Belle Époque meets Airbnb. Photo credit: Daniel Alexander Harris
Airbnb, known for its unique vacation rentals, has a special limited time offer: you can book a stay in a hidden room inside the Paris landmark Moulin Rouge windmill, which dates back to 1889. All for the price of only a dollar. Booking begins on May 17th for three individual one-night stays for two guests on June 13, 20 and 27. The actual room has never served a specific purpose but harkens back to its orgins during the Belle Époque era, the late 19th century, that romantic and decadent period prior to World War I. Working off that bit of info, I was in the mood to create a scenario. There is no punchline here, just a whimsical little piece. This news item proved to be an excellent drawing prompt! I have a good bit of intimate knowledge of old buildings, plus I love history, and romance, so a perfect fit for me.
Airbnb in Paris. Photo credit: Daniel Alexander Harris
You go with your first thoughts on something like this. Given that it’s set in Paris, I thought maybe going wordless would lose the language barrier–or very limited use of words. This led to stronger drawings with any word usage helping to emphasize the scene. My next thought was to focus on a Belle Époque theme and see where it would lead me. More often than not, it’s those quick sketches that sum it up best, at least for the moment. The biggest question of all was whether or not to follow through on an impulse to create something in the first place. I’m glad that I did!
Well, that was fun. Airbnb had a similar offer a few years back when they held a contest where winners were given a chance to sleep inside the glass pyramid of the Louvre. That said, I’m in the mood for some kind of travel adventure and Airbnb is looking very tempting, whether it’s Paris or something closer to home.
Here are details on this amazing Airbnb Moulin Rouge adventure:
Airbnb One-night stay at the Moulin Rouge
For the first time ever, guests will be able to stay inside the never-before-seen interior space of the iconic red windmill. The secret room has been transformed into a Belle Époque boudoir to transport guests back in time to the origins of the Moulin Rouge.
Booking opens at 7.00 PM CET on Tuesday, May 17th for three individual one-night stays for two guests on June 13, 20 and 27.
Situated in the heart of Montmartre, the Moulin Rouge is best known as the birthplace of the French Cancan, a delightfully energetic dance popular in cabarets through the ages. Throughout its colorful history, the windmill – which was first constructed in 1889 as a nod to the site’s rural origins and reconstructed three decades later following a fire – was never opened to the public… until now. The newly transformed space transports guests back to the Belle Époque with:
– An opulent boudoir filled with exquisite art nouveau features including a miniature paper stage to immerse guests in the spirit of La Belle Époque.
– A dressing area in the room featuring glamorous accessories from the Belle Epoque, including vintage costumes, fragrant perfumes and effusive letters from admirers.
– A private rooftop terrace adorned with an ornate pagoda and garden furniture characteristic of the Belle Époque era – an ideal setting for an après show cocktail!
Samantha Vilfort has been a Story Artist with Disney Animation for four years, working on Ralph Breaks the Internet and Frozen 2. In this episode of Sketchbook she draws Mirabel, the star of Encanto. (Disney/Richard Harbaugh)
SKETCHBOOK: an intimate instructional documentary series featuring talented artists and animators. Disney Plus Originals. Premieres on April 27, 2022.
Sketchbook is a new behind-the-scenes series, that features Disney top artists sharing their art process in a combination of a profile and dynamic how-to-draw demonstration. In a brief interview, I chatted with one of the featured talents, Story Artist Samantha Vilfort. She recently worked on the Disney acclaimed 2021 animated feature, Encanto. For her episode of Sketchbook, Vilfort did a step-by-step character study of Encanto‘s main character, Mirabel.
Mirabel is a kid just trying to figure things out, someone anyone can relate with. As a longtime cartoonist, I was intrigued by Vilfort’s very natural, careful and graceful approach to the character. This is an impressive demonstration that will inspire anyone interested in drawing, whether you’re totally new or a seasoned pro. During our conversation, I had to share with Samantha the drawing I did from following her instruction on Sketchbook.
It was a lot of fun drawing along with Samantha!
Samantha gained so much inspiration as a kid drawing from a Mulan how-to-draw book. So, it all comes full circle as she has a chance now to give back to fans and guide them on their creative journey. “I firmly believe that drawing is a teachable skill just like anything else,” says Samantha. “Anyone can draw–and not just stick figures!” This is something that I love to pass on to folks every chance I get! I encourage you to seek out Sketchbook on Disney Plus!
Thanks again to Hurricane Nancy for such trippy and beautiful art! I have respectfully, with her permission, added color. I hope you enjoy this latest installment! Let’s all relax, however we like, and contemplate this piece.
If wise animals, non-human animals, were left to dividing up the planet, we could all breathe a big sigh of relief. But humans, often mistaken as the wisest of all animals, have the last say and wreak havoc. You know what wreaking havoc is all about, right? It’s a strange term but it’s pretty clear as to what it describes, despite the arcane wording. Animals, the ones that get to regularly roam free naked and uninhibited, are the ones we must listen to. If we humans can do that, perhaps we’ll have really gained some wisdom to see us through our next slouching towards redemption.
Urban sketching is a lot of things: fun, stimulating, useful, and an all-around creative workout, especially the more you add to it. I like a little salt and pepper to spice things up, and usually little to no hot sauce. I’m being silly but, yeah, I’m just saying here that I find I’m usually doing more than just urban sketching when I do it. Often, it’s part of a bigger project. Or, like in this example, I’m also crafting a little movie, which is a whole creative endeavor to itself. That said, it’s really part of the process to relax and become one with the subject, regardless of anything else going on in the background. This time around, I tackle one of Seattle’s most beloved landmarks, and one of the all-time great tourist attractions, The Fremont Troll!
He’s always there ready for a hug.
The Fremont Troll is in the spirit of the great roadside attractions and then some. Due to the fact of its scale, history, intention, and overall artistic merit, it all adds up to a very unusual yet significant local treasure.
The Fremont Troll is definitely a thing, if you didn’t realize that. There doesn’t appear to be a totally quiet time for the guy as there is always a steady stream of visitors. Like clockwork, whole families pile out of minivans in order to situate themselves to best advantage for a pose with the landmark. The Troll goes back to the hippy-dippy days of the ’70s, well, actually, late ’80s. It was decided that Fremont needed something else that would speak to the quirky counterculture vibe it had cultivated over the years. And so it began as an art competition in 1989 and so it was, the following year. All the way up to today. No matter what your political bent, or vibe, there seems to be something about this community effort that can resonate with people on just about any level.
I direct your attention to a short film I made. My goal was to open things up and see what I might come up with in a day-in-life or a window into the creative’s mind. I had some hurdles to jump, namely creating some decent pieces of art on the fly while filming to actually show me being creative; and then it was touch and go as I worked my way up to a moment where I say something to pull it all together. YouTube provides the option to transcribe and create captions so I did that. Here are the words that I spoke, my grand soliloquy:
When we’re drawing, we create a sacred space. We do that because we need to do that. We need to allow ourselves that freedom, that security, to just do whatever. Just do whatever. That goes for just about any kind of activity that requires concentration and focus. We create a sacred space.
We as humans are constantly gathering information. And a lot of the information we’re gathering is just to confirm that we’re okay. Are we okay? Yeah, we’re okay. Is everything fine? Everything’s fine. That’s constantly going on.
So, we gather information. We process data. Ongoing thing. Ongoing activity. There’s a great demand for that. A great demand for collecting data and processing data. What does that have to do with drawing? Well, a lot. I think a lot because I think drawing, well, we know, drawing can simplify things, and highlight things, and bring the essential points into focus.
With clear spot on drawings and concise words combined together, yeah, the act of drawing, it’s there to help in so many ways. So many ways. It’s not just one thing. It’s a lot of things. It’s a form of self-expression and a form of making sense of the world.
Casey Neistat in his element, a camera in the Big Apple.
Here’s a deep dive into what led to my latest short film. This one is ostensibly about urban sketching. I’m going to share with you a few things about a workshop that I just completed led by all-time great YouTuber Casey Neistat thru a filmmaking class on the platform, Monthly. I’ve been wanting to level up my moviemaking and this really helped me appreciate the beauty of editing. I came to a deeper understanding of the artistry behind a finely executed work. Just like any other art form, you get back as much as you’re willing to put into the process. It takes time to make connections and to see what to cut out and what to add in.
Lady Yum, Macarons & Mischief
When I began this particular video, I never thought I would end up discovering Lady Yum, the best spot outside of Paris for macarons! But that is the case. When in Seattle, you’ll want to make time to stroll around the Amazon section of downtown and then make your way to the main Amazon building. At street level, you’ll find Lady Yum. And you can always order online since they’ll ship anywhere in the U.S. But I would never have discovered any of this if I hadn’t been open to the process. One of the great bits of advice from Casey Neistat is to continuously seek out “interestingness.” Seek out the best and then, once in the editing process, really dig deeper. Be efficient! Be quick! Don’t be redundant! Don’t be dull!
Casey Neistat in his studio.
I did learn a lot and I still have a lot to practice. Casey compared the filmmaking process to writing. For instance, you don’t need a magic pen in order to write. And that’s very true. You can make awesome videos just from using your smartphone. But, more to the point, the metaphor holds most true in regards to creating order out of chaos. Bit by bit, you mold various random elements into a compelling whole. It is fascinating to see Casey speak to his art in more and more refined details, from one module to the next. By the last segment, he admits that it was enlightening for him to articulate, to “intellectualize” for an audience, the stuff he’s been doing for the last twenty some years, since he was a free-spirited teenager. Add to that the fact that he actually shows you all the nuts and bolts by going out and creating two videos from scratch. Casey has a long history of scrambling to create the next compelling viral-worthy video. He can now pick and choose his projects. It’s just a lot of fun to see him back in the ring and fighting the good fit for artistic excellence and integrity.
The Amazon Spheres
You can “learn” the process but then you need to do it for yourself. In a friendly aside, Casey asks, “You have been taking notes, right?” Assuming that no one has probably bothered to do that. He gives everyone a cheerful nod, “I hope you take as much as you can of what you’ve remembered!” To the very end, at all times, Casey Neistat knows how important it is to engage, relate, and get to the point!
So, I set out to leave the confines of the studio and go outside and make some plein air painting. That led me to the Amazon section of downtown Seattle, specifically the Amazon Spheres, erected in 2018, the two formidable globes housing more than 40,000 plants from the cloud forest regions of over 30 countries. This is a habitat for Amazon employees to go to in order to recharge and remain inspired. It’s quite a sight and easily makes one think of any number of other iconic landmarks, from the Space Needle to the Eiffel Tower. The Spheres are not exactly meant for the general public. There was some limited access inside, two Saturdays out of the month, but that’s been paused. That said, most people would just be happy enough to view it from outside. I was content to complete my mission and then I lingered because I knew I had really just begun. Only much later did I sort of stumble upon Lady Yum and that finally provided a way to hook into something far more interesting with a crunchy goodness.
Art by Hurricane Nancy. Color by Henry Chamberlain
Hurricane Nancy offers us a portrait of a Lion and a clown. Does the Lion have something to do with the Year of the Tiger? Or is the Lion just waiting for the rest of the trio, the Unicorn and the Bear? On another track, think of this: We have three twos in this year! But it gets better come February the 22nd. On that date, you’ll have the 22nd day of the 2nd month of the year 2022, and on a Tuesday, for a true Twosday! Maybe the clown atop the lion is a nod to the magic and wonderment in the air.
Art by Hurricane Nancy. Color by Henry Chamberlain
And then we also have a Snake Dance. When it comes to snakes, we all have our own feelings towards these slithery reptiles. Snakes can strike fear or excite the sensual. Indeed, a snake runs the gamut and symbolizes death, rebirth, change, and sexuality. The whole spectrum of life! And, once again, I took the liberty of adding a splash of color. Hope you like it.
I have always drawn and I’ve studied drawing in as many ways possible, all the way to university and lifelong learning. And what I’ve come away with is that drawing is a limitless source that just keeps on giving. Those of us who enjoy drawing understand each other. And one thing we all share in common is a dual nature of observer and participant. We’re the ones who like to linger while also able to quickly size up a situation. We take a lot notes, all sorts of notes. We want to share our findings. Sarah Nisbett is one of us and she’s collected a bunch of her field notes on drawing on the spot into, Drawn on the Way: A Guide to Capturing the Moment Through Live Sketching, published by The Quarto Group. If you like to draw, or want to learn how to draw, then this book is for you.
Editor’s Note: This book is ready for pre-order purchases. Available in the US as of 12/21/21.
Sarah Nisbett had an idea on how to cope with the subway ride to work: sketch the world around her! This simple act of expression has opened up a whole new world for her and now it can do the same for you. Nisbett’s explorations in sketching have led to her first how-to book. There are numerous books on how to do just about anything and that’s just how it should be. We all love them and we take from each whatever we need. In the case of Nisbett’s book, you really feel like you’ve got a friend who is hanging out with you and will get you to pursue that dream of drawing you’ve been meaning to get around to. What’s kept you? Fear of failure? With this book, there’s absolutely no pressure. It’s a very comforting approach with real world workshop exercises you can do anytime and anywhere, even on a subway ride to work!
A work of comics will sometimes go from one form to another and such is the case with a couple of titles by Stanley Wany. Agalma (2015) and Sequences (2017) were both published by Trip which have recently been combined, with added material, into Helem, published by Conundrum Press. So, two works have been combined into one which is fascinating given what seemed to me to be open-ended options in two mostly wordless comics. However, there’s a narrative running its way through both titles, and now more emphasized in the final version, Helem.
We will first take a look at one of Wany’s previous titles, Sequences, as a way into the new book, Helem. As the title to the older book suggests, we are dealing with sequences, one page at a time, and in connection with each other. If you were to view this as a show in an art gallery, you might accept each page as just a set of four small drawings. As the reader takes in more pages, something sequential emerges. What follows are three pairs of sequences.
Pages 22 – 23 from Sequences
In this first pairing, Wany offers us a look into the inner life of a call center, complete with its peculiar hum of activity. It’s hard to say if there is any hint of irony on display and maybe that’s the point. People working in call centers is so common that it’s most likely you have worked in one or know at least one person who has. It’s a strange and highly artificial world but, when you are in it, it’s the only world you know.
Pages 36 – 37 from Sequences
Our pairings become progressively more surreal moving forward. We start off with two friends chatting on a walk in the city. But what exactly happens next is anybody’s guess and best to chalk it up to dream logic. Mr. Death appears to be in a foul mood and not to be ignored. And then there’s a crack in the system, a sign of greater concerns ahead.
Pages 106 – 107 from Sequences
Finally, our last pairing of pages takes us to a higher plane of existence. Our protagonist appears to be lost but soon finds a potential ally, a queen no less. Who is this queen? Does she possess supernatural powers? Our friend will soon find out.
Wany is a master of manipulating the quotidian and transmogrifying it. With Helem, the final and complete version to his two previous books of art-comics, he takes the reader into the heads of two lost souls. The two main characters, both relatively young, are adrift, in an existential crisis. This is Wany’s landscape of the inner world and welcome to it. In both stories, the reader first experiences the world through the eyes of each protagonist and it is only towards the end that we get some closure through actual remarks. In the second story, originally from Sequences, it turns out we have a man wondering where some of the best years of his life have gone. He loops in and out of reality to discover that some of his most compelling moments are in his nightmares.
Stanley Wany is in that select group of artists who are diligently creating comics as art or art that is also comics. A cartoonist who makes art. An artist who makes comics. Wany’s linework is exquisite. The lines dance upon the page and seem quite capable of anything–and telling more than one story all at once. Wany delights the reader on many levels with his flights of fancy; he offers gifts for both the eye and the mind. It really would be no surprise to me if these same pages were to be sliced and diced yet again to tell a completely different story! Isn’t the comics medium malleable by its very nature? Of course it is! Any work by Wany is a delight and I look forward to seeing more from this exciting artist.