Tag Archives: Artists

ALISON by Lizzy Stewart graphic novel review

Alison. By Lizzy Stewart. Seattle: Fantagraphics, 168pp, $24.99.

Guest Review by Paul Buhle

This quite wonderful comic is a match for Armed with Madness: The Surreal Leonora Carringon (also published this year, by SelfMadeHero). Both books are by British artists/scriptwriters. They belong together for at least one intriguing reason: the young women artists in question find their fate, at least in the first phase of creative effort, by hooking up with famous middle-aged fellows who take them as lovers/mistresses but also urge them to practice their developing craft.  In the end, the women need to make their own way.

Armed With Madness is a real-life story, with rich-girl Leonora Carrington both aided and exploited by the famous surrealist painter Max Ernst, during the 1930s.  Carrington leaves England for Spain, suffers multiple breakdowns as the Spanish Civil War explodes around her, and ends up in Mexico, an elderly lady re-discovered by new generations. Alison offers us a fictional version two or three generations later. A young woman growing up in Devon takes and then abandons a husband, at the invitation of a visiting, also romantic and famous, middle-aged painter. She goes on, with his sponsorship, to her artist’s life in London.

Lizzy Stewart, a professional illustrator of children’s books, would not have been considered a comic artist a few decades ago. Walls have broken down since then, obviously, and the use of sequential panels to convey a story easily makes the grade as comic art. Actually, the result here looks more than a little like the drawings of Jules Feiffer in various recent works by the veteran artist. But I digress.

The story is drawn and told quite wonderfully, with the occasional, stunning color page or pages set off from the grey wash of most of the book. It is easy to be convinced that this young woman is flattered to be asked to sit for a portrait, first clothed, then other portraits unclothed, as a relationship develops. It is equally easy to be convinced that she is one of a considerable line of young women falling into the waiting arms of an academic painter at the peak of his BBC-level respectability. He had promised to guide her development as an artist, and for all his drawbacks, he remains determined to do so. He also pays her rent.

Throughout, and this is certainly the feminist angle, Alison is seeking—fumbling and stumbling along the way—to realize herself in every sense. That she had been a hopelessly bored (and childless) housewife in Devon, became a frustrated if developing artist in Bloomsbury and a woman making her own way step by step, is all wonderfully conveyed. Born in 1959 and gone to London in the early 1980s, she finds herself in the midst of radical politics, anti-war, anti-nuke and anti-racist movements, not long before Margaret Thatcher comes to power, ruthlessly crushing all opposition. Worse, Thatcher so successfully converts the political system that even future, corrupted Labour Party leaders accept “privatization” and the practical eclipse of the caring social state as a finality. What can art mean here?

The brevity of the young artist’s wider, militant political commitment may offer insight into the artist-in-progress. Or perhaps we see Lizzy Stewart’s own observation of changing radical politics at a certain moment of time. Serious commitments to art, including the teaching of art to younger generations, merge into the critical concerns in the era of AIDS. She watches as disease and death march through her new milieu. A desperate politics of caring emerges as a considerable portion of the London art world literally finds community through the  struggle for life.

It should not give away too much about Alison to reveal that she finds her own companion in a same-sex relationship that is also interracial and global in its connections. Perhaps our protagonist was going in that direction all the time, without realizing her own path. All this is conveyed by Lizzy Stewart with such painstaking care that we find ourselves flowing along, discovering and rediscovering the narrative as the artist discovers her talent and herself. Near the end, she is the learner who has become the renowned teacher.

Alison’s return in something like middle age to her own Dorset is wonderfully visualized and narrated here. Temperamentally a million miles from London, she experiences a return to the natural beauty that she now appreciates afresh, within her own sense of art in the world and in her world.

There is a great deal more to be said here about the young artist’s path. We learn at one point that her older lover, for instance, had the upper-class background to have his talent recognized in childhood, to be trained in formal terms all the way along. By contrast, Alison must undertake a crash course and find another path to realize her talents. Perhaps this detail offers us the secret of Lizzy Stewart herself, a children’s book illustrator, using comics for story telling. Like others today, she is struggling to create something fresh through a merger of forms that become recognizable through the work of the new generations of artists and comics.

Paul Buhle’s latest comic is an adaptation of W.E.B. Du Bois’s classic Souls of Black Folk, by artist Paul Peart Smith (Rutgers University Press).

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Draw Your Future! — Visual Sensemaking

Visual sensemaking is a method to help you organize thoughts and plans by using simple content. It can be used in so many ways. If you happen to be artistically inclined, it can take you on some very interesting paths but it is there for anyone to use, whether you are an artist or not.

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Matthew Richter: A Funny Thing Happened on the Way to Creating Art Space

Matthew Richter is one of the great champions of the arts in Seattle. When I first moved to Seattle, back in 1993, I quickly went about getting a foothold, any kind of foothold, into the art scene. Over time, I ran a gallery space in the coveted arts district of Capitol Hill. It was, in fact, nothing more than a diner–but it had walls to showcase art upon. I did this for a number of years. Some of the artists, who I provided with their very first art show, went on to bigger and better things. I did a number of other things too, including my ongoing freelance journalism and getting picked up by a publisher. I have a book out next year which you’ll hear more about soon enough. There were plenty of ups and downs over the years. I never ever stopped creating art of one kind or another. I never expected anyone to step in and advance my efforts. In fact, I preferred to develop on my own, as I saw fit. But I did crave community. And I did value walls upon which to present one’s work.

Consolidated Works ( 500 Boren Avenue North location, 2002 – 2006)

I kept up with various art people and Matthew was one of them. I’d read his work in our local alt-weekly, The Stranger. Later, I’d attend shows at his outrageously wonderful multi-disciplinary art center, Consolidated Works, where it seemed that anything could happen. Con Works was a veritable convention space/circus arena collecting various spaces that focused on one art form or another. It began as a brash semi-temporary entity, one of the original pop-ups but on a grand scale; established itself in the South Lake Union area, home to a bubbling stew of creative activity; and then, one day, it was gone, it was no more. Fast forward to the present, Matthew has been developing this concept of art spaces into “cultural spaces,” a means of supporting emerging artists, particularly BIPOC individuals who may not find an opportunity to gather and show art in a real estate market that has priced out the traditional art spaces of yesteryear.

Cultural Space Agency

The Cultural Space Agency is born. Matthew Richter developed his concept of cultural spaces during his time working for the City of Seattle’s arts department. This activity led to the city chartering Cultural Space Agency as a real estate development company, its goal being to seek out, purchase, and establish “cultural spaces.” Will cultural spaces help Seattle to flourish and withstand the headwinds of out-of-control growth? Ah, now all this seemed to me to add up to an interesting conversation. That is my goal with this interview: to explore the urban landscape. That requires looking at things from as many angles as possible, the good and the bad; asking tough questions, and allowing room for fumbling about for answers.

The main thing here is to support the goodwill out there to make any community a better place. That is what Cultural Space Agency is all about and it appears to be off to a good start with Matthew Richter having laid out the foundation. As he has made clear, he is only interim Executive Director for a little bit longer and then he will pass on the baton. There are also other positions to fill and numerous opportunities within this new organization. If you would like to help in any way or get involved, be sure to visit them.

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Small Press Expo 2022: Ignatz Award Winners

Outstanding Artist Reimena Yee

2022 Ignatz Awards Nominees & Winners

Follow the link and you can see all the nominees for this year’s Small Press Expo, along with links to purchase. I believe this is the first time that links have been provided for direct purchase! Scroll below for a list of this year’s winners.

2022 Ignatz Awards Nominees

SPX Ignatz Award Winners for 2022:

I See a Knight

Outstanding Comic:I See A Knight” by Xulia Vicente (Shortbox). Since childhood, Olivia has been able to see a headless knight invisible to everyone else- is it an omen, a ghost, or something much more real?

Good Boy! magazine

Outstanding Anthology:Good Boy Magazine” #1, edited by Michael Sweater and Benji Nate (Silver Sprocket). This 112-page collection features the tagline “Read comics or go to hell.” That says it all!

Outstanding Artist: Reimena Yee for “Alexander, The Servant, & The Water of Life,” a retelling of the life/legend of Alexander the Great. Yee is also the creator of numerous other comics, including the Eisner & McDuffie-nominated “The Carpet Merchant of Konstantiniyya,” “Séance Tea Party,” and the upcoming “My Aunt is a Monster.”

Mr. Boop

Outstanding Collection:Mr. Boop” by Alec Robbins (Silver Sprocket). This is the complete collection of the absurdist and romantic tale of author Alec Robbins being in love with his wife Betty Boop, the 1930s cartoon superstar, presented in a beautiful, deluxe package.

No One Else

Outstanding Graphic Novel:No One Else” by R. Kikuo Johnson (Fantagraphics). Johnson’s long-awaited second graphic novel follows Charlene, Brandon, and Robbie as they learn to navigate life day to day with their plans, fears, and desires after a death throws their life into turmoil.

Pee Pee Poo Poo #69

Outstanding Minicomic: “Pee Pee Poo Poo” #69 by Caroline Cash (self-published). A throwback to ’60s underground comics with a zesty title to boot.

Ride or Die

Outstanding Online Comic:Ride or Die” by Mars Heyward features demon cars, street racing, fumbling romance and revenge, and is described as “Christine meets Ghost Rider meets Fast and Furious but gayer!”

The Many Deaths of Laila Starr

Outstanding Series: “The Many Deaths of Laila Starr” by Ram V & Filipe Andrade with Inês Amaro and AndWorld Design (BOOM! Studios), a five-issue mini-series exploring the fine line between living and dying through the lens of magical realism.

The Lover of Everyone in the World

Outstanding Story: ‘The Lover of Everyone in the World’ by Beatrix Urkowitz (Parsifal Press). Originally drawn for Popula, ‘The Lover’ joins three other stories about being loved by everyone, and no one, in Urkowitz’s first graphic novella of the same name. The collection was possible thanks to a generous grant from Koyama Provides.

Djeliya by Juni Ba

Promising New Talent: Juni Ba. A cartoonist from Senegal and France, Ba’s recent work includes the anthology series “Monkey Meat” (Image Comics) and “Djeliya” (TKO Studios), which tells the tale of Prince Mansour and his royal storyteller Awa, as they journey to reach the mysterious Wizard Soumaoro, who guards a fearsome power that he once used to destroy the world.

Krazy Kat’s Ignatz, namesake for the SPX Ignatz Award

Small Press Expo returns next year during the weekend of September 9 and 10, 2023.

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WHITNEY BIENNIAL 2022: Charles Ray

A Charles Ray sculpture on the rooftop of the Whitney.

I want to talk about the Whitney Biennial with you. Let’s talk Whitney and let’s see why you should make it over there if at all possible. Have you gone? Do you plan to go? The last day is September 5th! I recently got a chance to see it and I’m still processing! This is just a quick teaser. In a forthcoming post, I’ll cover some of the history behind this New York treasure, a must-see showcase of contemporary art, and then we’ll just take a casual and straightforward look: some art will seem to defy easy access; and some will invite immediate engagement. Take a look at the above sculpture by Charles Ray, for example, it’s all there right away while holding back some secrets. Who is the figure lounging upon a block? It seems that a piece like this is about being transparent as well as being ambiguous, inspiring all sorts of questions.

Titled Quiet as It’s Kept, the 2022 Biennial features an intergenerational and interdisciplinary group of sixty-three artists and collectives whose dynamic works reflect the challenges, complexities, and possibilities of the American experience today. The Whitney Biennial 2022 runs from April 6, 2022 to September 5, 2022.

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Hurricane Nancy: DIVIDING THE PLANET

Dividing the Planet

Thanks again to Hurricane Nancy for such trippy and beautiful art! I have respectfully, with her permission, added color. I hope you enjoy this latest installment! Let’s all relax, however we like, and contemplate this piece.

If wise animals, non-human animals, were left to dividing up the planet, we could all breathe a big sigh of relief. But humans, often mistaken as the wisest of all animals, have the last say and wreak havoc. You know what wreaking havoc is all about, right? It’s a strange term but it’s pretty clear as to what it describes, despite the arcane wording. Animals, the ones that get to regularly roam free naked and uninhibited, are the ones we must listen to. If we humans can do that, perhaps we’ll have really gained some wisdom to see us through our next slouching towards redemption.

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Interview: Artist Elise Engler and ‘A Diary of the Plague Year’

Artist Elise Engler is like all of us who love to document. It seems that we all want to have our say and tell not only our story but contribute to the bigger story. But only a few generations ago, the whole idea of self-expression, let alone self-portraits, was mostly in the artist’s domain. So, now everybody documents. A lot of it is ephemeral and only some of it has that everlasting quality, like the daily dispatches of news items collected in Engler’s book that chronicle the events of that infamous year, 2020. A Diary of the Plague Year: An Illustrated Chronicle of 2020 is out now. You can read my review here. And I invite you to my conversation with the artist.

Double Portrait of the Artist

It’s the persistent vision that wins out in the end. An artist engaging in a process for an extended amount of time is like mining for gold or anything else with a less than certain outcome. There will be trial and error efforts but a person with a certain mix of qualities, like sheer determination, will reach a breakthrough. Engler’s art is about keen observation from collecting data: everything in her apartment; or everything in a series of purses; or everything on every block of New York City’s Broadway! Each of these, and many more, have been subjects for Engler’s work.

Medical tents set up in Central Park in 2020 near the artist’s studio.

So, it is a pleasure to have a chance to chat with this artist. We have gone through so much in the recent past. It’s good to have an artist of this caliber to create this special record.

Highlight from The Cathedrals of Art (1942) by Florine Stettheimer (1871-1944)

A traditional question that I don’t always ask but had to in this case was to ask about influences. Engler’s choices, once I had time to consider, suggested to me a more earthy approach with Marsden Hartley; perhaps a spiritual connection with the Sienese School; expressive with Philip Guston; and whimsical with Florine Stettheimer. Well, I hope I got it right. Suffice it to say, Engler has a very emotive and energetic style.

I invite you to view the video interview. I also happen to have created a brief movie introduction so the interview begins right after that. In our interview, we cover all you would need to know before reading the book. We chat about the whole idea of documenting and the concept of a news junkie. As I suggest, documenting, as well as an interest in the news, is something we can all relate to. Elise Engler proves to be an exceptional participant, taking bits of data, giving them a sense of order, and finding something transcendent.

A Diary of the Plague Year: An Illustrated Chronicle of 2020 is available now.

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Review: ‘A Study in Ink’ by Angela Krieg

A Study in Ink by Angela Krieg

“A Study in Ink” is a 32-page zine by artist Angela Krieg detailing the first six months of 2021, leading up to her first art show. This zine acts as a showcase for work; provides a window into a young person’s life struggles; and is a idiosyncratic document representing the COVID-19 era.

Perhaps the most appealing thing about a zine is that it is part of a DIY culture which sets no limitations and embraces authenticity over polish. Many a zine embraces typos and a more raw approach. Krieg’s zine has that kind of energy; it is more like a peek into a private sketchbook, warts and all, rather than a crafted finished work. That said, like many a sketchbook, there are certain gems that stand out. Some of the best examples here give the reader a taste of Krieg’s lean and direct style. It all adds up to a fun and interesting look at a small batch of artist notes and drawings.

A young artist’s life.

The very best example pares it all down to a bunch of words and one picture. At the bottom of the page is Krieg, eyes shut and appearing to hold it together. Atop her, various concerns loom overhead: mental health, motivation, COVID-19, taxes, cold, time and work. It’s a powerful image and a glimpse at what lies ahead for a promising new talent. You can find out how to purchase this zine, as well as review a variety of graphic artwork and services, at Krieg’s website.

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Interview: Artist Matt MacFarland and ‘More Seasons of Gary’

A Comics Chat with Matt MacFarland

Matt MacFarland is a talented artist who makes some very intriguing comics. In this conversation, we discuss Matt’s latest work, a book focusing on his father, More Seasons of Gary, published by Zines and Things. You can read my review of it here. And we also discuss his series, Dark Pants, and get a sneak peek at the next, and perhaps final, issue to that series.

MORE SEASONS OF GARY

There is quite a lot going on in Matt’s work with its explorations of relationships and social commentary. More Seasons of Gary is a great jumping off point if you’re new to Matt’s work. It is a little master course in how to tell family stories. With a light and balanced approach, MacFarland addresses the issue of alcohol addiction that his father struggled with. Bittersweet remembrances provide a complex and fair portrait.

SCENES FROM A MARRIAGE

Scenes from a Marriage is another of Matt’s projects and this one is just as offbeat and subversive as the best of MacFarland’s humor although it might look more like a conventional family comic strip at first glance. There’s definitely an elegant air of mischief. You can find some samples of it on Matt’s Instagram.

DARK PANTS

Dark Pants is where it all began. You can read one of my reviews covering the first two issues here. This is a series of cautionary tales about a supernatural pair of skinny black jeans that take over whoever ends up wearing the pair. Whoever wears the jeans is empowered to seek out their darkest desires. It is an excellent example of the artist-cartoonist aspiring to the highest levels of his craft. I look forward to more of this kind of this quirky and engaging work.

This is a really fun interview and I’m so glad I got a chance to catch up with Matt, a dedicated artist without a doubt. We even discuss the legacy of R. Crumb! Be sure to visit Matt here. And seek out More Seasons of Gary, published by Zines and Things.

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Comics Interview | Kibla Ahmed | The World of Comics

Kibla Ahmed at work.

It’s always a pleasure to get to do some shop talk with a fellow creative. Here is an interview with Kibla Ahmed, a comic artist, collector, and pop culture reviewer. I happen to have stumbled upon an online workshop that Kibla did recently from his London studio. It seemed to me a great opportunity to support a promising emerging artist. Perhaps the fact that this workshop was going on in London sealed the deal for me. For regular followers of my blog, you know how much fun Jennifer and I had on our visit to London in 2019. One of our favorite spots in London was Orbital Comics!

Illustration by Kibla Ahmet

I did my best to contact as many creative folks as possible and I did get to set up and follow through on some great interviews while I was in Europe. Well, since returning to Seattle, that trip left me wanting to seek out any opportunity to do more interviews across the pond. I did one recently with Sayra Begum. And now I present to you another UK talent, Kibla Ahmed.

The artist takes a coffee break.

It turns out that Kibla and I share quite a lot of common ground. We love comics, that’s a given. And we’re both determined to follow our own creative path. Plus we definitley have a similar interest in time travel. We both have our own ideas on how to pursue that theme in our creative work. Iconic time travel movies like Intersellar and Back to the Future, of course, resonate with us on a deep level. But, I have to say, Kibla has got me beat since his marriage ceremony included a bonafide DeLorean! Now, that’s dedication. I hope you enjoy our shop talk. We cover a little of everything and Kibla has lots to share about the creative process.

Be sure to visit Kibla Ahmed at his art site right here.

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