies get in the way, the book will coincide with the animated film’s 50th Anniversary!

“Beatles: Yellow Submarine,” an official illustrated adaptation published by Titan Comics

The comic adaptation will be written and illustrated by Bill Morrison, Bongo Comics co-founder and creative director, as well as recently announced Executive Editor for MAD Magazine. The Beatles: Yellow Submarine official illustrated adaptation will launch in stores in 2018, to coincide with the 50th Anniversary of the animated musical fantasy film released in July 1968.

“Beatles: Yellow Submarine,” an official illustrated adaptation published by Titan Comics

Directed by George Dunning, Yellow Submarine was an animated adventure inspired by the music of The Beatles. Band members Paul, John, George, and Ringo join Captain Fred in his Yellow Submarine to journey to Pepperland to help free the land from the music-hating Blue Meanies.

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Filed under Comics, graphic novels, pop culture, The Beatles, Titan Comics

Comics Focus on Everything You Need to Know About ‘Valerian and the City of a Thousand Planets’

It all began as a French comic book series.

“Valerian and the City of a Thousand Planets” will open in U.S. theaters on July 21st. It all began as a French comic book series. First published in Pilote magazine in 1967, the final installment was published in 2010. The science fiction comics series was entitled “Valérian and Laureline,” or just “Valérian,” created by writer Pierre Christin and artist Jean-Claude Mézières. The first volume in a complete collected works was recently published by Cinebook. “Valerian – The Complete Collection Vol 1” is now available from Cinebook. You can also purchase it at Amazon right here.

“Valerian – The Complete Collection Vol 1”

This deluxe edition includes various supplementary material related to the movie. It starts out with an exclusive interview with the film’s director, Luc Besson (The Fifth Element). He shares his childhood adoration for the Valerian comics. He dutifully awaited each new installment in Pilote magazine, just like all the other kids he knew. The Valerian comics, with their mix of classic science fiction and whimsical fantasy, helped to influence Star Wars. And perhaps, only now, has movie technology caught up to do justice to a Valerian movie.

Drawing by Jean-Claude Mézières of Star Wars meets Valerian

All you really need to know to enjoy the movie is that it’s like Star Wars but with a distinctively French flare. The main characters are a couple of special operatives, Valérian and Laureline, on a mission to save the world, or should I say, the universe! It is in reading the actual comics that a reader quickly picks up on that refreshing sense of irreverence that is Valerian. Keep in mind that director Luc Besson worked with Valerian artist Jean-Claude Mézières on “The Fifth Element.” Indeed, this is a very special case of a major motion picture and its comics source material working seamlessly together.

Now, consider the significance of the Valerian comics because, make no big mistake, Valerian set the stage for much that was to come. Valerian comics, in their day, were groundbreaking. There was nothing quite like it in its scope and influence. These comics hit France in the Sixties during a major time of transition: a post World War II culture seeking out fresh new entertainment. To get away from the gray and the drab, the two French creators of Valerian went west to the U.S. for a time to get recharged. In fact, their first work together originated in Salt Lake City, Utah!

Panel excerpt from Valerian

In the U.S., Mézières, the artist, and Christin, the writer, were enthralled with wide open spaces, colorful B-movies, and great promise for change, as demonstrated with the Civil Rights movement. They honed their skills. Mézières focused on such artistic talent as Giraud, Jijé, Franquin, and Mad magazine. Christin focused on science fiction writers like Asimov, Van Vogt, Vance, and Wyndham. And, together, they created Valerian.

This first volume of the collection contains books 1 and 2 of the series: The City of Shifting Waters – in its original two parts, 9 pages longer format – and The Empire of a Thousand Planets. It also includes book 0, Bad Dreams, translated into English for the first time: the very first adventures of our two heroes, published after City and retroactively numbered.

And to really get a sense of what’s in store with the Valerian movie, check out this particularly informative trailer below that goes into the vital connection to the original comics. Yes, Valerian is a big deal. Consider it as big as Star Wars:

“Valerian – The Complete Collection Vol 1” is a 160-page full color hardcover suitable for all ages. Buy it on Amazon right here.

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Filed under Bande Dessinée, BD, Comics, European Comics, French Comics, Sci-Fi, science fiction, Star Wars, Valerian