Tag Archives: Interviews

Interview: Greg Cipes and NFTV – the Blockchain and People Power

Greg Cipes, a winning smile and good heart.

Greg Cipes snagged the role of Beast Boy on the Teen Titans franchise on Cartoon Network on his first-ever audition. That was twenty years ago. It’s one of the highlights to a wonderful career which also includes playing Michelangelo on Teenage Mutant Ninja Turtles. It could not have happened to a nicer guy. Cipes is a mellow and spiritual person with a deep respect for animals. He also happens to know a lot about blockchain technology. This led to him becoming a founder of Bright Moments DAO, an arts organization focusing on NFTs. And that has led to him founding NFTV, a new form of entertainment showcasing the work of NFT creators.

NFTV, boldly heading to Web3!

Imagine a mellow day on Venice Beach. That’s where you’ll find Greg Cipes taking it easy with his dog, Wingman G. Greg is just the right person to be leading a venture that taps into the people power spirit of blockchain technology. His connection to the public and entertainment has led him on this journey. As someone with a keen interest in pop culture, spiritual matters, and the next big thing, I couldn’t help but be interested in the opportunity to chat with Greg. My impression is that he’s very sincere about his efforts to create a space where people can go to get educated about NFTs, build a community and support NFT creators.

NFT art on NFTV!

Greg is in a very good place to be part of the early adapter phase to Web3. He is a co-founder of Bright Moments DAO, an NFT arts organization. And now he is leading the way with NFTV. His advice is to learn all you can before buying anything. Greg believes that NFTV can be an oasis during this time of change when most people, of all ages, are still very new to anything having to do with Web3 innovations.

In the not so distant future, NFTs will become more and more common and the path to becoming involved will be smoother. Of course, there is plenty of buzz on the net about the metaverse, avatars, tokens, and the blockchain. If you’re patient and willing to take the time to focus on the details, in no time, you too could have a digital wallet and participate in the brave new world of disruption and decentralized autonomous organizations. The biggest stumbling block of all is lack of money. You need money to make money. Greg says his main reason for starting NFTV is to help level the playing field and make the price of admission affordable to all. He stresses the need for NFT education and community. And he says that NFTs featured on NFTV will be within reach for everyone at an average starting price equivalent to a hundred dollars.

Much like NFTs are new, Greg Cipes is riding a new wave with NFTV. I can see that progress is steady and the network will continue to grow and develop. It will be very interesting to see where it’s at in the coming years. The NFTV segment below is just a taste. Keep in mind that this is all blowing up and expanding before our eyes. These are early field notes from the pop culture frontlines.

Greg Cipes is very much a guy on a mission. Before we ended our talk, he wanted to bring out one last very important fact and it demonstrated where his head is at. Greg wants to share with you a special NFT connected to Dog Blessed, a charitable group that helps connect people with dogs. The idea is to provide the means to connect people with dogs and that includes paying for dog adoption, dog food, and paying the “Dogblessed” certified and trained human to take care of the dog. This is a project that is under development and will be featured on NFTV. You can keep up with the progress of NFTV here, here and here.

Dogblessed #50

Go to OpenSea to find the DogBlessed NFTs!

Helping those in need that love dogs! The first series of “Dogblessed” pays for dog adoption fees, dog food and pays the “Dogblessed” certified and trained human to take care of the dog. A Greg Cipes social impact project around meaningful intellectual property and an extraordinary community of Dog lovers.

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Sarah Firth interview – Eventually Everything Connects

EVENTUALLY EVERYTHING CONNECTS by Sarah Firth

Sarah Firth is one of my favorite creatives. She is a Melbourne based artist who studied visual arts at the Australian National University. In the last decade or so she has earned numerous awards, commissions, residencies and a fellowship. Firth is a creative entrepreneur running a creative services and consultation business offering graphic recording, illustration, animation, film and creative workshops. Her first graphic novel, Eventually Everything Connects, has a publisher, JOAN (Nakkiah Lui with Allen & Unwin), and will launch within a year. More details on that as we get closer to that date. In her new book, Firth explores, as she states, “personal narratives woven together with philosophy, psychology, theory, and criticism. It’s a humorous and idiosyncratic exploration of multiplicity, fragmentation and intertextual play that fits into the autotheory genre.” In this interview, Firth shares a little bit about that upcoming book, the world of graphic recording, and thoughts on the whole creative process, particularly the creation of comics. For one thing, we discuss the amazing Comic Art Workshop residency program. We also discuss the awesome Graphic Storytellers at Work research project. Firth says, “It’s really worth downloading and reading their report. If you want a printed poster contact Gabriel Clarke.”

Sarah Firth, the artist, the person.

So, now I’ve set up for you a little bit about who Sarah Firth is but let me go further in sharing with you about this remarkable talent. I find Firth to be a vibrant artist, unafraid to be silly and to experiment with various media. She mentions in our interview that she began as a sculptor and I’m not surprised. If you take a look at her videos, you get a strong tactile vibe. Firth uses her hands a lot: to mold shapes, to present, to sew, to draw, to perform. And I’m not surprised that such a lively and curious artist gravitated to graphic recording. That is a special discipline that, on the face of it, is essentially documenting some meeting, whether a conference or a workshop, and distilling the essentials from it in concise words and picture. Of course, it’s more than that–as if that wasn’t enough!
Graphic recording can be a vehicle for deep exploration. You can’t just be an artist to do it professionally. And you really can’t just be a writer either. You need both skill sets along with a strong analytical mind, and even sheer guts, to do this at an exceptional level! That said, anyone can do some form of sketchnoting and Firth offers up a free mini-course to help you discover the world of graphic recording.

Graphic recording is just like any other skill, you can do it at your own pace to meet your own needs. You’ll discover that, if you can take notes of any kind and even if you think you can’t, sketchnoting is useful at work and to help you problem-solve just about anything.

Sarah Firth books.

You get good at graphic recording over time as you develop your own style, your own way of problem-solving. I’ve reached a certain level with my own graphic recording and I know I’ll keep getting better at it. Everyone keeps getting better as long as they’re curious.

THINK ON THE PAGE by Sarah Firth

Finally, I’m not surprised that, after years of doing graphic recording, of getting down into the weeds of processing raw information, that Firth has found her way to creating a graphic novel, one that, in a sense, attempts to make sense of it all. Autotheory, as I understand, is using the self in order to understand the world. That’s a lot of what graphic novels are about and I know Sarah Firth is a natural at synthesizing data and explaining the world around her in whatever medium she chooses to use.

I hope you enjoy this video podcast. And, if you get chance, I’d really appreciate a like and even a comment on my YouTube channel. It’s totally free and it helps to keep this whole enterprise moving along. I will continue to provide more of this kind of content, as I juggle various other projects and assignments in the background. I reached a point some time ago where I can only post the content that engages me the most. As always, your support means a lot and is actually part of this whole process, whether you know it or not. It’s so true. Eventually, everything connects!

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Interview: Susan MacLeod and ‘Dying for Attention’

Susan MacLeod has developed a crisp and smart cartooning style that puts her shoulder to shoulder with today’s cartoonists. In this interview, we chat about MacLeod’s new graphic memoir, Dying for Attention, a focus on the nursing home care industry. MacLeod also talks about the creative process: growing as an artist, cartoonist and graphic recorder.

MacLeod got an in-depth look at the Canadian nursing home care system through the years that she oversaw the care of her mother and she could see it was wrong. Her conclusion, borne out by research, is that for-profit nursing home care is too invested in the bottom line to ever provide adequate care. It’s the value of human life versus capitalism. An ideal resolution is not likely anytime soon. But being aware of the realities is a first step.

MacLeod is someone with a drive to do good. She finds it highly rewarding when she does a graphic recording session with residents at a nursing home. She always leaves enough room for everyone to have a chance to come up on stage, grab a marker, and add their own contributions to the mural-in-progress. It’s during this process of putting words and pictures together that people try to solve problems and make connections. MacLeod knows this better than many folks. She’s modest but quite insightful too. She knows that what she does matters. And maybe she prefers to let her book speak for itself. In that case, she’s got the best calling card any cartoonist could hope for.

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Interview: Filipe Melo and Juan Cavia and BALLAD FOR SOPHIE

Ballad for Sophie

Ballad for Sophie is one of most accomplished works in comics of the year. You can read my review here. The following is an interview I had with the writer, Filipe Melo,  and the artist, Juan Cavia via email. Many thanks to both men. I hope to meet each of you in person in the future! You can pick up your copy at Top Shelf Productions. We begin with Filipe Melo.

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Interview: Artist Matt MacFarland and ‘More Seasons of Gary’

A Comics Chat with Matt MacFarland

Matt MacFarland is a talented artist who makes some very intriguing comics. In this conversation, we discuss Matt’s latest work, a book focusing on his father, More Seasons of Gary, published by Zines and Things. You can read my review of it here. And we also discuss his series, Dark Pants, and get a sneak peek at the next, and perhaps final, issue to that series.

MORE SEASONS OF GARY

There is quite a lot going on in Matt’s work with its explorations of relationships and social commentary. More Seasons of Gary is a great jumping off point if you’re new to Matt’s work. It is a little master course in how to tell family stories. With a light and balanced approach, MacFarland addresses the issue of alcohol addiction that his father struggled with. Bittersweet remembrances provide a complex and fair portrait.

SCENES FROM A MARRIAGE

Scenes from a Marriage is another of Matt’s projects and this one is just as offbeat and subversive as the best of MacFarland’s humor although it might look more like a conventional family comic strip at first glance. There’s definitely an elegant air of mischief. You can find some samples of it on Matt’s Instagram.

DARK PANTS

Dark Pants is where it all began. You can read one of my reviews covering the first two issues here. This is a series of cautionary tales about a supernatural pair of skinny black jeans that take over whoever ends up wearing the pair. Whoever wears the jeans is empowered to seek out their darkest desires. It is an excellent example of the artist-cartoonist aspiring to the highest levels of his craft. I look forward to more of this kind of this quirky and engaging work.

This is a really fun interview and I’m so glad I got a chance to catch up with Matt, a dedicated artist without a doubt. We even discuss the legacy of R. Crumb! Be sure to visit Matt here. And seek out More Seasons of Gary, published by Zines and Things.

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Glenn Head on Chartwell Manor and Being a Voice for Survivors of Sexual Abuse

Chartwell Manor by Glenn Head

EDITOR’S NOTE: The New York Post headline says it all, Sex Abuse Rituals at NJ Boarding School Exposed — in Cartoons by Survivor. The newspaper does an admirable job of describing the nuances of graphic novels and Glenn Head’s new book, Chartwell Manor. And The New York Post has no qualms about laying it out as it is: “Don’t let that whimsical cover art throw you: Head’s unflinching book recounts his two years at the now-defunct Mendham, NJ, boarding school run by headmaster “Sir” Terence Michael Lynch — a serial sexual abuser who manipulated young boys into “cuddling sessions” after fondling and beating their nude bodies.” The New York Post also provides an outstanding public service by underscoring the fact that survivors of Chartwell Manor still have time to file a suit against the Chartwell administration of aiding and abetting Lynch, and others, in the abuse of children. Time is running out for Chartwell Manor victims to join those who’ve already filed claims against surviving Chartwell administrators accused of letting Lynch — and other accused faculty — cultivate a culture of abuse. The deadline to file is November 30, 2021. Contact Jeff Anderson & Advocates law firm today.

I’ve been writing about comics and creating comics for many years now–and loving it. In the very near future, I hope to have some news about a book of my own. For now, I want to keep my nose to the grindstone and this is one very special reason to do so. This is an interview with master cartoonist Glenn Head. For those of you familiar with comix, especially those chock full of underground comix DNA as I just talked about in my last post, then this will be a welcome treat. Maybe you’ve gotten a chance to check out Head’s new book, Chartwell Manor, about the abuse that Head experienced at the boarding school, but just as important, the aftermath. Well, this interview helps to put things into further context from the standpoint of Glenn’s previous graphic novel, Chicago, as well as his career as a whole.

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Interview: Charles Johnson on Creativity, Prose and Chicago Comics

Dr. Charles Johnson, UW professor emeritus of English, is a distinguished novelist, as well as a professional cartoonist. It is a pleasure to get to chat with him and consider a thing or two about the somewhat  enigmatic comics medium and the creative process in general. In our conversation, we talk about the interconnections between comics, journalism, and creative writing. It is a subject I keep coming back to as it speaks to who I am, someone compelled to create with words and pictures. What is it that compels others to pursue both the comics medium and prose writing? It has to do with a desire to express one’s self. It is inextricably linked to journalism, an in depth reporting of one’s observations. And where does this all lead? It all depends upon the person, their temperament, and a number of other factors of luck and opportunity. In other words, it’s a fascinating topic for a good talk.

IT’S LIFE AS I SEE IT, cover designed by Kerry James Marshall

We spent a good amount of the interview discussing humor. We go over some samples from Johnson’s 1970 cartoon collection, Black Humor. This is a set of nearly 90 single panel gag cartoons. They are the kind you still find in a few magazines today, notably The New Yorker. But, back then, The New Yorker was not seeking to publish Black cartoonists. It was on one rainy night, after listening to a fiery talk given by Black activist poet Amiri Baraka, that Johnson set out on a mission to draw a whole book’s worth of gag panels, about and for the Black community. Johnson conjured up one joke after another. Over fifty years later, the gags retain a certain bite, perhaps more earthy than for today’s tastes. Some seem downright surreal. But Johnson dropped a key word into our conversation, a word that hinted at a far more expansive view. He spoke of the cartoon’s incongruity.

From the pages of Black Humor by Charles Johnson

This interview is in connection with Dr. Johnson’s work included in the show at the Museum of Contemporary Art Chicago and the book published by New York Review Comics. In partnership with the Museum of Contemporary Art Chicago, New York Review Comics presents IT’S LIFE AS I SEE IT: Black Cartoonists in Chicago, 1940-1980, edited by Dan Nadel. Read my review here. This book focuses on nine Black cartoonists from the show at MCA: Chicago Comics: 1960s to Now, Jun 19–Oct 3, 2021, which includes over 40 artists.

Excerpt from Black Humor

A special note: Washington University in St. Louis recently acquired the Charles Johnson Papers, an archival collection of materials related to Johnson’s work as an author and illustrator. “Spanning nearly six decades, the collection brings together manuscripts, drafts, correspondence, artwork and ephemera, and serves as a testament to Johnson’s wide-ranging career as a public intellectual.”

Middle Passage by Charles Johnson

Also, of note is Johnson’s recent role as guest-editor and contributor to a special edition of Chicago Quarterly Review, “An Anthology of Black American Literature.” Johnson wrote the introduction and contributed a story to the anthology — the journal’s volume #33 — called “Night Shift,” which he penned for the 2020 Bedtime Story fundraiser for Humanities Washington. The volume contains work by more than two dozen Black writers. An earlier special edition of the journal was dedicated to South Asian American writers, and an upcoming issue will focus on Native American literature.

Be sure to visit the Museum of Contemporary Art Chicago and view the Chicago Comics show!

MCA Chicago Comics: Lynda Barry

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Interview: Brian Fies, A Fire Story, and the Art of Comics Storytelling

There is a true art to comics storytelling. Don’t let anyone tell you different. And, if you’ve joined me here, you most likely already know. Heck, you can tell when a story has got that crunchy goodness and when it falls short. Maybe you’ve had the pleasure of reading the comics of Brian Fies. He’s the guy who did that webcomic that went viral and ended up inspiring the creation of a Digital Comics category at the Eisner Awards. It was the webcomic, Mom’s Cancer, which won in that category that first year, back in 2005. Comics scholar Scott McCloud was there to hand Brian Fies his award. Recently, Brian’s book, A Fire Story, was released in an updated and expanded edition. Read my review here.

Mom’s Cancer

How do you end up creating a comic about your own mother’s cancer? Well, that’s where the power of storytelling comes in. You can tell any story, of course. And there’s something about the nature of comics, the medium’s built-in tendency to organize thought, that can lead both the creator and the reader down some very unexpected and rewarding paths. And, yes, you can even extract a touch of humor from the most challenging situations. Fies did it with his groundbreaking webcomic and he did it again with his more recent, A Fire Story, which has just been released in an updated and extended edition.

A Fire Story

I hope you enjoy this interview. It was a pleasure to do. I hardly had to refer to my notes as I had a million things I could talk to Brian about. He even knew, right away, about my favorite pop culture hero, George Clayton Johnson. I focused much of our talk on comparing Mom’s Cancer to A Fire Story. Maybe we’ll need to do another talk that compares his book, Whatever Happened to the World of Tomorrow? with his upcoming book, The Last Mechanical Monster, due to be released early next year.

Whatever Happened to the World of Tomorrow?

The Last Mechanical Monster

It is safe to say, in my opinion, that all auteur cartoonists share the same trait of being compelled to also be journalists: to act as caretakers of a big story and be obligated to gather all the facts, process all the facts, and present the best, most detailed yet concise, version of these facts. Some do it better than others. There are numerous variations and ways of doing this. But, at the end of the day, a real cartoonist is every bit as capable and driven as a real reporter.

Panel excerpt from  A Fire Story

If you are new to Brian Fies and to A Fire Story, and if you’re looking for a perfect textbook example of how to tell a story through comics, then seek out this book! For more details, go to Abrams ComicArts.

BONUS: We avoided a detour during our conversation and had meant to return to it. So, for all you true believers, this is the bonus content. Brian wanted to share some hard-won process insights. Here is what he later related to me via e-mail:

“My Last Mechanical Monster anecdote is that I’d written the whole story and penciled more than 100 pages when I realized I wasn’t having any fun drawing the story. Every day at the board was a slog. I figured that if I didn’t enjoy writing it, nobody would probably enjoy reading it, either. So I paused, rethought the whole thing, turned those 100-plus pages of penciled drawings over, and started drawing a whole new story on their backs. I thought of it in the context of “wasted time”—in one sense, I wasted many months (maybe a year?) writing and drawing a story that I abandoned. But I had to work through that story to get to a better story I liked.

My lessons from that: you have to trust your process; you can’t be afraid to toss something that isn’t working; and sometimes you have to dig through crap to find gold (or at least less stinky crap.)”

Thank you, Brian! You are a modest and gracious person!

Excerpt from The Last Mechanical Monster webcomic

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Interview with Artist Christopher Sperandio

Christopher Sperandio in his office at Rice University.

Christopher Sperandio got on my radar many years ago with Modern Masters, a comic book about art that I picked up in an art museum. Subsequently, I recall stumbling upon another title, in a similar vein, put together by Sperandio and his artistic partner Simon Grennan, together known as the Kartoon Kings. This was many years before you really saw an inclusion of much of any comics in a museum setting. Well, that has changed in many ways. I wonder how much the casual observer, the infrequent museum-goer, notices. Whatever the case, the comics medium maintains its presence, stays on the public’s radar as something to take seriously. Sperandio, among other things, makes wonderful contributions that add to the comics art form, like his new book, Greenie Josephinie.

MODERN MASTERS, DC Comics, 2002.

Sperandio has come a long way from Modern Masters to Greenie Joesphinie. And that is basically the framework I put to use for our conversation. Below are some notes on Sperandio’s career. I sincerely hope you enjoy this interview. I do these in depth talks as much for myself as for my audience and, in the end, it is my goal that the results help instruct and inspire, and document a bit about the ever-expanding comics and art scene. For me, the processing and discussing of these topics is like manna from heaven. I hope this exploration resonates with you as well.

Greenie Josephinie by Christopher Sperandio

In addition to putting himself through graduate school working as a truck driver, Christopher Sperandio, half of the artist team of Grennan & Sperandio, has produced 22 comics books as artworks for museums in the US and Europe. Bridging the High/Low divide, these works include Modern Masters, a cross-over comic for the Museum of Modern Art and published by DC Comics. Other works include Life in Prison and the Invisible City, published by Fantagraphics Books. He has been written about extensively in newspaper and magazines, as well as in books on the subject of art.

Protest Art as Instagram Meme.

He has produced new collaborative and artworks in conjunction with museums and art centers in the US, Germany, Northern Ireland, Denmark, England, Scotland, Wales, Spain, and France. Commissioning institutions include MoMA/PS1, the Public Art Fund, Creative Time, London’s Institute of Contemporary Art and the Yerba Buena Center for the Arts in San Francisco. Two of the landmark art exhibitions that he participated in are listed among the fifty most influential exhibitions of contemporary art in the book, SHOWTIME.  Sperandio was also the Creator and Executive Producer of ARTSTAR, an internationally syndicated documentary television series about emerging contemporary artists filmed in New York, Chicago and Miami.

Sperandio is an Associate Professor of Drawing and Painting at Rice University in Houston TX, where he founded the Comic Art Teaching and Study Workshop. CATS is a classroom, academic research resource and exhibition space dedicated to the study of Comics. Sperandio also turned a diesel bus into an off-the-grid mobile living space, but that makes him sound… idiosyncratic. For more information, please visit: cats.rice.edu

Just click the link above for the interview. And for more information and to purchase Pinko Joe, Greenie Josephinie, or other compelling titles, be sure to visit Argle Bargle Books.

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TCM Classic Film Festival | May 6-9 2021 | Interview with Mark Harris

Mike Nichols: A Life by Mark Harris

Cinema is one of the great pleasures in life. If you love good movies, then you will be delighted with the lineup for the Turner Classic Movies Film Festival (May 6-9 2021). This post will point you in the right direction as well as provide an added bonus. One of the titles featured during the festival is 1996’s Nichols and May: Take Two. I had the honor of interviewing Mark Harris, author of the New York Times Bestseller, Mike Nichols: A Life. I hope you enjoy our chat and be sure to catch all the great movies during the festival. During our conversation, I tried to fit in as much as possible regarding Mike Nichols (1931-2014), such a iconic figure in the world of improv comedy, theater and film known for such landmark films as Who’s Afraid of Virginia Woolf? (1966), Catch-22 (1970), and Carnal Knowledge (1971). And those three titles are just scratching the surface!

Cast and producers including Al Pacino, third from left, Meryl Streep, third from right, and Mike Nichols, second from right, hold the award for outstanding miniseries for their work on “Angels In America,” at the 56th Annual Primetime Emmy Awards Sunday, Sept. 19, 2004, at the Shrine Auditorium in Los Angeles. (AP Photo/Mark J. Terrill)

Harris first got to know Nichols during his work adapting Tony Kushner’s landmark play, Angels in America. By then, Nichols was in his seventies and a master of his craft many times over. During our talk, Harris noted: “It is remarkable to me how Nichols kept looking outward during a production, while the meter was still running, finding ways to construct and to add.” As for what might be said in describing Nichols’s body of work, Harris said it wasn’t a matter of maintaining a thematic structure. It was really more down to earth. “It was about finding what excited Nichols to pursue a project: a script, a collaboration, a writer, an actor.”

NICHOLS AND MAY: TAKE TWO (1996): TCM premiere of this documentary about the influential comedy team of Mike Nichols and Elaine May. Four of their radio sketches have been re-created with new animation created especially for the program.

Includes conversation with author Mark Harris, Mike Nichols: A Life.

Nichols and May: Take Two

SATURDAY, MAY 8 11:45AM ET

And remember, the festival kicks off May 6th! This year’s Festival will be presented virtually and feature four days of incredible programming on TCM and within the Classics Curated By TCM Hub on HBO Max, a dedicated destination for classic movie fans within the HBO Max app.

Who’s Afraid of Virginia Woolf? (1966)

Catch-22 (1970)

Carnal Knowledge (1971)

2021 TCM Classic Film Festival

Thursday, May 6 through Sunday, May 9 at two virtual venues: the TCM network and the Classics Curated by TCM Hub on HBO Max.

To learn more, go to the TCM Film Festival site right here. You’ll discover a unique film festival experience on TCM.

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