Peter Morey and Rebecca K. Jones are two very inventive cartoonists. I chatted with the couple via Zoom. I’m in Seattle and they are at their home in London. It was great to chat with two creatives who so neatly compliment each other’s work. It’s a fair observation given that they manage to do so well with similar subject matter that each tackles in a unique way. Both Peter and Rebecca explore social commentary and the human condition (Endswell, Boomerang). Both Peter and Rebecca let loose with wild and whimsical tales involving animals (Animal Spirits, Cat Disco). And, it’s clear to me that they enjoy what they do. I first stumbled upon their work on a visit to Orbital Comics back in 2019.
I recently reviewed Peter Morey’s Animal Spirits and Endswell so you can definitely get a good sense of what he’s doing from that. I will say here that what propels the narrative of Endswell is a freewheeling play with the eccentric dynamics of a specific family. That requires storytelling freedom thus the fact it’s called a “loosely-based autobiographical work.” Thinking about Peter’s work, and then comparing it with Rebecca’s work, led me to ask them to chat a bit about British humor in general, how it runs the gamut from droll and dry to crazy and absurd. Part of the answer is that this tradition is just baked right into what they perceive as funny. They embrace the strange and so do I. Anyway, far be it from me to put anyone on the spot. I basically see all good work in comics as feeding off some touch of strange.
I’ll segue over to Rebecca’s work and a moment which speaks so well to this quirky understated quality I’m talking about. It’s a moment in Boomerang (the first part to a longer work-in-progress) when the characters are enjoying a little fair at a local park filled with various random performers and the like. One such person is there lecturing about his peregrine falcon. And just as he begins his talk, the bird seems to take that as a cue to fly away, perhaps never to return again! It’s a splendid poetic pause referring back the main character’s own dilemma.
Here’s the interview…