Anna Haifisch is one of our great artist-cartoonists with an impressive portfolio already in her young career. You may know her from The Artist comic strip series that appeared on Vice.com. In this interview, we chat about her latest book, Schappi, published by Fantagraphics. It was a pleasure to review this book recently for The Comics Journal. You can read my review here
So, the goal here was simply to have a pleasant conversation and perhaps scratch the surface a bit on the whole subject of comics as fine art. At this point, I believe there can be little doubt over comics being a true art form, just as entitled as paintings to be displayed in a museum. The fact is that the comics medium fits right in with other established forms and uniquely inhabits the art world space. Comics, as an artwork, can be shown in original form; is easily blown up to cover a wall space; and is tailor-made for any kind of book or digital format. The future is indeed very bright for comics in galleries and museums.
That said, it is a nice treat to be able to discuss this subject with a cartoonist of the caliber of Haifisch, who can lay claim to her own show of her work at a major museum, the MdbK in Leipzig. As Haifisch pointed out during our talk, museums are still coming around to comics. Unless you’re a figure of the magnitude of an R. Crumb or a Chris Ware, cartoonists are still edging their way into the higher strata of the art world. Well, that is steadily changing.
That steady change will quicken each time that cartoonists manage to take control of the narrative. All one needs to do is observe the work that Art Spiegelman has done on behalf of cartoonists, including himself, in making inroads into academic and museum circles. It doesn’t happen overnight but it does happen. In the case of Haifisch, she is making strides in a very natural way. The whole idea of dedicating time and effort on the museum catalog is utterly priceless! We discuss at length Chez Schnabel, the publication that resulted from the art show at MdbK. There’s your key to progress: a book about the artistic process with content made exclusively for the book. Talk about controlling the narrative! It’s quite informative and a delight to read. For example, I had to ask Haifisch about the drawings she did in connection with The Peabody Hotel. Did she go to Memphis and draw the famous ducks on parade? Well, no. As it turns out the idea of creating illustrations about hotel ducks was just too hard to resist and so she used that to add some color to a relatively dry interview with some museum dignitaries discussing Haifisch’s work. And it did the job just fine.
Learn more about Anna Haifisch by visiting her website right here.