Tag Archives: Interviews
Noah Van Sciver is one of our great cartoonists. He’s been at his drawing table for as long as he can remember–and that has resulted in some very impressive work. It takes a lot to gain any traction in the world of comics and illustration. Van Sciver is one of the brave and persistent souls.
It is my pleasure to share this interview with Noah Van Sciver. We chat about his two new books, Joseph Smith and the Mormons (see Comics Grinder review here) and As a Cartoonist (see Comics Grinder review here). I think some applause and cheers are in order every chance we can get. Along the way, we end up talking about a great deal of Van Sciver’s career as a cartoonist. A lot of dots get connected. So, I hope you’ll tune in and feel free to leave a comment or like over at ye ole YouTubes.
There are details in Brandon Lehmann‘s comics that will come back and reveal themselves upon another reading. Look closely and you’ll see, tucked away amid the backdrop of a mega-bookstore, copies of Brandon Lehmann’s new book, the recently released, G-G-G Ghost Stories, in the panels to his story, “The Werewolf Expert.” Another reading will reveal a copy of Henry Miller’s Tropic of Capicorn, in the hand of a child, a secondary player in this finely-crafted farce. The key idea here is the subject of creating such a thing as a “finely-crafted farce,” and why quality will win out in the end. Lehmann’s sense of humor is an absurdist and existential sensibility. Lehmann has been making comics for about fifteen years featuring observational and satirical work. In this new book, he focuses in on playful use of horror tropes. For this interview, we met at Seattle’s Smith Tower, a favorite haunt of erudite cartoonists and, of course, ghosts. We begin this conversation just as I sit down to join Brandon. I notice pot stickers have already been ordered. (We staged a bit of a humorous intro. You’ll see what I mean if you view the video.)
Hey, Brandon, well, I see you’ve started without me, as usual. Nice to run into you this way.
I just hang out up here in Smith Tower and read my own comics.
So, what have we here (picking up a copy of Brandon’s book). Is the proper pronunciation just as it reads, G-G-G Ghost Stories?
When I named it, I was hoping for some awkward interactions at the sales counter. “I’ll take, G-G-G Ghost Stories, please.”
That would be a Scooby-Doo influence, right?
Interesting that we’d find ourselves in Smith Tower since, as everyone knows, this place is haunted.
Yeah, we saw a couple of ghosts on the way in. I was like, “Ahhh, it’s a g-g-g ghost.”
I think of a lot of your work, like the “The Lfyt,” as being mini-masterpieces. Do you sometimes think in those terms, “I’m going to create something that’s so spot on that everything works perfectly.” Does that make sense to say that?
Yeah, I always feel that when you’re working on a book, especially, you can get into this mode where everything you do just works. And then, when you finish a book, I have this period where I just struggle and I can’t seem to draw anything. But when I’m making a book, I can set a schedule, everything works on the first try for some reason. If that makes sense.
It does make sense. I’m a certified cartoonist myself, as you know. Now, tell us about “The Werewolf Expert,” the longest work in the book.
There’s a trope in horror movies and TV shows where someone needs to seek an expert on the occult and it’s always someone who it doesn’t make sense would be an expert. Like, you’ll have this guy who works at the bowling alley as a mechanic and, for some reason, he’s a vampire expert. In “The Werewolf Expert,” someone consults a Barnes & Noble bookstore employee, and it’s the employee’s first day. And they shouldn’t know anything about werewolf lore but part of the B&N orientation training is that they teach all about werewolf lore. That employee knows a lot but eventually he consults his supervisor and she knows even more about werewolves to a ridiculous degree. So, it just keeps building on that premise.
How would you describe your humor?
It’s absurdist and existentialist. There’s a lot of gags in the book that you can repeat with a similar premise. For the story we’re discussing, there’s a gag that I use a lot. The story is progressing from one point to another and then I’ll throw a wrench into it. And it will spin off in an insane degree. For instance, the bookstore customer seeking advice has a daughter named, Shawnda. He begins yelling at her, she’s off camera. Later, we see her and there’s more of this yelling. That sort of silly exchange is something I like to do in my work.
There’s a beauty to your work. The humor is consistent. The art is consistent. You must go through a slew of experimentation before you hit upon what works, what’s on point.
The whole concept of the book is classic ghost stories. So, that’s the anchor. We’re dealing here with stories everyone is familiar with in one form or another. The story, “The Lfyt,” we were just talking about, is based upon a popular ghost story about picking up a hitchhiker who turns out to be a ghost. Another good example is “The Viper,” another popular children’s ghost story. The tension builds as he keeps calling and announcing when he’ll arrive. In my story, it turns out that “The Viper” is a guy with a thick German accent, who is just an innocent window wiper.
I didn’t know about that children’s ghost story. The actual one, not your satire!
Yeah, it’s real. There’s also one entitled, “Okiku,” based on a popular Japanese ghost story about a woman who was murdered because she refused to become a samurai’s mistress. She had been thrown down a well and, each night, she appears to seek her revenge. That was actually the basis for the Ringu movies. There’s the books. It was also on stage, as kabuki theater. So, yeah, I gather up all these ghost stories and given them my own spin.
Well, I’m sure this will intrigue readers. Thanks so much for sharing this with us. Where is a good place to find your work?
One good place is my own site for Bad Publisher Books. You can also find me on my Instagram: @brandon.lehmann. And you can find it at various bookstores. In Seattle, there’s Fantagraphics Bookstore, Elliot Bay Bookstore and Push/Pull. Lots of places on the net, like Birdcage Bottom Books.
Thank you, Henry!
Greg Cipes snagged the role of Beast Boy on the Teen Titans franchise on Cartoon Network on his first-ever audition. That was twenty years ago. It’s one of the highlights to a wonderful career which also includes playing Michelangelo on Teenage Mutant Ninja Turtles. It could not have happened to a nicer guy. Cipes is a mellow and spiritual person with a deep respect for animals. He also happens to know a lot about blockchain technology. This led to him becoming a founder of Bright Moments DAO, an arts organization focusing on NFTs. And that has led to him founding NFTV, a new form of entertainment showcasing the work of NFT creators.
Imagine a mellow day on Venice Beach. That’s where you’ll find Greg Cipes taking it easy with his dog, Wingman G. Greg is just the right person to be leading a venture that taps into the people power spirit of blockchain technology. His connection to the public and entertainment has led him on this journey. As someone with a keen interest in pop culture, spiritual matters, and the next big thing, I couldn’t help but be interested in the opportunity to chat with Greg. My impression is that he’s very sincere about his efforts to create a space where people can go to get educated about NFTs, build a community and support NFT creators.
Greg is in a very good place to be part of the early adapter phase to Web3. He is a co-founder of Bright Moments DAO, an NFT arts organization. And now he is leading the way with NFTV. His advice is to learn all you can before buying anything. Greg believes that NFTV can be an oasis during this time of change when most people, of all ages, are still very new to anything having to do with Web3 innovations.
In the not so distant future, NFTs will become more and more common and the path to becoming involved will be smoother. Of course, there is plenty of buzz on the net about the metaverse, avatars, tokens, and the blockchain. If you’re patient and willing to take the time to focus on the details, in no time, you too could have a digital wallet and participate in the brave new world of disruption and decentralized autonomous organizations. The biggest stumbling block of all is lack of money. You need money to make money. Greg says his main reason for starting NFTV is to help level the playing field and make the price of admission affordable to all. He stresses the need for NFT education and community. And he says that NFTs featured on NFTV will be within reach for everyone at an average starting price equivalent to a hundred dollars.
Much like NFTs are new, Greg Cipes is riding a new wave with NFTV. I can see that progress is steady and the network will continue to grow and develop. It will be very interesting to see where it’s at in the coming years. The NFTV segment below is just a taste. Keep in mind that this is all blowing up and expanding before our eyes. These are early field notes from the pop culture frontlines.
Greg Cipes is very much a guy on a mission. Before we ended our talk, he wanted to bring out one last very important fact and it demonstrated where his head is at. Greg wants to share with you a special NFT connected to Dog Blessed, a charitable group that helps connect people with dogs. The idea is to provide the means to connect people with dogs and that includes paying for dog adoption, dog food, and paying the “Dogblessed” certified and trained human to take care of the dog. This is a project that is under development and will be featured on NFTV. You can keep up with the progress of NFTV here, here and here.
Go to OpenSea to find the DogBlessed NFTs!
Helping those in need that love dogs! The first series of “Dogblessed” pays for dog adoption fees, dog food and pays the “Dogblessed” certified and trained human to take care of the dog. A Greg Cipes social impact project around meaningful intellectual property and an extraordinary community of Dog lovers.
Graphic recording is just like any other skill, you can do it at your own pace to meet your own needs. You’ll discover that, if you can take notes of any kind and even if you think you can’t, sketchnoting is useful at work and to help you problem-solve just about anything.
I hope you enjoy this video podcast. And, if you get chance, I’d really appreciate a like and even a comment on my YouTube channel. It’s totally free and it helps to keep this whole enterprise moving along. I will continue to provide more of this kind of content, as I juggle various other projects and assignments in the background. I reached a point some time ago where I can only post the content that engages me the most. As always, your support means a lot and is actually part of this whole process, whether you know it or not. It’s so true. Eventually, everything connects!
Susan MacLeod has developed a crisp and smart cartooning style that puts her shoulder to shoulder with today’s cartoonists. In this interview, we chat about MacLeod’s new graphic memoir, Dying for Attention, a focus on the nursing home care industry. MacLeod also talks about the creative process: growing as an artist, cartoonist and graphic recorder.
MacLeod got an in-depth look at the Canadian nursing home care system through the years that she oversaw the care of her mother and she could see it was wrong. Her conclusion, borne out by research, is that for-profit nursing home care is too invested in the bottom line to ever provide adequate care. It’s the value of human life versus capitalism. An ideal resolution is not likely anytime soon. But being aware of the realities is a first step.
MacLeod is someone with a drive to do good. She finds it highly rewarding when she does a graphic recording session with residents at a nursing home. She always leaves enough room for everyone to have a chance to come up on stage, grab a marker, and add their own contributions to the mural-in-progress. It’s during this process of putting words and pictures together that people try to solve problems and make connections. MacLeod knows this better than many folks. She’s modest but quite insightful too. She knows that what she does matters. And maybe she prefers to let her book speak for itself. In that case, she’s got the best calling card any cartoonist could hope for.
Ballad for Sophie is one of most accomplished works in comics of the year. You can read my review here. The following is an interview I had with the writer, Filipe Melo, and the artist, Juan Cavia via email. Many thanks to both men. I hope to meet each of you in person in the future! You can pick up your copy at Top Shelf Productions. We begin with Filipe Melo.
Matt MacFarland is a talented artist who makes some very intriguing comics. In this conversation, we discuss Matt’s latest work, a book focusing on his father, More Seasons of Gary, published by Zines and Things. You can read my review of it here. And we also discuss his series, Dark Pants, and get a sneak peek at the next, and perhaps final, issue to that series.
There is quite a lot going on in Matt’s work with its explorations of relationships and social commentary. More Seasons of Gary is a great jumping off point if you’re new to Matt’s work. It is a little master course in how to tell family stories. With a light and balanced approach, MacFarland addresses the issue of alcohol addiction that his father struggled with. Bittersweet remembrances provide a complex and fair portrait.
Scenes from a Marriage is another of Matt’s projects and this one is just as offbeat and subversive as the best of MacFarland’s humor although it might look more like a conventional family comic strip at first glance. There’s definitely an elegant air of mischief. You can find some samples of it on Matt’s Instagram.
Dark Pants is where it all began. You can read one of my reviews covering the first two issues here. This is a series of cautionary tales about a supernatural pair of skinny black jeans that take over whoever ends up wearing the pair. Whoever wears the jeans is empowered to seek out their darkest desires. It is an excellent example of the artist-cartoonist aspiring to the highest levels of his craft. I look forward to more of this kind of this quirky and engaging work.
This is a really fun interview and I’m so glad I got a chance to catch up with Matt, a dedicated artist without a doubt. We even discuss the legacy of R. Crumb! Be sure to visit Matt here. And seek out More Seasons of Gary, published by Zines and Things.
EDITOR’S NOTE: The New York Post headline says it all, Sex Abuse Rituals at NJ Boarding School Exposed — in Cartoons by Survivor. The newspaper does an admirable job of describing the nuances of graphic novels and Glenn Head’s new book, Chartwell Manor. And The New York Post has no qualms about laying it out as it is: “Don’t let that whimsical cover art throw you: Head’s unflinching book recounts his two years at the now-defunct Mendham, NJ, boarding school run by headmaster “Sir” Terence Michael Lynch — a serial sexual abuser who manipulated young boys into “cuddling sessions” after fondling and beating their nude bodies.” The New York Post also provides an outstanding public service by underscoring the fact that survivors of Chartwell Manor still have time to file a suit against the Chartwell administration of aiding and abetting Lynch, and others, in the abuse of children. Time is running out for Chartwell Manor victims to join those who’ve already filed claims against surviving Chartwell administrators accused of letting Lynch — and other accused faculty — cultivate a culture of abuse. The deadline to file is November 30, 2021. Contact Jeff Anderson & Advocates law firm today.
I’ve been writing about comics and creating comics for many years now–and loving it. In the very near future, I hope to have some news about a book of my own. For now, I want to keep my nose to the grindstone and this is one very special reason to do so. This is an interview with master cartoonist Glenn Head. For those of you familiar with comix, especially those chock full of underground comix DNA as I just talked about in my last post, then this will be a welcome treat. Maybe you’ve gotten a chance to check out Head’s new book, Chartwell Manor, about the abuse that Head experienced at the boarding school, but just as important, the aftermath. Well, this interview helps to put things into further context from the standpoint of Glenn’s previous graphic novel, Chicago, as well as his career as a whole.