Review: THE BEST WE COULD DO by Thi Bui

THE BEST WE COULD DO by Thi Bui

THE BEST WE COULD DO, by Thi Bui and published by Abrams ComicArts, is one of those rare graphic novels with an in depth family theme. This sort of book belongs in the select group of titles like PERSEPOLIS and FUN HOME. In fact, you usually need to turn to the superhero genre, with all its universes and lineages, to find a story in comics that focuses on anything remotely to do with family. I say this tongue-in-cheek but it’s fairly true. Anyway, anytime you add family, you are likely adding something interesting to your story. What happens in Bui’s graphic novel is thoughtful, funny, and totally interesting. When was the last time you read an epic saga about a Vietnamese family? Well, this fills that void in a very compelling way.

Page excerpt from THE BEST WE COULD DO

Thi Bui studied art and law, thought about becoming a civil rights lawyer, but became a public school teacher instead. Someone with that kind of background is just the sort of cerebral and sensitive type of person who gravitates to creating comics. Bui was born in Vietnam and arrived in America with her family as a refugee from the Vietnam War. Her immigrant experience, without a doubt, is part of a continuum that will outlive our current political machinations. This is a story that goes beyond that and addresses the struggles that any family will confront as one generation must come to terms with another. It is also a story about finding one’s self both within and outside the context of family. As Bui discovers, close proximity to family does not necessary mean close ties to family.

Page excerpt from THE BEST WE COULD DO

Overall, Bui has adopted a solid alt-comics approach to her work. It has that intimacy and spontaneity that evokes work coming out of a sketchbook. While Bui is not a career cartoonist who has honed years of experimentation with comics, she provides an engaging and polished style. It will be interesting to see if she chooses to further develop her work in the comics medium. She has created a beautiful book.

Page excerpt from THE BEST WE COULD DO

“The Best We Could Do: An Illustrated Memoir” is a 336-page hardcover available as of March 7th. For more details, visit Abrams ComicArts right here. You can purchase through Amazon right here.

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Filed under Abrams, Abrams ComicArts, Comics, Family, Graphic Novel Reviews, graphic novels, Immigrants, Immigration, Vietnam, Vietnam War

Review: GRASS KINGS #1

GRASS KINGS #1

Robert is the king of the Grass Kingdom. And his older brother, Bruce, is the sheriff. All works out pretty well for this tucked away off-the-grid community. That is, until outsiders intrude. Then, things can get complicated. And so we set off on this rural mystery series, GRASS KINGS, written by New York Times bestselling writer Matt Kindt (Mind MGMT); illustrated by Tyler Jenkins (Peter Panzerfaust); published by BOOM! Studios.

GRASS KINGS page excerpt

The sheer beauty of the land is brought to life by the artwork of Tyler Jenkins. The folks hid away are not quite as pretty. And Jenkins has a way of brining out their cunning as well as sense of loss and desperation. Matt Kindt has crafted a story about people who desperately wish to be left alone. However, nothing is ever that simple. Early on, Kindt and Jenkins provide an overview of what the Grass Kingdom has been like for the last 800 years leading up to the present day. Idyllic, sure. But there’s always the human element and people will do what people do. Things that may not quite fit with such a bucolic setting.

GRASS KINGS page excerpt

This first issue takes a lyrical pace and then steadily unveils something sinister. The Grass Kingdom does not tolerate trespassers. In this first issue, we have an exchange between Bruce, the official gatekeeper, and Lo, a local kid who has wandered off from the neighboring Cargill territory onto Grass Kingdom territory. Bruce warns Lo that he would already be dead if his brother Robert had caught him. Bruce even tries to appeal to Lo and ends up giving him a quick tour. Lo is unmoved. But Lo can’t help it. He’s sort of undercover investigating a missing person case and a possible murder.

GRASS KINGS #1 is available as of March 8th. For more details, visit Boom! Studios right here.

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Filed under Boom! Studios, Comics, Comics Reviews, Matt Kindt, Tyler Jenkins

ECCC 2017 Review: TOUCHING EVIL VOL. 1: THE CURSE ESCAPES

Close-up on panel from TOUCHING EVIL

Dan Dougherty is an award-winning author and illustrator. He is known for his humor comic strip, BEARDO, as well as various genre comic books. TOUCHING EVIL is an ongoing supernatural thriller series. It has an otherworldly quality about it that will compel you to keep reading. Dougherty has recently collected the first seven issues into one volume. Here is a taste of what you can expect in the following review. I also got a chance to chat with Dan for a bit at Emerald City Comicon and we did a quick video interview that you can check out at the end.

Panel excerpt from TOUCHING EVIL

Getting back to TOUCHING EVIL, there is much to say. First off, Dougherty has an uncanny way, both with his writing and his drawing, of calibrating a moment. Let me set this up. Our main character, Ada, is a beautiful and vibrant woman in the prime of life. She has a promising career as an attorney. She has a teenage son. And then, one day, she is assigned a task that results in a tragic outcome of supernatural proportions. When this happens, it seems oddly inevitable.

Essentially, Ada has the power of life or death over anyone with dark intentions. She touches them. They die. Meanwhile, her son has taken to wearing these black leather gloves with skeleton fingers. All this leads up to a pivotal moment: in order to secure she doesn’t accidently kill her own troubled son, Ada manages to slip on her son’s gloves before she hugs him. This is one of those masterful Dougherty moments: a sorrowful mother, her skeletal hands resting on the back of her son.

Page excerpt from TOUCHING EVIL

This is some wild story, if I haven’t made that clear yet. It gets under your skin, burrows its way in. Think The Twilight Zone meets Breaking Bad. It’s a certain vibe that hooks you in. Dougherty revels in well-placed details that later on elaborately blow up. A key aspect to the curse that Ada inherits is that anyone who she ends up executing by touch is a new soul who inhabits her mind. The death count mounts, as you may expect, and it gets crowded in Ada’s head. There’s a play within a play going on. Or you can think of it as a horror version of “Being John Malkovich.” Parts horror, cerebral, and offbeat humor, this is a highly engaging graphic novel.

Page excerpt from TOUCHING EVIL

And I get back to how Dougherty draws. His style is clean and crisp. Dougherty can make you believe you’re in a scary penitentiary and you’re walking down to its scariest section, The Ghost Room. He will make you believe in ghosts, demons, and being trapped in hell. And, without a doubt, you’ll get wrapped up in Ada’s plight.

Page excerpt from TOUCHING EVIL

Dan Dougherty is one of those talents in comics who is doing everything right. Well, that’s certainly an understatement. Whatever Dougherty does, it is going to continue to work out well. Maybe he’ll just follow a Jeff Smith model and keep building up what’s he doing on his own. He is an exciting talent and I highly recommend that you seek out this very intriguing work.

TOUCHING EVIL by Dan Dougherty

TOUCHING EVIL VOL. 1: THE CURSE ESCAPES is a full color 240-page graphic novel written and illustrated by Dan Dougherty.
Colors: Kanila Tripp and Wesley Wong
Cover art: Tom Kelly, with interior covers by Stephen Bryant
Additional inks: Monica Ras

This limited edition 240-page hardcover collects issues 1-7, as well as a never-before-seen bonus story, pinup gallery with art from Ryan Browne, Andrew Dimitt, Tom Kelly, and Doug Klauba! Read “season one” of Touching Evil in its most beautiful presentation!

Visit Dan Dougherty right here.

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Filed under Beardo Comics, Comics, Dan Dougherty, Graphic Novel Reviews, graphic novels, Horror, Supernatural, Supernatural Horror

ECCC 2017 Panel Recap: Artists Who Write: The Craft and Creation of Comics

Dark Horse Comics panel on Artist/Writers

There is a special hybrid in the comics industry: the artist/writer. This is a combination of skills common enough in some circles (webcomics and indie graphic novels) but not so much in others (ongoing comic book series). That said, an artist/writer is also in a unique position for those projects where the roles of artist and writer are shared. Dark Horse Comics hosted an engaging and informative panel on this subject during Emerald City Comicon this last weekend that featured cartoonists Matt Kindt (Dept. H, Ether), Kristen Gudsnuk (Henchgirl, The Secret Loves of Geek Girls), and Adam Warren (Empowered). It was moderated by Patric Reynolds (Joe Golem).

ETHER by Matt Kindt and David Rubin

ETHER #5 by Matt Kindt and David Rubin. On Sale March 15.

Matt Kindt focused on ETHER, which he writes and David Rubin draws. Kindt is completely in love with all aspects of comics and continually finds ways to push the medium. But he is also quite appreciative when he teams up with an artist that is on a similar wavelength. “I can give David Rubin, say, a page with six panels and he can find a way to turn that into a 12-panel page.”

EMPOWERED by Adam Warren and Karla Diaz

EMPOWERED: Soldier of Love #2 by Adam Warren and Karla Diaz. On Sale March 22.

Adam Warren encouraged any aspiring cartoonists to not worry too much about a formal cartooning education. Warren said that, after he discovered manga, he was ultimately compelled to relearn comics after attending the Joe Kubert School that provided him with a traditional comics education.

HENCHGIRL by Kristen Gudsnuk.

HENCHGIRL TPB by Kristen Gudsnuk. On Sale March 29.

Kristen Gudsnuk stressed that she is self-taught. When she first developed her Henchgirl webcomic, she did not have to consider how to create the same comic for print. But, she did learn that she would not be able to continue drawing her comics on the subway. She redrew the first four issues of her print comic and went from there. A tip from Cliff Chiang really helped. He scans his pencils and prints them in nonphoto blue and uses that to ink on.

Whether the issues are technical or more general, a panel on the creation of comics has something for everyone. It definitely has the potential to inspire. And plenty to relate to. For instance, Matt Kindt admitted that he feels he is no longer qualified for any other job than being a cartoonist. He says he was never really good at being your typical office worker in a cubicle. But there was one bright spot. He worked out his schedule where he did his drawing from home and, while he was at “work” in the office, he would do his writing. For any aspiring cartoonist, finding a job that is so amenable to your dreams is nice work if you can get it.

For more details, visit Dark Horse Comics right here.

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Filed under Adam Warren, Comics, Dark Horse Comics, ECCC, Emerald City Comicon, Kristen Gudsnuk, Matt Kindt, Seattle

ECCC 2017 Interview: Daniel Warren Johnson and EXTREMITY

Daniel Warren Johnson at Emerald City Comicon 2017

Daniel Warren Johnson at Emerald City Comicon 2017

Daniel Warren Johnson is a freelance illustrator based in Chicago. Johnson’s webcomic, SPACE-MULLET, launched in 2012, got people’s attention. It is a quirky sci-fi tale following the adventures of such characters as Jonah, a stranded Space Marine from United Earth, and Alphius, a huge Zozobian who uses too much toilet paper. As Johnson told me, the whole experience of maintaining a webcomic turned out to be the perfect way to demonstrate to publishers how he navigates through a story. This process would lead him to the helm of his own comic book series, EXTREMITY, published by Skybound Entertainment, an imprint of Image Comics.

Daniel Warren Johnson's SPACE-MULLET

Daniel Warren Johnson’s SPACE-MULLET

The world of EXTREMITY, as Johnson states, is “visually stunning in keeping with the characters.” This is a barbaric and futuristic landscape. Think Mad Max. It is a world of extremes. Johnson’s writing process focuses on the characters first and builds out from there. At the forefront, is Thea, from the Roto Clan, who has been horribly wronged by the Paznina. What makes this story different from a typical revenge tale, Johnson told me, is that it is not just one person dealing with what happens next but an entire village.

ECCC variant for EXTREMITY #1

ECCC variant for EXTREMITY #1

Story is everything. Johnson’s method is to write out a script first, let that settle in, and then pursue the artwork. He says he could storyboard the whole thing out but it’s getting that script down that proves to be the most efficient.

Johnson has a very disarming personality. He has an immediate and direct way about him. As I sat in with him for a bit at Emerald City Comicon, he worked on some art while always engaging with visitors. “I invite folks to ask me anything,” he says. One thing that Johnson has become known for are his portraits where he renders his subject as a zombie. So, if you should meet up with Johnson, maybe you should ask him to draw you as a zombie.

Daniel Warren Johnson

Daniel Warren Johnson

Take a closer look at Johnson’s artwork and you’ll find that extra attention to detail. Johnson thanks an extensive art training background starting out when he was a kid and getting private lessons from a kind but determined Italian woman named, Rosetta. “I watch out for the details. If I’m going to draw a car, for instance, it is definitely going to look like a car.” But, for what finally got him where he is today, that he has to thank his wife for.

What Johnson foresees for himself, and hopes for the future of comics in general, is a focus on story, going deeper, beyond a “crafting of cool.” “You know, stories can come to and end too. The standard model is to keep characters going on forever. It can be refreshing to break that model, tell one character’s story from start to finish, and move on.”

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Filed under Comics, Daniel Warren Johnson, ECCC, Emerald City Comicon, Image Comics, Sci-Fi, science fiction, Seattle, Skybound Entertainment, Webcomics

ECCC 2017 Interview: Pénélope Bagieu and CALIFORNIA DREAMIN’

Illustrator and cartoonist Pénélope Bagieu is like any gifted artist: curious, industrious, and someone who welcomes a good obsession. I say that in the best sense of having an obsession since artists need them to spur on their work. Bagieu followed her muse to the music legend Cass Elliot. You can read my review of her graphic novel, “California Dreamin’: Cass Elliot Before The Mamas & the Papas,” published by First Second Books, right here. I had an opportunity to chat with Bagieu. We discuss her book, her thoughts on music, and what lies ahead.

We begin this video interview with my sharing with Pénélope my encountering the hit song and title of her book while I was having lunch. It seemed a bit uncanny to me. Pénélope did not exactly shrug off the observation but quickly acknowledged how ubiquitous that song is. And how powerful. It is every bit a work from the Sixties and yet totally co-exists in a timeless Neverland. Certain songs from that era aimed for such a vibe but precious few attained that quality. And so it was to be with Cass Elliot, one of the few to reach an ethereal and graceful immortality.

CALFORNIA DREAMIN' by Pénélope Bagieu

CALFORNIA DREAMIN’ by Pénélope Bagieu

Before we started rolling video, Pénélope was telling me about her visiting MoPOP here in Seattle. She said, if she could, she would live in that museum. That sort of sentiment won me over all the more. You can catch more of that thread in the interview when Pénélope responds to my asking her about the power of music.

What I would like to suggest to you is that, if you are going to Emerald City Comicon (and I’d love to hear from you about ECCC either on or off this blog) make sure to visit the First Second Books booth #1602 on the exhibit floor and get yourself an advance copy of “California Dreamin’: Cass Elliot Before The Mamas & the Papas.” For those of you not fortunate enough to visit, I highly recommend that you get a copy at your local comics shop, bookstore, or online.

exquisite-corpse-penelope-bagieu Pénélope Bagieu is an illustrator and cartoonist worthy of as big a reading audience as possible. CALIFORNIA DREAMIN’ is her second book to come out in an English language edition with First Second Books. Her first book was EXQUISITE CORPSE. Both of these titles, and others, originally were published in France by Gallimard. You can easily find EXQUISITE CORPSE online and I highly recommend that you do so. This is a 128-page full color hardcover. It is a sophisticated comedy about a young woman who becomes involved with an older man who happens to be a famous author. The question is whether she is in over her head or perhaps it is the other way around. There are a number of twists as the story builds. Bagieu has a keen sense of humor and wonderful timing. The main character of 22-year-old Zoe is full of life and quite memorable.

For more details on CALIFORNIA DREAMIN’, visit MacMillan Publishers right here.

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Filed under Bande Dessinée, Comics, ECCC, Emerald City Comicon, European Comics, First Second, France, French Comics, Humor, Penelope Bagieu, Seattle

ECCC 2017: Skybound Entertainment Overview with Editorial Director Sean Mackiewicz

Image Comics/Skybound Entertainment at Emerald City Comicon 2017

Image Comics/Skybound Entertainment at Emerald City Comicon 2017

Sean Mackiewicz is the Editorial Director of Skybound Entertaiment who oversees all comics titles, which include the upcoming EXTREMITY and REDNECK and Robert Kirkman titles THE WALKING DEAD, OUTCAST, and INVINCIBLE. I got a chance to chat with him for bit. He is the perfect person to provide a quick tour of Skybound Entertainment.

So, what is Skybound Entertainment? Well, most of you out there are familiar with THE WALKING DEAD, right? Robert Kirkman had a dream of bringing back, in a whole new way, the old black & white horror movies, especially zombie movies, he loved watching on Saturday morning television as a kid. His unique slant on zombies was thinking of a way to keep the story going, turning it into a ongoing saga. One thing led to another and THE WALKING DEAD, pardon the pun, came to life!

THE WALKING DEAD comic book series was created by writers Robert Kirkman and Harry Schofield and artist Tony Moore. In 2003, Image Comics began publishing it. By 2008, Kirkman was a partner with Image Comics. By 2010, Kirkman was heading up his own Image Comics imprint, Skybound Entertainment.

ECCC variant for EXTREMITY #1

ECCC variant for EXTREMITY #1

Skybound Entertainment is a place to showcase a wide spectrum of titles by Robert Kirkman as well as like-minded creators. It’s a unique place for creator-owned work to be shown to the world and to grow to its fullest potential. At Skybound, you have an assortment of comic book titles with character-driven, horror, and dark fantasy themes. Among the roster of Skybound titles: EXTREMITY (first issue out March 1at), by writer and artist Daniel Warren Johnson; and REDNECK, a horror comic written by Donny Cates and drawn by Lisandro Estherren, that will hit stores on April 19th.

To round out the picture a little more on Skybound Entertainment, I asked Mackiewicz if he could describe a typical day in his role as Editorial Director. He said that no day was typical but each day could see him overseeing comic book titles, developing new titles, and developing merchandise that uniquely fit a creator’s vision.

Regarding EXTREMITY, Mackiewicz expressed his deep admiration for the talent of creator Daniel Warren Johnson. “It’s not that often you find someone so good at both writing and drawing. Daniel is a unique talent,” said Mackiewicz. Daniel Warren Johnson proved to be one of those singular talents that started creating buzz with his online work as well as his drawing portraits of people as zombies.

Now that you have a better picture of what’s going on at Skybound, consider Robert Kirkman’s OUTCAST. This is one of the titles that seems to be on a similar path as THE WALKING DEAD with a successful comic resulting in a successful television show. This Southern Gothic may hook you if it hasn’t already. A loyal fan base awaits Season Two this April on Cinemax in the U.S. and on Fox in the U.K.

For more details, visit Skybound Entertainment right here. And, if you are going to Emerald City Comicon, there are a number of Image Comics panels to attend including a rare gathering of all the original Image Comics founders on Friday. This is at 1pm at Main Stage – WSCC 4A. Regarding Skybound in particular, on Saturday, starting at 12:30pm, there will be two panels taking place on Twitch’s ECCC Live stage. If you can’t attend ECCC, you will be able to view them on Twitch. For more details, visit Emerald City Comicon right here.

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Filed under Comics, ECCC, Emerald City Comicon, Horror, Image Comics, Robert Kirkman, Seattle, Skybound Entertainment, The Walking Dead

GIRL POWER Books to Help Planned Parenthood. Downtown Bookworks to Donate From Sales

Downtown Bookworks

Downtown Bookworks

For the next two weeks, Downtown Bookworks (a woman-owned and women-run business) will be donating a portion of the proceeds from sales of My First Book of Girl Power and The Big Book of Girl Power to Planned Parenthood.

Help spread the word. This is a great way to stand with Planned Parenthood, an organization that empowers women. The Downtown Bookworks campaign runs from March 1st thru March 15th.

My First Book of Girl Power

My First Book of Girl Power

The last page of The Big Book of Girl Power sums up how Downtown Bookworks feels and why it supports Planned Parenthood through its donation campaign:

“When women get together to do good things, nothing and nobody can stop them!

What are your your special powers?

How will you use them to make the world a better place?”

Downtown Bookworks would love to see you and your kids enjoying their books. Please connect with them by sharing your comments and pictures on Facebook, Twitter, and Instagram.

Visit Downtown Bookworks right here.

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Filed under Comics, Downtown Bookworks, Planned Parenthood, Superheroes, Women, Wonder Woman

Review: BRAVE CHEF BRIANNA #1 (of 4)

BRAVE CHEF BRIANNA #1

BRAVE CHEF BRIANNA #1

BRAVE CHEF BRIANNA is a four-part comic published by KaBOOM!, an imprint of BOOM! Studios. It is written by fantasy author Sam Sykes (Aeons’ Gate) and drawn by Selina Espiritu. It is a very strange comic that deftly defies logic. And kids will love it.

The whole thing is refreshingly odd. We begin with a family gathered in a boardroom. The patriarch, a celebrity restaurant magnate, lays out his plans for the future of his business. The father has been suffering from an illness and does not have long to live. His plan is to have all his heirs, his 15 sons and one daughter, compete in a winner-take-all restaurant contest.

BRAVE CHEF BRIANNA #1

BRAVE CHEF BRIANNA #1

The one daughter, as the title clues us in, is Brianna. The biggest challenge for Brianna, according to this story, is Brianna. Well, her insecurities. Okay, that could make sense. And then our story keeps getting weird. Everyone in the contest must find a city in which to launch their restaurant competing in the contest. There had not been any prior hint of the supernatural but now it turns out that the only place that Brianna can find on her budget is Monster City, which is populated by real monsters. But, as I say, kids will eat this up.

BRAVE CHEF BRIANNA #1

BRAVE CHEF BRIANNA #1

But even a kid might scratch his head just a little as our plot unfolds. No need to scratch too hard but just a little. Turns out that, once Brianna arrives in Monster City, Suzan, a surly monster, wants to work for Brianna. She has no particular interest in the restaurant business, or in human food, but she forces her way into a job. She’s a monster and she does not eat human food. Nor do any of the other monsters in town. But Brianna is such a good cook that maybe she can lure monsters to her restaurant. Silly, yes. But, I got to say, it is refreshingly odd. The artwork by Selina Espiritu is joyful and delightful. The colors by Sarah Stern give everything that extra pop.

BRAVE CHEF BRIANNA #1 is published by KaBOOM!, an imprint of BOOM! Studios and is available as of March 1, 2017.

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Filed under Boom! Studios, Comics, Comics Reviews

Review: ‘California Dreamin’: Cass Elliot Before The Mamas & the Papas’ by Pénélope Bagieu

CALFORNIA DREAMIN' by Pénélope Bagieu

CALFORNIA DREAMIN’ by Pénélope Bagieu

NOTE: If you are heading out to Emerald City Comicon (March 2-5), be sure to stop by the First Second Books booth #1602 on the exhibit floor. There you can meet such fabulous talent as Pénélope Bagieu, the author of the book I am reviewing here:

What a truly delightful book I have to share with you: “California Dreamin’: Cass Elliot Before The Mamas & the Papas,” written and drawn by Pénélope Bagieu, published by First Second Books. This is quite a smooth read. It sort of feels like a film shot in one continuous take. The story seamlessly moves along at a quick and steady pace. I could not put down reading this unique life journey and read the 272-page graphic novel in one sitting. Cartoonist Pénélope Bagieu has channelled the one-of-a-kind Cass Elliot!

Page excerpt from CALIFORNIA DREAMIN’

Page excerpt from CALIFORNIA DREAMIN’

Part of what makes this book a page-turner is the highly engaging art. Bagieu has fun with brining Cass Elliot to life, from an insecure but highly precocious little girl to a defiant young woman and, finally, to a confident artist. It all began with a quirky family that adored music. Before there was a Mama Cass, and the legendary band of the Sixties, The Mamas & the Papas, there was little Ellen Cohen being tucked into bed while her dad recited the story of the eccentric singer, Florence Foster Jenkins.

Page excerpt from CALIFORNIA DREAMIN'

Page excerpt from CALIFORNIA DREAMIN’

There is clearly a passion here for the subject that makes the narrative dance on the page. By the time we reach the point where Cass and her bandmates are crafting their first breakout hit, not yet even aware of the band they were destined to be, we feel that we really know everyone involved.

Page excerpt from CALIFORNIA DREAMIN'

Page excerpt from CALIFORNIA DREAMIN’

I’ve often said that the right biography can make the best subject, and is most suitable, for a graphic novel. There is a wonderful opportunity to speak to everything under the sun, guided by a specific purpose, and allowing for at least a hint, maybe more, about the author. This is a book that will appeal to many a music lover and student of the counterculture. It is essentially an all-ages book but just keep in mind there are some discrete drug references more suitable for older readers. This is rock ‘n’ roll, after all. That said, it is highly recommended and will prove an engaging read on many levels: coming-of-age, rock history, and just a plain fun read.

When we think back to the Sixties, we inevitably associate the powerful music that grew from that tumultuous era. Folk music, springing forth from the 1950s and the Beat Generation, would give way to the Sixties and bolder and more audacious pop and rock. It was Cass Elliot, with her sublime singing, and overall exceptional musical talent, who would ride this new wave of music with a style all her own. Pénélope Bagieu’s graphic novel gives us a compelling look at the rise of this singular talent.

“California Dreamin’: Cass Elliot Before The Mamas & the Papas” is a 272-page hardcover, black & white with gray tone graphic novel, available as of March 7, 2017. For more details, and how to purchase, visit MacMillan Publishers right here.

Emerald City Comicon celebrating its 15th year!

Emerald City Comicon celebrating its 15th year!

And, if you are heading out to Emerald City Comicon (March 2-5), be sure to stop by at the First Second Books booth #1602 on the exhibit floor. This will be the place to meet authors, attend free signings and find giveaways of books, advance reader copies, and exclusive print posters.

Some of the authors First Second will be hosting include:

Gene Luen Yang (Reading Without Walls Program)
Penelope Bagieu (California Dreamin’)
Scott Westerfeld (Uglies, Leviathan, Spill Zone)
Nidhi Chanani (Pashmina)
Falynn Koch (Science Comics)
Mike Lawrence (Star Scouts)
Jessixa Bagley (Before I Leave, Boats for Papa, and Laundry Day)

First Second will also be hosting a number of panels, including one offsite at the Seattle Public Library:

Off-site event @ Seattle Public Library on (3/3) featuring Gene Yang, Scott Westerfeld, Box Brown, Penelope Bagieu, and Matt Loux, 7:00–8:30 pm, Microsoft Auditorium

Departing Neverland: In-Conversation with Five Fantastic YA Creators (3/3) featuring Scott Westerfeld, Nidhi Chanani, Natalie Riess, and Ashley Poston, 2:45-3:45 pm, WSCC 603

From the Screen to the Page… and Beyond (3/4) featuring Box Brown, Holly Conrad, Matt Loux, and Ben Blacker, 2:45-3:45 pm, WSCC 603

Mirrors & Windows: Reflecting Diversity (3/5) featuring Nidhi Chanani, Gene Luen Yang, Mike Lawrence, Ngozi Ukazu, and Jessixa Bagley, 12:00-1:00 pm, WSCC 603

Drawn That Way (3/5) featuring Penelope Bagieu, MK Reed, Nidhi Chanani, G. Willow Wilson, and Thi Bui, 3:45-4:45 pm, WSCC 603

If you’re into books and graphic novels, then First Second has something for you!

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Filed under 1960s, Comics, Counterculture, Emerald City Comicon, First Second, Graphic Novel Reviews, graphic novels, Seattle, The Sixties