I just thought I’d share a bit on the process of making comics and illustrations, or just art in general. Right now, what’s important is establishing a certain vibe. Annie is the studios and adventurous type. She will greet someone with a question, trying to quickly gauge a person’s goals and motivations.
Tag Archives: graphic novels
Manifesto Items #10. by David Lasky. self-published. Seattle, 2020. 60pp. $10.
When I find a worthy subject, I’ll add a dash or two of me into the mix. In this case, I present to you an ongoing series by cartoonist David Lasky. What I like about it is that I see some of my own passions. I guess, off and on, I’ve been following Lasky’s work for over twenty years. He’s a dedicated guy and he’s created some wonderful moments in comics through his various comic books and mini-comics. Where Lasky has trodded, so have I. The indie landscape is a very rocky road where you keep on truckin’ and, maybe with a little help from your friends, see what you can get.
Paul Gauguin used to ask, “Where do we come from? What are we? Where are we going?” These are the sort of big questions that pepper a lot of indie comics and done well a la Lasky. The Lasky universe is one that nibbles at a vast array of mystery and wonder and then finds a spot or two to feast upon and then dutifully report back to the hive. It’s a groovy gentle world of observations, hearty calls to action, and melancholic ruminations. Of course, we want to see more of this in comics but maybe some readers don’t even know what they’re missing until they stumble upon a Lasky gem. Well, with all that said, this latest Lasky work collects a bunch of quirky and offbeat content, as I’ve just suggested.
We begin with, well, it’s a little hard to say. It’s more like one little thing happens that leads to another slightly bigger little thing: a collage poem starts off with Bela Logosi and then gives way to a homage to comics and a tribute to the late great Tom Spurgeon; one exquisite corpse bends to another; tributes to cats lead to tributes to The Beatles; and, as we move along, some diehard fans might spot items that have appeared elsewhere like a page from an anthology about the US border patrol or comics from a workshop at Seattle’s Hugo House.
And then we’re hit with something special, like Lasky’s ode to Walt Whitman. Some of Lasky’s favorite, and best, work is literary adaption. For this collection, he provides a generous stretch of comics from Whitman’s “Song of Myself.”
Taken in as a whole, the slow rhythm of alternating images, the searching quality of it all, disparate items, enigmatic and uncanny, it all adds up to a David Lasky experience. It’s like mashing up sleepy Garrison Keillor with a touch of sly David Lynch. Case in point: A Lasky comic that depicts someone looking amused upon seeing flying saucers but actually more disturbed when they beam up her cup of coffee. I suspect that Lasky was zoning into a stream-of-consciousness experiment–his mind zeroed in on saucers and couldn’t resist matching it up with a cup. I’ll have to ask David about it the next chance I get or he is more than welcome to leave an answer in the comments section. Your observations are also most welcome.
So, as I say, this is weird art for art’s sake, good ole fashioned unapologetically offbeat stuff. The humor is so dry that a slight wind could knock it over. But that’s what makes it so distinctive. That is what I am attracted to since my humor can veer off into very dry territory. Maybe David and I have that in common. We’re both rather sensitive souls I’ll have you know. Maybe it’s something in the Pacific Northwest air that we’ve been breathing into our lungs all of these overcast years. Something about it that compels a cartoonist to match a flying saucer with a cup of coffee.
Visit David Lasky right here.
I ask that you keep going on this journey with me. I have been carving this niche for years and I feel like I’ve got it at quite a cozy level with just the right content and pacing. That said, it’s time for another thoughtful interview. For my video interviews, I add here a few notes and observations. Traditional journalism, like hard news reportage, will take an interview and create a concise summation. Some magazines are known for their long sprawling interviews where everything is transcribed. Of course, we also have a long tradition of various talk show formats, some thoughtful and some that are so casual as to blur right in with a dance segment on Tik Tok. Hey, I have nothing against fun and entertainment and I’ll engage in that when it makes sense. But, for interviews, I take them seriously, prepare for them, take off my Joe Cool hat and don’t engage in any dancing. Although, in a metaphorical sense, a good interview is sort of like a dance. The person conducting the interview leads while the person who is the subject of the interview goes about picking up one cue after another and making something out of it.
Anyway, I say all this because it’s particularly relevant to this interview. Essentially, this is an interview about interviews: how to conduct one, what it means, what you attempt to get out of it. I interviewed Julia Wald about her new book, The Suspension of Disbelief (review), an illustrated collection of interviews she conducted about life and work during Covid-19. In the course of the interview, we ended up talking about what it means when you’re working at a restaurant during a world-wide pandemic and suddenly it’s like all the lights are out and then, just as suddenly, you are out of a job, your source of income. We discuss who might have stepped in to help and who didn’t.
And, finally, once an artistic and talented person is inspired to create a book about Covid-19, what responsibility, if any, does she have to the vulnerable people she has interviewed? Well, part of the answer goes back to the dance. If the dance partners have established a sense of trust, then there’s a very good chance that something worthwhile will result that everyone can be proud of. We focus in a bit on American journalist Studs Terkel (1912-2008), the icon of what came to be known as “literary journalism.” Terkel was most active from the 1950s to 1990s, creating his seminal collection of interviews, Working, in 1974. He was part of that old-fashioned gumshoe journalist/creative tradition: loyal to his readers and listeners, to his Chicago, and to the art and craft of journalism. Julia says that Terkel inspired her on her Covid-19 project and it shows and, ultimately, it demonstrates that she did right by all who she interviewed. Julia did it the right way, the old-fashioned way that involves hard work and integrity. It’s the best way. And it’s what inspires me to keep going on this journey.
Visit Julia Wald right here.
The Suspension of Disbelief is available at Push/Pull.
It seems ages ago that I posted a drawing early last year about the developing “new normal” living conditions during this pandemic. Well, as much as things have changed with vaccines on the way, we still have a journey ahead of us. Perhaps it’s safe to say we’re at the halfway point, or better. Let us hope so! For now, we keep doing all the safe things we’ve been doing and, when it’s our turn, we get vaccinated. 2021 is now here. Let’s all make the most of it as best we can.
Casey Silver is an astute member of the comics industry. He is in a very good place these days with his coloring and lettering work gracing the pages of such notable titles as the limited series, Gunning For Hits and the ongoing series Rat Queens, both from Image Comics.
In this conversation, we talk about comic book shops, working in the comics industry, and being co-owner of the comic book company, 80 Percent Studios, based here in Seattle. Casey managed the downtown Zanadu comics shop and we would often chat a bit about comics when I would stop by. Zanadu is now gone and part of history but it’s not forgotten.
Lately, Casey is knocking it out of the park. Fortunate to team up with the artist Moritat, Casey’s career has taken off with his first working on Gunning For Hits and then following Moritat on to the next project, a run at Rat Queens. Moritat is a true maverick of an artist. Look him up and you’ll find exceptional work. When the comics cognescenti learned that Moritat was jumping on board to Rat Queens, that opening issue immediately sold out. So, yeah, all of this is a very big deal for Casey and for those who follow comics closely.
The life of a freelance creative, whatever the medium, has its bumps in the road. There are no guarantees. You are always scrambling for gigs. Casey has a confident way about him that should inspire many interested in entering the world of comics. The big takeaway from this interview is that Casey is a great creative in the biz with a lot of insight to share. I find the Zoom video interview format to be very fascinating–and revealing for both the guest and the host. You are juggling far more information than just a text-centric interview, whether by email or phone. It’s not just the written or verbal content we’re dealing with. It’s not totally an in-person interview either and, at the same time, it’s more. It’s a myriad of visual and body language elements. One way or another, a video interview manages to cut through more than you might ever expect. But if you’re in the moment and sincere, then things tend to work out just fine. Here is another example of just that! We end up covering some good shop talk and, overall, as I say, it’s a great conversation, whatever your interest.
Gunning For Hits. writer Jeff Rougvie. artist Moritat. color/lettering Casey Silver. Image Comics. Portland. 2019. Collected trade, $16.99.
David Bowie has been the subject of a number of comics over the years but nothing quite like this. The character of Brain Slade is the thinly-veiled stand-in for Bowie in this unusual mashup/satire of the music industry and crime fiction. The creative team behind this book is as compelling as this quirky thriller. Writer/music producer Jeff Rougvie is brash and larger-than-life. Artist Moritat seems to strike a similar pose. And Casey Silver, in charge of lettering and coloring, rounds out the bad boy trio. Just the right guys for the job. As I learned from Silver, during an interview, Moritat fits the bill as the mysterious dark figure, the guy at the bar creating intricate drawings of fire-breathing dragons on a cocktail napkin. As for Rougvie, this guy actually lived the whole rock star lifestyle and has survived to turn it into comics. It was Rougvie who created a significant Bowie CD box set. In fact, it was Rougvie who invented the whole CD box set format to begin with. So, this book’s authentic vibe is well-earned.
It is no spoiler here to say that the book involves a lot of guns and a lot of shooting. The premise is that music producer Martin Mills is leading a double life that gets in the way when he’s put in charge of seeing his favorite rock legend, Brian Slade (the fictional stand-in for David Bowie), make a comeback. Set in the 1980s New York City music scene, the gritty world of show business meets the crime underworld when Mills must confront his checkered past. Caught in the crosshairs is Brian Slade. As push comes to shove, it seems that a dead Slade might be more valuable to all concerned than a live Slade. The drama involved is something Bowie would have approved of. This is a wonderful fly-on-the-wall look at the tangled web of power and fame. The music industry and the crime world have plenty of that. If you’re looking for something completely different, then a crime thriller starring David Bowie should satisfy you. Well, it’s not exactly David Bowie, but close enough.
So, tough guy narrative meets tough guy artwork. Moritat delivers with gestural and pared-down work that evokes urgency and overall chaotic/neurotic energy. This is a fun and rollicking book full of power chords and power plays.
Be sure to visit the GUNNING FOR HITS site right here.
Mongrel is a significant debut graphic novel by Sayra Begum. This is among the best works of 2020 as I look back on the year. You can read my review here. And, now, you can enjoy something more. Check out my interview with Sayra Begum by just clicking the link below:
Here are more suggestions for you to consider during this holiday season. See what you think of this next Top Ten List. What do you want most? Maybe stuff a stocking with some cash and glitter? That is hard to beat but let’s see. Look, I’m trying to help. Here, let’s make it an even dozen…
MAX & THE MIDKNIGHTS
A book that is bound to be welcomed by young readers. Filled with jokes, action, and just the right mix of middle school angst, Lincoln Peirce strikes another home run with his latest kid epic. Published by Penguin Random House.
BENEATH THE MOON
A gorgeously illustrated collection of some of the world’s most beloved fairy tales, fables and myths. Yoshi Yoshitani presented time-honored classic with a sly contemporary vibe. Published by Penguin Random House.
SONG OF THE COURT
Here is an appealing book for cat lovers, young readers, and anyone who appreciates an energetic and polished children’s book in a graphic novel format. By Katy Farina, known for creating the New York Times bestselling Baby-sitter’s Club Little Sisters series. Published by Sterling Children’s Books.
THE COMIC BOOK STORY OF BASKETBALL
Fred Van Lente has been attached to some of the most significant educational graphic novels and he brings his A-game to this detailed tribute to basketball. Published by Penguin Random House.
Bill Mauldin (1921-2003) is one of the all-time great political cartoonists we’ve ever had, winner of two Pulitzer Prizes for his editorial cartoons. Here, collected in one book, is a treasure trove of collected works and substantial essays reviewing Mauldin’s career beginning with his “Willie and Joe” cartoons from World War II. Published by Pritzker Military Museum & Library.
GREAT NAVAL BATTLES OF THE TWENTIETH CENTURY
In the history of civilizations, sea power has always played a preponderant role. This symbol of a nation’s scientific and military genius has very often been the deciding factor during major conflicts, putting the names of several clashes down into legend. With this collection, Jean-Yves Delitte and Giuseppe Baiguera plunge you into the heart of three of the twentieth century’s greatest naval battles. The comics narratives exploring Tsushima (1905), Jutland (1916), and Midway (1941) bring you right up to the action. Published by Dead Reckoning.
THE PHOTOGRAPHER OF MAUTHAUSEN
This is the riveting true life story of Francisco Boix, a Spanish press photographer and communist who fled to France at the beginning of World War II. Boix ended up imprisoned at the notorious Mauthausen concentration camp. But, through some luck and skill, Boix found a way to not only survive but to expose Nazi war crimes. Another stellar title published by Dead Reckoning.
An ambitious graphic novel adaption of Edward O. Wilson’s classic. Keeping to a steady pace, any fan of the original will be satisfied. For new readers, this is an excellent gateway to the life and times of one of the world’s preeminent biologists and to nature itself. Published by Island Press.
Journalist Sarah Mirk and her team of diverse, talented graphic novel artists tell the stories of ten people whose lives have been shaped and affected by the prison, including former prisoners, lawyers, social workers, and service members.. Published by Abrams.
Cult artist and longtime Radiohead collaborator Stanley Donwood embarks upon an eerie journey in his first foray into comics with this wordless graphic novel. Published by W.W. Norton & Company.
PLEASE DON’T STEP ON MY JNCO JEANS
Here’s a neat little stocking stuffer: a gem of self-loathing slice-of-life comic strips from indie cartoonist Noah Van Sciver. Published by Fantagraphics.
CONDITIONS ON THE GROUND
Kevin Hooyman’s masterwork is a perfect gift for anyone who enjoys an intriguing read. Published by Floating World Comics.
Comic arts festivals are the backbone of a lot of indie comics activity. During Covid-19, we’ve seen many of these events converting to online versions. Welcome to Exterminator City (part of Push/Pull co-operative), the 10th edition of this Seattle indie and small press festival. Beginning on Thursday, December 10th, you can enjoy programming and events during this 4-day event.
At 12:00 pm on December 10th all artist tables go live. Artist tables are pages on the Exterminator City website that include artist video introductions, their products, and information about them and how to follow them online. You can purchase directly off their tables – it is the next best thing to being with them in-person!
So, check it all out at Exterminator City right here.
There will be a wide selection of video content from online tutorials to interview panels. Here is the full lineup:
December 10th, Thursday – all events are live at 6pm PST
David Lasky speaks with John Porcellino of King-Cat Comics about making the King-Cat series for 30 years, the political nature of zines, and creating in 2020.
Maxx Follis-Goodkind interviews Craig van den Bosch and Marty Gordon of Microverse Press – a conversation about collage & collaboration.
Sarah Maloney teaches you how to make a mini zine of your own!
December 11th, Friday:
7:30pm– Catch special events over at VeraTV! veratv.org Friday only.
Featured events include:
Abridged interviews with Julia Wald and Jose Alaniz about their 2020 book releases.
A panel of zine experts – Maxx FG, Anne Bean, and Sarah Maloney will be giving you their best tips for zine newbies
Plus a tutorial from Maxx FG explaining what is saddle stitch and showing you two ways to do it
December 12th, Saturday – all events are live at 6pm PST
Sarah Maloney interviews Nicole Georges of Invincible Summer about changes and creating during the covid-19 pandemic
Plus! a full interview with Julia Wald about her latest release Suspension of Disbelief, with special guest Vladimir Verano of Vert Volta Press
And zine experts – Maxx FG, Anne Bean (Emerald Comics Distro), and Sarah Maloney – are back with their full list of things you should know before making your first zine.
December 13th, Sunday – all events are live at 6pm PST
A full interview with Jose Alaniz about his latest release, The Phantom Zone, a collection of works from the 90s through recent creations.
Seth Goodkind gets a lesson on the history of Seattle’s underground comics with artist Pat Moriarity and discusses what Pat is up to now.
Cheryl Chudyk invites you to participate in her surrealist poetry zine. And T. Pratt teaches you the secrets behind his pop-up zines.
“Exterminator City is about connecting our community to people self-publishing zines and comics. When we realized that the current pandemic meant all of the in-person shows for the year would be cancelled we felt it was our responsibility to step in. Our hope is that you learn about people creating, connect with someone new, and get some inside information from our panels and interviews. And of course enjoy yourself!”
Visit the festival and explore December 10th – 13th at exterminatorcity.com
And visit Push/Pull, in Seattle, throughout the year.