Tag Archives: Humor

UNFROSTED Directed by Jerry Seinfeld movie review

Unfrosted. Directed by Jerry Seinfeld. Netflix.

Jerry Seinfeld’s new movie, Unfrosted, as Tony the Tiger would say, is great! It’s great for more reasons than you might think. First and foremost, it’s funny as it keeps to its theme, basically that of our love/hate relationship with American consumer culture (at its zenith in the early ’60s), and just runs with it with sincere passion and goofy humor. The whole thing rings true in a way that you can’t fake, managing to unlock that secret code that usually eludes Hollywood of creating a homage piece in the style of the thing being honored, in this case, the broad and frenetic ’60s comedy. It doesn’t feel at all like a contrived attempt but, in fact, the culmination of a lifelong love for a certain moment in time. Any fan of Jerry Seinfeld’s standup comedy knows that he loves, and loves to poke fun at, the simple pleasures in life, like the Pop-Tart.

This movie is all about Pop-Tarts and then some. It’s everything that you would expect from a comedy that is like a classic ’60s comedy: somewhat higher production value, family friendly, usually with a cavalcade of comic actors and unapologetically nonsensical. I don’t think I’m giving anything away (but spoiler alert nonetheless) when I say that this is the kind of movie that invests a lot of time and energy in establishing that the milk industry is having a very hard time with the emergence of a product that will replace cereal. Did Pop-Tarts ever really threaten to replace cereal? Don’t Pop-Tarts go great with milk? Toss any serious arguments aside and just bask in the playful satire, including spot on jabs at John F. Kennedy (Bill Burr) and remarkable send-ups of Walter Cronkite and Johnny Carson (both by Kyle Dunnigan).

Kyle Dunnigan, as Johnny Carson.

This whole movie is a hilarious send-up of ’60s culture from the race to the moon to the race to the consumer. Just add milk, and I’m sure this movie will deliver some good laughs. It’s certainly not meant to be taken too seriously, at least not in any obvious way. That said, it has its own special social commentary particularly focused upon American exceptionalism. A highly polished report could do no better. This gentle well thought-out and heart-felt comedy has plenty to say and with a stellar cast, including everyone from Hugh Grant to Amy Schumer to Jim Gaffigan to Melissa McCarthy. In fact, this movie has some great child actors, including Eleanor Sweeney who helps in the mad pursuit to invent the ultimate breakfast treat. If these young stars of tomorrow can not only appreciate the humor in this movie but help to make it shine, then there’s still hope for the rest of us.

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2120 by George Wylesol comics review

2120. George Wylesol. Avery Hill. 2022. 500pp. $25

A meandering story is often an asset in the world of comics. Sometimes, it’s the whole point, especially if your story is also a game. Think of the Choose Your Own Adventure series and then times that by a hundred and gear it up to a relatively older demographic. This book sets you upon a journey, having you choose your own narrative by leap frogging your way through the book’s infinite number of alternate paths. It’s a book that will entertain any age but there is a fine dollop of droll sophistication given the premise is a middle-aged tech guy who finds himself trapped in a building with no clear way out.

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Zack Quaintance’s Death of Comics Bookcase Kickstarter

A page from Death of Comics Bookcase.

Comics Bookcase was a blog, in a similar spirit to Comics Grinder, and then it left the scene. But now it’s back, at least, in the form of a comic book. I find it very inspiring and leads me to think that perhaps Comics Grinder needs its own comic book. Ah, but there is! More on that later. What’s important now is what Zack Quaintance is up to with his 48-page Death of Comics Bookcase comic book. It’s impressive. I can’t wait to check it out. But, first, we all can support the Kickstarter campaign, thru May 1st, and secure that this project becomes a reality. There’s a significant amount of overlap between what Zack does and what I do that I can’t help but sincerely wish Death of Comics Bookcase great success. For more details, an excerpt from the press release follows:

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The Werewolf at Dusk by David Small book review

The Werewolf at Dusk and Other Stories. David Small. Liveright. New York. 2024. 175pp. $25

One great way to approach David Small’s delightful new “graphic novel” is as a collection of bedtime fairy tales for discerning adults. And, no, I am not inferring that this is a book to keep away from the youngest readers. There is nothing explicit to be found here. What I mean is that this is a delicious book for world-weary folks who want to be entranced by a dance made up of words and pictures. There’s nothing pretentious to be found here either. Just a very smart, whimsical foray, beginning with the titular tale involving a werewolf who has somehow outlived its purpose, just too long in the tooth.

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Comics: Henry Meets Griffy, ongoing process

Just a barefoot artist in search of the meaning of life.

Here is a follow-up on a 5-page comic that will appear in the first full-length issue of Pop Culture Super-Sleuth, which will debut at this year’s San Diego Comic-Con. I will post more as time allows and when it makes sense. In fact, I really should do more of these work-in-progress posts.

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Filed under Bill Griffith, Comics, Henry Chamberlain, Zippy the Pinhead

Comics: Henry Meets Griffy, a bit of comics journalism

Page from “Henry Meets Griffy,” original ink on bristol.

Here’s the first page to a comic I did based upon an in-person interview I did with the legendary underground comix artist Bill Griffith. We hear a lot about comics journalism and it got me thinking that I need to share more of my deliberate form of “comics journalism,” when you go that extra mile (many miles, in fact) to document a moment in words and pictures. It’s not easy and it can drive you a little batty. But, if you’re in the right zone, things will bubble up to the surface that you might not have noticed before. You can’t force the process if you want the best results, especially with a more contemplative visual essay. Things will emerge when they’re good and ready to emerge with something that has logged some time and distance. Sure, you can create something quick right on the spot too. There’s a time and place for both approaches.

A full page of comics.

I will post more as this all comes together. It’s a process, as my loyal readers appreciate. The originals are mostly inked and now I’m considering what other tweaks I might do and what may happen when I scan this and add color.

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Filed under Bill Griffith, Comics, Henry Chamberlain, Zippy the Pinhead

GIRL JUICE by Benji Nate comics review

Girl Juice. by Benji Nate. Drawn & Quarterly. 2023. 176 pp. $24.

Benji Nate has a wicked sense of humor and is easily one of the best cartoonists today in what is basically a gag comic strip format. Nate has a very loose and lively drawing style which compliments all the fun mayhem. It seems like an easy enough recipe to follow: young housemates figuring out life. And that’s just the beginning. It has to be more than just funny characters in funny situations–but not too much more. Girl Juice works at the highest and wackiest level: the combo of simplicity and silliness is sublime.

Let’s just say that Nate really owns this comic strip, loves and nurtures these characters, and let’s them come to life. It’s a group of four young women and anything can happen. Bunny is, by default and her aggressive personality, sort of the leader even though she appears to offer the least. Bunny doesn’t hold down a job or offer much moral support but she has a certain charm. Nana holds some sway over the group as the thoughtful one although she would prefer to remain in the margins and pursue her cartooning. Sadie and Tallulah are a couple and most likely will someday marry and move to the suburbs. For now, life is a party, if Bunny has anything to do with it.

All in all, I love the uninhibited spontaneity to this comic. Nate makes it feel like it all comes together so effortlessly. And, to some degree, I think it does but you have to have so many factors in place before you get there. So, it’s more of a yes and no when you come down to it. Yes, it can be relatively easy but, no, it actually does take time and care to do this right. From what I understand, Nate enjoys writing, drawing comics and painting in equal measure and I totally relate. Each is inextricably linked to process. So, there are imperfections along the way but, as a whole, the gestural and expressive quality that results is priceless.

Anyway, Nate has a massive fan base who already know how great, and funny, these comics are but, if you are new, then I highly recommend that you check them out. This book collects the latest set of stories. Let’s take a quick look at the camping story. As often happens, Bunny takes the lead, letting her impulsive libido take control. It was supposed to be a girls-night-out glamping but that takes a turn when boys are involved. Bunny’s radar gets the best of her and she’s determined to hook up with one of the guys at the very next campsite. In lesser hands, this scenario would have only gone so far. In this case, Nate has Bunny lost in the woods because of her lust. The other girls, in their attempt to find Bunny, are lost too and furious. Sadie’s comments say it all: “If I die because of Bunny, I swear I’m gonna kill her!” Ah, that’s how it’s done. Comedy gold. Girl Juice is 110% unforgettably hilarious.

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Filed under Comics, Comics Reviews, Drawn & Quarterly

Old Man on Campus by James Burns comics review

Old Man on Campus. James Burns. Burns Comics. 2023. 51 pp.

I’ve been a longtime admirer of the comics work by James Burns. I fondly recall his book, A Life Half-Forgotten. Here is my review. Burns often delivers a fun mix of the curmudgeon and sly humorist that I find very appealing and I believe you will too. In this new graphic memoir, Burns stumbles upon the fact that, through a special program, residents of the state of Georgia over the age of 62 are eligible for free college tuition. Burns, being from Georgia and not someone to pass up on a good deal, jumps at the chance to be Joe Cool in School again–but this time he vows to do it better as an older and wiser student. What could go wrong, right?

An old geezer goes back to college.

Well, the good news here is that nothing goes terribly wrong, although there are a number of painful/awkward moments as Burns powers through a rather protracted “old man returning to school” adjustment period. It seems for quite a long time that all young eyes are on him, passing judgment and ready to ridicule him. And perhaps not everyone was as hospitable as they could have been. But, most likely, the lack of connection is simply universal. Burns is ready to admit that the college scene today, with everyone plugged into their phones, isn’t exactly warm and inviting.

Finding one’s way in a brave new world of college today.

All in all, Burns appears to be a good guy just trying to get along and enjoy college at this point in his life. And it’s not like he’s not open to new trends. In more than one instance, he is fine with embracing the zeitgeist and invoking a sensitivity to his own “white male privilege,” perhaps a little more than necessary but I suppose it’s the thought that counts. I’m just not so sure that he needs to feel apologetic that, as a big strong young man, he wasn’t quite so vulnerable to being taken advantage of as a hitchhiker in his youth. Anyway, Burns appears to be, by the end of this story, on the right path. This is a very engaging look at one man’s initial struggles to fit in. Ultimately, Burns acts as a guide in this story about his new college life. He might be old but he’s young at heart or he’s simply managed to find his way and he can get on with his college experience.

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Eerie Tales From The School of Screams by Graham Annable book review

Eerie Tales From The School of Screams. Graham Annable. First Second Books. 2023. 368 pp. $22.99

Graham Annable is a magical artist who can conjure up little masterpieces seemingly by just a fast swirl of gestures. I’ve seen him at work and he’s devilishly good. And I’ve kept up with him, going back some twenty years. This is an artist who truly lives and breathes his work. So, when I stumbled upon a brand-new Annable collection, a collection of ghost stories no less, I had to see it and then share it with you!

Graham Annable’s training is in animation. It’s that background that landed him steady storyboard jobs and has kept his drawing chops, and precise timing, in tip top form. You see that professional polish throughout this book. In fact, as I gave myself over to this immersive read, the characters (and creatures) came to life for me over and over again. This book is intended for middle grade kids but the level of sophistication you find here makes it a delight for any age. I’m talking about the level of Tomi Ungerer. It’s definitely not generic stuff. It has a special heart and soul to it.

Once I read the first story, “The Village That Vanished,” I was hooked. The collection of stories here is framed around a classroom show-and-tell. Each kid is expected to go up to the front of the class and share their most eerie tale. And so it all begins with two characters overlooking a cliff, attempting to find a village that seems to have literally vanished. Before too long, the two surveyors, or whoever they are, stumble upon an old man in a cottage. And the old man proves to be quite an odd duck with a strange tale about fish people who live nearby. What unfolds is one of the strangest and most engaging bits of comics I’ve read in a long time.

The good stuff of good nightmares.

Annable is a master of capturing just the right movement, gesture, and expression. His characters are lanky, languid long-lost relatives of Buster Keaton. They move in a certain way; stare back at you, and at each other, in a certain way. There are very pregnant pauses in Annable comics. And there are very melancholic and enigmatic moments too. Plus lots of silly surreal fun. You really can’t beat that. It’s perfect for this Halloween season or anytime of the year for that matter.

One last note here from the publisher: “From the director of the Oscar-nominated movie Boxtrolls comes a middle grade horror anthology that will leave you holding onto your blankets for dear life! Perfect for fans of Scary Stories to Tell in the Dark and Goosebumps!” Indeed, I could not have said it better! Ages 8-12 will definitely love this book and, as I say, there’s really something here for all ages, starting around, say, around age 8. Don’t want to get too spooky earlier than that. Anyway, as I suggest, this is more along the lines of thoughtful spooky. This is the good stuff of good nightmares.

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Comics by Henry Chamberlain: Keep the Aspidistra Flying!

Whatever you do, don’t make waves unless you’re okay getting wet. And keep the aspidistra flying! What on earth am I talking about? Well, here’s a comic with some rather puffed up characters, at some afternoon tea party, chattering away about some nonsense. I don’t begrudge them their good fun one bit as they provide some light entertainment. Enough said.

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