Review: COSPLAYERS by Dash Shaw

COSPLAYERS by Dash Shaw

COSPLAYERS by Dash Shaw

Dash Shaw’s work keeps moving the ball forward regarding comics as an art form. With his new graphic novel, “Cosplayers,” Shaw provides us with a delightful look at the clash between the real and the unreal. The book promises to give you a behind the scenes look at the world of cosplay. Ostensibly, this is a collection of stories that add up to a tableaux of geek life. All that can be taken with a grain of salt. A hallmark of Shaw’s work is that he keeps you on your toes wondering about everything: the characters, the plot, the theme, the comics medium.

Meet Verti and Annie. They are taking a year off between graduating high school and going off to college. During that year, they just want to do what they want to do which involves cosplay and making videos. Annie is white. Verti is black. Both girls see themselves as unconventional in every way: looks, goals, and attitude. Shaw wants you to know that these two are a couple of misfits. But you are not supposed to know too much about Annie and Verti beyond the basic fact that they’re callow and bratty. Shaw’s aim is to provide you with two main characters that are disconnected from everything, including the reader.

Annie and Verti ask that you keep your distance.

Annie and Verti ask that you keep your distance.

Shaw is one of our more intellectual cartoonists, always looking for a tripwire to the narrative flow. So, don’t expect him to provide a straightforward guide to the world of fandom and cosplay. He is mostly interested in playing with characters from one scene to the next and more evoking a way of life than following a story’s arc or presenting specific information. When he does focus on a character’s feelings it can fall a little flat, as when Verti is remorseful for the way she and Annie have been pranking people. That said, for the sake of balance, that is a pivotal moment since Annie has a high tolerance for being hateful.

Channeling Osamu Tezuka

Channeling Osamu Tezuka

But you’re not supposed to get too close to Annie or Verti–or any of these characters, right? Just when you think you might have found a sympathetic character who you can trust, Shaw will yank you awake. You’re getting soft on Baxter, the expert on Osamu Tezuka? Well, think again, he’s a fool! Now, hold on, you think the kind and gentle comic book store owner is someone to put on a pedestal? Nope, you can knock that pedestal to the ground. After this comic book nerd gives Annie some of his most prized comics, she goes home and cuts them up to shreds. Ouch, how’s that for a wake-up call?

In the spirit of French new wave cinema, led by the work of Jean-Luc Godard, you can see this comic as a ship of fools out to sea. Each character has their own agenda, their own axe to grind, but no one really seems to know what they’re doing. With these lost souls engaging in the make believe world of cosplay, Shaw has set up a perfect vehicle to explore issues of identity and self-empowerment. By initially coming across as presenting a random set of acts (Annie and Verti engaged in endless video pranks) Shaw lures us into a deeper exploration. It all adds up to something quite fascinating, with a French vibe.

“Cosplayers” is 116-page full color hardcover, published by Fantagraphics Books. You can also find it at Amazon right here.

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Filed under Comic-Con, Comics, Cosplay, Dash Shaw, Fantagraphics Books, Graphic Novel Reviews, graphic novels, Humor, Osamu Tezuka, Satire

Interview: Spencer F. Lee and FROM THE BRIDGE

Spencer F. Lee, Stan Lee, and Kerry O'Quinn

Spencer F. Lee, Stan Lee, and Kerry O’Quinn

“I started writing when I was eleven. I didn’t start writing at age eleven because I thought I was going to become a movie director. I did it because I enjoyed it. I fed off the movies I was watching and the comic books I was reading.”

–Spencer F. Lee, writer/director of FROM THE BRIDGE

FROM THE BRIDGE is a documentary that looks at the career of Kerry O’Quinn, one of the leading figures in fandom, and explores in depth the rich and exciting world of science fiction, comic books, and horror–and the fans who love it. At this point, those fans include a vast number. But it wasn’t always that evident. With this new documentary, due out in 2017, writer/director Spencer F. Lee shares with you his childhood passion that has blossomed into a deep understanding of some of today’s leading forms of entertainment.

FROM THE BRIDGE, directed and written by Spencer F. Lee, executive producers George Noe and Spencer F. Lee, produced by Philip Nelson, and hosted on-screen by George Takei, is a feature film documentary that tells the story of how fans worldwide have “come out of geekdom’s closet” in the last 40 years, largely nurtured and encouraged by Kerry O’Quinn. Having the opportunity to interview both Spencer F. Lee as well as Kerry O’Quinn, I’ve come away with a great appreciation for what this film will mean to an audience. The film features interviews with Stan Lee, Bryan Singer, Gene Simmons, Joe Dante, Nichelle Nichols, Tom DeSanto, Bryan Fuller, Rod Roddenberry, Howard Roffman and many more.

The full podcast interview with Spencer F. Lee is right below. Just click the link:

Up next is my interview with Kerry O’Quinn, co-founder of such landmark magazines as Starlog and Fangoria.

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Filed under Comics, Documentaries, Fandom, Fangoria, Geek Culture, Geeks, Horror, Kerry O'Quinn, pop culture, Sci-Fi, science fiction, Spencer F. Lee, Star Trek, Star Wars, Starlog

Review: SEVEN TO ETERNITY #1

seventoeternity-image-comics-jpg

Image Comics reports that, in order to keep up with overwhelming customer demand, it is sending SEVEN TO ETERNITY #1, written by Rick Remender, drawn by Jerome Opeña, and colored by Matt Hollingsworth, back for a second printing on the same day as the issue’s release. And that makes total sense. This is the just the sort of quirky, weird, action-packed comic that will excite many readers. This is the tale of Adam Osidis, one reluctant hero confronting, The Mud King, one scary evil ruler. Both characters are up for a fight–or perhaps a discreet understanding of some sort.

Welcome to the kingdom of Zhal, ruled by The Mud King, officially known as The God of Whispers. How this works is left sort of mysterious. Part of it has to do with The Mud King having cast a spell on all of the kingdom’s inhabitants. Much weighs upon whether or not someone will take up The Mud King’s offer, whatever that may be. Under no circumstances would Adam’s father bend his knee and accept any offer from The Mud King. That did not work out so well for Zebadiah Osidis. There is a whole village in exile hiding in the mountains because of Zebadiah Osidis’s defiance. So, maybe Adam can figure something out.

This is definitely one of those big deal titles right up there with the likes of Jonathan Hickman’s celebrated Image Comics series, EAST OF WEST. This new breakout hit reunites the creative team behind Uncanny X-Force. You have all the depth and texture of a story you can really sink your teeth into. There is so much referred to and implied here to keep a series roaring for years. That said, we have a steady and compelling narrative unfolding. We’re in good hands with Adam, our reluctant yet cunning young hero.

SEVEN TO ETERNITY #1 is available as of September 21st. For more details, visit Image Comics right here.

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Filed under Comics, Comics Reviews, fantasy, Image Comics, Jonathan Hickman, Sci-Fi, science fiction

Review: THE STRANGER by Jacques Ferrandez

Meursault and Raymond Sintes entered into an ill-fated friendship.

Meursault and Raymond Sintes entered into an ill-fated friendship.

It has been a number of years since I read the 1942 classic, “The Stranger,” by Albert Camus. Reading Jacques Ferrandez’s graphic novel adaptation, I was struck by all the details I had forgotten. It also helped me to appreciate the parts to this story that can be considered existential and the rest that falls more into philosophy of the absurd. The main character in “The Stranger” is a young and indifferent man, Meursault. He is in the tradition of such characters as Kafka’s meek Gregor Samsa or Melville’s nebbish Bartleby. For Meursault, there are no rules to follow and nothing really matters. That’s not to say one can’t make their way in the world and be decent about it. But there’s nothing in Meursault’s mode of living to motivate him to make any great effort. And then a calamitous chain of events deliver him his comeuppance. Ferrandez brings all this to life in a way that adds to the reading of the original novel.

A young man with plenty on his mind.

A young man with plenty on his mind.

Ferrandez favors a more painterly and economical approach to creating graphic novels. Throughout the book, he has paintings floating behind the panels. Elements of the watercolor artwork are mirrored back in the panels. The drawings are quick and simplified, kept light, while also providing substance. I see a lot of interesting play with character development. Marie Cardona, Meursault’s girlfriend is depicted as lovely and ethereal but also warm and concerned about Meursault. Then there’s Raymond Sintes, the unsavory fellow who leads Meursault astray. And, finally, there’s Meursault who Ferrandez is careful to depict with just the right mix of arrogance, vacancy, and idealism. Originally published in French by Gallimard in 2013, this new 2016 edition is published by Pegasus Books. The English translation by Sandra Smith is completely in sync and offers a smooth connection to the artwork.

Jacques Ferrandez's "The Stranger," published by Pegasus Books

Jacques Ferrandez’s “The Stranger,” published by Pegasus Books

After a good long while of playing with words and pictures, a cartoonist knows how to conjure up what matters most. It is remarkable to see how Jacques Ferrandez has made this landmark novel his own, confronting its ambiguity. There’s an added sense of effortless spontaneity running throughout which is, certainly, a result of a great deal of planning and foresight. I have to hand it to him for consistently finding ways to combine his desire for pure painting, and uninterrupted imagery, within the comics narrative framework of panels. You really do need panels and/or some way to keep the story coherent. Ferrandez makes the process look easy and natural. And, again I must stress, he provides a refreshing take on our lost soul, Meursault. It is a pleasure to behold.

“The Stranger” is a 144-page full color hardcover, published by Pegasus Books.

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Filed under Albert Camus, Comics, Existentialism, French Comics, Graphic Novel Reviews, graphic novels, Jacques Ferrandez, Pegasus Books

Review: THE BOYS OF SHERIFF STREET by Jerome Charyn and Jacques de Loustal

High Noon on Delancey Street.

High Noon on Delancey Street.

Jerome Charyn is one of our great American writers. I had the pleasure to review, “The Magician’s Wife,” a graphic novel illustrated by François Boucq and written by Jerome Charyn. Thanks to Dover Graphic Novels, a number of lost gems are finding their way back into print. For this review, we look at “The Boys of Sheriff Street,” illustrated by Jacques de Loustal and written by Jerome Charyn. This is a beautifully tragic love story–at an exquisitely high level of artistry.

Ida, ready to devour the world.

Ida, ready to devour the world.

Graphic novels are not always what some people may expect, not even aspiring cartoonists. One misconception is that they need to be unruly massive things which, outside of manga, is more the exception than the norm. While there are no set rules to this, a book that clocks in at roughly 100 pages is very likely to make for a satisfying experience. And so it is with this book which is 80 pages. That’s perhaps more of a European standard–but it works so well. Consider this work quite the treat with its theatrical and painterly flourish.

The emperor has returned.

The emperor has returned.

Our story revolves around twin brothers Max and Morris. This is New York City’s underworld during the 1930s, on the Lower East Side. And Max and Morris belong to the Sheriff Street gang. Morris is tall and jovial. Max is the brains and the head of the operation. He is shorter and has a hunchback. The dynamic between the two brothers, and the whole gang for that matter, is severely tested when Morris introduces everyone to Ida, his new love and fiancé. This proves to be a fascinating study in character. Is Ida really a femme fatale or is she simply trying to assert her position as best she can?

The size and scope of Charyn’s story leaves me thinking of what a great movie it could make. That said, everything adds up to a perfect graphic novel. Loustal has created a fully realized world that the characters smoothly move through. This all works flawlessly as classic tragedy with a noir bite. At any point, Max, Morris, and even Ida, could prevent the inevitable. But sometimes blood must spill no matter how careful the players.

"The Boys of Sherrif Street," by Jerome Charyn and .......

“The Boys of Sheriff Street,” by Jerome Charyn and Jacques de Loustal

“The Boys of Sheriff Street,” by Jerome Charyn and Jacques de Loustal, is an 80-page full color trade paperback, published by Dover Publications. You can find it at Amazon right here.

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Filed under Comics, Dover Publications, Graphic Novel Reviews, graphic novels, Jacques de Loustal, Jerome Charyn

Review: EQUINOXES by Cyril Pedrosa

Marion lost in art.

Marion lost in art.

Cyril Pedrosa is an ideal cartoonist: very observant, with a compulsive need to comment on what he observes, along with a compulsive need to collect and process everything he may need to depict and comment upon in his work. Pedrosa must take it all in. He has a true cartoonist’s need to absorb, like a sponge, like an overstimulated genius infant still fresh and new. Ah, this is just the way to come at such an ambitious work as “Equinoxes,” published by NBM Graphic Novels. With this graphic novel, the master cartoonist lays it all bare.

A true cartoonist's need to collect and process everything around him.

A true cartoonist’s need to collect and process everything around him.

Pedrosa is living and breathing what he’s setting down on paper at a delicious level. He has an extensive background in animation, which certainly helps, but he takes it even further. He knows how to speed up work. He knows when he can ease up on the details and when to add an extra coat of polish. And to do that well with both his artwork and his writing is definitely remarkable.

We all need a good recurring motif.

We all need a good recurring motif.

This book is comparable in America to, for example, “Asterios Polyp,” by David Mazzucchelli. Other examples of this type of commentary in comics are the work of Gabrielle Bell and Tom Hart, both of who will take part in panels during Pedrosa’s North American tour. For the Europeans, there’s more of a tradition for expansive work like this exploring the meaning of life and such things. Even within that milieu, Pedrosa rises to the top, among the best. Something unique that Pedrosa is doing here is to so effortlessly depict a world according to the author in all its glorious detail. A pretty tall order any way you look at it.

"Equinoxes" by Cyril Pedrosa

“Equinoxes” by Cyril Pedrosa

Divided into the four seasons, we follow the lives of various characters, all searching for answers, crossing each other’s paths in odd and random ways. The question arises as to whether or not there is any order or purpose for any of them. Perhaps everyone is just making it up as they go.

EQUINOXES by Cyril Pedrosa is a 336-page hardcover in full color, published by NBM Graphic Novels. Visit NBM, for more details, right here. You can also find the book at Amazon right here.

Pedrosa will be making the following appearances during his North American tour:

Drawn & Quarterly Bookstore
211 Rue Bernard O, Montréal, QC

September 7th, 7:00 PM

Albertine Bookstore at the French Cultural Services
972 5th Avenue, New York 

September 12th, 7:00 PM

Talk with Gabrielle Bell moderated by Bill Kartolopoulos

Small Press Expo (SPX)
Bethesda, Maryland

September 17th 11:00 AM – 7:00 PM

Special Guest; signing at our booth #W51-52

Signing schedule:

• 11:00 AM-1:00 PM
• 2:00 PM – 4:00 PM

Brooklyn Book Festival
209 Joralemon St, Brooklyn, NY

September 18th, 10:00 AM – 6:00 PM

Guest of the show; signing at our booth, #135

Signing schedule:

• 10:30 AM-12:00 PM
• 1:30 PM -2:30 PM
• 4:00 PM-5:30 PM

Panel: 3:00pm Can You Draw the Meaning of Life?

Location: Brooklyn Historical Society Auditorium (128 Pierrepont St.)

Three comics creators take on big questions–philosophical, scientific, spiritual. Lauren Redniss (Thunder & Lightning) explores the past, present, and controversial future of our world through weather phenomenons. Best-selling French creator Cyril Pedrosa (Equinoxes) reflects on the connections made between people over time and space. And Tom Hart (Rosalie Lightning) asks in a tragic yet beautiful memoir about his young daughter’s death: can you capture the meaning of a life, as you mourn its loss? Moderated by cartoonist and choreographer Kriota Willberg ((No) Pain!).

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Filed under Bill Kartalopoulos, Comics, Cyril Pedrosa, Gabrielle Bell, Graphic Novel Reviews, graphic novels, NBM Publishing, Small Press Expo, SPX, Tom Hart

Review: PORTUGAL by Cyril Pedrosa

Evoking a Quiet Moment

A quiet moment.

Evoking a quiet moment is one of the most natural and satisfying things to do as a cartoonist. A story takes shape. A conflict. A conversation. Before long, a compelling story unfolds like Cyril Pedrosa’s “Portugal,” published by Europe Comics. Sometimes what is not said is as important as what is said. Pedrosa plays with the spaces in between words. This is the story of Simon, a young man struggling to find his place in the world despite the fact it would appear that he has everything in place: a loving mate to share a life with, a promising future in his chosen career, and the potential for lifelong stability. But Simon does not see it that way at all.

A conflict. Simon is a man who still feels he is only a boy–or a young man with much to learn. Simon is at that age when life has taken root from all directions but he is not ready to settle down. He must either break free or reassess his current state–do something instead of just vacillate. Pedrosa has created a perfect depiction of a Peter Pan syndrome: Simon refuses to grow up. Of course, Simon must grow up in some sense since he’s miserable. Claire, his longtime girlfriend, has been beyond patient with him. The clock is ticking but nothing is moving forward for Simon. Not the most inspiring or likable of main characters, right? Ah, but this is the stuff of life. This is a compelling story told in words and pictures by a master cartoonist. It also happens to be loosely based upon the author’s own self-journey. In 2006, at age 33, Pedrosa had his own reassessing to do.

A conflict.

A conflict.

A conversation. And then another. Pedrosa does a beautiful job of exploring Simon’s struggle even when his main character is the least cooperative, either hovering or drowning. There seems to always be someone open to pursuing a conversation with him not the least of which is Claire, Simon’s beautiful but beleaguered girlfriend. Nothing seems to get through to Simon. In one scene, Claire literally spells it out for Simon. If only he were to say that he wishes her to stay, she would stay with him. Simon has perfected his way of coping with the world: as little movement as possible; as few words as possible. In this case, with Claire, he chooses to remain silent. It is a moment that rings so true during the process of a breakup. Sometimes, one must read between the lines–or no lines.

A conversation.

A conversation.

Another conversation. And then another. If there is one thing Simon needs most, it is to talk and Pedrosa throws his main character into numerous opportunities to do just that. In fact, Simon, stumbles upon what will save him during a visit to a comics festival in Lisbon, Portugal. It is an chance for Simon to socialize with his fellow cartoonists as well as with the public. The interaction invigorates Simon.

PORTUGAL by Cyril Pedrosa

PORTUGAL by Cyril Pedrosa

It takes Simon a while to put two and two together. The reason that his Portugal visit enlivened him was that it gave him time to consider his Portuguese roots on his father’s side of the family. The third act to this graphic novel finds Simon finally turning to family after having remained in his own isolated bubble for so many years. While being around family alone won’t solve his problems, and may cause new ones, it does help Simon find some answers. With some luck and a new will to live, Simon may very well find himself no longer the boy in the bubble. Pedrosa provides you with an exquisitely paced narrative able to pause for quiet moments and sustain the delicate rhythms of human interaction.

Here is a trailer for the book:

Sometimes, as Pedrosa puts it, a story’s journey must go through a labyrinth. Pedrosa, in his own words, shares the process of making the book:

If you are going to the Small Press Expo in Maryland, the Brooklyn Book Festival, or are in New York City, be sure to catch Cyril Pedrosa during his North American book tour in support of PORTUGAL, published by Europe Comics, and EQUINOXES, published by NBM. On Monday, September 12th, you can see Pedrosa in conversation with Bill Kartalopoulos and Gabrielle Bell at Albertine bookstore. For details, click the image below:

U.S. Book Tour for Cyril Pedrosa

U.S. Book Tour for Cyril Pedrosa

PORTUGAL by Cyril Pedrosa is a 261-page hardcover in full color. For more details, visit Europe Comics right here. You can also find PORTUGAL at Amazon right here.

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Filed under Bill Kartalopoulos, Comics, Cyril Pedrosa, Europe Comics, European Comics, Gabrielle Bell, Graphic Novel Reviews, graphic novels, NBM, NBM Publishing, Small Press Expo, SPX

Review: ‘Pocahontas: Princess of the New World’ by Loïc Locatelli-Kournwsky

"Pocahontas: Princess of the New World" by Loïc Locatelli-Kournwsky

“Pocahontas: Princess of the New World” by Loïc Locatelli-Kournwsky

Here is a story that will greatly resonate with anyone struggling with issues of Otherness. There is so much to love about the graphic novel, “Pocahontas: Princess of the New World.” If you are looking for a powerful and accessible way to talk about race and tolerance, here is a compelling new addition to that discussion. Depicted in a direct and straightforward manner, here is the story of Pocahontas and John Smith as you’ve never seen it before. This is truly a unique gift for young and older readers alike. Originally published in French by Sarbacane in 2014, this spirited and quite informative graphic novel by Loïc Locatelli-Kournwsky is now available in an English translation by Pegasus Books.

Truth is stranger than fiction. Loïc Locatelli-Kournwsky plays with that concept by mining closer to the known facts, at least much closer than a Disney animated feature could. Pocahontas was around eleven years-old in 1607 when she was supposed to have famously saved Jamestown settler John Smith from being executed by the Powhatans. The rest is a bit of history and myth. This graphic novel interpretation has Pocahontas in the role of vigilant defender and protector of John Smith and the English colonists. Originally named, Matoaka, there is some dispute as to how and why she became known as “Pocahontas.” Some versions of the story say the name meant “playful one.” But in this version, the Powhatans feel betrayed and the nickname is supposed to simply mean, “shameless whore.”

Young Matoaka

Young Matoaka

Matoaka, later to be known as Pocahontas, would be baptized by the English as, Rebecca. The Biblical reference suggested a healer to two separate cultures. That myth would blossom in the 19th century as she was portrayed as an emblem of the potential of Native Americans to be assimilated into European society. Keeping close to the facts gives way to some poetic speculation as Locatelli-Kournwsky explores the inner world of his celebrated main character. In a number of key scenes, we see that the the clash of cultures is quite overwhelming for Pocahontas. Even once married to John Rolfe and dressed in the best fashion, English society around her does not really embrace her. She is forever seen as part of the wilderness and best suited to remain there. The die is cast, for better or worse, once Pocahontas, always Pocahontas.

Readers will be pleasantly surprised to read a more enlightened account of such a celebrated figure in history. Locatelli-Kournwsky’s artwork is just the right mix of lightness and precision. And the new English translation by Sandra Smith provides a smooth and accessible path to this most engaging story.

“Pocahontas: Princess of the New World” is a 128-page hardcover, published by Pegasus Books and available as of September 6, 2016. Visit Pegasus Books right here.

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Filed under American History, Comics, Graphic Novel Reviews, graphic novels, History, Native Americans, Pocahontas

Movie Review: ‘Yoga Hosers’

"Yoga Hosers" by Kevin Smith

“Yoga Hosers” by Kevin Smith

On his deathbed, Kevin Smith will say, “Clerks,” and die with a smile on his face. For now, he is content with giving us his latest movie treat, “Yoga Hosers,” both written and directed by him. This will please any diehard Kevin Smith fan and may puzzle quite a few critics pondering the director’s vision and legacy. Quite the prankster, I am quite happy to chalk this up as Mr. Smith just having some fun. If I try to read into it, perhaps I can see him saying something about the state of Hollywood. There’s a scene where the villain (hilarious performance by Ralph Garman) asks if he might be taken more seriously if he were to speak in the melodious tones of Al Pacino. He then goes on to do a spot on impersonation as he describes his diabolical plans to kill off all the critics who have savaged his art. This could be interpreted as Smith saying that if only he were to play the game, then he would be taken more seriously.

I got to thinking that maybe Kevin Smith is right about how he’s been unfairly treated by critics. I’m just thinking here but consider the fact that Kevin Smith’s breakout hit, “Clerks” and Quentin Tarantino’s breakout hit, “Pulp Fiction,” both came out in 1994. This is nothing against Mr. Tarantino but I would argue that he and Mr. Smith are more alike than not. One director got the adulation of critics as his career progressed; while the other got a very hard time by the critics as his career progressed. The end result is that Tarantino finds himself in a very good place. And Smith finds himself the underdog. It’s worth considering this and might add to the enjoyment of this rather bizarre yet compelling film. It’s that special blend of Kevin Smith weird. And maybe he needs to keep doing what he’s doing.

Harley Quinn Smith and Lily-Rose Depp

Harley Quinn Smith and Lily-Rose Depp

“Yoga Hosers” is connected to Smith’s previous film, “Tusk” so he’s on a roll with his experiments in comedy/horror mashup. And there will be at least one more, “Moose Jaws,” rounding out Smith’s True North trilogy. For those of you who missed 2014’s “Tusk,” that proved to be quite unusual and not without some fairly gruesome moments in the spirit of Tarantino. That film had quite an edge to it. This time around, the gore has been rolled back but there’s an interesting sense of tension that Smith plays with especially early in this story that centers on two teenage friends, both with the first name of Colleen, thus they are known as The Two Colleens. The two work at the Eh-2-Zed, a convenience store owned by the father of Colleen Collette (played by Lily-Rose Depp). The other Colleen is Colleen McKenzie (played by Harley Quinn Smith). It’s pretty miserable for them being clerks. And the fact that the dad who owns the Eh-2-Zed is dating the store’s manager does not sit well at all with his daughter. Lots of domestic despair depicted with good comedic timing. It’s as if Smith knew he could have continued along that route but then decided to give his critics the finger and unleash his theater of the absurd.

You can give Smith credit for his abrupt shifts in tone. I fondly remember that moment in “Tusk” when Justin Long pleads not to die a horrible death. And then there’s a pause. And he ends his sentence with “…in Canada.” That was a genuinely masterful example of the comedy/horror mashup that Smith was going for. In “Yoga Hosers,” he not only doubles down but ratchets up the silliness with a bunch of menacing little sausage Nazis. The plot involves the untold story of Canada’s Nazi past–and this involves sausages. If critics want to give Smith a hard time, then he’s going to make them sit through a free screening involving little sausage Nazis. The fans will love it. The trilogy will one day be complete. The rarefied pompous hypocritical critics get the finger. Everyone wins.

That said, if you view the trailer, you’ll get a sense of how this film is actually more substantial than it may seem at first. Again, I go back to the idea of shifting tones, or shifting viewpoints. Part of the film is simply a heartfelt satire of high school life. The Two Colleens are sweet absent-minded girls who happen to love yoga. Thus the title to this film.

If you enjoyed “Tusk” or were curious about it but want to avoid some disturbing content, then go see “Yoga Hosers.” Justin Long is in it and he provides some impressive extended comedic bits as a yoga guru. Johnny Depp reprises his role as inspector Guy Lapointe to great effect. Both Lily-Rose Depp and Harley Quinn Smith are quite charming and show promise. Both have the sensibility and grace to pursue acting careers. And then you have Kevin Smith who portrays all the itty bitty Bratzis. Oh, and a cameo by Stan Lee as a police dispatcher! Overall, Smith turns the teenage horror flick up on its head and provides some good laughs. Amid so many Hollywood, and indie, cookie-cutter films, I want to see Mr. Smith continue making movies. He’s going out on a limb with his wacky Canadian horror/comedy trilogy but that’s fine by me.

Find out more and where to see the film by going to Kevin Smith’s Smodcast right here.

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Filed under Comedy, Hollywood, Horror, Horror Movies, Kevin Smith, Movie Reviews, movies, Satire

Review: THE OSAMU TEZUKA STORY by Toshio Ban

Osamu Tezuka, as a boy, shows promise.

Osamu Tezuka, as a boy, shows promise.

“The Osamu Tezuka Story: A Life in Manga and Anime,” by Toshio Ban, published by Stone Bridge Press, is a work in manga fit for one of the greatest manga artists ever, Osamu Tezuka (1928-1989). Manga is a very particular experience and much can get lost in translation. One key trait to manga is that time constraints often go out the window, the format embraces extended scenes. I like this approach and find it can be quite effective in setting a mood. Like any other technique, it can be overdone. I thought this to myself as I began to undertake this behemoth of book clocking in at 928 pages. Could it have benefited from some restraint? Well, yes and no. Overall, I highly recommend it on many levels. It provides much needed context and general information. And, in the end, there is an enthusiastic spark throughout that lifts the reader.

Manga is inextricably linked to a different world view, as opposed to most Western comics. We Americans, even the most seasoned readers among us, have been conditioned to more tightly edited work. You just need to come into reading this biography with the same spirit you would approach a gloriously sprawling foreign film. Yes, expect to find many detailed scenes with the little boy Osamu. And, yes, expect various detailed scenes of Osamu, the man, at his drafting table.

Osamu Tezuka in his prime.

Osamu Tezuka in his prime.

Who exactly was Osamu Tezuka? you may ask. In the United States, Osamu Tezuka is not as well known as he could be. But, in Japan, he ranks as high as, say, Charles M. Schulz does in America. There is every reason to believe that Tezuka could become as beloved an artist as Schulz. And that adds to the importance of this biography. In America, a certain number of enthusiasts know Tezuka for his landmark Buddha series. In Japan, Tezuka is also celebrated for Astro Boy, Kimba the White Lion, and Black Jack. Also covered in this book is Tezuka’s trailblazing work in animation. It is no exaggeration to say that Japan’s manga and anime owes greatly to the work of Osamu Tezuka.

Working for Osamu Tezuka

Working for Osamu Tezuka proves challenging.

Among the memorable detailed accounts: Tezuka, up to his ears in work, is literally fleeing anxious editors from various publications hounding him to meet his deadlines. The King of Manga, hiding out in hotel rooms from publishers, with the press not far behind, became a veritable cause célèbre. At the height of so many conflicting deadlines piling up on him, Tezuka had to devise various systems to cut down the time-consuming process of creating manga. This included hiring a team of assistants. The poor devils were left to do various bits of piece work without a clue as to what would ultimately go where. This would be just a taste of what it would be like once Tezuka began to work in his own anime studio.

You are in for a treat. Yes, here you are dealing with a mammoth book. Take it bit by bit and you will be rewarded. Frederik L. Schodt’s translation works smoothly with Toshio Ban’s original script and artwork which greatly emulates Tezuka’s own artwork. This is indeed a treasure trove. The original work was published in 1992, three years after Tezuka’s death. It originally came out as three books: Osamu to Osamushi (1928-1945), Dreams of Manga (1945-1959), and Dreams of Anime (1960-1989). With that in mind, it is more reasonable to see how we ended up with such a big book. I think a graphic novel should be as long as it needs to be. Some 300-pagers could easily be half as long. But, in this case, here is a story that is well justified in spreading out as much as it needed to.

"The Osamu Tezuka Story: A Life in Manga and Anime," by Toshio Ban

“The Osamu Tezuka Story: A Life in Manga and Anime,” by Toshio Ban

THE OSAMU TEZUKA STORY is a 928-page trade paperback, published by Stone Bridge Press. Visit them right here. You can also find it at Amazon right here.

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Filed under animation, Anime, Comics, Graphic Novel Reviews, graphic novels, Japan, Manga, Osamu Tezuka