Tag Archives: graphic novels

Review: SONS OF FATE by Jean-Paul Deshong

SONS OF FATE by Jean-Paul Deshong

Jean-Paul Deshong is a professional in the comics industry. SONS OF FATE is Deshong’s first independent series. As he states in his introduction, his goal is to bring all the excitement from reading comics as a kid to this project. If you like adventures with a martial arts theme, then this is for you.

Ah, fate…

A look at this book reveals a lot of passion behind the work. Deshong revels in details. The origins to our narrative involve a fleet of medieval Japanese ships that are attacked by pirates. The ambush results in heavy casualties. One particular sailor ends up ashore a tropical island. The indigenous people are dark and savage in comparison to what our hero is accustomed to. But he gains their trust and even becomes a guardian to a boy from the village. It is this fateful union that moves our story forward.

The natives want something.

This is an involved and dense story that moves at a contemplative pace and is punctuated by lively action sequences. You can have a long interval with some characters opening up about their motivations and then, for the next scene, there’s a rampaging rhino. That works for me. You can never go wrong with a rhino. What I find most interesting and admirable is the level of dedication Deshong has brought to his work. That will carry him, and the reader, forward on this series and with projects in the future. SONS OF FATE is a solid adventure comic that a wide spectrum of readers will enjoy.

Visit the SONS OF FATE website right here.

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Filed under Adventure, Comics, Comics Reviews, graphic novels, Japan

Review: DARK SIDE OF THE MOON by Blutch

DARK SIDE OF THE MOON by Blutch

Blutch is one of the greatest cartoonists working today. You may not be familiar with him but, once you see his work, you can’t help but fall in love with his fluid line and worldly narrative. This guy is simply brilliant. At 49, he is relatively young. All of us cartoonists seem to age well. Part of it has to do with a bit of arrested development. Just a touch of Peter Pan can go a long way in a youth-oriented industry. If only all could be counted on to go well, then a true artist-cartoonist could enjoy a most meaningful, productive, and youthful life. But things rarely go according to plan. That is part of what the great Blutch confronts in his new graphic novel, “Dark Side of the Moon,” available in French and English at izneo.

All in a day’s work.

Now, one more thing, keep in mind that American cartoonist greats like Paul Pope and Craig Thompson turn to France and worship at the altar of Blutch. This is the time for all the great work in French by Blutch to be translated into English. And, believe me, that is currently happening. Take a look at a recent English version of “Peplum,” published by The New York Review of Books. This is also time for the master to reach ever new heights with ambitious and complex bildungsromans and roman-a-clefs. He does just that sort of thing with this new book which has a cartoonist satirizing his lot in life in a similar vein as Fellini satirizing his. We begin with a dream, an ideal, and how it fares when it dukes it out with cold harsh reality.

Much has been said about Blutch’s expressive line. It seems as if he conjures up the most lively and vivid figures from head to toe. Well, that ability does not come from being showered with likes on Facebook over knocking off a quickie sketch. In Blutch’s youth, and in mine, to be liked was a hard won endeavor that really meant something between two human beings, if it happened at all. And for someone to like your work, well, that meant you must have torn your heart out with elbow grease. Oh, the nostalgia can weigh so heavy as to floor me. In the case of this book, we go back and forth between Lantz, the cartoonist in the bloom of youth and in the pit of middle age. Lantz is on a journey where memory and desire conflate the truth.

Liebling at her easel.

Perhaps sweet and dewy Liebling holds the key to happiness, to perpetual youth. It is this lovely young woman who begins our tale. From her, we find all the energy and promise of youth fully intact. But, alas, Liebling has certainly come of age to go out and get a job and so off she goes to give up her soul to the nearest employment agency. Blutch mercifully sweetens things by setting it all in a fanciful world of the not too distant future. All Liebling seems to have to do at her new job is stick both of her hands in a big blob. Yes, a blob, not a blog. It is a goopy half-sentient network that keeps things running smoothly at Mediamondia, the mega-publisher-content-provider. Okay, you can see the easy segue to Lantz, a master content provider, er, cartoonist.

Pips tells it like it is.

Imagine your favorite pop culture franchise. Okay, that’s what our hero, Lantz, has a pivotal role in. Lantz is responsible for churning out the next installment of The Brand New Testament. The only problem is that Lantz is losing his mind. The passing of time is making Lantz sad again. It’s a whole new world. It’s not like the old days and it’s hardly like it was in the heyday of Pips.

No one appreciates all the toil involved with creating a work of such epic proportions…and all done by hand. Hint: Blutch speaks of his own work and the relative indifference he must confront. There are people who want what he can make but do they really know him or love him?

You will bow down to Cuckoo Puff!

Blutch triples down by giving himself three alter egos. There is a young Lantz and an oldish Lantz. Plus, there is a shrewd youngish character named Blutch, a corporate jester who knows how to play the game. It is this character who needles Lantz and convinces him that, if he refuses to go on with The Brand New Testament, then he damn well better be content to churn out the very next installment of the popular, but decidedly subpar, Cuckoo Puff series.

Nothing goes according to plan.

Lantz will either avoid reaching a breaking point or Blutch will happily dance on his grave. And then there’s the ethereal Liebling. Surely, she must hold a key. This is an utterly mesmerizing work. If you are new to Blutch, consider this an excellent introduction.

DARK SIDE OF THE MOON is a 56-page full color graphic novel and available in a digital format at izneo.

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Filed under Bande Dessinée, BD, Blutch, Comics, Graphic Novel Reviews, graphic novels, Humor, Satire

Review: ‘Pantheon: The True Story of The Egyptian Deities’ by Hamish Steele

“Pantheon: The True Story of The Egyptian Deities” by Hamish Steele

Who knew that ancient Egyptian (3000 BCE – 30 BC) mythology could be so much fun? Well, a very creative and funny guy named Hamish Steele sure does. Read his take on these creation tales in his new graphic novel, “Pantheon: The True Story of The Egyptian Deities,” published by Nobrow Press. It is always a pleasure to review a book by Nobrow as they consistently bring out books that will appeal to a wide readership. This book I peg at ages 13 and up. A tongue-in-cheek blurb on the back provides a friendly warning. It states that this book contains depictions of “incest, decapitation, suspicious salad, fighting hippos, lots of scorpions, and a golden willy.” So, keep that in mind.

Osiris weighs in.

Steele has created a “disruptive” comic interpretation of Egyptian mtyhology. It is as if he picked the brains of countless students who have had to slog through arcane history and literature and given them exactly what they wanted. How about The Canterbury Tales as told by Borat? The original is “bawdy” but still a bit distant. There is no harm in making it more accessible. In fact, the great Seymour Chwast gave us his take on The Canterbury Tales a few years ago and brings things to life in way that only the comics medium can do. What Steele does is follow the pantheon of gods and pharaohs as they attempt to rule over ancient Egypt, warts and all.

Isis on the hunt.

Take, for example, just how badly things go when a god is insecure. Ra, the sun god, senses that he has outworn his welcome among humans. So, what does he do? He turns his one and only duaghter, Hathor, into fury itself, hell-bent on killing humans. Not the best solution to a problem. Steele plays that up with sly wit. Of course, things get far more complicated once Ra drops off a few gods to fight over who will rule over humans as pharaoh. Gods being gods, nothing is beneath them. And here, Steele runs with it.

With an appealing style, Steele infuses these tales of gods and mortals with a zesty contemporary vibe. Steele’s approach is uninhibited, playful, and spot on. This would be a welcome addition in a high school or college classroom.

“Pantheon: The True Story of The Egyptian Deities” is a 216 page full-color trade paperback, available as of September 15, 2017. For more details, and how to purchase, visit Nobrow Press right here. You can also find this book by visiting Amazon right here.

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Filed under Comics, Education, Egypt, Hamish Steele, Humor, Myth, Nobrow Press

Review: MISTER MIRACLE (2017) #2

MISTER MIRACLE, script by Tom King; art by Mitch Gerads

I have not been following a Batman title, or any mainstream superhero tile, for quite a while. But all that has changed with just one name: Tom King. As many of you already know, King is the man on Batman. He’s a writer who knows when and how to expand on a moment as he recently did with a whole issue devoted to a certain gathering for dinner (see Batman #29). And then there’s his work on Mister Miracle. King has brought back the character first created by Jack Kirby in 1971. For this latest 12-issue run, Tom King’s script is decidedly existential. Our hero, Scott Free, happens to be one of the fabulous New Gods. His backstory is a little complicated. Think Wonder Woman. To add to the complexity, Scott hides his secret identity as a world-renown escape artist. And, lately, he’s been struggling with his greatest challenge of all: Scott wants to escape death.

So far so good. Any story with a guy dancing with the Grim Reaper gets my attention. What wins me over is the everyday moments between Scott and Barda. They’re, in many respects, just a typical young married couple. Maybe they take each other for granted sometimes. Maybe they push each other’s buttons at other times. That sort of thing. But they’re also awesome superheroes, right? King and artist Mitch Gerads (The Punisher) keep that balance working very nicely. Frankly, any talk, at least at first, of New Genesis and Darkseid and my eyes will fully glaze over. Maybe I’d get into it after a while. I just need a hook. Honestly, all of us readers need something to hook into and the truth is that few of us are going to care as much about the superhero stuff without first investing in the characters. That said, this creative team understands that very well.

Barda and Scott

Okay, so now for the finer points. The comic pretty much sticks to a grid of nine panels per page. It’s a great look and King and Gerads can get really creative with this more arty approach. Well, I say “arty” as I think of that nine panel grid as definitely calling attention to itself. It has a great deal of potential as seen in other titles such as Hawkeye from Marvel Comics. King and Gerads have made good use of this structure for both dramatic and comedic affect. There’s a moment where Scott and Barda must go through the ritual of kneeling before their leader, the Highfather. It’s an extended moment that allows for all the necessary timing. But you’d expect that sort of thing from King, king of the pregnant pauses. It’s totally funny. Now, I’m just wondering if we’re simply going to see more and more of the nine panel grid as it works so well on mobile devices. Hopefully, we’ll always have the Kings of comics overseeing quality control with excellent content.

MISTER MIRACLE #2 is available as of September 13, 2017. For more details, visit DC Comics right here.

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Filed under Batman, Comics, DC Comics, Mitch Gerads, Superheroes, Tom King

Review: ‘Grab Back Comics Anthology Volume 1: Acts of Love and Resistance’ Edited by Erma Blood

“Grab Back Comics Anthology Volume 1: Acts of Love and Resistance,” edited by Erma Blood

Minicomics will always retain the capacity to inspire and engage. A fine case in point is “Grab Back Comics Anthology Volume 1: Acts of Love and Resistance,” edited by Erma Blood, and available through Grab Back Comics. The disturbing and threatening rhetoric and related activity connected to Donald Trump and company have been responded to with numerous acts of love and resistance, including this collection of comics.

Dr. Allie Gray and Erika Rier

The first work in this collection is entitled, “Naming It,” story by Dr. Allie Gray and drawings by Erika Rier. In four exemplary pages, Gray and Rier express why it is never okay for a man to overpower a woman, never okay for someone to exploit someone else. In this case, Dr. Allie Gray, a young female professor, is just getting her bearings at an international conference when she is overwhelmed by a bear, a man in a position of power, a VIP scientist. This VIP bear forces himself upon Gray and manipulates Gray into a protracted relationship. A part of Gray is confused although she does her best to resist him. In retrospect, Gray concludes that the VIP bear was never confused. He wanted what he wanted and grabbed it. He was abusive. In the end, Gray has the power to name what she has experienced: abuse.

Nicole J. Georges

Nicole J. Georges shares a story about same sex predatory behavior in “I Had a Crush on My Rapist,” which further demonstrates the complexities and simple truths involved when we talk about sex. Georges recounts a situation where she was forced into sex by a pushy and aggressive friend. It left her questioning what happened, in a similar vein to Dr. Gray’s narrative. Georges, with her formidable storytelling skills, brings to light an area often shrouded in misplaced guilt. In the end, we come back to basics: no means no.

Erma Blood

Erma Blood shares a story about survival, “Did You Find Her?” Blood uses a minimal style to tell a powerful narrative about recalling abuse that took place at a very early stage in life, before Blood had learned to speak. This simple and direct story speaks volumes. The first page to this collection carries another subtitle, “Comics Stories About Sexual Assault, Rape Culture and Advocacy.” That further defines what is to be found on these pages. Blood’s work fits in perfectly, haunting but not heavy-handed.

Oana & Maria Heller

In an excerpt from a longer piece, “Interval of Trust,” Oana & Maria Heller tell the story of misplaced anger. Mara, the main character, has suffered abuse but she feels she has not been heard, not been provided an outlet for her pain. When a rude boy insults her, this triggers an avalanche of violence that she inflicts upon the boy. It is an intriguing piece that subverts expectations. The girl is not a traditionally sympathetic character. But, in spite of her actions, we can also see how vulnerable she is.

All the work here is quite compelling. This 87-page collection also features: Robin Elan, Rachel Masilamani, Tatiana Gill & Kathy Naughton, Mikko Galpin, Tess LeBlanc, Amy Camber, T.O. Walker, Anna Vo, and E.T. Russian. There is also a mini poster by Barry Deutsch and Ellen Forney. Cover and spot illustrations are by Gillian Rhodes.

For more information, and how to get your own copy, be sure to visit the Grab Back Comics website right here.

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Filed under Alt-Comics, Alternative Comics, Comics, Erma Blood, Grab Back Comics, Independent Comics, mini-comics, Minicomics

Review: ‘Let Some Word That Is Heard Be Yours’ by Alex Nall

“Let Some Word That Is Heard Be Yours” by Alex Nall

Comics is uniquely suited for any form of biography and to quite a fascinating degree. I’ve said that before and, to prove my point, I have all sorts of new things I can say about this theme in regards to Alex Nall‘s graphic novella, “Let Some Word That Is Heard Be Yours.” This is a look at the life and times of Fred Rogers (1928-2003), the host of the landmark PBS children’s program, “Mister Rogers’ Neighborhood.” Intertwined in this biography is a look at Nall’s own life as a grade school art teacher. As often is the case, the comics creator has created a mashup of bio and auto-bio. It’s a natural occurance among cartoonists to include themselves into the narrative. When done right, the results can feel like a smooth dreamy story.

A mashup of bio and autobio.

Nall’s artwork has a primitive child-like quality about it. He depicts himsself with a cumbersome bulbous pink nose. It is all hand-drawn, down to the lettering and color washes. This is a style that falls right in line with a lot of alt-comics: keep it simple; keep it slapdash. In this case, that look fits in. Nall evokes the frenetic energy of children: the good, the bad, and the ugly. Kids, the little angels we’d wish them to be, usually are far from saints. Time and again, Nall shares with the reader the reality of the daily grind of interacting with these wee people. Ah, big segue: Nall comes to find inspiration in his nightly revisits on his laptop to “Mister Rogers’ Neighborhood.” This triggers an exploration by Nall thus leading to confronting more than he bargained for.

A young and feisty Fred Rogers.

First, some words on Fred Rogers and his monumental achievement. Keep in mind, the “Mister Rogers’ Neighborhood” program ran from 1968 to 2001. There was nothing like it before and there will probably never be anything like it again. This is a show that speaks to kids on their own terms — and in a distinctive format that defies duplication. The viewership is mostly meant for 2 to 5 year-olds, but it appeals to any age. Fred Rogers became sort of a surrogate parent for countless children, spanning generations, simply by being there with kind and gentle entertainment mixed in with thoughtful observation and guidance. Everyone seems to fondly remember Fred Rogers and have a favorable opinion of him. You may have seen footage of a young and feisty Rogers testifying before Congress in support of PBS funding. Rogers was able to melt the heart of at least one tough and jaded senator.

Nall highlights a particular aspect in his story and provides an excellent example of how one element can affect the balance of the whole. Comics, with their panels and unique narrative structure, are inherently tricky balancing acts. You can include a scene in one panel and the ripple effect is under way. Refer back to it and the overriding subject behind it, and you’ve underscored it, boosted its significance. Return to the subject again, and the whole story points back to it, in a way, as if in service to that one aspect. These sort of shifts in focus happen all the time in big prose works. For example, a book on current events will have its most newsworthy items plucked for greater scrutiny by all the news outlets.

The Washing of Feet.

Nall makes a strategic choice to focus upon the relationship between Mister Rogers and Police Officer Clemmons. The scenes are from the point of view of Francois Clemmons. Rogers hired Clemmons to play the role of a police officer on the show. This was the late 1960s and police brutality was a hot news topic. In one particular panel, we see what looks like Mister Rogers washing the feet of Officer Clemmons. The unique nature of comics allows the reader to linger on a panel. The panel is already a highlighted moment, suspended in time, radiating beyond its borders. The actual moment that occurred on the show was held together by a very different medium. In the course of that scene with Clemmons, he and Rogers are indeed enjoying a moment of peace and quiet. As they are about to complete the scene, they both begin to get their feet out of the water. For a split second, Rogers takes a towel and passes it over Clemmons’s feet. It occurred so fast as to be subliminal. Certainly, it was packed with Christian symbolism.

Francois Clemmons speaks out.

That moment, both subliminal and highly symbolic, is what Nall sort of plucked and focused upon to keep the reader wondering. It is unusual. Once you see it, you can’t unsee it. Sure, it is benign. You could see it as ideal too. But it is also unusual. It was Rogers’s way of gently and kindly getting a message across, specifically of racial tolerance but transcendent as well. A moment of kindness. Done. We move on. However, Nall has tapped into something that he pursues further and which he would be hard pressed to avoid. His research consisted of four articles and two books. It is really the one book, 2015’s “Peaceful Neighbor,” by Michael Long, that is at the crux of this. In the book, Francois Clemmons claims that he was told by Rogers that, while Rogers supported Clemmons coming out as gay, the program was not ready for an openly gay character. If he came out, he would have to be let go. To further complicate matters, Clemmons claims that Rogers advised him to marry a woman and Clemmons did just that. Considering the era, Clemmons would certainly not be alone among closeted gays. Even today, there is no openly gay character on a children’s program.

Overall, Nall has done a good job in conveying some compelling facts. He is not bringing to light anything that was not already covered in “Peaceful Neighbor” but he has presented these facts in a different format and reached a number of new readers. Nall’s book is an achievement in the sense that any book of this kind put together by one individual is a small miracle in itself. So, yes, of course, I wholeheartedly congratulate Nall. It would be very interesting to chat with him on what parts of his book are style choices and what parts are simply the result of his current skill set. Personally, I am a strong believer in cartoonists perpetually pushing themselves to make the smoothest and most readable content.

I look forward to what Nall does next as he considers his next project. Nall has demonstrated that he’s not afraid to tackle as ambitious a project as the life and times of Fred Rogers. And, as I say, he has a good grasp of how the comics medium works. It can be a deceptively simple affair but, in fact, it has quite a built-in complexity. Once the process is set in motion, just like any other creative endeavor, it takes on a life of its own.

“Let Some Word That Is Heard Be Yours” is the latest installment of Nall’s “Teaching Comics” series. Visit him right here.

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Filed under Alex Nall, Alt-Comics, Alternative Comics, Comics, Independent Comics, Indie, Mister Rogers, PBS

Review: ‘Lucy & Andy Neanderthal: The Stone Cold Age’

“Lucy & Andy Neanderthal: The Stone Cold Age” by Jeffrey Brown

Jeffrey Brown has the uncanny ability to get in touch with his inner tween. He has all the snarky put-downs and sulky sighs down pat. It all adds up to a lot of fun for young readers with his latest graphic novel, “Lucy & Andy Neanderthal: The Stone Cold Age,” published by Crown Books. If you have patience and a sense of humor, you too can appreciate the angst of the pre-teen. For starters, nothing goes to plan in this world. Then set your pre-teen story 40,000 years ago during the Ice Age, and you’re set.

Andy can’t get a break!

Our title characters prove to be two highly mercurial tweens. Lucy seems nice but she is prone to not participate and let the team down. Andy seems capable but he is prone to self-serving behavior and hurtful naysaying–not admirable qualities when trying to live with others. Neither Lucy nor Andy appear to possess even one valuable character trait needed to survive the severe conditions in this story. These two characters are not particularly likable nor admirable and that’s part of the humor that Brown likes to play with.

Learning through humor.

Brown really doesn’t sweat over having things tidy and proper. His artwork, and his script, have a very casual vibe. In fact, it is a clever mix of irreverence and thoughtful planning. While it feels like one of the young characters created this book, clearly there is a well-crafted structure. Alternating between the Ice Age story is a contemporary story that follows Pam and Eric, a couple of intrepid young paleontologists. From Pam and Eric we learn such things as the climate has been consistently warming up for the last 12,000 years. And, intertwined within the narrative, Brown provides all sorts of educational goodies like Timeline of Key Discoveries, Ice Age Fact vs. Fiction, Silly Cavemen Myths, and more.

This book is intended for an age range of 8 to 12 years-old. This will definitely appeal to fans of Big Nate, Diary of a Wimpy Kid, and The Terrible Two. “Lucy & Andy Neanderthal: The Stone Cold Age” is a 224-page hardcover, the second in a series, published by Crown Books, an imprint of Penguin Random House. It will be available as of August 29, 2017, and is available for pre-order.

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Filed under Comics, Education, Graphic Novel Reviews, graphic novels, Jeffrey Brown, Teachers

BEARDO Comic Strip Ends

The final installment of BEARDO, by Dan Dougherty, is now available as a print.

BEARDO, the long-running humor comic strip about family life by Dan Dougherty, has reached its end. Dan Dougherty is one of the finest cartoonist/illustrators in the business. He has all the qualities and skills that make him a professional: a strong work ethic, dedication to craft, and steadfast persistence. These darn cartoons don’t get drawn by themselves, folks. It takes a special person to see it through and make it all look so effortless. The above comic strip is a prime example.

The final installment of BEARDO, by Dan Dougherty, is now available as a print. Visit Dan and pick up your print right here. And, while you’re visiting Dan at his site, you’ll discover all the other work he’s been up to including a thrilling comic book series, TOUCHING EVIL, and his band, On the Off Chance.

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Filed under Comic Strips, Comics, Dan Dougherty, Family, GoComics, Humor

Review: JURASSIC by Ted Rechlin

JURASSIC by Ted Rechlin

Dinosaurs fascinate us on a level all its own. Over a hundred years ago, when Winsor McKay was looking for a way to wow the public with his animation, he turned to a brontosaurus, Gertie the Dinosaur. Beyond that wow factor, there is a need to know what these creatures were really like. And that is where the work of writer/artist Ted Rechlin is so important for young readers…and even older readers. In a series of books that use a comic book format, Rechlin brings to life a fascinating assortment of facts about dinosaurs. Rechlin’s approach evokes the best in wildlife documentaries with the unique storytelling qualities of comics. Rechlin’s latest book is simply entitled, “Jurassic,” published by Rextooth Studios, and distributed by Farcountry Press.

The mighty Supersaurus!

“Jurassic” is the new graphic novel from Ted Rechlin (Tyrannosaurs Rex, Bears). Printed in a hardbound, comic-book style, “Jurassic” is a thrilling prehistoric adventure for all ages. Featuring epic action, stunning artwork, and the return of the Brontosaurus. Ted Rechlin is a phenomenal Montana artist who has worked for DC Comics and Dover Publication and currently runs Rextooth Studios. He also just released Dinosaurs Live! (coloring book, Farcountry Press). “Jurassic” is part nature documentary, part action epic, and follows a brontosaurs calf navigating through the perilous age of the dinosaurs.

Allosaurus vs. Torvosaurus

Author and Illustrator Ted Rechlin is becoming a king of the dinosaurs. “I just keep drawing them” says Rechlin. “I love getting the chance to show them as living, breathing creatures. I love knowing that people will read this and imagine how they might have behaved.” Having already published Tyrannosaurus Rex and just recently completed Dinosaurs Live! The Ultimate Coloring Book, Rechlin’s love and knowledge of the Mesozoic world shines in all his work.

Allosaurus wins!

His newest release, “Jurassic,” is a primeval adventure in animal behavior. Part nature documentary, part action epic, Rechlin welcomes readers of all ages to experience the golden age of dinosaurs. “One of my favorite parts of this time period is the sheer scale of these creatures,” Rechlin says, “We have mega-carnivores like the Torvosaurus hunting prey alongside the massive and whale-sized Camarasaurus.”

Allosaurus rests.

One of these giant-sized herbivores, and the central protagonist in “Jurassic,” Brontosaurus, has just recently come back into prominence thanks to new scientific discoveries. Years ago, the species had been downgraded and grouped as a subspecies of Apatosaurus, but recent findings confirmed that it was a distinct and valid species of sauropod. “Brontosaurus was one of my favorite dinosaurs as a kid,” says Rechlin. “After paleontologists reconfirmed its existence as a species, I knew I wanted the book to feature a young brontosaurs’ journey to become the ‘thunder lizard’ he was born to be.”

Beautifully illustrated, packed with thrilling action sequences, the most up-to-date science, and a passion for the prehistoric world, “Jurassic” (ISBN: 978-1-59152-203-4, $19.95, Sweetgrass Books, 2017) is available at local bookstores and gift shops, through online retailers, or from Farcountry Press right here. And be sure to visit Ted Rechlin right here.

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Filed under Comics, Dinosaurs, Education, Graphic Novel Reviews, graphic novels, Ted Rechlin

Review: ‘Haytham: A Childhood in Syria’ by Kyungeun Park & Nicolas Hénin

“Haytham: A Childhood in Syria” by Kyungeun Park & Nicolas Hénin

“Haytham: A Childhood in Syria” depicts a typical Syrian family in clear and accessible terms–and that alone is a powerful vehicle to understanding Syria today. Like many an American family, each individual helps the other to progress. In the al-Aswad family, much is expected from young Haytham. He demonstrates both academic and athletic skill. And he adores his activist father. It is in following this family that the reader is given a unique perspective into how average Syrians live under a dictatorship–and how they resist.

Growing up with the Assad regime.

The story begins with Haytham reveling in the beauty of lemon trees in his family’s garden. By age four, he observes the first signs of threat from the outside world. The dictator Hafez al-Assad has died. Haytham’s father is jubilant. But the celebration is short-lived. Assad’s son, Bashir, takes over control. And so the control of the Ba’ath Party continues and intensifies. The Ba’ath Party is Soviet-inspired, complete with its own secret police, the Mukhabarat.

A graphic novel about Syria that educates and enlightens.

The script is based upon the true story of Haytham al-Aswad. It is written by Nicolas Hénin, a French journalist who was held hostage by Isis for 10 months. Hénin has spoken out against air strikes in Syria, saying they represent “a trap” for Britain and other members of the international community. The reader will appreciate the sense of urgency to this story, an authentic work of reportage uniquely brought to life in a graphic novel format. The story of Mr. Hénin, and his thoughtful views, are very compelling:

Illustrator Kyungeun Park (Yallah Bye) does a heroic job of bringing Hénin’s script to life. Park has a very warm approach to family and character details. The reader is made to feel at home and compelled to invest in the story. Park does great justice to a graphic novel equipped to do much good: to both educate and enlighten.

Kyung-eun Park, Haytham al-Aswad, and Nicolas Hénin

Crossing the border into Jordan.

“Haytham: A Childhood in Syria” is an 80-page graphic novel, black & white with gray tones. This book was originally published in France by Dargaud. You can find it at izneo, the place to go to read European comics in French and in English. Izneo BD Comics Manga is the best app for French-Belgian comics, with thousands of digital comic books. Give the izneo comics reader a test drive right here.

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Filed under Al Qaeda, Comics, ISIS, izneo, Middle East, Syria