Tag Archives: indie comics

Review: LAID WASTE by Julia Gfrörer

LAID WASTE by Julia Gfrörer

LAID WASTE by Julia Gfrörer

Julia Gfrörer‘s ethereal comics are a perfect counterbalance to our world of memes and jittery nonsense. There are certainly a number of notable artists and writers who have carved out for themselves an intriguing landscape, an answer or a retreat from the everyday. Julia Gfrörer is one such person. What she does astonishes and resonates: those blank stares from eyes without pupils; all the delicious longing and despair; and that distinctive haunting feeling running throughout. Well, if you dig that, then you are going to be head over heels for her latest work, “Laid Waste,” published by Fantagraphics Books.

Like many a great cartoonist, Gfrörer takes what she does seriously, takes it to heart. I dare say that we see her inhabit her own comics more often than not. And that’s perfectly fine. When one undertakes a longer work, even a short piece, one needs to establish some hooks. Nothing is more natural than to include one’s self. So, that said, I suspect that Gfrörer is Agnès, our main character, a young woman at odds with circumstance and fate. She is in a medieval hamlet as she watches everyone around her succumb to the plague. She has supernatural powers but seems at a loss as to what to do with them.

Panels from LAID WASTE

Panels from LAID WASTE

Gfrörer has established herself over a relatively short time as a masterful storyteller with a distinctive gothic style. I have followed her work with great admiration. She is following in the footsteps of a select group of cartoonists with similar sensibilities. Edward Gorey comes to mind. A contemporary for Gfrörer would be the equally bookish visionary, Kate Beaton.

Along with a gothic vision, Gfrörer is quick to emphasize the theme of pain. In her new book, Agnès suffers greatly. She only sees gloom ahead. Only a brief sexual respite provides some relief. It is one of the more compelling unions I’ve seen in a good while. It is not explicit, per se. We only see the tip of a penis. There is room to explore and she strikes the right balance: a heady mix of passion and angst. For that moment, all the surrounding darkness can just go to hell. Afterwards, once alone again, the pain returns.

This book has been categorized as a “graphic novella.” Sure, you can call it that. The page count of about 80 pages would safely keep it within the range of a proper “graphic novel,” especially by European standards. What takes place within this story might have it qualify more as a vignette than a full-bodied narrative. It is certainly possible to pull together decades of activity, bring in generations of characters, from far-flung locales–all within 80 pages–and have that more in line with the idea of a graphic novel. In the case of this story, we are concentrating on a very special character with remarkable traits in a severe and desolate place with questions of life and death before her. Sounds like a great story no matter what category you place it in. For my money, go ahead and call it a graphic novel, for God’s sake.

Page from LAID WASTE

Page from LAID WASTE

Julia Gfrörer has poised Agnès, who I am suggesting is her alter-ego, in the position of a saint, or at least a heroine. It’s a gutsy move. But the risk is worth taking. As a cartoonist myself, I can fully appreciate the desire to take control of the hero’s journey. Let the cartoonist be the hero! Why not? I see it as a totally organic process. If it works, you go with it. In this story, while seeming to be modest in scope, we find a main character engaged in a full arc of growth. It is, at times cryptic, and, to be sure, heroic.

There is a relentless energy to Gfrörer’s light line work. It is delicate, determined and well-balanced. She keeps to a steady pace. She aspires to poetic heights and reaches them. The narrative does well within a four panel grid per page. This consistent framework complements the story and has a way of catching subtle shifts. There are moments like an abrupt appearance by Death that get a extra magical pop from taking place within this four panel system that can act as a stage. Gfrörer’s work can be called dramatic but it is never merely theatrical. That said, I would surely welcome a play, or maybe a set design, by Julia Gfrörer.

“Laid Waste” is an 80-page trade paperback, published by Fantagraphics Books, available as of November 1st. You can pre-order now at Fantagraphics Books right here. You can also find it at Amazon right here.

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Filed under Alt-Comics, Alternative Comics, Comics, Comix, Fantagraphics Books, Graphic Novel Reviews, graphic novels, Julia Gfrörer

Review: KRAMERS ERGOT 9

From Steven Weissman's "Silver Medicine Horse"

From Steven Weissman’s “Silver Medicine Horse”

As I stated in my previous review for “The Outside Circle,” about an Aboriginal’s journey, you get to that point in the process where you say your work is more like A than B or C. In the case of the comics anthology, “Kramers Ergot,” it is, without a doubt, totally in the fine arts camp. This is where anything goes with subversion ruling the day. The shifts can be jarring but the payoffs can be great too.

It’s perfect timing for me to start off with the first entry to the latest KE, volume 9. We can do a little bit of comparing to my previous review dealing with Aboriginal people. “The Outside Circle” is a very sincere work with more of an earnest tone. Its goal is clarity of purpose and to deliver compelling facts much like a documentary. Steven Weissman has a different take in keeping with the goals of Kramers Ergot. In his story, the Native American character seems to have been stripped of any significance. He feels more like just a guy and flawed in a low-key sort of way. No great drama. This guy is a little jerk (a favorite comics trope): basically selfish and inconsiderate. The simplicity and Zen-like quality to this comic can be deceiving too. As we see, he might be on a quest, per se. But he is petty narrow-minded and that kills off any mystery. In the end, the animals will eventually pull rank on him. He is no hero but the story itself is magical. There is plenty of irony in this short work as opposed to a more earnest approach with the last book I reviewed.

Panels from Michael DeForge's "Computer"

Panels from Michael DeForge’s “Computer”

For something more in line with pushing the limits as far as you can go, we can turn to Michael DeForge‘s totally ironic, “Computer.” This is a commentary on gorging on the internet and too much social media. The computer and college student love each other and they engage in unabashed sex. The acts they engage in are joyous and depicted in a relatively tasteful manner. It is what it is. That’s the limits that DeForge seems most interested in pushing. And, sure enough, it will offend some readers and helps to place this book in a teen and up category. The artwork is spare and crisp. Each reader will need to make their own value judgment on this one. Is it too crass? But, then again, hasn’t the internet made us all more crass or crass-tolerant?

Panel from Gabrielle Bell's "Windows"

Panel from Gabrielle Bell’s “Windows”

Among the excerpts on display to works-in-progress are pages from “Windows” by Gabrielle Bell. And, all I can say here is that Bell keeps getting better and better. If someone could get Bell to take her comics and adapt them into a series on HBO, that would be something! Certainly, Bell loves the medium she’s working in already. But, I’m just saying. What makes Bell’s work resonate? I’d say it is all about its honesty and consistent vision. For those of you unfamiliar with Gabrielle Bell’s work, you can think of it as autobio with a touch of magical realism. In the case of “Windows,” we follow Bell and her mom as they shop for a tiny house. You know, a tiny house, they’re all the rage. And pretty darn inexpensive. I’d love a tiny house of my own! Well, imagine a really good episode of “Curb Your Enthusiasm” and then tweak in more dry wit and there you have it. Bell’s drawing style is as droll as her writing and that is no easy feat.

From Dash Shaw's "Discipline"

Page from Dash Shaw’s “Discipline”

“Discipline,” by Dash Shaw, is another notable excerpt included here. Shaw and Bell, along with a number of other artists in this book, belong to the same tribe, as Peter Schjeldahl has put it regarding certain artists from a certain time and place. And, what I say about Bell, also holds true for Shaw albeit in a different sort of way special to him. I admire Dash Shaw’s uninhibited process, as I see it. He’s the kind of artist who will draw, and draw, and draw. And the sheer power of persistence will carry him over to a higher level. He’s imaginative, brave, and always interesting. From looking at the pages from “Discipline,” I like how the ambiguity keeps the reader at some distance. And I really like the more refined handling of the artwork compared to some work in the past. And, whatever Shaw is up to with a Civil War theme is okay by me!

Panel from Anya Davidson's "Hypatia's Last Hours"

Panel from Anya Davidson’s “Hypatia’s Last Hours”

Another challenging work is “Hypatia’s Last Hours,” by Anya Davidson, which could be disturbing for some readers but is certainly one of the most compelling pieces here. It is Alexandria, Egypt, circa 415 CE. We find Hypatia, a young woman who is trying her best to tutor Anaxis, a wayward and lusty young man. She leaves him frustrated and in a rush to present a lecture on the algebraic equations of Diophantus. But, before she gets too far, she is forcefully detained. She has been sentenced to death for crimes against the bishop. I admire Davidson’s simple rather geometric drawing style, and her use of bold primary colors. This is a story that quickly builds up to its dramatic and abrupt ending.

Panel from Matthew Thurber's "Kill Thurber"

Panel from Matthew Thurber’s “Kill Thurber”

One piece that comes across as quite refreshing, so full of a joie de vivre, is Matthew Thurber‘s “Kill Thurber,” a hilarious time travel jaunt. Yes, Matthew Thurber is sick and tired of being associated with James Thurber. Sure, it was cute at first, but it’s really a drag when you find yourself on sort of a similar career path. Then it really sucks! Why did there ever have to be a James Thurber in the first place?! And then, as fate would have it, Matthew Thurber stumbles upon a plot by the writers who once held court at the fabled Algonquin Round Table. You know the bunch. People like Dorothy Parker and S. J. Perelman. Well, they would all like to see Thurber dead too! Utterly hilarious and drawn in a wry and witty style. Hooray for Matthew Thurber, no relation to James Thurber.

Panels from John Pham's "Scared Silly"

Panels from John Pham’s “Scared Silly”

Another piece with a playful vibe is John Pham‘s “Scared Silly.” This piece follows two young friends, Kay and Jay, as they search for Kay’s “baby,” Bacne. It seems that the little one got lost in Holy Lake Cemetery. This is an excellent immersive narrative playing off more traditional comics storytelling. While invested with a lighthearted and whimsical quality, in the same spirit as the best comics of yesteryear, a dark wisdom prevails.

"The Kanibul Ball" by Lale Westvind

Panel from Lale Westvind’s “The Kanibul Ball”

We come full circle with “The Kanibul Ball,” by Lale Westvind, with a decidedly existential bent. This is neither earnest or ironic. It’s a fantastical hybrid. Really, quite beautiful. We follow a woman who seems, at first, of no significance, more like a kook who would use tin foil to pick up signals from Mars. But the kooks shall inherit the Earth, right? It turns out that she has tapped into something cosmic. We then jump to the frantic anticipation of a huge animal gathering that will result in an orgy of feasting upon each other’s flesh. Our main character, in turn, is engaging in a gathering of beings from various interstellar origins. They are all gathered to feast upon each other, mind, body, and soul. The goal is to share in each other’s pain. It is a goal beyond our heroine’s understanding. However, the animals seem to understand these dark secrets all too well.

Kramers Ergot 9

Kramers Ergot 9

This is a book full of A-list cartoonists. These are the sort of comics artists for whom it is a point of pride to be squarely in the alternative comics camp. That means comics that are an alternative to genre, especially the superhero genre. Would they be at all interested in a corporate gig? No, not in general but do give them a call. They are mostly interested in the art. For these cartoonists, I dare say, they can take the art for art’s sake credo as far, even further, than some other artists in other art forms are willing to go. It’s a fascinating time to be part of comics at this level as the whole shooting match, comics as art and comics art criticism, is still so relatively new and in flux. A lot of these cartoonists are willing to only ask for some legitimacy and maybe even a taste of immortality. That is where a book such as Kramers Ergot gains its strength and integrity.

“Kramers Ergot 9” is a 288-page hardcover, compiled by cartoonist Sammy Harkham, with black and white and full color pages. It is published by Fantagraphics Books.

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Filed under Art, Art books, Comics, Gabrielle Bell, Kramers Ergot, Sammy Harkham

Review: A CITY INSIDE by Tillie Walden

"A City Inside" by Tillie Walden

“A City Inside” by Tillie Walden

I was running late and I decided the best thing to do was to run even later. I stopped by to have a gourmet treat, a bison burger at Eve, one of the new trendy eateries in the Fremont neighborhood of Seattle. Eve is not yet a year old but, in human years, I suppose it’s already a teenager. The place is always immaculate and it seems to have settled into a nice groove. I went to my favorite table near the window and the waitress, with a really dazzling arrangement of tattoos, took my order. With a glass of wine, I turned my attention to one of the most pleasing mini-comics I’ve read in quite a while, “A City Inside,” by Tillie Walden, published by Avery Hill Publishing.

By the time I had read Tillie Walden’s mesmerizing book, my bison burger was served. I started munching and thinking over what this book meant to be. I wondered how many people had bison and wine while contemplating a mini-comic by Tillie Walden. That would be a rare subset of a subset of a select group. Everything about this comic adds up to a beautiful rare bird. Think of it as going to a really good art gallery show. Sometimes you’ll get a pang of regret wishing more people were there with you to share the experience.

Up, up, in the air with Tillie Walden

Up, up, in the air with Tillie Walden

Or, instead of art galleries, just think of comic strips. Walden’s work is as accessible, and full of possibility, as some of the best comic strips. Take Little Nemo in Slumberland, for example. Now, there’s some truly fanciful stuff going on. Consider Krazy Cat and Ignatz, early Popeye, even Peanuts. Comics strips, by their very nature, are ethereal and odd. Speaking of Little Nemo, Walden’s alter-ego, just like Nemo, enjoys taking her bed out for a spin like a magic carpet ride. Much of what we see in “A City Inside” is a wonderful ode to a daydream nation and to overcoming the trepidations of a young person. Walden celebrates all the great eccentricity to be found in comics.

The city beckons.

The city beckons.

What Walden does in “A City Inside” is invite you inside her head–or appear to do so. The main character, her alter-ego and/or a universal character, shares her concerns with the reader. The narrative appears to occur during a therapy session. The young woman is contemplating her future. It is one she knows will require overcoming fears and, ultimately, it may require leaving behind her lover. But the important thing is that the future is hopeful. She will find her way. She will gain admission into the wondrous city. Walden does a great job with a light drawing style to go along with her light lyrical prose. Some of the narrative is enigmatic, elusive, ethereal. But, in the end, it all makes sense.

“A City Inside” is a 56-page trade paperback, published by Avery Hill Publishing. Visit Avery Hill right here. And find more Tillie Walden comics at Retrofit Comics right here.

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Filed under Alternative Comics, Avery Hill Publishing, Comics, Independent Comics, Retrofit Comics, Tillie Walden

Interview: Matt MacFarland and DARK PANTS

Matt McFarland's DARK PANTS comics series

Matt McFarland’s DARK PANTS comics series

Matt MacFarland is an interesting artist working in various mediums including comics. He is one of those hybrid artists who make for the best cartoonists. I am impressed with his comics and that initial interest led to this interview. Matt is a kindred spirit. That has a lot to do with us being a couple of cartoonists in the same boat, navigating still unchartered waters, which can often get pretty choppy.

Silkscreen print adapted from DARK PANTS #1 by Matt McFarland and Maggie Lomeli

Silkscreen print adapted from DARK PANTS #1 by Matt McFarland and Maggie Lomeli

Interviews can be organic and creative things in their own right. Sometimes they require the right balance. As I mentioned to Matt, I have done more interviews than I care to count but I always strive for them to be fun and insightful. I’m always hopeful of what may result. In the case of a young cartoonist finding his way like Matt, who already demonstrates a seasoned approach to his work, it’s really good to gather up some observations from him and add to our general understanding of where we are headed with the comics medium.

The focus here is a cartoonist as a fine artist and that usually means someone who does the whole thing alone just as you would if you were a painter. Matt is in a very good place as someone who has a traditional art education. I say this because Matt’s ongoing series, DARK PANTS, seems to me a fine example of going through the rigors of art critiques. I sense that the recurring theme of those dark pants is a hard-won motif. It is through these mysterious pants that various displaced characters in Matt’s story find some clarity and, most significantly, a sexual awakening.

What you will find instructive here is listening to a particular breed of cartoonist describe how he goes about building his particular work. This is the work of an alternative comics/indie cartoonist. This type of cartoonist often does not care for superhero or genre comics. And, as I say, they usually work alone. Alternative cartoonists do not concern themselves so much with whether or not their comics are legitimate art. They already know they are creating art. The ones that have taken their work in comics past a certain point, they most certainly know since they are employing the same methodology used with other art mediums. This is the sort of work I do. This is the sort of work Matt does.

Check out our conversation right below:

And be sure to visit Matt McFarland and keep up with DARK PANTS right here.

You can find DARK PANTS at these fine establishments:

Los Angeles, CA
MELTDOWN COMICS! (Hollywood)
Bookshow (Highland Park)
Cool Cats Comics and Cards (Culver City)
Comics vs. Toys (Eagle Rock, CA)
Los Angeles County Store (Silver Lake)
Mega City One (Hollywood)
The Pop Hop (Highland Park)
Stories Books and Cafe (Echo Park)

Austin, TX
Farewell Books
Tribe Comics

Seattle, WA
Zanadu Comics

Pittsburgh, PA
Copacetic Comics

And you can pick up a print and t-shirt right here.

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Filed under Alternative Comics, Art, Comics, graphic novels, Independent Comics, Indie, Interviews, Los Angeles, Matt MacFarland, Meltdown Comics, Minicomics

Review: DARK PANTS #1 and #2

I find artist Matt MacFarland quite the kindred spirit as he makes comics coming from a fine arts background. Think of it this way, most of us out there love a David Lynch movie because it has all those extra layers of ambiguity. Well, that’s Lynch’s fine arts background at play. Some of us cartoonists began as painters and/or hybrid artists working in various forms of expression: writing, drawing, film, acting, photography, and so on. When you take all that activity and bring it into comics, it can result in some mind-blowing art like MacFarland’s ongoing comics series, “Dark Pants.”

Reading DARK PANTS at Canter's Deli

Reading DARK PANTS at Canter’s Deli

What sets apart one alternative comic from another is this fine art sensibility. You don’t necessarily have to go to art school for it–but it helps. Imagine that, art school actually does have value! I kid you not. It is what you make of it. Here’s another comparison. Try to achieve the comedic chops of Tina Fey without ever joining an improv comedy troupe. It ain’t gonna happen. You need to flex comedic muscles you don’t even know you have–and you need to be around like-minded people in order to really stretch yourself. In time, with the help of others, you’ll realize how much you suck and what you need to do to improve. And so we find ourselves with this comic which unabashedly displays its motif, those dark pants.

Issues 1 and 2 of DARK PANTS

Issues 1 and 2 of DARK PANTS

Like Cinderella slipping her bare feet into glass slippers and transmogrifying into a regal beauty, there is something enthralling about a story of transformation. This is certainly not lost on MacFarland as he has one hard luck character after another in his series find a break from their routine when they happen upon a mysterious pair of tight black jeans. In the first issue of this comic, Diego, a drab little guy, becomes a hot lover when he buys these jeans at a thrift store and puts them on. But he soon finds that his newfound sex appeal is far more than he bargained for. By our second issue, the jeans have found their way into the hands of Milena, a lonely virgin who writes a sex column for her college paper. Once those jeans are on, she too is over her head.

Diego's story set on Miracle Mile, 1992

Diego’s story set on Miracle Mile, 1992

It’s interesting that both Diego and Milena were already struggling with their lives before they crossed paths with the sexy jeans. It just stands to reason that these jeans were just as likely to wreck, instead of enhance, their existence. But, who knows, maybe the right sort of loser, like the sort portrayed by Don Knotts or Jerry Lewis, would make the most of a cosmic makeover. So far, MacFarland’s characters are doomed, with or without sex, and that’s just as well for this humorous noir. This is a rare treat. I love MacFarland’s wit and vision.

Milena's story set in Glendale, 2002

Milena’s story set in Glendale, 2002

MacFarland has a very accessible style which goes well with his less commercial, and darker, vision. That said, the darker stuff is not always the less marketable. Overall, I see MacFarland’s work as assured with a refreshing approach and zest. It is a cartoony style that makes me think of ironic cartoonists from the ’90s like Ward Sutton and Michael Dugan. It is a sturdy yet elastic style that makes you think you could poke at the characters and reshape them a bit. With that in mind, it is a style that lends itself well to laughs and/or drifting in and out of reality. Our next victim of the traveling tight dark pants will be a kid named Philip in the upcoming third issue. I look forward to how things develop there.

To learn more, and to purchase comics, visit Matt MacFarlnd right here.

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Filed under Alternative Comics, Comics, Humor, Independent Comics, Indie, Matt MacFarland, Minicomics, Noir

Review: A WIND FROM NOWHERE by Kara Queen

Harper and Madelyn

Harper and Madelyn

From the first page of Kara Queen’s new comic, “A Wind From Nowhere,” I felt as if I had been invited into a quiet space where secrets were revealed through whispers. There is 11-year-old Madelyn sitting on the rooftop of her apartment building talking to Ichabod, a one-legged crow. Then, one day at school, her world is rocked by a boy named, Harper.

Kara Queen has a solid way of evoking the vulnerability of youth. She takes her two main characters, inevitably lacking in self-awareness, and places them on a treacherous journey that both are unlikely to survive. This is a study of a crisis that just keeps getting further out of control. Perhaps Madelyn and Harper should never have met but, despite the cloud that hangs over them, they seem to be meant for each other.

A WIND FROM NOWHERE by Kara Queen

A WIND FROM NOWHERE by Kara Queen

The ill-fated relationship has everything to do with their instability. Neither one has much of a foothold on reality. At least Madelyn’s offbeat perspective leans to the whimsical. Harper’s view of the world veers towards homicidal.

Madelyn, Harper, and the crows

Madelyn, Harper, and the crows

There’s a lot of heart to this comic. You really believe in the characters and their struggles. Queen has an energetic and compassionate drawing style. As you might have suspected, there isn’t much in the way of healthy parental support for these kids. But Queen is careful not to paint them as monsters. Instead, she manages to evoke that murky world of dysfunction where things just aren’t working the way they should be.

“A Wind from Nowhere” is a 50-page full-color comic, priced at $12, and available right here. And be sure to visit Kara Queen right here.

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Filed under Alternative Comics, Comics, Graphic Novel Reviews, graphic novels, Independent Comics, Indie, Kara Queen, Short Run, Short Run Comix & Arts Festival

Review: TITAN #1 & #2

Phoebe at rest, one of the Titan masses.

Phoebe at rest, one of the Titan masses.

François Vigneault is an impressive cartoonist and I am so glad to share his work with you here at Comics Grinder. Phoebe and João come from two extremes on the class spectrum but they can’t help but be attracted to each other in François Vigneault’s TITAN, a new quirky sci-fi comics series published by Study Group Comics as a webcomic and as printed issues too.

Phoebe and João in François Vigneault's TITAN, published by Study Group Comics

Phoebe and João in François Vigneault’s TITAN, published by Study Group Comics

You’ve heard of the One Percenters, right? And all the economic disparity? Ha, of course you have. Ah, yes, the haves vs. the have-nots theme. In TITAN, the haves are Terrans and the have-nots are Titans. Vigneault brings us aboard Homestead Station on the moon of Titan where we follow Manager João da Silva as he attempts to lessen tensions between the geneticly-engineered Titan workers and the Terran management. It turns out that the key to his problems lies with one voluptuous Titan worker, Phoebe.

The dynamics on Homestead Station is a lot of fun to see unfold in these first two issues. Far, far, away, in some distant future, you’ll find that crass youth haven’t really changed much at all. Slang, for instance, reflects the latest level of rage. Communication in general, particularly amongst the working class, has undergone a further breakdown in literacy as everyone speaks in choppy sentences. It’s a grim world just waiting to explode! Vigneault keeps our eyes moving with just the right touches of futuristic background and engaging facial expressions and body language. TITAN proves to be a comic in the best sci-fi tradition: a compelling exploration of the human psyche.

Phoebe can't help but tower over Joao.

Phoebe can’t help but tower over João.

The relationship between Phoebe and João is very intriguing. Vigneault does a great job in expressing the divide between rich and poor, the vulnerabilities on each side. Vigneault engages the reader with a love story every bit unlikely and yet most compelling. Phoebe, who would seem to have the disadvantage as a member of the working class, cannot help but tower over her would-be master, João. And João seems to like it.

Study-Group-Comics-Titan-2105

If you’re heading out to the Small Press Expo, taking place this weekend in Bethesda, Maryland, you’ll be seeing some of the best independent comics around. SPX is turning 21 this year, by the way, which makes her legal. Anyway, TITAN #2 will debut at SPX and is surely a comic you’ll want to pick up. Be sure to visit François Vigneault at the Floating World Comics/Study Group table, J8-9.

Small-Press-Expo-2015

For more on the Small Press Expo, visit right here. And keep up with TITAN and Study Group Comics right here.

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Filed under Alternative Comics, Comic Arts Festivals, Comics, Independent Comics, Indie, Sci-Fi, science fiction, Small Press Expo, SPX, Study Group Comics

NBM at Small Press Expo and the Brooklyn Book Festival: Debuting RELIGION, A DISCOVERY and WALKING WOUNDED

Small Press Expo and the Brooklyn Book Festival

Small Press Expo and the Brooklyn Book Festival

On the weekend of September 19th-20th, you can find NBM Publishing participating at two exciting events: the 2015 Small Press Expo and the Brooklyn Book Festival.

And at both events NBM Publishing will be debuting Religion, A Discovery in Comics by Margreet de Heer and Walking Wounded: Uncut Stories from Iraq by Mael & Olivier Morel.

Both Margreet and Olivier are appearing.

Religion, A Discovery in Comics by Margreet de Heer

The author of the bestselling Discovery in Comics series, including on Science and Philosophy, tackles a very sensitive subject. Dealing with religion often means walking on eggshells – that is what comic artist Margreet de Heer finds out in this book in which she presents the five major religions and modern spirituality in a colorful, personal yet serious manner. She explores religious history and practices with tact and an open mind, but can’t prevent a few eggs from breaking. Why is religion such a sensitive subject?

This book in comics is fun and informative for believers, non-believers and everyone in between. It offers a fresh look from different perspectives on the phenomenon of religion, the backgrounds and history of the five major world religions (Judaism, Christianity, Islam, Hinduism and Buddhism) and makes the point that religion is something that should unite us, not drive us apart.

Walking Wounded: Uncut Stories from Iraq by Mael & Olivier Morel

For hundreds of thousands of young Americans, after the shock of 9/11, there was Ar Ramadi, Baghdad, Abu Ghraib… The war in Iraq. Then came the trauma. Olivier Morel gave them a voice in his compelling documentary On the Bridge. Walking Wounded isn’t the book of the documentary but the story of Morel getting close to the young vets, their troubled experience and lives. So close he could not avoid living their trauma himself, seeing all too clearly their vision of the world after their gut-wrenching experiences. From torment to reflection, Morel and artist Mael relate through these vets the impossible return of those who do aspire vividly to get back to a normal life. The effort is huge, some can’t make it, others score their own victory by finally turning the corner… a parable for our country’s war sickness.

SPX Details and Signing Schedule

September 19th-20th; Located at E 1-2

Appearing Saturday Only: Olivier Morel & Margreet de Heer

The Small Press Expo is North America’s premiere independent cartooning and comic arts festival. SPX brings together more than 4,000 cartoonists and comic arts enthusiasts every fall in Bethesda, Maryland.

Unlike many conventions that are geared toward pop culture or corporately owned comics, SPX was created in 1994 to promote artists and publishers who produce independent comics. SPX hosts an annual festival that provides a forum for artists, writers and publishers of comic art in its various forms to present to the public comic art not normally accessible through normal commercial channels.

Signing Schedule:

11:00 am – 12:00 pm: Olivier Morel

12:00 pm – 1:00 pm: Margreet de Heer

1:00 pm – 2:00 pm: Olivier Morel

2:00 pm – 3:00 pm: Margreet de Heer

3:00 pm – 4:00 pm: Olivier Morel & Margreet de Heer

Brooklyn Book Festival Details and Signing Schedule

September 20th; Located at Booth# 308

Appearing Sunday: Olivier Morel & Margreet de Heer

The Brooklyn Book Festival is the largest free literary event in New York City, presenting an array of national and international literary stars and emerging authors. One of America’s premier book festivals, this hip, smart diverse gathering attracts thousands of book lovers of all ages to enjoy authors and the festival’s lively literary marketplace.

Signing Schedule:

11:30 am – 12:30 pm: Olivier Morel

12:30 pm – 1:30 pm: Margreet de Heer

1:30 pm – 2:30 pm: Olivier Morel

2:30 pm – 3:30 pm: Margreet de Heer

3:30 pm -4:30pm: Olivier Morel

4:30 pm – 5:30 pm: Margreet de Heer

Be sure to follow NBM on Twitter @nbmpub and visit our friends at NBM Publishing right here.

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Filed under Brooklyn Book Festival, Comic Arts Festivals, Comics, NBM Publishing, Small Press Expo, SPX

Review: ‘The Sunderland Volume One: Schism’ by Jon Renzella and Eric Weiss

Schism-Taiwan-Lei-Press-2015

The Sunderland Volume One: Schism” is the first in an epic trilogy of graphic novels set in a dystopian world. It will be followed by “Solitude” and “Thermidor.” This is quite an ambitious work and I salute, artist Jon Renzella and writer Eric Weiss, the talent behind this 450-page book of black and white woodcuts and text.

From the introduction:

Society is fractured. Life for most is a desperate struggle. Natural Resources are scarce and the discovery of a miracle source of new, clean energy only serves to deepen the cracks. As the planet reaches breaking point, the sudden appearance of two mysterious pillars…

Schism-Sunderland-Volume-One

It’s a very intense and vivid world that Renzella and Weiss have created. If you enjoy comics with a social commentary bite to them, then this is something you’ll want to check out. The creators of this book live and work in Taiwan and so it is interesting to keep that in mind as a subtext.

Schism-Jon-Renzella-Eric-Weiss

The Green movement is in disarray. The average citizen doesn’t stand a chance. And the Petrolol corporation just keeps chugging along. The narrative can be rather dense at times and so can the artwork, but it grows on you. This is a byzantine journey crowded with numerous characters confronting chaotic and enigmatic challenges. There is no hero. There is no clear resolution in sight. The story just is. But out of that jungle we find numerous graceful and poetic moments.

Sunderland

“Schism: The Sunderland, Volume One” is published by Lei Press and printed in Taiwan. It is available through Jon Renzella’s website. You can find it right here.

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Filed under Alternative Comics, China, Comics, Comix, Dystopian Fiction, Dystopias, Graphic Novel Reviews, graphic novels, Self-Published, Taiwan

Review: GUN #1, published by Reckless Eyeballs

Gun-01-Jack-Foster-comics

GUN is a new superhero crime noir comic, written and drawn by Jack Foster. Both the deadpan humor and light touch to the artwork remind me a bit of Matt Kindt. This is a story with its fair share of irreverence while still sticking to the reality that bullets and punches hurt, especially bullets. The premise here is that of a number of comics that take superheroes off the grid: in a world overflowing with superheroes, and super villains, is anybody just plain normal?

GUN-Jack-Foster

The search for normalcy hangs heavy over our super characters. Maybe one last bank heist, so to speak, would solve everything. Just run away with the loot and enjoy margaritas on the beach. I love the quiet grace to this comic. Our hero is not a hero. Actually, he’s technically a villain. To listen to his story, you’d think he’s just some mixed up kid with superpowers. You can call him, Twist. That’s what the media calls him. It wasn’t his idea. That’s just how he moves. He would have preferred “something cool like King Crimson or Doc Hangover.” Do you get a sense here of silly fun, of bubblegum superhero mythos? It is fun and it works.

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I’ll tell you something, covering comics is built on one work of comics at a time. It can’t just be the big two publishers all the time, although there’s much to cover there as it is. And it is fun to see how iconic superheroes going back close to a hundred years still remain relevant. In fact, Foster is tapping into the swagger and pulpy goodness of yesteryear. Anyway, covering comics is very similar to covering any other art form. As a reviewer, I look for new talent right along with checking out established names. What’s great about Foster’s work is that he’s having a blast. His love for the old school approach is apparent in every hand-drawn and hand-colored panel. This is a character-driven narrative with room for subtilty and wry wit.

This is a beautiful comic, hands down! Rounding out the talent is the lettering of Greg Sorkin and the editing of Nolan Smith. This is the first issue of GUN, entitled, “Fighting is My Monday.” The next issue will be entitled, “Strange Bedfellows.” For more details, and to preview the first issue, visit our friends at Reckless Eyeballs right here.

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Filed under Comics, Comics Reviews, Jack Foster, Reckless Eyeballs, Superheroes