Category Archives: Seattle

Seattle Focus: The Grumpy Old Man’s Comics, Art & Collectibles

The Grumpy Old Man!

Seattle has a great love for books, film, music, and comics–not necessarily in that order. In fact, all those passions are not mutually exclusive. With that in mind, welcome the new kid on the block, so to speak, The Grumpy Old Man’s Comics, Art & Collectibles. Alan LaMont hails from Rochester, New York and he recently relocated to Seattle and is open for business with a shop that combines his love for comics and for art in general. The Grumpy Old Man is located in the heart of Seattle’s Ballard neighborhood on 1732 NW Market Street.

“A Kiss is Just a Kiss”

This video is a conversation with Alan LaMont, owner of The Grumpy Old Man’s Comics, Art & Collectibles. Alan chats about the store, Silver Age comics, and his new art show at the store opening on Feb 10, 2018 with a Valentine’s Day theme, “A Kiss is Just a Kiss.” Alan knows comics. He’s been a collector since the age of 4. His first big stash of comics put him through graduate school. If you are looking for some classic gems, or seek out some historical context to current titles, Alan has got you covered–along with one of the best comics subscriptions services around. Get your current single comics, graphic novels, and a nearly endless supply of comics collectibles from The Grump Old Man.

“A Kiss is Just a Kiss,” Grumpy Old Man’s February art show opens February 10, 2018. For more details, visit the Lamont Arts LLC Facebook page right here.

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Filed under Ballard, Collectibles, Collecting, Comics, Seattle, Silver Age Comics

Alternative Comics Creator Mark Campos (1962 – 2018)

Mark Campos, Short Run, 15 November 2014

Mark Campos was a beloved member of the local Seattle comics community. After learning that he had taken his life, I really did not know what to say. If there was a gathering, or an event, or a drawing club, he was a part of it. He was a cartoonist that drew what he loved. “Casino Son,” his last collection of stories, came out in 2017.

CASINO SON by Mark Campos

Cartoonists, just like any other creative person, spend a lot of time inside their heads. It can be a very good place to be. It saddens me to think that this particular comrade was dealing with so much turmoil. Rest in peace, Mark.

Here is a review by Paul Tumey of “Casino Son” in The Comics Journal:

“Mark Campos, another Seattle artist, is one of my favorite cartoonists. He emerged during the first wave of zine culture in the 1980s, creating clever, funny self-published comics that rank among the best offerings of this movement. Over the years, he has refined his visual storytelling into an accomplished minimalist style but has remained on the fringes by his own choice. He is also regarded as one of the best writers in the Seattle comics scene. A collection of his stories, Moxie, My Sweet is drawn by various other artists, including Eisner Award winner David Lasky.

For Casino Son, Campos set up a modest fundraising campaign, with the goal of publishing a new comic to premiere in person at the 2017 Latino Comics Expo, in Long Beach, California, November 11-12, 2017. The comic is a collection of short autobiographical vignettes which subtly reveal the conflicts of his Mexican-American upbringing with mainstream USA culture as represented by the casinos of Reno, Nevada — where he grew up. Resonating with modern-day, Build The Wall America, Casino Son is a smartly underplayed commentary. Like Charles Schulz or Ernie Bushmiller, the stories in Casino Son are so well-crafted they read fast and offer depth. Great to see a new comic from Mark Campos — I’m glad he rolled the dice on Casino Son.”

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Filed under Cartoonists, Comics, Mark Campos, Seattle

DUNE Comics Anthology Art Show in Seattle

DUNE Art Show in Seattle

Seattle cartoonists of all stripes have been gathering at a little cafe for years. It’s been a mix of aspiring, emerging, professional, and enthusiast. Over time, this frenetic energy organized into a group that met once a month. For five years, the group met at Café Racer. They socialized, they drew, and the end result was a bunch of comics that were gathered up and turned into a comic book that was published the following month. That monthly comic book was known by the gallant and nerdy name of DUNE. It was a remarkable undertaking. Sadly, Café Racer recently closed its doors leaving the group without their routine creative outlet. To honor and celebrate their collective activity, there will be an art show of DUNE comics at a pub, The Leary Traveler. The show goes up January 18th and will run for a month.

If you are in Seattle, this is a wonderful opportunity to get a taste of some local cartoonist activity or the underground comix scene, per se. In fact, there is an unusually high concentration of cartoonists in Seattle and the Pacific Northwest. That’s a subject far beyond the scope of this post and we’ll pick up on it more and more as we have over the years here at Comics Grinder. Suffice it to say, this art show is one of those special treats not to be missed.

Contributors to DUNE include well established masters of the comics medium (Roberta Gregory), painters and illustrators (John Ohannesian), brilliant young upstarts (Tom Van Deusen), exciting new talents (Gillian Rhodes, Handa, Rachel Scheer), enthused amateurs, and sometimes a non-artist or two who stopped in for beer and bravely decided to join the drawers. Sometimes the artists with the least “polish” end up turning in the pages that are the most clever, funny, and/or emotionally raw.

This show was organized by Push/Pull of Ballard, David Lasky, and Maxx Follis-Goodkind. The show poster is by comix artist Mark Falkey, who has been with DUNE since the first issue. The Leary Traveler is located at 4354 Leary Way NW in Seattle’s ‘Frelard’ neighborhood (the urban sprawl between Fremont and Ballard). The DUNE art show opening, takes place on Thursday, January 18th, from 6 to 9 pm. Expect many artists to be in attendance.

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Filed under Cartooning, Cartoonists, Cartoons, Comics, Seattle

City of Seattle Commissions Graphic Novel To Promote Historic Steam Plant

Drawing by David Lasky

Has a major American city ever commissioned a graphic novel as a public art piece before? Seattle is on board! Cartoonist David Lasky and writer Mairead Case have been selected (from 71 applicants) by the City of Seattle to create a fictional graphic novel centered around the historic Georgetown Steam Plant. The goal is to increase awareness of this unique landmark with a graphic novel geared toward young adults.

Panel from “The Carter Family: Don’t Forget This Song”

David Lasky is the co-author (with Frank Young) of the Eisner-Award-winning graphic novel biography, “The Carter Family: Don’t Forget This Song.” Chicago writer Mairead Case is the author of the acclaimed prose novel, “See You in the Morning.” A story by Lasky and Case, “Soixante Neuf,” was featured in Best American Comics 2011.

West elevation exterior of engine room.
The Georgetown Steam Turbine Station, built in 1906 is now a National Historic Landmark. The plant is owned by Seattle City Light and has been working to restore the plant. It is open for tours the second Saturday of each month and is occasionally used as a teaching facility for steam power engineers and hobbyists.

Here is a brief email interview I did with Mairead Case today:

What went through your head when you got the news about being chosen for this special graphic novel project?

Well I was, am, sincerely grateful: to be from a city that celebrates public monuments with comics, and to have visibility and support for the creative relationship David and I have pretty much always had, even when nobody else was looking. Grateful to have work that includes time for oral histories and site-specific research (no screens!). And aware of the responsibility to accurately represent Georgetown’s diverse history—we want to use this platform to amplify and illuminate the stories that are already here, not co-opt them. For real. (Also, I was really happy to have news that would make my mom proud.)

Are you already envisioning what your routine will be like with the project?

David and I are both pretty focused, detailed nightowls so I expect we’ll have a focused, detailed, nightowl routine. That said, it’s amazing to have financial support for this project so it’s really exciting to think about how we might work in new ways with that gift. (We might even work in the daytime, ha!) But no matter what we’ll be collaborating closely. And we will probably listen to Bowie at some point.

Did you ever think you’d be creating a graphic novel about a steam plant?

I feel like I’m supposed to say no here, but why not? When I was a kid I wanted to be a tightrope walker so maybe this is not that far off.

What do you think this project might say about the role of graphic novels in America?

Ah, I think our role is to make the book and then other people can tell us! But it is terrific terrific terrific that Seattle is supporting a project like this—it’s really wonderful that an American city in 2017 is using art to build community, as defined and remembered by that community. I’m used to telling (maybe yelling a little too) at the government about that, and am still gobsmacked that this time the government was all “we know. Go.” I hope that other cities say “Go” too. The talent is here! American cities, if you want me to send you lists about the talented storytellers I know in your neighborhoods, just send a flare.

You can keep up with this intriguing project right here.

And, if you’re in Seattle this weekend, be sure to stop by and see David Lasky at the annual comic arts festival, Short Run.

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Filed under Comics, David Lasky, graphic novels, Mairead Case, Seattle, Seattle-Georgetown, Short Run, Short Run Comix & Arts Festival, Story, Storytelling, writers, writing

Movie: 24 HOURS IN SEATTLE

Henry Chamberlain in 24 HOURS IN SEATTLE

What if you had a special 24 hours to lift up your creative spirit? That’s how I feel about the annual 24-Hour Comics Day. It is observed around the world by a multitude of diehard fans and seasoned cartoonists.

Henry Chamberlain loves 24-Hour Comics Day!

This last weekend, October 7-8, was 24-Hour Comics Day. It all began on a dare back in 1990 when two cartoonists entered into sort of a duel: Scott McCloud (Understanding Comics) challenged Stephen Bissette (Swamp Thing) to complete a comics narrative within the span of 24 hours. Since then, countless others have taken up the freaky fight. It has become a personal quest for me too! This year, I took up the challenge in my room at the Kimpton Palladian Hotel.

Drawing into the night.

These kind of activities that pull us out of our everyday existence are essential. I cannot help but seek them out. I need to be placed out of my element from time to time, as often as possible, when you get down to it. I have my methods. And the 24HCD is one of them! I hope you enjoy the movie I created. Yes, I put together a movie while I was also creating comics while I was also intoxicated by wine, coffee, and the overall luxurious experience of the Palladian. Also, it was quite nice being just walking distance from Pike Place Market. By the way, I got to meet the legendary Pike Place Market busker, Jonny Hahn!

And this will not be the last of this sort of thing! More on its way. I welcome any feedback you may have. You can leave a comment here or you know how you can reach me too.

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Filed under 24 Hour Comics, 24 Hour Comics Day, 24HCD, Comics, Henry Chamberlain, Seattle

Hotel Review: Kimpton Palladian in Seattle

Palladian

Palladian is one of those stylish hotels that attract both the locals and travelers alike. Palladian offers both a world-class restaurant, Shaker + Spear, and bar, Pennyroyal, that will satisfy any taste. Are you looking for a hip and refreshing getaway/staycation? Then this is the place. Are you completely new to Seattle and need a perfect home base close to everything? Then let Palladian serve you.

Pennyroyal at Palladian by Henry Chamberlain

Cheese and Fruit, from Shaker + Spear, and StoneCap Syrah

A very comfy bed!

I’m one of the locals who have fallen in love with Palladian. I decided to delve deeper which led to this full-on hotel review. I was seeking my latest venue for a 24-hour comics-making session. This last weekend, October 7-8, was the annual internationally recognized 24-Hour Comics Day. The above drawing is part of what resulted from my efforts for this year. There will be more about this in future posts. For now, this art is available as a print at Storenvy right here. Now, let me share with you what I enjoyed about my night’s stay at Palladian:

Pennyroyal with Shaker + Spear in the background

Right from the get-go, I was utterly charmed by the staff. And then, once settled into my room, I was so please with the atmosphere and attention to detail. I provide you here with lots of photos and a comprehensive video. And I can only hope that my words will do this fabulous place justice.

Pennyroyal overlooking Moore Theatre

I love being swept up into something that evokes a dream. Go in any direction, and an intoxicating combination of charm, style, and design will work its magic on you. My room truly felt inviting, a wonderful promise that anything is possible from the whimsical pillow honoring Patrick Swayze to the generously-sized flat screen hitched to an artist’s easel.

The Pennyroyal bar

Early on, I enjoyed a delicious cheese and fruit plate fresh from the Shaker and Spear kitchen. Throughout the night, I navigated my way with sips from a bottle of StoneCap Syrah from the renowned Goose Ridge Vineyard in Washington State’s Columbia Valley. And I made two visits to Pennyroyal and, last but not least, a morning visit to Shaker and Spear. For dinner, I had a burger at Pennyroyal with the perfect cocktail, the “So It Goes.” This is a combination of sherry and rum topped off with hibiscus petals.

Scotch Olives

Dungeness Crab Eggs Benedict

It was the next morning that I was treated to a delightful breakfast. Shaker + Spear’s head chef, Carolynn Spence enjoyed 10 years as executive chef at Hollywood’s legendary Chateau Marmont. She brings bold and inventive quality to everything she does. I was blown away by her take on Stuffed Scotch Olives.

The main entree was the Dungeness Crab Eggs Benedict. One of the patrons admired my diligent note-taking and documenting of my meal. She wondered if I was writing a review. I said that, yes, I was and my instant verdict on the crab was that it tasted, “crazy fresh.” At that moment, I said I would need to work that into my review and so I have.

My rating: 10/10

I think all of Palladian is “crazy fresh!” If you’re traveling, or a local, you won’t need to think twice about a visit. Palladian is located at 2000 2nd Avenue, which is literally just a brief walk away from Seattle’s landmark must-see Pike Place Market. This is one super location. For more details go to Palladian right here.

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Filed under 24 Hour Comics, 24 Hour Comics Day, 24HCD, Comics, Hotel Review, Hotels, Seattle, Travel

Seattle Focus: Surviving THE HAZE

Kayakers paddle in view of downtown Seattle, cloaked in a haze of smoke that swept down into the Puget Sound region from fires in British Columbia. (Elaine Thompson/AP)

The Pacific Northwest is hazy, hot, and bothered. So reports The Washington Post. It has really thrown off the routine of us Seattle natives.

Here in Seattle, we are very low-key. Many of us can tolerate grey skies most of the year. Some of us, like myself, are far more tolerant. I accept grey skies as part of the package. When we reach a sweet spot sometime in autumn, all that grey can be the most satisfying backdrop for contemplation and creativity. But not the haze we are currently suffering through.

The Haze, as some of us have gotten to calling it, is something sinister, a harbinger of climate change things to come. Or, one can hope, just one big temporary pain in the ass. Either way, it has cut into us. This time around, we are dealing with Canadian wildfire smoke. What will we be dealing with next time, and the time after that? Many of us moved to Seattle just to avoid having to face those kind of questions. We thought we’d forever said goodbye to such things as hurricanes and heat waves.

The Seattle Haze t-shirt

So, yeah, we don’t do well with oppressive weather. We can barely handle any snow in winter. For us, The Haze is a really big deal. For those of you with a sense of humor, there’s a t-shirt just waiting for you. Find it right here and here. Cartoonist Jennifer Daydreamer and I created it just for you.

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Filed under Humor, Pacific Northwest, pop culture, Satire, Seattle, T-shirts

Seattle Art Fair 2017: Much to See and Buy!

Kurt Cobain, Incesticide. Courtesy of UTA Artist Space.

The Seattle Art Fair (August 3-6) offers much to see and to buy. The whole idea is to offer in one space an opportunity for a varied audience to engage with some of the best contemporary art around the world. The 2017 edition features 99 galleries representing 30 cities globally, with 58 from the Pacific Rim alone, in addition to lectures and specially commissioned installations. UTA Artist Space, for example, brings the first-ever exhibition focusing on the visual art of Kurt Cobain to the Seattle Art Fair. It includes previously unseen notebooks as well as two original paintings by Cobain. An additional piece that Nirvana fans will undoubtedly recognize is this collaged cover of the band’s 1992 Incesticide compilation.

From Joshua Liner Gallery: Riusuke Fukahori’s
The Ark (Goldfish Salvation), 2015

If you are in the Seattle area, you can still catch the final day of Seattle Art Fair this Sunday. And, if you should not be able to make it, be sure to visit the Seattle Art Fair website for details on all the participating galleries. The following is my recap of my visit on Saturday. There are a number of ways to take it the show with countless observations to make and insights to gain. Here are a few of mine.

Sean Townley’s 7 Diadems, 2016.

Be sure to look twice. While many of us believe we’ve seen it all, there is a part of us ready to be astonished. But you need to really look. Take, for instance, a row of what appear to be pods floating along a strip of the showroom floor. Upon a closer look, they appear to be heads reminiscent of the Statue of Liberty. Are they emerging with the truth and rising to the top? Read more regarding Townley’s work at Boston’s Museum of Fine Arts right here.

C24 Gallery: Carole Feuerman’s City Slicker

The art is alive. Engage with it as it is already engaging with you or so it certainly seems. Carole Feuerman’s City Slicker was a crowd favorite. Represented by C24 Gallery.

Forum Gallery: Bo Bartlett’s Object Lesson, 2017

The art is there to provoke. Welcome a new conversation as art provokes new thoughts and renewed debate, like Bo Bartlett’s Object Lesson, represented by Forum Gallery.

Forum Gallery: Xenia Hausner’s Gone Girl, 2014

Lose yourself. Art can certainly be as fun as it is intense. Consider Xenia Hausner’s Gone Girl, represented by Forum Gallery.

Winchester Galleries: Joe Fafard’s Lucien Freud, 2014

Art will shock. Art takes seriously its option to shock. It can be intense or it can be more of a whimsical nudge like, Joe Fafard’s 2014 tribute in bronze to painter Lucien Freud. Fafard is represented by Winchester Galleries.

Shift Gallery Seattle: Eric Day Chamberlain’s Red Plate Yellow Background, 2016

Art will soothe. Art also prides itself in its ability to calm. Consider Eric Day Chamberlain’s Red Plate Yellow Background, 2016. Chamberlain is represented by Shift Gallery Seattle.

David Zwirner Gallery: Andy Warhol’s Astronauts, 1963

Pay respect. You are among some of the best art galleries in the world, like David Zwirner Gallery. You will be treated to some of the biggest names in art and perhaps in a whole new light, like the above Andy Warhol’s Astronauts, 1963.

Backslash gallery: American artist Fahamu Pecou

Art keeps you strong. Especially during these very troubled times. Backslash gallery is pleased to present a solo show with works especially realized for the fair by American artist Fahamu Pecou whose large painting Daedalus Upliftment was acquired by the Seattle Art Museum last year.

KRUPIC KERSTING II KUK: Tracey Snelling’s Lost City

Discover. Keep your eyes peeled and your mind open. You will be rewarded by something fresh and new, like Tracey Snelling’s Lost City, represented by KRUPIC KERSTING II KUK.

A Seattle Art Fair video recap:

Keep up with Seattle Art Fair right here.

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Filed under Art, Kurt Cobain, Seattle, Seattle Art Fair

SIFF Review: ‘The Reagan Show’

All Hail, the Gipper!

We’ve heard plenty about how the media helped to construct Donald Trump. We see how another White House and the media interacted in, “The Reagan Show,” a new documentary by filmmakers Pacho Velez (Manakamana) and Sierra Pettengill (Town Hall). Pacho Velez was on hand this weekend for a Q&A after the film’s showing at the Seattle International Film Festival.

Ronald Reagan is as much icon as enigma. He managed a life and career treading upon the surface. In their documentary, Velez and Pettengill work mostly from archival footage, made up of official White House video and network news segments, to revisit a man who was at his best as a flickering image just beyond reach. The Reagan administration made the big switch from documenting the president in video instead of the traditional, costly, and confining 16mm film. Video allowed for continuous unencumbered recording. It became known as White House TV, perfect for a former Hollywood actor. The documentary perfectly mines all the irony attached to our first reality TV president. What we get is not so much bloopers, or even anything substantial behind the scenes, but a better sense of a president who was painfully too old and woefully disengaged.

Growing up in the ’80s, I don’t recall that era as particularly quaint but the footage in this doc proves otherwise. One such moment could have come right out of the Eisenhower White House. To illustrate how in command the president was, Chief of Staff Howard Baker recites what is supposed to be a decisive moment between Reagan and his Soviet counterpart, Mikhail Gorbachev. Just prior to a tough round of negotiation, Reagan asked Gorbachev if he would autograph his World Series baseball. This gesture supposedly disarmed Gorbachev and left Reagan with the advantage. It’s a nonsensical anecdote but it apparently disarmed the media just enough to look away and move on.

Pres. Ronald Reagan and Soviet Leader Mikhail Gorbachev

There is plenty of obliging on the part of the media to be found here. Some hard-hitting questioning too, especially by ABC News White House correspondent Sam Donaldson. But the president’s charm is ever present. The only tarnish comes with the complex Iran Contra scandal. It is complex enough to allow Reagan something of a pass. For the most part, this doc focuses on the work between Reagan and Gorbachev. As Velez pointed out during the Q&A, Reagan is credited with ending the Cold War, whether or not that’s true. Overall, he achieved the status of an icon. In reality, as this doc makes clear, the Reagan administration did a lot of stumbling and had the unbelievably good luck of having Mikhail Gorbachev running the Kremlin.

Under certain circumstances, the press, and various other power brokers, will always look away. There will always be exceptional circumstances (FDR, for example, was never photographed in a wheelchair). But when a president so flagrantly abuses his power, then that gentleman’s agreement is forced off the table. Ronald Reagan remained a gentleman. And, for that, he was saved by the establishment. The media asked tough questions but they were always open to being charmed. And Ronald Reagan could be relied upon to charm with the best of them.

While this documentary has its share of irony and self-awareness (Reagan’s plea to “Make America Great Again” is included), it cannot help but get caught up in the murk of Reagan “charm.” As Velez stated in the Q&A, he aimed for this documentary to follow a narrative of success with a happy ending. Sure, Velez did not want to demonize Reagan. Fair enough. But to allow Reagan off the hook with a story that closes with him achieving a nuclear arms treaty with the Soviets is pretty generous. You may as well end a story about Nixon with him opening relations between the US and China. To Reagan’s credit, Velez pointed out in the Q&A, he always seemed sincere. In comparison to today, that does count for a lot.

You can follow “The Reagan Show” on its Facebook page right here. The documentary will air this Labor Day on CNN. You can still catch it at SIFF this Wednesday, June 7th. Go to SIFF for details right here.

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Filed under Documentaries, Movie Reviews, movies, politics, Ronald Reagan, Russia, Seattle, Seattle International Film Festival, SIFF, Soviet Union

SIFF Review: ‘The Fabulous Allan Carr’

“The Fabulous Allan Carr,” directed by Jeffrey Schwarz

Warren Beatty announcing the wrong winner at this year’s Oscars was a disaster but the all-time biggest disaster is so bad that the Academy of Motion Picture Arts and Sciences would rather not discuss it and there is nothing on Youtube to document it, except for a verbal description by comedy writer Bruce Vilanch. The story is about how legendary Hollywood producer Allan Carr ended up creating the strangest opening number ever for the Oscars. That infamous moment, truly mind-bending surreal camp, is the linchpin to a new documentary on a fascinating life and career, “The Fabulous Allan Carr,” directed by Jeffrey Schwarz.

If you were a kid growing up in the ’70s, as one snarky person interviewed in the doc says, there were two big movie events: for straights it was “Star Wars” and, for gays, it was “Grease.” Be that as it may, “Grease,” back in 1978, was a very big deal at my high school, whatever your sexual orientation. I was in the marching band and, as a last-minute prank, many of the boys decided to drop their pants and moon the crowds in the stadium. This was directly inspired by “Grease,” which was as far away from an Oscar opening number flop as you could get. “Grease” was a bonafide hit and it put the movie’s producer, Allan Carr, on the map.

Steve Rubell losing patience escorting Olivia Newton-John and Producer Alan Carr into the “Grease” Party at Studio 54.

How Allan Carr gained the confidence and sense of purpose to become a Hollywood legend is thoroughly explored here. We follow Carr from insecure boy to insecure man, finally losing his virginity in his 30s. Where he was on firm ground was his steadfast desire to put on a show. If you loved “La La Land,” you will relate to Carr’s great love for the grandeur of Old Hollywood, particularly the heyday of movie musicals. After Carr’s success with “Grease,” there would be various ups and downs. One undisputed high point was his producing the Oscar-winning “The Deer Hunter.” And Carr reached his greatest heights producing “La Cage aux Folles” on Broadway.

And then came that incredibly over-the-top opener for the 1989 Oscars. The clip below is not from the documentary but gives you an understanding of what all the fuss was about. This is Bruce Vilanch who, by the way, does provide some wonderful segments exclusively made for the documentary:

EDITOR’S UPDATE: Okay, it turns out that the “infamous” 1989 Oscars opening segment is currently available on YouTube. And, like many a legend, there is more to this story. Basically, it helps to view the above segment with Bruce Vilanch along with seeing the actual footage. Vilanch makes a big mistake by adding to the legend with his hyperbolic description of the show. Despite that, he provides the necessary context. Most importantly, Vilanch explains that this was a case of “manufactured outrage” by Disney president Frank Wells, who lodged a complaint against the Academy even though Snow White is in the public domain. The truth is, Disney was hypersensitive about advertising concerns. Here is the clip. You will likely find this to be charming, entertaining, and heartfelt:

After “Grease” would come Carr’s first big misstep: 1980’s “Can’t Stop the Music,” the musical showcasing The Village People. Carr had hoped to bring abroad Olivia Newton-John for a lead role but, after reading the script, she rejected it. So did Cher and Raquel Welch. However, Carr was able to secure Valerie Perrine. Carr also enlisted a rising star, Steve Guttenberg. The whole affair was directed by veteran funny lady Nancy Walker who was not much of a director. In the end, this was a classic Carr flop: over-sexed camp too far out on a limb. And so he moved on to the next project, and the next.

In time, Carr would find himself. One key personal moment was when he discovered caftans. The spacious velvety robe allowed Carr’s undisciplined body to run free. With a caftan, he could relax and be more open about himself and his sexuality. The ups and downs of his projects would settle into perspective. There would be the undisputed triumphs. And, in the end, he could say he lived his life to the fullest.

The Fabulous Allan Carr,” directed by Jeffrey Schwarz, was a standout at this year’s Seattle International Film Festival. The documentary is based upon the book, “Party Animals: A Hollywood Tale of Sex, Drugs, and Rock ‘n’ Roll Starring the Fabulous Allan Carr” by Robert Hofler. As the story about a gay chubby insecure boy who grows up to live out his wildest dreams, it provides another compelling view of the hopes and dreams of La La Land.

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Filed under Gay, Hollywood, Movie Reviews, movies, Musicals, Seattle, Seattle International Film Festival, SIFF