Tag Archives: Satire

Review: AMONGST THE LIBERAL ELITE by Elly Lonon and Joan Reilly

Off and running…

Have you ever wanted to just go all Jack Kerouac and do an extended road trip? You’d yell out, “Nothing behind me! Everything ahead of me!” Well, what if you’re also caught up in trying to grapple with America under Trump? Then consider this new graphic novel, Amongst the Liberal Elite, written by Elly Lonon and illustrated by Joan Reilly, published by powerHouse Books. It is based upon Ms. Lonon’s hilarious McSweeney’s column. More on that later. If you also happen to enjoy a regular intake of NPR, MSNBC, and lean left in your politics, you’ll especially appreciate the ongoing quips exchanged by the story’s two main characters, Alex and Michael, a couple of upwardly mobile middle-aged lefties.

Page excerpt

The humor is of the razor-sharp rapid-fire Jon Stewart variety. It can sometimes feel like too much of a good thing so everything depends upon the timing and delivery. The characters let loose a bon mot, hold back a bit to engage in self-deprecation, and then repeat. That’s basically the pace of this narrative. If you like the characters, then all is golden–and these two characters are very likeable even if you never really get past their walls of witty retorts. And, hey, maybe you know people like that. What you get here is a very lean, crisp, extra-dry and droll, gluten-free set of misadventures. This sort of political humor tends to be built this way and for good reason. There is only enough character development to serve the jokes and plot. There’s no deep connection nor would you need or care for that. Think Seinfeld. These are fictional constructs here to tickle your funny bone and offer up some finely-tuned political satire. Bravo! It works exceedingly well.

Amongst the Liberal Elite by Elly Lonon and Joan Reilly

To be able to take a popular column made up of clever repartee and turn it into a graphic novel is quite remarkable. I can’t stress enough what an ambitious task that is. Joan Reilly’s artwork successfully sustains this very special blend of political humor. Ms. Reilly is a masterful political cartoonist in her own right so she proves to be the perfect creative teammate to Ms. Lonon. Together, Elly Lonon and Joan Reilly bring to life two super quirky characters with much to say and reveal about our current political state.

The full title is Amongst the Liberal Elite: The Road Trip Exploring Societal Inequities Solidified by Trump (RESIST) and it is a 156-page hardcover published by powerHouse Books.

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Filed under Comics, Donald Trump, Humor, McSweeney's, politics, pop culture, Satire

Review: ART COMIC by Matthew Thurber

ART COMIC by Matthew Thurber

Meet Boris and Cupcake. They’re your typical art students which means they’re far from typical just about anywhere else. These guys are definitely living inside a bubble that is inside a number of other bubbles. This is a fact that doesn’t get them very far in the real world–or the art world, for that matter. What it all adds up to is the hilarious new graphic novel, Art Comic, by Matthew Thurber, published by Drawn & Quarterly.

Panel excerpt

Satire runs amok in this send-up of contemporary art with Mr. Thurber’s surreal sense of humor taking things to a high level. It’s an important distinction to make. Thurber is not simply foisting upon his readers a series of rants. He’s actually worked out his narrative to such a precise degree that it reaches a peak of whimsical perfection.

Page excerpt

You don’t need to know a thing about art to enjoy this book and, in some ways, you may be better off not knowing a thing. In fact, let this graphic novel teach you all you’ll ever need to know about the art world. Humor, at its best, is capable of being quite educational. Just go along for the ride and you can’t help but pick up a little on the theory of art, the business of art, and even the art of art. You’ll also learn a few things on how to best tell a story simply by not taking anything too seriously. This is a wacky yet savvy book. Thurber does an admirable job of giving it all, the drawing style, the narrative, the jokes, all the way down to the coloring, just the right light touch. I reach out to my friends and loyal readers to assure you that, even if you don’t usually read comics or follow art, you will enjoy this if you have a healthy sense of humor.

Page excerpt

Art Comic is a 200-page full color hardcover published by Drawn & Quarterly.

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Filed under Art, Art books, Comics, Drawn & Quarterly, Drawn and Quarterly, Graphic Novel Reviews, graphic novels, Humor, Matthew Thurber, Satire

Book Review: ADAM by Ariel Schrag

ADAM by Ariel Schrag

I’ve recently been taking a look at some work by artist/writer Ariel Schrag. I’m becoming more familiar with her comics and I decided to read her prose novel, Adam. While reading it, I also became aware of the controversy surrounding this novel which will debut in 2019 at Sundance. I’d just gotten a quarter of the way into the novel and wondered just where these snarky kids were heading. The book depicted the author’s take on callow youth and gay culture and so I pressed on. I do understand why some people will find the book problematic. Still, it’s useful to stick with it to the end to study one writer’s process.

I’ll cut to the chase and say that Ms. Schrag’s book aims to be in the tradition of provocative novels. The characters do and say a number of nasty and questionable things and then there are also moments when Schrag dials down the snark. Here is an example, a scene that finds the main characters at a predominantly transgender gathering:

“Clarification on gender was indeed necessary. Looking around at the group, it was as if a hatful of pronouns written on scraps of paper had been thrown into the air, each group, sometimes two, landing randomly on a person, regardless of what he or she looked like. Adam had gotten used to boyish girls turning out to be trans, the general rule that masculine = he and feminine = she, but here at Camp Trans it was a free-for-all. You couldn’t be sure of anything, except that you were most likely wrong.”

So, yeah, the book has a cocky snarky vibe, an attempt to channel the great Holden Caulfield tradition of snark. It’s when an ambitious young writer feels compelled to be provocative that things will heat up for sure. The big controversy revolves around the premise of the main character, Adam, a 17-year-old straight man becoming involved with Gillian, a 22-year-old gay woman, by both lying about his age and, far more significantly, lying that he’s a female-to-male trans person. That premise is rubbing a lot of people the wrong way. You have people in the trans community saying the book is exploitive. You have the author saying the book is meant to open up a discussion. Ms. Schrag has gained notoriety over the years for her memoir comics. She is an openly gay woman who has focused on young adult themes. She has written for television, including writing for Showtime’s The L Word.

The big point of contention against this novel comes down to the idea that the main character, Adam, is essentially getting away with rape as he’s in a sexual relationship through deception. For most of the novel, Adam isn’t getting away with much as he’s depicted as being fairly creepy. Towards the end that changes when Schrag drives her novel over a cliff with an abrupt shift. Adam begins his journey as a stand-in for just an average guy, yet another typical banal young person, while Schrag steadily turns up the heat. He easily falls into fantasy. He’s so selfish that, despite all the warning signs, he continues to deceive his lover in the hopes that his fantasy will come true and she will ultimately overlook his gross betrayal.

Looking at this from a creative point of view, it is very interesting to see a cartoonist like Schrag developing into a full-on prose writer. Any number of cartoonists find themselves juggling/struggling with two distinct disciplines (writing and drawing) that are supposed to meld into one (comics). Well, the comics-making process is a whole world onto itself with many potential variations, detours and pitfalls. It’s a delicate balancing act. And, if a creator favors writing a little more than drawing, that can tip the balance. For Ms. Schrag, it seems that more often than not, when she puts pen to paper, it is only words she seeks. Deep into making a novel all out of words, those words can take on a life of their own a little more easily than within the framework of a well planned out graphic novel with storyboards and various anchors. You choose your words that much more carefully when you create a graphic novel in comparison to commanding a ship of words in a novel. You set sail for vast ports unknown. You can lose yourself in your discourse and take your mighty vessel way off course.

You get away with less in comics. You can be instantly held accountable. Stuff can get buried in a prose novel. All those words! Ms. Schrag can engage in some anti-Semitic rhetoric and no one will call her on it since the focus is on her depiction of the trans community. Around the middle of the novel, Schrag builds up to what she deems a joke involving her inept and money-grubbing Jewish landlords. Analyzed as a joke, the mechanics and execution fall flat. It’s inappropriate and serves no purpose other than to underscore the fact that the characters are prone to being intolerant and hurtful and that has already been well established. It’s a joke that would make the legendary cartoonist provocateur Robert Crumb blush mostly because it’s so not funny. You just can’t get away with stuff like that in comics. In contrast to this novel, Ms. Schrag’s recent collection of comics, Part of It, indicates a more restrained, and even polite, approach.

Ms. Schrag has said about all the controversy attached to this novel: “People are really angry specifically about appropriating an oppressed identity. I just think that’s fascinating to think about because what is so terrible about appropriating an oppressed identity?” That’s a gutsy remark with consequences attached to it. Writers can choose to provoke but then it’s fair game to listen carefully to the response. Just because you belong to a group doesn’t mean you need to shake it to its core. But for those writers who can’t resist shaking things up, they will need to be open to criticism. In this case, there’s a movie version coming out and that will undoubtedly provide another opportunity for more discussion and more controversy.

Adam is a 320-page novel, originally published in 2014 by Mariner Books, a division of Houghton Mifflin Harcourt.

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Filed under Ariel Schrag, Book Reviews, Books, Comics, LGBTQ, Novels, writers, writing

TV Review: GHOST SQUAD

Desperado Miller (Abby McEnany) rallies the troops.

I love quirky stuff and this hits the spot: a comedy about inept ghost hunters. Ghost Squad is a new project by Andy Kushnir, a staff writer for the popular game, Cards Against Humanity. Kushnir recently directed and co-wrote with his writing partner, Carley Moseley, this mockumentary pilot which releases to the public on October 1st.

Our story begins with a lead-in narration by head paranormal investigator, Desperado Miller (Abby McEnany). You can think of her as Michael Scott, the manager from The Office, played by Steve Carell. McEnany is hilarious as the ill-tempered and insecure psychic detective. Her ragtag team of misfits are either out for themselves or too self-absorbed to be of much help.

Zorba Dinkel (Jo Feldman) in search of chips and salsa.

One scene, to give you a taste, has one of our misfit investigators, Zorba Dinkel, (Jo Feldman) entranced by a vibe that leads her to a cupboard. She is transfixed by a pulsing energy that leads her to a bag of chips and, ultimately, to a jar of salsa! She has made quite a tasty connection with the other side. Very funny stuff.

This series gets to juggle a variety of tropes: office sitcom, reality-tv, and a touch of horror. The results are pleasing. Ghost Squad is definitely something to watch this October which, of course, is the kickoff to our cavalcade of holiday season entertainment.

GHOST SQUAD

Ghost Squad is the creation of Andy Kushnir and Carley Moseley. I look forward to more of their collaborative work.

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Filed under Comedy, Ghosts, Reality TV, Satire, Television, TV Reviews, Web, Web series, Webisodes

Comics Review: THE WINNER by Karl Stevens

A most engaging muse.

Karl Stevens is quite an impressive artist. Now, he does let himself get tripped up over labels. Stevens confides this with the reader, along with a bunch of other juicy and fun things, in his new autobiographical graphic novel, The Winner, published by Retrofit/Big Planet. Just who is Karl Stevens to think you, the reader, are going to care one way or another as to how he sees himself as an artist and/or cartoonist? Well, he’ll readily admit that he’s confronting the artist’s lot in life of fighting off overwhelming indifference but that’s just the thing. Mr. Stevens is engaging in the fine old tradition of presenting a portrait of the artist and having the reader take of it what they will. In this case, there is much to take and much to celebrate.

THE WINNER by Karl Stevens

I, for one, celebrate the work of Karl Stevens–and I’m sure you will too! I’ve had the pleasure of reviewing his work in the past. I really enjoyed, Failure. This new book carries on that same level of excellent auto-bio along with a foray into other themes. I see here an evolving sense of humor mixing sharp self-deprecation with the wildly absurd. It’s as if Stevens is still too close to the real world gripes that he needs to play with different genres in order to cut loose. Stevens inserts a few segments of sci-fi, fantasy, and even horror, into his auto-bio narrative. These segments are experimental compared to his far more measured and earnest social commentary. Taken as a whole, the reader seems to get to know Stevens through all these various samples of the artist’s life, working process, and work resulting from sources other than direct observation.

THE WINNER by Karl Stevens

Stevens plays up his anti-social and elitist tendencies for the reader. Whether or not the Stevens on the page is the same as the Stevens in private is one of those games that can make you crazy. It doesn’t help that Stevens has such a deliciously realistic style that lures the reader in. The writing is crisp, the dialogue is sharp and natural. So, sure, you can easily lose yourself in these wonderful scenes of Steven ranting about the mindless masses while his wife, Alex, nudges him into a reality check. I suspect that there’s more truth to these scenes than fiction and that’s totally okay, better than okay! Stevens knows how to kid. For someone who can so consistently conjure up such exquisite work, the man has earned himself the right to complain as much as he wants about the dire state of affairs and us less than noble humans.

Getting back to the genre-hopping going on here, I think Stevens is still figuring out what he wants from this. Right now, I see an artist/writer of high caliber flexing his muscles and testing things out. That said, his work can be quite visually appealing. And his humor is wry, dry, and often silly. As it stands right now, I think Stevens is heading in a very interesting direction. I am curious to see how Stevens continues to intertwine his real world with the supernatural.

THE WINNER by Karl Stevens

The Winner is a 104-page full cover trade paperback, now available. For more information and how to purchase, visit Retrofit/Big Planet right here.

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Filed under Big Planet Comics, Comics, Graphic Novel Reviews, graphic novels, Karl Stevens, Retrofit Comics, Retrofit/Big Planet

Comedy Review: David Cross and The OH COME ON 2018 World Tour

Comedy Review: David Cross at Moore Theater, Seattle, June 29, 2018

David Cross is one of the great conversational comics, among a short list of greats. Well, you may have a long list. If a gun were put to my head, and I could cough up, say, only four comedians currently working at this level, I would go with: Sarah Silverman, Chris Rock, Dave Chappelle, and David Cross. They’re all around my age and they’re all very relatable but, more than that, they are all masters at this deceptively simple casual banter that, bit by bit, builds into something epic. I caught The OH COME ON 2018 World Tour at its stop in Seattle, at the Moore Theatre, June 29th and I loved it!

New Dad

Be prepared for some very funny material about being a new dad from a comic known for being jaded and highly ironic. Cross assures his audience he’s not one of those comics that does an hour of dad jokes only to end up doing quite a lot of dad jokes–but they’re very subversive dad jokes so it’s all good.

Lots of Good Trump Jokes

If you’re expecting intelligent humor from an intelligent comedian, you’re in luck here–but also be prepared for it to get pretty weird and crass. The material on Trump is priceless and I certainly won’t give any of it away here. I will say that Cross isn’t kidding when he confides in his audience that making fun of Trump is a challenge. As Cross wades deeper and deeper into the Trump swamp, you can see Cross fighting off the fumes and doing his part for his country. One of the best bits is Cross wrapping his head around the recent trend of regretful Trump voters. It’s a thing of beauty to see Cross rattle off all the things that have had to happen before these Trump voters had regrets.

Chemtrails and Vinegar

You’ll thank me for including this YouTube video as accompanying material. Out of the blue, so it seemed, Cross jumped into a long bit explaining this very strange Deep State conspiracy theory. The idea here is that true believers are convinced that there’s a vast government scheme to pollute the air and only a vinegar spray can combat it. Enjoy.

Oh, Come On

The actual bit that is the title to his act glides in for a landing at the very end of the show. It’s just one of those special things you have to see for yourself! Again, I will just say: Cross is masterful at articulating simple and goofy material in a sophisticated and artful way.

Natura Soap

Natura Soap

Perhaps one of the best of the quickie jokes was at the very end, just as some people were sharking their way out. There was David Cross, back on stage, with one last bit. Cross wanted to share a very special item he discovered at one of his recent hotel stays. It is a very special “ergonomic” and “sustainable” soap. Just the sort of thing begging to be made fun of. And, to top it of, it has a gaping hole right in the middle. Well, sometimes comedy material just writes itself. Cross was now armed with a hilarious symbol for all he hates about Santa Monica liberals who live in a bubble–and are thrilled to pay premium for soap with a hole where most of the soap should be.

The OH COME ON 2018 World Tour is on, baby! Visit the official David Cross website right here.

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Filed under Comedy, Comedy Reviews, David Cross, Donald Trump, Moore Theatre, Seattle

‘The President is Missing’ Could Make a Great Comic Book–Or Not

The President is Missing!

With great being a relative term and considering all the cliffhanger sequences so expertly crafted by James Patterson (let’s not fool ourselves that Bill is now a master at hardboiled airport thrillers), The President is Missing could quite possibly make for a decent comic book adaptation. The trouble is: are there any takers? All things considered, and there is a hell of a lot to consider, taken as a curious entertainment, the book did its job on me and I read it to the very end. As for passages that I can tell right away were written by Bill, I hit pay dirt at the very beginning (the president names his enemies and his virtues) and at the very end (the president names his enemies and his virtues). And the President Duncan character is so heavily influenced by Bill that he is clearly his alter ego. Tucked within all that is a pretty good spy thriller of sorts. Everything has been simplified to the point where it lends itself well to the demands for brevity and action in your typical comic book.

So, would you really want to read this? Could you even stomach it? A lot depends upon your politics, or more to the point, your opinion of Bill’s character. There are those living in a bubble who chalk up Bill’s abuse of women as simply the missteps of a cad. Everyone in this rarefied group, by the way, still uses the word, “cad” in casual conversation. I recall one talking head referring to Bill as a man of “enormous appetites.” This was all well before #MeToo but there are still plenty of Friends of Bill who simply are not up to calling him out and never will be. Bill is protected by much of the media as one who is too big to fail. Just read the review of this book in The New York Times. Nicolle Wallace, of MSNBC, serves up a fair and upbeat review. That could be a way to balance out the gotcha moment sprung on Bill on the TODAY Show on NBC.

That TODAY Show moment is now part of the experience of reading this novel. It can’t be any other way and that’s a good thing. Maybe Bill could have dodged a bullet if he’d had more presence of mind in that already highly calculated noggin of his. Why did he have a meltdown when NBC’s Craig Melvin asked him about Monica Lewinsky? At least Melvin did not directly refer to Paula Jones, Juanita Broaddrick or Kathleen Willey. Just the mere mention of Monica was enough. In the dust up that ensued, Melvin focused upon the idea that Bill really should personally apologize to her. Hell no, was Bill’s response. Hadn’t he suffered enough? Those legal bills to defend himself don’t pay themselves. Bill had clearly gone off the rails with his self-destructive response. What a contrast to a novel that depicts a president with razor-sharp dedication to the job. President Duncan is the president that Bill can only wish he could have been.

Hey, let’s do a book!

The novel’s President Duncan is a dashing war hero who, by all counts, is God’s gift to America. He is flawless expect for one thing: he’s just too darn honest and brave! Almost single-handedly, this Prez literally saves his country from the mother of all cyberattacks, one that is so dastardly that it could toss America into the Dark Ages. Dare I say, this is one heck of a superhero-like president.

For her New York Times review, Nicolle Wallace dusted off a handy quote just screaming to be inserted. This is the one by Tom Wolfe that goes: “The problem with fiction is that it has to be plausible.” How often has that old chestnut been used in genteel conversation? But it does make sense here. I can well imagine James Patterson coming to a screeching halt at his typewriter. For some reason, I see him as using a typewriter. And so he calls up Bill to ask him if North Korea is as bad as he’s heard. This, of course, was well before Trump fixed everything up. So, Bill goes over and asks Hillary and they begin to fight over competing interpretations. Bill says he’ll have to call him back. Anyway, Bill, or Richard Clarke, would eventually make “plausible” whatever hiccups occurred in the narrative.

But there’s this one particular moment that occurs right in the Oval Office of all places that may defy plausibility. This highly-twisted plot features Nina, a young woman who creates the computer virus that threatens America, if not the whole world. Again, I can well imagine James Patterson working himself up into a fit of frustration over this. Finally, he calls up Bill with his perplexing question. Bill ponders it for a long while and then replies, “You know, James, I do believe that it is quite possible for a young woman to find a way to discretely enter the Oval Office and be alone with the President of the United States.” The great James Patterson lets that sink in but has to add: “Alright, Bill, but I just have a feeling that someone will take issue with that. Heck, it might even happen on the TODAY Show!”

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Filed under #MeToo, Bill Clinton, Book Reviews, Comics, Humor, James Patterson, Monica Lewinsky, politics, Satire, Thriller

Comics Review: SKINNED from Insight Comics

SKINNED from Insight Comics

If you’ve been to your local comics shop or bookstore, you may have noticed the colorful cover for Skinned, a new graphic novel and part of the Insight Editions imprint, Insight Comics. Taking a look inside, I was immediately impressed with its vivid, daring, and hip approach. Written by Tim Daniel and Jeremy Holt, illustrated by Joshua Gowdy, and lettering by Matthew Meylikhov, this is an eye-popping, sleek and fun comic that will bring to mind such comics as The Wicked + The Divine and American Gods. There is definitely a blending of sci-fi and fantasy elements with a millennial sensibility.

SKINNED from Insight Comics

And, if you love a good twist on sci-fi tropes, I believe you’ll be pleased with this story that gives us a delicious take on how easily humans are overwhelmed by their own technology. This is a wonderful satire that does not get bogged down by its targets: artificial intelligence, virtual reality and human folly. Instead, it jumps right in and brings the story and art up to a high level of excitement and urgency. You’ll get a psychedelic jolt along the lines of The Wizard of Oz and Sgt. Pepper’s Lonely Hearts Club Band and, in that spirit, one you’ll want to come back to it.

SKINNED from Insight Comics

The big thing that captivates everyone in this story is iRIS, enhanced-reality contact lenses that provide users with their own unique take on reality. You no longer have to dread another day with its randomness and challenges. Why not give everything a nice fuzzy fun beach theme or some other calming fantasy? Do it enough, and you’ll never miss reality again, right? Sounds like too much of a good thing and, as we come to see, it is. But thanks to two star-crossed lovers, Aldair and Bouy, humanity may find a way out of its voluntary enslavement. This is quite a fun book with a lot of energy and originality to spare.

Aldair and Bouy might just save the day!

Skinned is a 128-page full color hardcover and is available now. For more details, visit Insight Comics right here.

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Filed under Comics, Graphic Novel Reviews, graphic novels, Insight Comics, Insight Editions

Story: Dale Carnegie Lives! Chapter 3

It’s the book of century! What does it all mean?!

Okay, I’m feeling lucky. I think you guys are liking this and so I will post yet another chapter in less than a week! My goal is to entertain you. If you keep reading, I think you’ll get hooked as you learn more about our hero, Fernando, and his misadventures. Consider purchasing a Kindle edition (at the nice price of only $2.99) and leaving a review at Amazon. Just go right here.

Chapter 3

Fernando had this recurring dream of floating away in a big beautiful balloon. Just like that famous pop song from the Sixties, “Up Up and Away,” by The 5th Dimension. It came out in 1967, the Summer of Love. “Would you like to ride in my beautiful balloon?” is how it began. What a glorious poppy sound full of bubblegum optimism! It made no sense but it felt so right. “Up Up and Away—for we can fly!” Fernando would have been all of twelve years-old, an innocent little bright-eyed boy ready for Jupiter to align with Mars. This was, as everyone knew, the dawning of the Age of Aquarius.

What stuck with Fernando about the Age of Aquarius was reincarnation. It was believed by many that the Second Coming, the Reincarnation of Jesus Christ, was aligned with the passing of the Age of Pisces giving way to the Age of Aquarius. Each age being over 2,000 years, Pisces represents the great age of travel on water; and Aquarius represents the great emerging age of travel in air, and in space. The Jet Age and the Space Age! What an incredible time to be alive! If there was to be a reincarnation of Jesus Christ, then surely there was to be a reincarnation of Dale Carnegie! Anything was possible. It was both a time of fanciful hot air balloons and the most sophisticated rocket science.

Fernando’s father had built a hot air balloon in the final years leading up to his disappearance. It was meant to promote his musical act. Over the years, relatives mailed that same hot air balloon to Fernando in various parts. The guards never bothered to ask about it. They even helped Fernando find a few missing parts on eBay.

Fernando grew up in an era full of turmoil but also great optimism, one that could sustain groovy dreams for many years, even decades. The image of a miraculous hot air balloon persisted in Fernando’s mind day and night. A most magical balloon would be his means of escape!

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Filed under Castro, Cuba, Dale Carnegie, Fiction, Humor, Satire, Story, Storytelling

Story: Dale Carnegie Lives! Chapter 2

Eminem and Dale Carnegie

Honestly, I don’t see why I shouldn’t spring another chapter on you ahead of schedule if you’re ready. If you like it, you like it. If you don’t, well, I just can’t see why that should be. I am dying to know what you think. And I’m even thinking of knocking the price down on the Kindle edition if I’m talked into it. Anyway, enough of that for now.

Remember, all you really need to know is that our hero, Fernando, is a rogue immigrant from Cuba. He means well and, in fact, he has a pretty darn important purpose in life!

Chapter 2

Manuel and Paloma did have a son. However, their good fortune would not last. In 1959, Castro took control. Artists, intellectuals, and activists were all in danger. And, as the years passed, Castro and his regime would pluck out dissenters. One day, in 1967, Manuel was plucked and never seen again. And, when Fernando came of age, in the prime of his life, in 1977, he too was thrown into a prison cell. It was now 2017 and Manuel Rivera’s son, so full of promise and supposedly with a special purpose, had been languishing in a Cuban prison for the better part of his life. This is where our story of Fernando begins.

So many years locked away. Oh, the horror. Fernando, if he ever dared to dream, had lost much of his youthful spark, almost forgetting how to dream. If he had ever known his true calling, it had been buried deep inside him, beyond reach. Perhaps his father had only hinted at what lay ahead in Fernando’s future. But, for now, he was not much better off than a dog. And what could he possibly do now at this point in his life? Was he already too old? Were his best days behind him? Had he ever had better days? Still, like a dog, he had a strong survival instinct fully intact—and he had not completely given up. In fact, he remained a crafty little devil.

Fernando had been plotting his escape for years. Unlike many prisoners, Fernando valiantly did all he could to hold on to his soul. He had seen what had happened to many of his fellow Cubans. Many of them blamed themselves for getting locked away in prison. Somehow, there was a peculiar mindset that believed in Castro and that, no matter what he did, Castro had a very good reason for it! This was the control that an authoritarian had over his people. It exists to this very day and not only in Cuba but around the world, even in the United States of America. Hard to believe—but true. Fernando had enough to worry about just being in prison but he knew that Castro was wrong and that others like him were also just as wrong.

Fernando’s father, before he disappeared forever, had told his son that he was the reincarnation of Dale Carnegie, the world-renown motivational speaker. But what did that really mean? So many years later, was that supposed to be accepted at face value or was it just a metaphor, a symbol of hope? Fernando stirred at night trying to understand what it meant and what was to happen to him. Did he have any hope left? What helped him out a lot was the fact he had become a fixture in the prison system. He had been around for so long that he could pretty much come and go as he pleased—at least that is what he thought.

Sometimes, Fernando was locked into his cell with great ceremony. Other times, it seemed that, if he wanted to, he could walk right out of the prison. It was a big game with the guards, he was sure. It went unspoken with little rhyme or reason. No one seemed to care much what Fernando did. The guards were an odd mix of utter incompetence and light thinkers with glimmers of philosophical insight. “Let him walk right out of here,” Fernando overheard one of them say, “and he will run right back to what he knows best, his dull but familiar prison routine!”

Finally, the day would come when Fernando would have the last laugh. Before it really became too late, he would escape and never return.

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Filed under Cuba, Dale Carnegie, Fiction, Humor, Satire, Story, Storytelling