I find artist Matt MacFarland quite the kindred spirit as he makes comics coming from a fine arts background. Think of it this way, most of us out there love a David Lynch movie because it has all those extra layers of ambiguity. Well, that’s Lynch’s fine arts background at play. Some of us cartoonists began as painters and/or hybrid artists working in various forms of expression: writing, drawing, film, acting, photography, and so on. When you take all that activity and bring it into comics, it can result in some mind-blowing art like MacFarland’s ongoing comics series, “Dark Pants.”
What sets apart one alternative comic from another is this fine art sensibility. You don’t necessarily have to go to art school for it–but it helps. Imagine that, art school actually does have value! I kid you not. It is what you make of it. Here’s another comparison. Try to achieve the comedic chops of Tina Fey without ever joining an improv comedy troupe. It ain’t gonna happen. You need to flex comedic muscles you don’t even know you have–and you need to be around like-minded people in order to really stretch yourself. In time, with the help of others, you’ll realize how much you suck and what you need to do to improve. And so we find ourselves with this comic which unabashedly displays its motif, those dark pants.
Like Cinderella slipping her bare feet into glass slippers and transmogrifying into a regal beauty, there is something enthralling about a story of transformation. This is certainly not lost on MacFarland as he has one hard luck character after another in his series find a break from their routine when they happen upon a mysterious pair of tight black jeans. In the first issue of this comic, Diego, a drab little guy, becomes a hot lover when he buys these jeans at a thrift store and puts them on. But he soon finds that his newfound sex appeal is far more than he bargained for. By our second issue, the jeans have found their way into the hands of Milena, a lonely virgin who writes a sex column for her college paper. Once those jeans are on, she too is over her head.
It’s interesting that both Diego and Milena were already struggling with their lives before they crossed paths with the sexy jeans. It just stands to reason that these jeans were just as likely to wreck, instead of enhance, their existence. But, who knows, maybe the right sort of loser, like the sort portrayed by Don Knotts or Jerry Lewis, would make the most of a cosmic makeover. So far, MacFarland’s characters are doomed, with or without sex, and that’s just as well for this humorous noir. This is a rare treat. I love MacFarland’s wit and vision.
MacFarland has a very accessible style which goes well with his less commercial, and darker, vision. That said, the darker stuff is not always the less marketable. Overall, I see MacFarland’s work as assured with a refreshing approach and zest. It is a cartoony style that makes me think of ironic cartoonists from the ’90s like Ward Sutton and Michael Dugan. It is a sturdy yet elastic style that makes you think you could poke at the characters and reshape them a bit. With that in mind, it is a style that lends itself well to laughs and/or drifting in and out of reality. Our next victim of the traveling tight dark pants will be a kid named Philip in the upcoming third issue. I look forward to how things develop there.
To learn more, and to purchase comics, visit Matt MacFarlnd right here.