Tag Archives: Humor

Review: ADVENTURE TIME #62

ADVENTURE TIME #62

ADVENTURE TIME #62

Mariko Tamaki provides a delightful script and Ian McGinty provides the charming art for ADVENTURE TIME #62, published by BOOM! Studios, about a contest to see who is the best Princess in all of Ooo.

I thought this issue was a hoot. I was glad to see that it was left on a cliffhanger. It will take more than one issue to figure out who is the best princess of them all. This issue also gives us some fun back and forth between Finn and Jake as each tries to top the other’s comments about the competition.

Mariko Tamaki wrote, and her sister Jillian Tamaki illustrated, “This One Summer,” an award-winning graphic novel published by First Second Books in 2014. For this Adventure Time comic, Tamaki’s script plays off the vast landscape that is the post-apocalyptic Adventure Time wonderland. She has gathered princesses from various kingdoms implying that there are an endless variety of princesses and kingdoms. That said, some key players stand out like Lumpy Space Princess, who isn’t officially a princess at all but who forces her way into the competition.

Mariko Tamaki and Ian McGinty / BOOM! Studios

Mariko Tamaki and Ian McGinty / Boom Studios

Ian McGinty has worked on a number of titles for BOOM! Studios. He is the creator of the WELCOME TO SHOW­SIDE comic and ani­mated series. For this Adventure Time comic, he provides his lively distinctive style to yet another excellent piece of work. Such otherworldly characters as Finn and Jake, already quite a jittery pair, are even more animated in the hands of McGinty. He also is quite good at composing compelling scenes and keeping everything moving at a dynamic pace or implying a constant frenetic energy.

ADVENTURE TIME #62 is published by KaBOOM!, an imprint of BOOM! Studios and is available as of March 1, 2017.

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Filed under Adventure Time, Boom! Studios, Comics, Comics Reviews, Humor

Review: ‘Simpsons Comics Knockout’ collected trade paperback

SIMPSONS COMICS KNOCKOUT

SIMPSONS COMICS KNOCKOUT

SIMPSONS COMICS KNOCKOUT, published by HarperCollins, is a fine collection of Simpsons comic book stories originally published by Matt Groening’s Bongo Entertainment. This is a great opportunity to get your Simpsons fix all in one full cover trade paperback that collects five Simpson Comics: #116, 117, 118, 119, and 120. What you will find is consistently pithy, witty, and outright hilarious good fun.

Page excerpt from Simpson Comics #116.

Page excerpt from Simpson Comics #116.

Each comic book collected here covers one story. The titles are as follows: “Mall or Nothing,” “Sandwiches are Forever,” “The Flunky!” “Homer Drops the Ball!” and “The ‘X’ Men.” For example, in Simpson Comics #116, originally released in the U.S. in March of 2006, you have a sly satire on consumerism: the Simpsons find themselves living inside a shopping mall. This predicament is to the delight of Homer Simpson, and to the dismay of his progressive daughter, Lisa.

Other stories feature a Simpson family globetrotting adventure; a satire on help for the lovelorn; and Homer in a boxing match with everyone’s favorite corporate villain, C. Montgomery Burns! This is great all-ages entertainment from Matt Groening’s legendary creative team.

SIMPSONS COMICS KNOCKOUT is a 128-page full color trade paperback, available as of February 21, 2017. For more details, and how to purchase, visit HarperCollins right here.

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Filed under Bongo Entertainment, Comics, Harper Collins, Humor, Matt Groening, Satire, The Simpsons

Movie Review: ‘Toni Erdmann’

Peter Simonischek plays the role of Winfried Conradi (alias Toni Erdmann).

Peter Simonischek plays the role of Winfried Conradi (alias Toni Erdmann).

The poet, Philip Larkin, advised “don’t have any kids yourself” in his celebrated poem on parenting, “This Be The Verse.” In the film, “Toni Erdmann,” the dynamic between parent and child is explored to heroic, and hilarious, levels. Ines Conradi (played by Sandra Hüller) is all business and seems to be doing well in her corporate career. But her father, Winfried Conradi (played by Peter Simonischek), thinks he knows better.

Ines Conradi (played by Sandra Hüller)

Ines Conradi (played by Sandra Hüller)

Ines’s father knows his daughter is terribly unhappy and he aims to fix that. Part of his plan is to amuse her with his jokes. But the jokes keep getting more and more elaborate to the point that he dons an alter ego, Toni Erdmann, made up of fake clown teeth, fright wig, and nonstop blustering. It’s pretty maddening and just a matter of time before something has got to give.

“Toni Erdmann” is written and directed by Maren Ade. It is nominated for an Academy Award this year for Best Foreign Film. And it so inspired Jack Nicholson that he has come out of retirement to play the lead, alongside co-star Kristen Wiig, in the upcoming American remake. Indeed, there is something special about this film so go seek out the original. But be prepared for a European view that certainly runs counter to your typical mainstream American big studio movie. But if you enjoy offbeat/absurdist humor, then this is definitely for you.

"Toni Erdmann," written and directed by Maren Ade

“Toni Erdmann,” written and directed by Maren Ade

What I think may happen with the upcoming Americanized version is that all the playful and theatrical quality to this original film will be explained far more than necessary. The gritty European sensibility will most likely be wiped away in favor of something that seems to make more sense to most Americans. That said, dysfunctional families are every bit a part of the American scene as anywhere else. And, it is dysfunction that is at the root of this film. Ines, the daughter, is a mess. Winfried, the father, is a mess. But, despite a high level of tension between them, the two share a secret language and seem to be at their best in each other’s company. At least, there are enough positive signs to encourage the dad to keep trying to find his daughter.

Where it gets sort of weird is how insistent the dad is in his practical joke therapy path to winning over his daughter. Winfried Conradi cannot cope for very long without enacting some jarring gag. To say he is a compulsive jokester would be putting it mildly at best. No, this guy has some coping disorder and it’s pretty serious and kinda creepy. This film does address the dad’s problem but in a deceptively light way. It gradually builds. Before you know it, you’ve come to know this father and daughter in a truly remarkable way. And you come to realize that a rather heroic and rambling tale about a father and daughter can add up to a truly remarkable film.

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Filed under Academy Awards, Germany, Movie Reviews, movies, Oscars

Review: SCOTLAND YARDIE by Bobby Joseph and Joseph Samuels

SCOTLAND YARDIE by Bobby Joseph and Joseph Samuels

SCOTLAND YARDIE by Bobby Joseph and Joseph Samuels

As we here in the States, along with the rest of the world, continue to deal with the orange menace, it’s good to gain strength from our friends across the pond. One thing that the creators of the graphic novel, SCOTLAND YARDIE, want you to know is that things are bad all over. Bobby Joseph and Joseph Samuels provide some dark humor for these hard times. This is a provocative work, set in south London, with a smart and gritty vibe.

Darkness fell...

Darkness fell…

No doubt, Bobby Joseph (script) and Joseph Samuels (art) make no bones about their dismay with the current (and ongoing) state of affairs. With such clownish characters in the media, and in government (gasp), stoking the fires of hatred, racism, and xenophobia with such intensity as we have not seen before in recent memory, any form of satire can be cathartic. In this case, we have a plot involving the Brixton Metropolitan Police in need of some diversity. Enter Scotland Yardie, a ganja smoking, no-nonsense “bad bwoy” cop who breaks all the rules to enforce his own harsh sense of justice. This is, by turns, a very silly comic (think Monty Python, for starters) and, ultimately, an eye-opening and worthwhile read.

Is that Brexit heartthrob Boris Johnson?

Is that Brexit heartthrob Boris Johnson?

This comic’s writer, Bobby Joseph, is considered to be the voice of urban UK comic books. He is credited as the creator of the cult comic classics Skank Magazine and Black Eye. He has written satirical pieces for Vice.com, Loaded Magazine, The Voice newspaper, BBC1’s Lenny in Pieces and Radio 4. He is credited on the BBC website as instrumental in featuring some of the “first comics by black creators featuring black characters.”

Some light emerges...

Some light emerges…

This comic’s artist, Joseph Samuels, is credited as one of the most popular comic artists to grace the pages of Skank Magazine and Black Eye. He is the co-creator of the popular Afro Kid comic strip on Vice.com.

SCOTLAND YARDIE is a 100-page, full color, graphic novel, published by Knockabout. For more information, and how to purchase, visit Knockabout right here.

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Filed under Bobby Joseph, Brexit, Cannabis, Comics, Donald Trump, Graphic Novel Reviews, graphic novels, Joseph Samuels, Race, Race Relations, Racism, VICE

Resist Trump: The Trump Era is Unleashed

RESIST TRUMP! Illustration by Henry Chamberlain.

RESIST TRUMP! Illustration by Henry Chamberlain.

As the Trump era unfolds, the opposition unfolds too. From USUncut:

Some of these numbers are subject to change, but the historically massive scale of this protest can not be denied. The protests in Washington D.C., Chicago, Los Angeles, and New York City alone totals over 2 million people. Over 670 marches took place worldwide, with thousands of people also taking part in demonstrations in Tokyo, Dublin, Capetown, Paris, Vienna, and Yangon, to name a few.

For up-to-date estimates, independently calculated by USUncut and resistant house District 13, you can click here.

Nathan Wellman is a Los Angeles-based journalist, author, and playwright. Follow him on Twitter: @LightningWOW

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Filed under Donald Trump, Editorial Cartoons, news, Political Cartoons, politics, Protest, Resist Trump, USUncut

Movie Review: ‘Office Christmas Party’

office-christmas-party

You do know about the T.J. Miller Uber kerfuffle, right? To recap, after a heated exchange involving Donald Trump, the “Silicon Valley” star allegedly slapped his driver. There’s nothing like a big red cup of Starbucks product placement (prominently held in the hand of Jason Bateman for the first few minutes) to take you out of the movie unless every time you see Miller on the screen, you start thinking about Uber drivers being manhandled. The good news is that watching “Office Christmas Party,” even with Uber drivers on the brain, pays off. At first, Miller does not seem up to it as he delivers his lines in the first segments with self-conscious snark. But the dude makes up for it.

OFFICE CHRISTMAS PARTY

OFFICE CHRISTMAS PARTY

Come for the laughs and stay to enjoy two heavy hitters, Jason Bateman and Jennifer Aniston, who make this comedy stuff look so easy. While the actual movie they are in has its fair share of clunker gags, Bateman and Aniston own their characters and command razor-sharp chops. A weak early scene with Miller lamenting the misunderstood needs of bald men is saved by a perfectly-timed answer by Bateman: “Hair?” Miller says over a dozen words. Nothing. Bateman says one word. Comedy gold. It’s that simple. I’m not led to think about Donald Trump or Uber drivers being terrorized. I’m only enjoying pure comedy gold. The same with Aniston. In a somewhat similar set-up, Aniston’s character asks a simple question to Vanessa Bayer’s character who proceeds to chew the scenery. Aniston, now irritated, asks the question again in a tone that demands a quick answer. Bayer answers. Very funny performances from both of them.

Now, as for the plot, the whole shebang hinges on Miller’s character throwing this incredible office party that will save the company, save jobs, and make America really really great again. Okay, not necessarily that last part. Anyway, there’s more. Aniston and Miller are brother and sister in the movie. The two run the family business. Actually, Aniston runs it and Miller gets to act a fool at the Chicago branch office. But, if Miller can just get his act together this once, and this is where the office party comes in, everything could turn out great. Maybe even America could turn great again. Who knows. In fact, a good part of the plot rests on the action of the character played by Olivia Munn who shines as a tech genius. Another good reason to see this movie. In fact, there are quite a lot of moving parts to this movie and it works remarkably well considering unnecessarily bad humor and some rather maudlin subplots.

If only they had trimmed some of the frat house humor, this might merit another star for those keeping score at home. Otherwise, don’t sweat the weak spots. And we come full circle with the character of Lonny played by Fortune Feimster. She actually plays the role of a Uber driver! In the backseat is not Miller. No, instead, it’s Aniston who is none too patient with her chatty driver. Another good example of some good laughs.

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Filed under Christmas, Comedy, Humor, Movie Reviews, movies

Story: The Mascot

"The Wonderful Wizard of Oz," written by Frank L. Baum and illustrated by William Wallace Denslow

“The Wonderful Wizard of Oz,” written by Frank L. Baum and illustrated by William Wallace Denslow, first published May 17, 1900.

It was during high school that I got the idea of trying out for the role of school mascot. This was years ago but that does not matter very much. The story itself is rather timeless. It could happen now or it could have happened, I don’t know, a hundred years ago. I was simply a fresh young and naive kid. It was my last year in high school but my first year at this new school. We constantly moved. My father didn’t think it was such a trauma to uproot us every few years. But that’s another story. This is more or less a sports story. Not exactly football and basketball, although that’s part of it, right? This is mostly a story about the sport of cheerleading. Yes, cheerleading is a sport. Fans of cheerleading are currently seeking an official sport status from the NCAA. Anyway, I did not really know what I was getting myself into when I decided to try out for school mascot.

We had a cool school mascot to rally around, a lion. Lucky for some lion, we did not feel any compulsion to keep a caged lion on campus. That was a different story in college. I went to a university were we actually had a caged cougar. I always liked cats…and lions. I loved the symbolism. I love all the variations on lion designs. I still want to get a lion tattoo someday. So, to get to be a lion seemed pretty awesome. Being a lion mascot would be serving some need I wasn’t fully aware of.

I couldn’t help thinking of the Cowardly Lion. Even with such a compromised character, Bert Lahr in the 1939 MGM classic, “The Wizard of Oz,” retained the energy of that noble animal, the king of all animals. To take on that sort of role spoke to my primal instinct! And then it all came down to a big reality check when I tried on the huge head mask, followed by the rest of the costume which was heavier and more cumbersome than I had ever imagined. How do you walk in this thing? I guess I didn’t exactly feel like I was running wild in the jungle. But I had to get my priorities straight and so I persevered.

When did I see my first lion? This is intergenerational. My father, and his father, and I saw the very same first lion! The Cowardly Lion from the original book, “The Wizard of Oz,” first published in 1900! Those distinctive illustrations by W.W. Denslow captivate any child, even today. Maybe you’d need to be a little patient and seek it out. But just toss aside all the digital clutter we subject ourselves to each and every day, quiet things down, slow things down, and you would have a child caught up in that magic all over again.

Back to my story, thanks to my being part of the journalism staff, I had a certain amount of authority. It was enough to convince Jamie, in charge of the cheer squad that year, to give me a hand. Tryouts were coming up soon. The mascot costume was currently in storage. She was more than happy to let me try it on for size. Better yet, she was all for guiding me through cheers and all the right moves. I followed her masterful instruction every step of the way. I started to feel like a lion—right before I wasn’t.

I wasn’t planning on doing anything fancy inside this big catsuit. I wasn’t going to be doing any cartwheels but that was okay. I had never done cartwheels before so why start now? Mostly, I sweated a ton. And then, I had a rude awakening. I discovered how much I was out of my element when I took an abrupt wrong turn and rolled on my ankle all the way to a major sprain!

What went wrong? Maybe I should never have gotten Jamie to give me a personal tour of the school mascot. Maybe if I’d properly trained. Maybe if I’d been part of a team. Well, all that theorizing could go out the window. What was done was done. I put myself in this situation. I ended up sprawled on the linoleum in a lion costume. But I had Jamie by my side.

Jamie was truly very attentive. What a godsend! I remember her pulling that stupid lion head off me. “Are you alright, Henry? Are you alright?” she kept asking. I pointed down to my giant lion paw feet. “Sprained ankle! Sprained ankle!” is what I kept saying. She looked like an angel, so beautiful and sympathetic. An impulse must have taken over and she passed her hand across my hot and sweaty face. “You poor thing,” she said. I could only close my eyes. I was mortified. I was happy too, all things considered. But I was definitely mortified.

Then she reached down and kissed my cheek. “Call me when you get better, tiger,” she said.

I perked up right away and absent-mindedly blurted out, “But I’m a lion!”

“No, you’re not,” said Jamie, “but that’s okay. I prefer men.”

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Filed under Humor, Sports, Story, Storytelling, Wizard of Oz

VICE Releases the New VICE Guide to Comics, Horror Edition

Dick Briefer's FRANKENSTEIN

Dick Briefer’s FRANKENSTEIN

Just in time for Halloween, VICE’s art editor, Nick Gazin, shares his list of the top five scariest horror comics. With horror comics being dismissed by many as just a junk genre, there was a golden opportunity to fill that void and create great art using strange artistic styles. Nick provides a quick history lesson, and an unexpected treat among his choices. He also wears some big toothy fangs all for your enjoyment.

VICE Guide to Comics: The Top Five Scariest Horror Comics is right HERE.

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Filed under Comics, Frankenstein, Horror, VICE

SEATTLE INTERACTIVE CONFERENCE 2016: A Comic Strip Observation

seattle-interactive-conference-2016

Seattle Interactive Conference is an annual event celebrating the convergence of online technology, creativity, and emerging trends in one of the world’s most innovative cities. I will provide you with a look at this year’s conference, October 18–19, made up of my notes and illustrations. Let’s begin with this comics observation. All you really need to know is that this is a tech conference with lots of folks geeking out over various discussions of future trends in the market.

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So our consultant ended up feeling a bit frustrated just tapping away on his laptop and not really tuning into the beauty of his own mind and heart. Well, maybe he’ll figure it out in due time. I’ll have more to say on some of the actual sessions taking place during this unique two-day event!

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Filed under Seattle, Seattle Interactive Conference, SIC, Technology

Review: COSPLAYERS by Dash Shaw

COSPLAYERS by Dash Shaw

COSPLAYERS by Dash Shaw

Dash Shaw‘s work keeps moving the ball forward regarding comics as an art form. With his new graphic novel, “Cosplayers,” Shaw provides us with a delightful look at the clash between the real and the unreal. The book promises to give you a behind-the-scenes look at the world of cosplay. Ostensibly, this is a collection of stories that add up to a tableaux of geek life. All that can be taken with a grain of salt. A hallmark of Shaw’s work is that he keeps you on your toes wondering about everything: the characters, the plot, the theme, the comics medium.

Meet Verti and Annie. They are taking a year off between graduating high school and going off to college. During that year, they just want to do what they want to do which involves cosplay and making videos. Annie is white. Verti is black. Both girls see themselves as unconventional in every way: looks, goals, and attitude. Shaw wants you to know that these two are a couple of misfits. But you are not supposed to know too much about Annie and Verti beyond the basic fact that they’re callow and bratty. Shaw’s aim is to provide you with two main characters that are disconnected from everything, including the reader.

Annie and Verti ask that you keep your distance.

Annie and Verti ask that you keep your distance.

Shaw is one of our more intellectual cartoonists, always looking for a tripwire to the narrative flow. So, don’t expect him to provide a straightforward guide to the world of fandom and cosplay. He is mostly interested in playing with characters from one scene to the next and more evoking a way of life than following a story’s arc or presenting specific information. When he does focus on a character’s feelings it can fall a little flat, as when Verti is remorseful for the way she and Annie have been pranking people. That said, for the sake of balance, that is a pivotal moment since Annie has a high tolerance for being hateful.

Channeling Osamu Tezuka

Channeling Osamu Tezuka

But you’re not supposed to get too close to Annie or Verti–or any of these characters, right? Just when you think you might have found a sympathetic character who you can trust, Shaw will yank you awake. You’re getting soft on Baxter, the expert on Osamu Tezuka? Well, think again, he’s a fool! Now, hold on, you think the kind and gentle comic book store owner is someone to put on a pedestal? Nope, you can knock that pedestal to the ground. After this comic book nerd gives Annie some of his most prized comics, she goes home and cuts them up to shreds. Ouch, how’s that for a wake-up call?

In the spirit of French new wave cinema, led by the work of Jean-Luc Godard, you can see this comic as a ship of fools out to sea. Each character has their own agenda, their own axe to grind, but no one really seems to know what they’re doing. With these lost souls engaging in the make-believe world of cosplay, Shaw has set up a perfect vehicle to explore issues of identity and self-empowerment. By initially coming across as presenting a random set of acts (Annie and Verti engaged in endless video pranks) Shaw lures us into a deeper exploration. It all adds up to something quite fascinating, with a French vibe.

“Cosplayers” is a 116-page full color hardcover, published by Fantagraphics Books. You can also find it at Amazon right here.

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Filed under Comic-Con, Comics, Cosplay, Dash Shaw, Fantagraphics Books, Graphic Novel Reviews, graphic novels, Humor, Osamu Tezuka, Satire