Tag Archives: Humor

420TV Acquires SUPER SLACKERS from David Silverman, Director-Animator of THE SIMPSONS

SUPER SLACKERS on 420TV

As cannabis steadily moves from counterculture to mainstream, the time is perfect for 420TV, the new hub for cannabis news and entertainment, set to launch in early 2018. One of the new shows on 420TV will be a first-run animated series from long-time director of “The Simpsons,” David Silverman. Created for mature audiences, “SUPER SLACKERS” is a comedy about a group of lazy friends unwittingly thrust into the life of superheroes.

Another distinctive feature of this show is that it will be voiced by a a veritable “who’s who” of social influencers whose combined following tops 35 million. “SUPER SLACKERS” features hip-hop artist/actor Jerry Purpdrank; video/music producer & infamous slap-cammer Max Jr.; martial artist, dancer & comedian Dan Nampaikid; professional soccer player-turned-actor, director & content creator, Jon Paul Piques; Smosh YouTube star Olivia Sui; stand-up comedian/writer Arantza Fahnbulleh; and traditional actor/comedian Mickey Gooch, who was recently featured in the hit movie “How to Be Single,” and the indie comedies “Clapper” and “Deported.”

420TV.com

The animated series’ six-episode first season follows a group of friends who discover they have superpowers after their weed is switched with a new strain being used in a government experiment. When a Professor Xavier-type shows up to train them, they have no interest in saving the world. They agree to move into a rent-free government compound, but all they want to do is watch TV and play video games. The Professor is convinced he can turn them into the heroes that the world needs — but can he do it before their infectious laziness spreads to the rest of the agents?

“SUPER SLACKERS” is created and directed by David Silverman (“The Simpsons”), written by Joelle Sellner (“Sonic Boom”) and animated by Mike Blum (Pipsqueak). Executive Producers are Mickey Gooch (Skit Bags Entertainment), Warren Zide (“American Pie”), digital entertainment manager/attorney Ash Venkatram and entrepreneur Ranajit Chaudhury. Usman Shaikh is Co-Executive Producer. The series was introduced to 420TV by talent manager Leanne Perice.

SUPER SLACKERS on 420TV

“‘SUPER SLACKERS’ is the first original animated series from a director in the traditional space that leverages the talents and audience of household digital stars,” said Ash Venkatram. “By choosing a racially diverse cast and throwing them into the culture of cannabis, we hope to give viewers a refreshing change from the vanilla content they normally consume on linear television.”

“420TV is thrilled to be offering the latest animated comedy created by David Silverman, a wonderfully gifted animator who has a long history of producing tremendously successful shows. His new, first-run series, which will make its global premiere on 420TV, is equal parts funny, twisted and cool. ‘SUPER SLACKERS’ is also a perfect complement to our lineup, as we look to create and secure cannabis-friendly content for both the converted and the curious,” said Alex Nahai, a partner in 420TV.

Added David Silverman: “I couldn’t imagine a more fitting home for ‘SUPER SLACKERS’ than 420TV, with its appeal to a very open-minded, socially connected audience.”

Debuting in early 2018, and initially available through 420TV.com and its mobile applications, 420TV is a premium 4K video-on-demand network devoted to all things cannabis. It will deliver original programming produced exclusively for the multi-platform channel, in addition to acquired long and short-form entertainment. Content categories in development include news, information, food, fashion, comedy, music and animation, as well as acquired feature films, documentaries, music and live streaming events. 420TV was developed by 420 Entertainment Group, comprised of OWNZONES Media Network, Genesis Media and Alex Nahai Enterprises. For more information, follow www.420TV.com.

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Filed under Cannabis, Comedy, Entertainment, Humor, Marijuana, pop culture, Television, The Simpsons

Review: ‘Tenements, Towers & Trash: An Unconventional Illustrated History of New York City’

Tenements, Towers, and Trash!

Cartoonist Julia Wertz has a distinctive outlook (irreverent, pithy, snarky) that has gained a loyal following of readers. With her latest work, she brings her unique style to bear on the Big Apple. It is an honest, funny, and insightful approach to learning about how cities evolve, particularly New York City, the quintessential urban mecca. Early in her cartooning career, Wertz said she resisted writing some sort of coming-of-age book set in NYC. Now, more mature, she can dish on the history of the city that never sleeps while also, inevitably, sharing something of her journey of self-discovery. It all makes for an intoxicating blend: “Tenements, Towers & Trash: An Unconventional Illustrated History of New York City,” published by Black Dog & Leventhal.

Wertz sets up a poignant and vulnerable starting point: the remains of the New York World’s Fair of 1964. It’s not a pretty sight. No, it’s a mishmash of faded totems to the future. Ironic stuff, indeed, irresistible to a wise-cracking cartoonist! Surely, you know that most, if not all, cartoonists have a sardonic sense of humor. And Julia Wertz is just the sort of sardonic tour guide you would want. But it’s not just about the snark–far from it. Sure, Wertz puts the 1964 World’s Fair through the wringer, deeming it a celebration of corporate-sponsored consumerism. Now, the 1939 New York World’s Fair had style but, in its own way, it too was a celebration of corporate-sponsored consumerism. This sort of comparison easily lends itself to delving deeper and therein lies what this book is about, what makes it unique and beautiful.

Egg Creams, best to keep them simple.

New York City is all about the tension between the pretty and the not so pretty. Wertz revels in this fact. It seems as if she can’t get enough. Just when you think you have this book figured out, Wertz will delight the reader with shifts in narrative, compelling visuals, and overall heart-felt enthusiasm, the sort of lust and vigor you’d expect from an Indiana Jones in the jungle except this is Julia Wertz on countless urban expeditions. She tracks down everything: bagels, egg creams, The Village Voice, railroad flats, micro-living units. It’s all here and then some.

I love New York almost beyond words. My heart goes out to Julia Wertz and her marvelous long walks spanning hours upon hours and covering multiple boroughs and miles. I highly recommend taking this book on a NYC trek of your own. It’s a hefty hardcover but, if you make it your primary item in your backpack, you’ll be just fine. You can make your own comparisons and connections guided by all the amazing drawings that Wertz has to share of bygone and contemporary New York. This book is really an inspiring combination of prose and artwork and comics. This is simply a dazzling book collecting a treasure trove of insight and information and making it all feel like a carefree conversation.

223 W. 42nd Street in 1964 and in 2014.

“Tenements, Towers & Trash: An Unconventional Illustrated History of New York City” is a 284-page hardcover published by Black Dog & Leventhal.

If you’re in Seattle this weekend, be sure to stop by and see Julia Wertz at the annual comic arts festival, Short Run, or the the Seattle Public Library. At Short Run, on November 4th, Wertz will be giving a slideshow/talk about her urban exploring from 3:30-4:30pm at the Vera Project. And at the downtown Seattle Public Library, on November 5th, Wertz will hold a slideshow and conversation with cartoonist Nicole Georges from 2-4pm.

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Filed under Comics, graphic novels, Julia Wertz, New York City, Short Run, Short Run Comix & Arts Festival

24-Hour Comics: SO IT GOES (#3 of 3)

And here is the final installment to the 24-hour comics I did at the Palladian, a Kimpton hotel. The animal spirit is strong and I find myself surrounded by it and embracing it.

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Filed under 24 Hour Comics, 24 Hour Comics Day, 24HCD, Comics, Henry Chamberlain, Hotels, Kimpton Hotels, Kimpton Palladian Hotel, Poetry

24-Hour Comics: SO IT GOES (#2 of 3)

Here is the second part to my recent 24-hour comics marathon at Palladian, a Kimpton hotel. The work neatly fell into three sections. In this part, we shift focus a bit to talking about myth byway of Hollywood.

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Interview: Martin Olson: A Writer’s Life

Martin Olson

It is another night of bright lights in the big city when a tall dapper gentleman strides into Musso & Frank Grill, Hollywood’s legendary restaurant, frequented by stars of today and ghosts of yesteryear. This is Martin Olson: comedy writer, TV producer, bestselling author, playwright, stage director, composer and poet. Here I am, with a reservation at the Three Stooges booth, across from the Charlie Chaplin booth and the Marilyn Monroe booth. I wave Martin over to join me and Jennifer. We’re in town for a bit and honored at the chance to get together for this interview. Mr. Olson is a very busy, very talented, and very nice guy. If you see a publicity photo of him frowning (see above), that’s part of an act. He is really nice. I don’t know if I should be telling you this, but I’m putting it out there just so you know.

Hunson Abadeer

By the way, among the various credits that Mr. Olson can point to, he will forever enjoy a place in pop culture history as the voice of Hunson Abadeer (aka the Lord of Evil), ruler of the Nightosphere, and father of Marceline the Vampire Queen (Olson’s daughter, Olivia, is voice talent) on the legendary animated series, “Adventure Time” on Cartoon Network.

“Rocko’s Modern Life”

Encyclopedia of Hell,” Olson’s popular and critically-acclaimed satirical book will continue in a new book in 2018. We chat about that. We discuss the Boston Comedy Scene which Olson helped form. And another fun item is a reunion of the original cast of the landmark animated series, “Rocko’s Modern Life.” Olson was part of the writing team behind a new one-hour TV special that will run in 2018.

“Encyclopedia of Hell” by Martin Olson

When the subject of writing, or any form of creativity comes up, people usually seek some insights and tips. We tackle that sort of stuff here too. So, sit back and enjoy this podcast. Given the nature of our talk, more in tune with a conversation over a meal, it is split into two sections: one before dinner and the other after dinner. Oh, dinner was great, if you were wondering.

Click the two links below to go to Part One and Part Two:

Visit Martin Olson right here.

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Filed under Adventure Time, Comedy, Humor, Interviews, Martin Olson, Olivia Olson, writers, writing

Review: WEED MAGIC

WEED MAGIC, published by Bliss on Tap Publishing

Cannabis humor is tricky. The subject comes with its own unique background that easily attracts goofy humor. It can also definitely have redeeming quality. I’m talking about overall quality and craft. In movies, think: Cheech & Chong. Seth Rogen and James Franco. In comics, think: Robert Crumb. Simon Hanselmann. If you are really cool and smart about it, you can succeed with goofy jokes about pot. WEED MAGIC, published by Bliss on Tap Publishing, is a new comic book series that gives it a try. Let’s take a closer look.

Here’s the deal: you are already preaching to the choir when you create a cannabis comic so you really don’t need to overstate your case. That is a big challenge to contend with. And, to be fair, you are also dealing with a variety of opinions and tastes. Some people think Kevin Smith is spot on with his cannabis humor and some think not so much. It does seem that people can get way too caught up in proving that they have cannabis cred and that they’re up for the most wildest of misadventures. In general, less is more. Some people think more is not enough. At first, I was leaning towards this being a problem for this comic. Attempts at going full-on Mary Jane can fall short and feel too generic and calculated. But, after careful consideration, I say this comic grows on me.

Two friends just getting by…

The narrative steadily takes form and the reader can expect to roll with the offbeat humor. This is light entertainment done right. This is written by Brian Phillipson and Jordan Lichtman with art by Alex Cormack. Brian Phillipson is the president and co-founder of Bliss on Tap Publishing. It is easy for readers to take for granted the hard work involved in creating something that falls in the light humor category. But this is a sharp and well-executed smooth read. The dynamic use of color by Cormack is in step with the pace and humor. We’re in good hands down to spot on lettering by Alex Murillo.

…then, one day, they stumble upon a big bag of magic weed.

The story does a good job of playing off the typical superhero origin story. Set in Los Angeles, in Hollywood, we follow two friends as they discover their true destiny. Bunny Cortez dreams of making it big as a filmmaker. Moe Green is more down to earth as a law clerk on a fast track to becoming an attorney. But both of these guys are not happy, at least not as happy as they’d like to be. Until, one day, they stumble upon a big bag of magic weed. Hey, I could see this attracting the attention of Seth Rogen and James Franco or the next wave of talent that aspire to be Rogen and Franco. It could happen. Lastly, we’re just discussing the first issue here. From what I see, I am intrigued and look forward to the collected trade. All in all, a strong first issue. Seek this out.

Rating: 10/10

WEED MAGIC is available as of October 4: digitally on all major distribution platforms, including Amazon, Apple iTunes, Hoopla, Comixology, Google, Scribd, Nook, and Drivethrucomics. And for fans attending New York Comic Con (October 5-8), Bliss on Tap will be featuring WEED MAGIC at booth 945 along with a special collectible.

Visit Bliss on Tap right here.

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Filed under Bliss on Tap Publishing, Cannabis, Comics, Hollywood, Humor, Marijuana, New York Comic Con

Webcomic Review: MY ROOMMATE, THE INTERNET

MY ROOMMATE, THE INTERNET

“My Roommate, The Internet” is a very good title. If it were a play, I’d go to the theater to see it. If it were a game, I’d play it. For now, perhaps forever, it is a webomic and it does a fine job of it. A lot of us out there have created, or attempted comic strips. Some of us, like myself, did a comic strip in college. I peg this one as that sort of thing and done well. Back in the day, home-grown college comic strips were a big thing. I suppose they still are. Writer Andy Nordvall and artist Alexander Neish have climbed on the shoulders of many a comic about young people just hanging out. “My Roommate, The Internet” succeeds in having a distinctive irreverence and tapping into the zeitgeist.

Young people, in many respects, have not changed all that much in the last few decades. Attitudes have changed dramatically. Styles have changed dramatically. And so on. But a sad sack slacker from fifty years ago could pretty easily navigate the same couch and bag of potato chips as his brethren of today. Okay, the big difference would be…the internet! Nice segue back to our review. The premise of this webcomic is dealing with a roommate who is “as annoying as the internet.” That already sounds so goofy that I can’t help but want to check it out. It makes me think of a bad suggestion thrown out to an improv comedy troupe. But that’s okay. That’s totally okay.

It’s what Nordvall and Neish do with their oddball premise that matters, right? I’m thinking a nice mix of jokes and character-driven narrative. It’s a weekly comic. It’s just a question of developing both the jokes and characters. In general, that’s a tough slog so I’m not looking for a home run every single time. I’m looking for passion and consistency–and I see that. Do I see more? I think so. The gags have a good offbeat timing. Neish is having fun with facial expression. Both of these guys are having fun and that carries over to the reader. All in all, nice work.

In general, a comic strip, dealing with regular deadlines, is vulnerable to burn out. It happens to the best of them. Jokes repeat themselves. Material can feel like just filler. My recommendation to these guys is to play up the internet theme for all its worth. If, for example, you have a problem with trolls on Reddit, then bang that drum as loud as you can! If you become frustrated by social media etiquette, then let everyone know just how frustrated you are! So, if I have a gripe or criticism to express about this comic strip, it would just be a very general disdain for holding back and being relatively too nice. I think these two guys are on the right track. Just keep exercising those creative muscles and you’ll keep getting more and more awesome.

One last word, I only do some ranting because I care. I am holding you guys to a very high standard and I’m confident in your work. I’m told that Nordvall and Neish welcome followers. I think these guys are on the right track and you should follow them. You can find them, and follow them, at these fine locations: Instagram, Twitter, Patreon, Tumblr, and Facebook.

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Filed under Comics, Humor, Internet, Satire, Webcomics

Review: DARK SIDE OF THE MOON by Blutch

DARK SIDE OF THE MOON by Blutch

Blutch is one of the greatest cartoonists working today. You may not be familiar with him but, once you see his work, you can’t help but fall in love with his fluid line and worldly narrative. This guy is simply brilliant. At 49, he is relatively young. All of us cartoonists seem to age well. Part of it has to do with a bit of arrested development. Just a touch of Peter Pan can go a long way in a youth-oriented industry. If only all could be counted on to go well, then a true artist-cartoonist could enjoy a most meaningful, productive, and youthful life. But things rarely go according to plan. That is part of what the great Blutch confronts in his new graphic novel, “Dark Side of the Moon,” available in French and English at izneo.

All in a day’s work.

Now, one more thing, keep in mind that American cartoonist greats like Paul Pope and Craig Thompson turn to France and worship at the altar of Blutch. This is the time for all the great work in French by Blutch to be translated into English. And, believe me, that is currently happening. Take a look at a recent English version of “Peplum,” published by The New York Review of Books. This is also time for the master to reach ever new heights with ambitious and complex bildungsromans and roman-a-clefs. He does just that sort of thing with this new book which has a cartoonist satirizing his lot in life in a similar vein as Fellini satirizing his. We begin with a dream, an ideal, and how it fares when it dukes it out with cold harsh reality.

Much has been said about Blutch’s expressive line. It seems as if he conjures up the most lively and vivid figures from head to toe. Well, that ability does not come from being showered with likes on Facebook over knocking off a quickie sketch. In Blutch’s youth, and in mine, to be liked was a hard won endeavor that really meant something between two human beings, if it happened at all. And for someone to like your work, well, that meant you must have torn your heart out with elbow grease. Oh, the nostalgia can weigh so heavy as to floor me. In the case of this book, we go back and forth between Lantz, the cartoonist in the bloom of youth and in the pit of middle age. Lantz is on a journey where memory and desire conflate the truth.

Liebling at her easel.

Perhaps sweet and dewy Liebling holds the key to happiness, to perpetual youth. It is this lovely young woman who begins our tale. From her, we find all the energy and promise of youth fully intact. But, alas, Liebling has certainly come of age to go out and get a job and so off she goes to give up her soul to the nearest employment agency. Blutch mercifully sweetens things by setting it all in a fanciful world of the not too distant future. All Liebling seems to have to do at her new job is stick both of her hands in a big blob. Yes, a blob, not a blog. It is a goopy half-sentient network that keeps things running smoothly at Mediamondia, the mega-publisher-content-provider. Okay, you can see the easy segue to Lantz, a master content provider, er, cartoonist.

Pips tells it like it is.

Imagine your favorite pop culture franchise. Okay, that’s what our hero, Lantz, has a pivotal role in. Lantz is responsible for churning out the next installment of The Brand New Testament. The only problem is that Lantz is losing his mind. The passing of time is making Lantz sad again. It’s a whole new world. It’s not like the old days and it’s hardly like it was in the heyday of Pips.

No one appreciates all the toil involved with creating a work of such epic proportions…and all done by hand. Hint: Blutch speaks of his own work and the relative indifference he must confront. There are people who want what he can make but do they really know him or love him?

You will bow down to Cuckoo Puff!

Blutch triples down by giving himself three alter egos. There is a young Lantz and an oldish Lantz. Plus, there is a shrewd youngish character named Blutch, a corporate jester who knows how to play the game. It is this character who needles Lantz and convinces him that, if he refuses to go on with The Brand New Testament, then he damn well better be content to churn out the very next installment of the popular, but decidedly subpar, Cuckoo Puff series.

Nothing goes according to plan.

Lantz will either avoid reaching a breaking point or Blutch will happily dance on his grave. And then there’s the ethereal Liebling. Surely, she must hold a key. This is an utterly mesmerizing work. If you are new to Blutch, consider this an excellent introduction.

DARK SIDE OF THE MOON is a 56-page full color graphic novel and available in a digital format at izneo.

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Filed under Bande Dessinée, BD, Blutch, Comics, Graphic Novel Reviews, graphic novels, Humor, Satire

Review: ‘Pantheon: The True Story of The Egyptian Deities’ by Hamish Steele

“Pantheon: The True Story of The Egyptian Deities” by Hamish Steele

Who knew that ancient Egyptian (3000 BCE – 30 BC) mythology could be so much fun? Well, a very creative and funny guy named Hamish Steele sure does. Read his take on these creation tales in his new graphic novel, “Pantheon: The True Story of The Egyptian Deities,” published by Nobrow Press. It is always a pleasure to review a book by Nobrow as they consistently bring out books that will appeal to a wide readership. This book I peg at ages 13 and up. A tongue-in-cheek blurb on the back provides a friendly warning. It states that this book contains depictions of “incest, decapitation, suspicious salad, fighting hippos, lots of scorpions, and a golden willy.” So, keep that in mind.

Osiris weighs in.

Steele has created a “disruptive” comic interpretation of Egyptian mtyhology. It is as if he picked the brains of countless students who have had to slog through arcane history and literature and given them exactly what they wanted. How about The Canterbury Tales as told by Borat? The original is “bawdy” but still a bit distant. There is no harm in making it more accessible. In fact, the great Seymour Chwast gave us his take on The Canterbury Tales a few years ago and brings things to life in way that only the comics medium can do. What Steele does is follow the pantheon of gods and pharaohs as they attempt to rule over ancient Egypt, warts and all.

Isis on the hunt.

Take, for example, just how badly things go when a god is insecure. Ra, the sun god, senses that he has outworn his welcome among humans. So, what does he do? He turns his one and only duaghter, Hathor, into fury itself, hell-bent on killing humans. Not the best solution to a problem. Steele plays that up with sly wit. Of course, things get far more complicated once Ra drops off a few gods to fight over who will rule over humans as pharaoh. Gods being gods, nothing is beneath them. And here, Steele runs with it.

With an appealing style, Steele infuses these tales of gods and mortals with a zesty contemporary vibe. Steele’s approach is uninhibited, playful, and spot on. This would be a welcome addition in a high school or college classroom.

“Pantheon: The True Story of The Egyptian Deities” is a 216 page full-color trade paperback, available as of September 15, 2017. For more details, and how to purchase, visit Nobrow Press right here. You can also find this book by visiting Amazon right here.

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Filed under Comics, Education, Egypt, Hamish Steele, Humor, Myth, Nobrow Press

Story & Review: Dive Bar Shirt Club and The Giant Jackalope

The Giant Jackalope illustration by Henry Chamberlain

It is always a pleasure to review anything that falls within the category of attire or accessory in the geek lifestyle. So, Comics Grinder is very happy to share with you Dive Bar Shirt Club. As the name implies, this is a club devoted to shirts. Each month you get a quality shirt honoring a dive bar chosen for its distinction and originality. A new dive bar design is featured every month and, once that month is up, that shirt is retired forever.

We all seek distinction and originality. It’s another way of simply saying that we are attracted to things that are cool. I was on the road, during a carefree summer in my youth, when I spotted what had to be the best roadside attraction I’d ever seen. It was an homage to the jackalope, that staple of Americana, the cross between a jackrabbit and an antelope. This sucker was huge and it was perched atop a glorious dive bar. It was a warm summer night that seemed to promise adventure. I had to walk in.

Inside the bar, I did a double-take. The place was immaculate. I was expecting it to be a well-worn, musty, and gaudy place. But, no, this place was classy. And there was no carryover of the jackalope theme. Instead, the red leather booths were nicely kept and all the brass piping was polished. There were a couple of gents in suits looking very retro. Again, I was expecting a far more casual vibe. The waitress was a beauty all done up in a vintage dress. All this seemed too formal for a place in the middle of nowhere. I was outside a little town in Texas, not a Vegas casino in the ’50s.

Her name was Sadie. “What will you have, stranger?” she asked with the longest lashes I’d ever had the pleasure to admire.

I’d had a good look at the list of mixed drinks. When I read it on the menu, I had to have it. “I’ll take The Jackalope.”

Sadie just stared at me. Her eyes grew wide. With a tremble in her voice, she asked, “You mean, The Jackalope, right?”

“Yes,” I said firmly, “I’m here for The Jackalope!”

I must have raised my voice because the two fugitives from “Mad Men” turned to have a good look at me. They proceeded to get up from their booth and walk over to me.

“You’re really here for The Jackalope?”

I think I lost it at that point. “I don’t know what you people mean!” I yelled and ran out the front door.

I was heading for my car when it dawned on me. I slowly turned around and looked up. There it was. It hissed and glared at me. Then, with a mighty leap, that monster flew up into the air like the most lucid nightmare. This was followed by a massive thud which was quickly followed by the lightening speed of a creature from hell. And, hell yes, it was distinctive and original!

If you’re like me, you desire that added spice, that distinction and originality. You too can find it in a unique t-shirt from Dive Bar Shirt Club. In the video below, I’m sporting just the ticket. This Dive Bar Shirt Club t-shirt celebrates Goat Hill Tavern in Costa Mesa, California. This is one awesome combination of style and comfort.

Visit Dive Bar Shirt Club right here.

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Filed under America, Americana, Beer, Fashion, pop culture, Style