And here is the final installment to the 24-hour comics I did at the Palladian, a Kimpton hotel. The animal spirit is strong and I find myself surrounded by it and embracing it.
Here is the second part to my recent 24-hour comics marathon at Palladian, a Kimpton hotel. The work neatly fell into three sections. In this part, we shift focus a bit to talking about myth byway of Hollywood.
This is the first part to my 24-hour comics adventure from last weekend at the Kimpton Palladian Hotel:
Writers reach a point in their careers when they can spin gold from within just about any scenario. Jerome Charyn gives himself the perfect backdrop from which to play in his latest novel, “Winter Warning,” published by Pegasus Books. This is the White House. And, if you think Donald Trump is “disruptive,” then get a load of the Isaac Sidel administration: people get punched in the face and guns are fired into the ceiling on a slow day. Charyn makes the most of his opportunity to craft a climactic conclusion to his iconic Isaac Sidel mystery series. And, in the bargain, Charyn revels in speaking to the byzantine interconnections between American and Russian players.
Isaac Sidel, has gone from street cop to police commissioner, to mayor of New York City, to president of the United States. The timeline to the Charyn mystery series places the story in 1989 but, without a doubt, the narrative is every bit as relevant as if it were set in the present. Sidel is indeed a disruptive force. He is, by and large, an accidental president, a vice-presidnet thrust into the highest office after a political scandal. And Sidel is quite outspoken, beholden to neither major party. Where Trump leans to the right, Sidel leans to the left. Side’s liberal inclinations have more to do with a passion to help the oppressed than anything else. Given the chance as mayor, he released countless prisoners from Riker’s Island, victims of an unjust legal system. Our story heats up when Sidel’s more aggressive style attracts various rogue elements, including nefarious Swiss bankers and an erratic former Israeli prime minister.
Jerome Charyn is always a pleasure to read as you cannot help but get wrapped up in the story and find yourself rewarded at every turn. Here is a taste of a story with hints of the supernatural. In this excerpt, Sidel is questioning Pesh Olinov, a Russian operative, about a Russian criminal syndicate determined to make contact with him:
“And that greeting card is some kind of a threat?”
Olinov appraised the portrait of Isaac with an ice pick piercing his left eye.
“I don’t think so. They consider you a werewolf, like themselves. And that’s a mark of respect. Perhaps they would like to meet with you—the presidency means nothing to them. It’s not your power that interests the besprizornye. In their eyes you have none. Perhaps it is a real winter warning, and they are telling you to be more careful with your steps. The Secret Service cannot protect you with their magnetometers, my friend.”
Isaac Sidel is the president who packs a Glock. As much gritty crime story as political fable, “Winter Warning” takes the reader on a mesmerizing journey. This is the story of an American president who prefers to hide in an office he’s set up in the White House attic. That attic becomes home to a makeshift kitchen cabinet and a haven for various rogue elements. But Sidel, as always, is also a man of action. Charyn keeps this president on the run.
Charyn has a delicious way of hinting at what lies ahead and then, like a panther, hits his mark and pounces on his prey. The pace to this narrative is quick and steady allowing Charyn to conjure up elaborate scenes, deliver on his promise, and quickly sneak out the backway. Charyn is a master at creating a rhythmic pattern. We return throughout to an image of a man with a Glock, a man confronting werewolves, and the realization that he is a werewolf himself. This is not a horror story with werewolf tropes. These werewolves symbolize a certain dark and independent spirit. Sidel is indeed a werewolf. He knew it all along. He just needed an opportunity to prove it to others and confirm it to himself. With a target on his back, and nearly no one to trust, Sidel will need strength from any source he can find. This is a riveting mystery with a hard-boiled edge and worldly charm.
“Winter Warning” is a 288-page hardcover, available as of October 3rd. For more details, visit Pegasus Books.
What if you had a special 24 hours to lift up your creative spirit? That’s how I feel about the annual 24-Hour Comics Day. It is observed around the world by a multitude of diehard fans and seasoned cartoonists.
This last weekend, October 7-8, was 24-Hour Comics Day. It all began on a dare back in 1990 when two cartoonists entered into sort of a duel: Scott McCloud (Understanding Comics) challenged Stephen Bissette (Swamp Thing) to complete a comics narrative within the span of 24 hours. Since then, countless others have taken up the freaky fight. It has become a personal quest for me too! This year, I took up the challenge in my room at the Kimpton Palladian Hotel.
These kind of activities that pull us out of our everyday existence are essential. I cannot help but seek them out. I need to be placed out of my element from time to time, as often as possible, when you get down to it. I have my methods. And the 24HCD is one of them! I hope you enjoy the movie I created. Yes, I put together a movie while I was also creating comics while I was also intoxicated by wine, coffee, and the overall luxurious experience of the Palladian. Also, it was quite nice being just walking distance from Pike Place Market. By the way, I got to meet the legendary Pike Place Market busker, Jonny Hahn!
And this will not be the last of this sort of thing! More on its way. I welcome any feedback you may have. You can leave a comment here or you know how you can reach me too.
Palladian is one of those stylish hotels that attract both the locals and travelers alike. Palladian offers both a world-class restaurant, Shaker + Spear, and bar, Pennyroyal, that will satisfy any taste. Are you looking for a hip and refreshing getaway/staycation? Then this is the place. Are you completely new to Seattle and need a perfect home base close to everything? Then let Palladian serve you.
I’m one of the locals who have fallen in love with Palladian. I decided to delve deeper which led to this full-on hotel review. I was seeking my latest venue for a 24-hour comics-making session. This last weekend, October 7-8, was the annual internationally recognized 24-Hour Comics Day. The above drawing is part of what resulted from my efforts for this year. There will be more about this in future posts. For now, this art is available as a print at Storenvy right here. Now, let me share with you what I enjoyed about my night’s stay at Palladian:
Right from the get-go, I was utterly charmed by the staff. And then, once settled into my room, I was so please with the atmosphere and attention to detail. I provide you here with lots of photos and a comprehensive video. And I can only hope that my words will do this fabulous place justice.
I love being swept up into something that evokes a dream. Go in any direction, and an intoxicating combination of charm, style, and design will work its magic on you. My room truly felt inviting, a wonderful promise that anything is possible from the whimsical pillow honoring Patrick Swayze to the generously-sized flat screen hitched to an artist’s easel.
Early on, I enjoyed a delicious cheese and fruit plate fresh from the Shaker and Spear kitchen. Throughout the night, I navigated my way with sips from a bottle of StoneCap Syrah from the renowned Goose Ridge Vineyard in Washington State’s Columbia Valley. And I made two visits to Pennyroyal and, last but not least, a morning visit to Shaker and Spear. For dinner, I had a burger at Pennyroyal with the perfect cocktail, the “So It Goes.” This is a combination of sherry and rum topped off with hibiscus petals.
It was the next morning that I was treated to a delightful breakfast. Shaker + Spear’s head chef, Carolynn Spence enjoyed 10 years as executive chef at Hollywood’s legendary Chateau Marmont. She brings bold and inventive quality to everything she does. I was blown away by her take on Stuffed Scotch Olives.
The main entree was the Dungeness Crab Eggs Benedict. One of the patrons admired my diligent note-taking and documenting of my meal. She wondered if I was writing a review. I said that, yes, I was and my instant verdict on the crab was that it tasted, “crazy fresh.” At that moment, I said I would need to work that into my review and so I have.
My rating: 10/10
I think all of Palladian is “crazy fresh!” If you’re traveling, or a local, you won’t need to think twice about a visit. Palladian is located at 2000 2nd Avenue, which is literally just a brief walk away from Seattle’s landmark must-see Pike Place Market. This is one super location. For more details go to Palladian right here.
Where are contemporary comics headed today? Is it best to remain underground or to be viewed as respectable? For legendary cartoonist Ben Katchor, comics that interest him need to be unusual. Ben Katchor is known for his critically-acclaimed comic strip, “Julius Knipl, Real Estate Photographer.” Mr. Katchor is the winner of a Guggenheim Fellowship and a MacArthur Fellowship. He is Associate Professor of Illustration at The New School-Parsons School of Design.
And he is the guest editor of The Best American Comics 2017. I had the pleasure to review this year’s edition. And, to add to that, I am honored to share with you this interview with Mr. Katchor. Just click the link below:
Comics can be discussed in any number of ways. You can try to include everything from comic strips to superhero comics to the latest graphic novels. What the annual anthology Best American Comics does is focus on comics that rise to the level of art that are already coming from some sort of artistic background: boutique publishers, arthouse anthologies, cultural websites, self-published work, and any other art outlets including galleries. The Best American series began with a short stories yearly anthology in 1915. The addition of an annual focusing on comics began in 2006. This was perfect timing as consensus in varied circles had reached a fever pitch that American comics had reached the level of art. And so, here we are with another long look at the comics medium with The Best American Comics 2017.
When you focus solely on alt-comics (alternative as opposed to mainstream) as representing all the best American comics, that creates an interesting challenge. But, all in all, it ends up being very helpful in sorting out where comics are headed as an art form. It is essential to avoid pitfalls: giving a pass to work that is weak from being self-indulgent, ill-conceived, poorly crafted, or heavy-handed. But we’re looking for the best, right? Comics cannot be held by the hand and protected. It is made of stronger stuff. To try to shield its creators from the harsh realities of life only hurts the very thing you may think, it your position of authority, you are helping. You wouldn’t provide a painter with free room and board and simply expect masterpieces in return, right? That’s not how life works. Anyway, the best work will win out in the end and the best work has got to have some kind of “wow factor.” This collection has plenty of that.
First, be sure to read the introductions by series editor Bill Kartalopoulos and guest editor Ben Katchor, a master cartoonist. To be fair, this is a very dry nutshell of what they have to say but, basically: Kartalopoulos advocates for artist-cartoonists to not hold back at all since their odds of fame and fortune are nil; Katchor, in a series of hilarious satirical pieces, reveals a sensitivity to the marginalized role of cartoonists. To be egalitarian and invite everyone to try their hand at creating comics does, as I suggest, create interesting challenges. Another example: you would not assemble an annual collection of the best American illustration and really spend too much time considering nonprofessionals–nor would you concern yourself over the status of a person in the illustration profession. So, what makes the artist-cartoonist (plus those who aspire to be) so special? You could say that is what makes this book so special since it devotes itself, as well as logic and space can accommodate, to the current state of independent American comics.
We begin with a piece by Gary Panter. Here is someone who, by all rights, openly defies any professional standards to the comics profession. Panter’s work is messy: from the clumsy depiction of figures and composition down to the often hard to read hand-drawn lettering. A lot of people do not like a “clumsy” work. However, a lot of people who attempt such a style, don’t nearly come close to the spark and originality in Panter’s work. In “Frieze, No. 181,” Panter has his characters prattle about the current state of art. It’s funny, unique, and totally Panter. In comparison, the next work in this collection is by Dan Zettwoch. Now, here you have a cartoonist who has mastered all those aspects of traditional cartooning: crisp and dynamic depiction of figures and composition right down to intricate highly-polished/professional-grade use of hand-drawn lettering. In his case, if he tried to be too casual and expressive, his creations might become too hard to follow. So, there you have two examples of contemporary indie comics, among a myriad of possibilities.
If I were to point to only one item in this collection, I would be satisfied with the excerpt from “John Wilcock, New York Years, 1954-1971,” by Ethan Persoff and Scott Marshall. I believe this satisfies the desire of Kartalopoulos to highlight work that pushes boundaries; and it also satisfies a similar inclination in Katchor, to seek out offbeat and unusual work. I find this excerpt especially timely as it focuses on the origins of The Village Voice, which recently had to give up its print edition. In this piece, we follow the misadventures of writer John Wilcock, who actually succeeds by not only skill and talent but by a formidable force of will. He finds himself at the right time and place as one of the founders of the Voice, first published in October of 1955. Wilcock manages to hold his own with tough guy co-founder Norman Mailer. And, among the dazzling people he gets to interview is none other than Marilyn Monroe. This is a very lively work of comics. You can follow it as a webcomic right here.
There is definitely something to be said for being completely inclusive about the act of creating comics. We have already reached the point where you can just as easily consider taking a cooking class, or a yoga workshop, or a comics-making workshop. Hey, you can also include improv comedy in that self-improvement list. Do comedians feel that their profession is somehow diminished by having so many amateurs getting into (or attempting to get into) the same game? Nope. Same goes for a whole bunch of other people: writers, actors, and various other artists. Fortunately, you can’t learn some of the basics of becoming a doctor on a lazy Sunday afternoon. The point is that the standards for comics are there and some people will do comics for a certain time while others will be compelled to delve deeper. What a book like Best American Comics does is provide both the practitioner and the reader with a wonderful roadmap and source of inspiration–and, by the way, entertainment and enrichment.
“The Best American Comics 2017,” editor Ben Katchor; series editor, Bill Kartalopoulos, is a 400-page hardcover, available as of October 3rd, published by Houghton Mifflin Harcourt.
It is another night of bright lights in the big city when a tall dapper gentleman strides into Musso & Frank Grill, Hollywood’s legendary restaurant, frequented by stars of today and ghosts of yesteryear. This is Martin Olson: comedy writer, TV producer, bestselling author, playwright, stage director, composer and poet. Here I am, with a reservation at the Three Stooges booth, across from the Charlie Chaplin booth and the Marilyn Monroe booth. I wave Martin over to join me and Jennifer. We’re in town for a bit and honored at the chance to get together for this interview. Mr. Olson is a very busy, very talented, and very nice guy. If you see a publicity photo of him frowning (see above), that’s part of an act. He is really nice. I don’t know if I should be telling you this, but I’m putting it out there just so you know.
By the way, among the various credits that Mr. Olson can point to, he will forever enjoy a place in pop culture history as the voice of Hunson Abadeer (aka the Lord of Evil), ruler of the Nightosphere, and father of Marceline the Vampire Queen (Olson’s daughter, Olivia, is voice talent) on the legendary animated series, “Adventure Time” on Cartoon Network.
“Encyclopedia of Hell,” Olson’s popular and critically-acclaimed satirical book will continue in a new book in 2018. We chat about that. We discuss the Boston Comedy Scene which Olson helped form. And another fun item is a reunion of the original cast of the landmark animated series, “Rocko’s Modern Life.” Olson was part of the writing team behind a new one-hour TV special that will run in 2018.
When the subject of writing, or any form of creativity comes up, people usually seek some insights and tips. We tackle that sort of stuff here too. So, sit back and enjoy this podcast. Given the nature of our talk, more in tune with a conversation over a meal, it is split into two sections: one before dinner and the other after dinner. Oh, dinner was great, if you were wondering.
Click the two links below to go to Part One and Part Two:
Visit Martin Olson right here.
Cannabis humor is tricky. The subject comes with its own unique background that easily attracts goofy humor. It can also definitely have redeeming quality. I’m talking about overall quality and craft. In movies, think: Cheech & Chong. Seth Rogen and James Franco. In comics, think: Robert Crumb. Simon Hanselmann. If you are really cool and smart about it, you can succeed with goofy jokes about pot. WEED MAGIC, published by Bliss on Tap Publishing, is a new comic book series that gives it a try. Let’s take a closer look.
Here’s the deal: you are already preaching to the choir when you create a cannabis comic so you really don’t need to overstate your case. That is a big challenge to contend with. And, to be fair, you are also dealing with a variety of opinions and tastes. Some people think Kevin Smith is spot on with his cannabis humor and some think not so much. It does seem that people can get way too caught up in proving that they have cannabis cred and that they’re up for the most wildest of misadventures. In general, less is more. Some people think more is not enough. At first, I was leaning towards this being a problem for this comic. Attempts at going full-on Mary Jane can fall short and feel too generic and calculated. But, after careful consideration, I say this comic grows on me.
The narrative steadily takes form and the reader can expect to roll with the offbeat humor. This is light entertainment done right. This is written by Brian Phillipson and Jordan Lichtman with art by Alex Cormack. Brian Phillipson is the president and co-founder of Bliss on Tap Publishing. It is easy for readers to take for granted the hard work involved in creating something that falls in the light humor category. But this is a sharp and well-executed smooth read. The dynamic use of color by Cormack is in step with the pace and humor. We’re in good hands down to spot on lettering by Alex Murillo.
The story does a good job of playing off the typical superhero origin story. Set in Los Angeles, in Hollywood, we follow two friends as they discover their true destiny. Bunny Cortez dreams of making it big as a filmmaker. Moe Green is more down to earth as a law clerk on a fast track to becoming an attorney. But both of these guys are not happy, at least not as happy as they’d like to be. Until, one day, they stumble upon a big bag of magic weed. Hey, I could see this attracting the attention of Seth Rogen and James Franco or the next wave of talent that aspire to be Rogen and Franco. It could happen. Lastly, we’re just discussing the first issue here. From what I see, I am intrigued and look forward to the collected trade. All in all, a strong first issue. Seek this out.
WEED MAGIC is available as of October 4: digitally on all major distribution platforms, including Amazon, Apple iTunes, Hoopla, Comixology, Google, Scribd, Nook, and Drivethrucomics. And for fans attending New York Comic Con (October 5-8), Bliss on Tap will be featuring WEED MAGIC at booth 945 along with a special collectible.
Visit Bliss on Tap right here.