Tag Archives: arts

Review: ‘Läskimooses’ by Matti Hagelberg

Panel excerpt from “Läskimooses” by Matti Hagelberg

“Läskimooses,” by Matti Hagelberg, has got to be one of the most unusual of comics. It comes out in single issues and the plan is for the complete collected work to be an epic over 1,000 pages. Currently, this art/sci-fi comic book totals around 700 pages, is published 7 issues per year, and is the longest single comics story ever to be produced in Finland.

Hagelberg is best known for his scratchboard technique that he has used in most of his works, published by L’association and Le Dernier Cri in France (Raw Vision 83). It is a wonderfully obsessive vision, part parody and part stream of consciousness. Hagelberg is on an adventure to find the meaning of life and the secrets to the universe byway of conspiracy theories. Only a determined artist like Hagelberg can sustain such a quest. It makes for fascinating results.

Artist Matti Hagelberg

It’s not uncommon for an artist to keep to one theme or one universe in their body of work. Hagelberg has always drawn stories set in the same universe. His epic Läskimooses comics are quite a dramatic example of focused work harkening back to classic comic strips. His theme of exploring the universe is broad enough to sustain a lifetime’s work. The energy and enthusiasm comes across the page. He has set up some fun devices to keep the narrative flowing like an ongoing conversation between characters discussing cosmic subjects. You don’t need to know how to read Finnish to enjoy it either.

Läskimooses #28

I always enjoy writing about comics from outside the United States. Sometimes, I am not sure how to hook into a work and I find it is better to let it simmer and then I come back to it. So is the case with “Läskimooses.” You can now enjoy an issue of the comic book with a handy translation sheet in English. That will certainly clear up any questions about why you’re seeing a bunch of monkeys or what’s going on regarding a volcanic eruption.

Page from Läskimooses #28

Again, let me emphasize that the visuals are pretty stunning all by themselves. Some issues, like #28 above, are only images, no text at all. Basically, all you need to know to begin with is that Läskimooses and Ohto are both planets and figure prominently in the narrative. The two ongoing characters have their own ideas on existential matters that they’re working through. It’s interesting that Hagelberg’s initial idea was to set his story on the Mars of Edgar Rice Burroughs. He had a spectacle in mind right from the start. Anyway, we’re all working through our own existential issues, right? It’s fun to see an artist with such an unabashed and audacious attitude share with us his vision of the sublime and the profound. I look forward to what develops next with this intriguing and unusual project.

To get an issue of “Läskimooses,” with an English translation sheet included, go to Printed Matter right here.

For a closer look at the artist at work, check out this video right here.

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Filed under Comics, Comics Reviews, Europe, European Comics, Finland, Matti Hagelberg, Scandinavia, Sci-Fi, science fiction

Great Review of ‘Alice in New York’ by Henry Chamberlain

I really appreciate the insightful review by Stacey E. Bryan of my graphic novel, “Alice in New York.” Stacey is the author of the humorous supernatural thriller, “Day for Night.” Her review is a wonderful boost of acknowledgement. All of us writers and artists strive for just this sort of connection.

The Big Apple. For a lot of people, those four words would mean little or nothing. But for me personally, it means a lot, because I was living there in 1989. The Twin Towers were still intact. Our country hadn’t turned that strange corner yet and started accelerating down a slippery slope into the 24-7 fear-mongering which has left us in the mess we’re in today.

When you’re in a mess, there’s no room for magic. But in 1989, in New York City, the old gods, the old ways, were still intact, and this is the year and the setting where Henry Chamberlain captured that feeling tenderly and bravely with his graphic novel “Alice in New York.” […]

via Alice In New York: A graphic novel by Henry Chamberlain — Laughter Over Tears

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Filed under Alice in New York, Alice in Wonderland, Comics, Graphic Novel Reviews, graphic novels, Henry Chamberlain, New York City, Supernatural

Review: BILLY BUDD, KGB by Jerome Charyn and François Boucq

Yuri and Stavrogin: It is a matter of trust.

In Herman Melville’s last novel, “Billy Budd,” we follow the fate of an orphan plucked from adversity and conscripted into the British Royal Navy. In the graphic novel by Jerome Charyn and François Boucq, the lost little orphan is carted off into the service of the Soviet Union. Like Melville’s main character, there is something special about this boy. As we find in much of Charyn’s work, we have a protagonist of limited means compelled to honor his great potential. However, as we begin, we have only an emotionally stunted, ignorant lad with a hideous harelip. It is 1954. Stalin is in power. Yuri cannot resist all that is offered to him by the Soviets. In fact, he has no choice. “Billy Bud, KGB,” originally released in France in 1990, has recently been re-issued, with a new English translation by Jerome Charyn, by Dover Comics and Graphic Novels.

Four graphic novels by Jerome Charyn, available from Dover Publications.

Mr. Charyn’s literary career began in America in 1964 with his first novel, “Once Upon a Droshky,” a story of underdogs fighting to remain in their tenement apartment. After 19 prose novels, including the Isaac Sidel crime noir series, Charyn decided to adapt one of his stories into a graphic novel. That led to more. It all began with 1987’s “The Magician’s Wife,” with artist François Boucq. They also collaborated on 2014’s “Little Tulip.” Another graphic novel by Charyn in a similar spirit is 1991’s “The Boys of Sheriff Street,” with artist Jacques de Loustal. All four of these stories have multi-layered plots, primarily set in New York City, and filled with offbeat characters.

Yuri encounters the spiritual realm.

Our main character, Yuri, seems to be a typical malleable cog but something burns inside him making him go astray. He is far too innocent and ignorant to be in command of his intuitive desire to rebel. All he knows is that there must be more to life than what his Soviet handlers are telling him. Luckily, Yuri stumbles into a friendship with an instructor that will inform the rest of his life. Comrade Grigori’s unique artistic skills and broad knowledge have made him an asset over the years at the KGB training camp. But that same treasure trove of knowledge makes him very dangerous to the Soviet agenda. As a tutor, mentor, and friend, he provides Yuri with a key to unlock his soul.

It’s not easy being a spy.

By fits and starts, Yuri emerges as material for a competent secret agent. The KGB arranges a few encounters with prostitutes in order to, in their view, make Yuri more worldly. And then he’s shipped off to America. His new identity, a knowing nod to Melville: William “Billy” Budd, the lost soul. It will be up to the newly minted Billy in New York City to struggle with his life’s purpose. Stavrogin plucked him out of a ditch and gave him a future. Grigori opened his eyes to life’s possibilities. And Red Eagle, a Native American mystic, may offer him the salvation he’s hungered for all along.

Yuri gains a deeper spiritual connection.

Both Charyn and Boucq work in such a synchronized and nuanced manner that was as rare a treat then as it is now. Such pairing can only happen when the time is right. Today, readers in America and in general, are far more receptive to this level of quality. While a unique challenge, some creators choose to control all aspects of their work alone. But, as this graphic novel collaboration makes clear, the results can be stunning when writer and artist work together. We can all thank novelist Jerome Charyn for being a true trailblazer in adding his unique literary talent to the pantheon of exemplary work in comics. This book is a mesmerizing story and comics of the first order.

BILLY BUDD, KGB by Jerome Charyn and François Boucq

“Billy Bud, KGB” is a 144-page full color trade paperback. For more details, and how to purchase, visit Dover Publications right here. You can find it at Amazon right here.

Also note a Kickstarter campaign going on now thru May 21st for a deluxe reprint of FAMILY MAN, a collaboration between Jerome Charyn and Joe Staton.

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Filed under Comics, Dover Publications, François Boucq, Graphic Novel Reviews, graphic novels, Jerome Charyn, Russia, Soviet Union, Spies

Review: REVENGER & THE FOG by Charles Forsman

REVENGER & THE FOG by Charles Forsman

A vast and desolate wasteland, suitable for any action or exploitation movie, serves as the magnificent backdrop for REVENGER & THE FOG, the second collected volume of the ongoing Revenger comic book series by Charles Forsman. What I readily come away with is this: a horror schlock genre opens up a wide field for comics but it’s not so easy to get it right. You need a strong narrative backbone to keep all the flesh and blood moving along. Forsman jiggles it all into place with a masterful touch.

An instant taxicab ride.

Quentin Tarantino easily comes to mind as a practitioner of the type of movie terror that Forsman is channeling. Everything and everyone is cast in a pale yellow light of sheer desperation. We know from the get-go that the characters that dwell within mostly, or exclusively, eat raw meat…perhaps drink blood too. It is nothing to them to humiliate, mutilate,…well, you get the picture. A little goes a long way. Not my preferred cup of tea but, then again, it all depends upon the writing. Forsman is sensitive to those proper modulations of gore.

No one messes with Revenger!

As I understand it, Reggie, aka Revenger, is a one-woman force of nature, easily the lone wolf but open to companionship from time to time. For this collection, we follow Revenger when she belonged to a vigilante gang known as The Fog in Los Angeles in the late ’70s. This is a most unlikely assembling of brute force and cunning not seen since the A-Team. Revenger has fallen head over heels for Jenny, aka Dynarat. It is a love affair fraught with danger and ill-fated beyond words. Billy, aka Slim, offers some crude technical skill. Tara, aka Scalpel, is a martial arts guru.

The basic story here is a goofy nihilist joy ride. Dynarat is kidnapped by her abusive movie mogul father. Revenger must find a way to rescue her. The story dares you to take it seriously. Within context, it works its magic, much in the same way as other forms of parody and good obsessive autobio can sway the reader. The intriguing thing about this comic is that Forsman, like Tarantino, is intimately involved with his subject matter, both playfully satirizing it as well as paying it respect. There is irony but it’s not all irony. It’s a joke but it’s not all a joke. Essentially, Forsman works from a platform that provides exhilarating freedom for a cartoonist to take big risks: the arena of pure artifice, pure entertainment.

Revenger tells it like it is.

Forsman has an admirable control over some pretty weird proceedings and keeps to a steady pace, mindful of the distinct journey each character is on. It is one thing to create a scene with some impressive slicing and dicing of body parts. But your story will never truly succeed if no one cares. We care about all the characters in this story, even the most repulsive ones. We don’t wish the villains well but we do get caught up in them.

Well, you get caught up in everyone’s business as much as you please. This is a deliciously artificial world we are navigating through. No wonder this gritty pumped up terrain, this hyperreal wasteland, attracts some of the most creative minds. You can mix and match an endless sea of possibilities: the inane headbutts the profound.

Forsman, much like his contemporary Michel Fiffe (COPRA), has the admirable distinction of tackling all aspects of his work: the writing, the drawing, and even the coloring. While pretty common in indie circles, this kind of involvement is nearly unheard of within corporate comic book publishers. In the case of Forsman, he does quite well in serving his cryptic vision alone. His wiry characters get bathed in just the right quirky color schemes. Tongues can stick out and be painted a bright fire engine red! It all makes sense: perfectly oddball and compelling story, art, and colors.

The world of action B-movies, it turns out, is just another world, with as much to offer as any wonderland or netherworld. And, as I suggested early, it is a satisfying and quite apt playground for comics. There is a thread from Herriman’s Krazy Kat to Kaz’s Underworld to Forsman’s Revenger comics. A final thought: After you complete the main story, you have an extra feature which is Revenger lost, appropriately enough, in a hell hole. It is a fitting end to a most intriguing collection of work.

REVENGER & THE FOG, the second volume of Revenger comics, is a 160-page full color trade paperback, published by Bergen Street Press. For more details, and how to purchase the work of both Charles Forsman and Michel Fiffe, visit Bergen Street Press right here. Visit Charles Forsman right here. And be sure to stop by and consider becoming a patron of Charles Forsman at his Patreon right here.

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Filed under Bergen Street Press, Charles Forsman, Comics, Comics Reviews, Dash Shaw, Graphic Novel Reviews, graphic novels, Horror, Michel Fiffe, Satire

Kickstarter: FAMILY MAN by Jerome Charyn & Joe Staton

FAMILY MAN by Jerome Charyn & Joe Staton

The story begins in New York City…one hour into the future. Crime runs rampant, rogue cops patrol the rubble-strewn streets, predatory gangs steal anything that isn’t nailed down, and the once powerful mafia dons cower in fear in their tenement prisons. Someone is killing the mob chieftains one by one, and the last survivors call on Alonzo, The Family Man, to hunt down the murderer. But it won’t be easy – not when Alonzo’s own brother Charles, the gun-toting Monsignor of the corruption-ridden New York City police department, is a prime suspect.

Full page of original art by Joe Staton

Jerome Charyn (The Magician’s Wife) is one of my favorite writers. He is a one-of-a-kind visionary. Charyn has worked with some of the best cartoonists in the world and his work with Joe Staton (Dick Tracy) is no exception. Take a look at the examples in this post and it will give you a taste of the hard-boiled, multi-layered tale that is FAMILY MAN. A Kickstarter campaign is on now thru May 21st in support of releasing, for the first time, a collected graphic novel of this classic work. Visit it right here.

Jerome Charyn & Joe Staton

This is a project that Mr. Charyn and Mr. Staton worked on in 1994, during the heyday of Paradox Press, an imprint of DC Comics. Take a closer look at the artwork and marvel over the distinctive shading made possible with the Craft Tint duotone process. These special bristol boards were coated with shading underneath the surface. The artist exposed the shading as needed. Back in 1994, FAMILY MAN ended up as a three-part comic book series of 96-pages each. Thanks to IT’S ALIVE! Press, this stunning work of comics can now be given the best possible presentation as a graphic novel. That includes displaying each page as it originally appeared on the art board

Close-up view of Joe Staton artwork

I really can’t say enough about the remarkable talent of novelist Jerome Charyn. We will pursue that further in subsequent posts. What I’ll say now is that he was way ahead of his time, at least in American circles, by taking his literary skills to the comics medium. In Europe, for example, that has been well understood for decades. In America, we’ve had time to catch up. If you read a Charyn work in comics, you are treated to a vast world of intrigue with characters that will get under your skin. For FAMILY MAN, Charyn and Staton serve up a nice pulpy noir tale set in New York City “one hour into the future.” It is a story about two brothers on separate sides of the law caught in a dystopia they understand all too well and which will pit them in a bloody conflict.

It’s not too late to join in and reserve your copy of FAMILY MAN. This is a wonderful opportunity to own a shining example of comics at its best. Check out the Kickstarter and learn more about rewards, including original art by Joe Staton, right here.

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Filed under Comics, Crime Fiction, Dick Tracy, Drew Ford, graphic novels, IT’S ALIVE! Press, Jerome Charyn, Joe Staton, Kickstarter, New York City, Noir

Kickstarter: On The Off Chance debut album on Vinyl

On the Off Chance

I just reviewed a work by fellow cartoonist Dan Dougherty. And I feel a separate post is in order to let folks know about Dan’s band, On The Off Chance. I have heard their music and this feisty band out of Chicago is a lot of fun! Check out some samples for yourself at the band’s Kickstarter, going on through March 23rd, right here.

I am listening to “Payday” as I write this and its rockabilly vibe has put me in a very good mood. This is a band definitely on the rise. Later this year, with a little help from their friends, they will be releasing some very cool music videos that include the talents of Joel Murray (Mad Men), Jim O’Heir (Parks and Recreation) and David Pasquesi (Veep)!

On The Off Chance

A note from the band:

And as to the album itself? It’s the best thing we’ve ever made in all of our years as musicians. It’s eleven original songs written by either Dan or Steve, with beautiful harmonies, powerful lyrics, and hooks to spare.

The album is already recorded, mixed and mastered at the band’s own expense. The album art is complete and ready to print. The campaign funds go towards printing and shipping this special vinyl edition. As you will see among the reward options, you can choose whatever fits best your musics needs: CD, digital download, or vinyl, plus some other goodies.

As of today, Dan’s Kickstarter for the debut album of his band, On The Off Chance, has surpassed the $2,000 milestone of its $3,500 goal! This campaign ends on March 23rd. You can support the campaign by visiting right here.

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Filed under Comics, Dan Dougherty, Kickstarter, Music

ECCC 2017 Panel Recap: Artists Who Write: The Craft and Creation of Comics

Dark Horse Comics panel on Artist/Writers

There is a special hybrid in the comics industry: the artist/writer. This is a combination of skills common enough in some circles (webcomics and indie graphic novels) but not so much in others (ongoing comic book series). That said, an artist/writer is also in a unique position for those projects where the roles of artist and writer are shared. Dark Horse Comics hosted an engaging and informative panel on this subject during Emerald City Comicon this last weekend that featured cartoonists Matt Kindt (Dept. H, Ether), Kristen Gudsnuk (Henchgirl, The Secret Loves of Geek Girls), and Adam Warren (Empowered). It was moderated by Patric Reynolds (Joe Golem).

ETHER by Matt Kindt and David Rubin

ETHER #5 by Matt Kindt and David Rubin. On Sale March 15.

Matt Kindt focused on ETHER, which he writes and David Rubin draws. Kindt is completely in love with all aspects of comics and continually finds ways to push the medium. But he is also quite appreciative when he teams up with an artist that is on a similar wavelength. “I can give David Rubin, say, a page with six panels and he can find a way to turn that into a 12-panel page.”

EMPOWERED by Adam Warren and Karla Diaz

EMPOWERED: Soldier of Love #2 by Adam Warren and Karla Diaz. On Sale March 22.

Adam Warren encouraged any aspiring cartoonists to not worry too much about a formal cartooning education. Warren said that, after he discovered manga, he was ultimately compelled to relearn comics after attending the Joe Kubert School that provided him with a traditional comics education.

HENCHGIRL by Kristen Gudsnuk.

HENCHGIRL TPB by Kristen Gudsnuk. On Sale March 29.

Kristen Gudsnuk stressed that she is self-taught. When she first developed her Henchgirl webcomic, she did not have to consider how to create the same comic for print. But, she did learn that she would not be able to continue drawing her comics on the subway. She redrew the first four issues of her print comic and went from there. A tip from Cliff Chiang really helped. He scans his pencils and prints them in nonphoto blue and uses that to ink on.

Whether the issues are technical or more general, a panel on the creation of comics has something for everyone. It definitely has the potential to inspire. And plenty to relate to. For instance, Matt Kindt admitted that he feels he is no longer qualified for any other job than being a cartoonist. He says he was never really good at being your typical office worker in a cubicle. But there was one bright spot. He worked out his schedule where he did his drawing from home and, while he was at “work” in the office, he would do his writing. For any aspiring cartoonist, finding a job that is so amenable to your dreams is nice work if you can get it.

For more details, visit Dark Horse Comics right here.

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Filed under Adam Warren, Comics, Dark Horse Comics, ECCC, Emerald City Comicon, Kristen Gudsnuk, Matt Kindt, Seattle

Review: ‘How to Draw Sci-Fi Utopias and Dystopias’ by Prentis Rollins

"How to Draw Sci-Fi Utopias and Dystopias" by Prentis Rollins

“How to Draw Sci-Fi Utopias and Dystopias” by Prentis Rollins

I want to share with you a book that really speaks to me as an artist and storyteller. I’d been meaning to write a review of it for quite some time and then it struck me last night as to what to say here. This is one of those books with the goal of art instruction that really gets it! And it is considerably helped along by its niche focus! Are you into science fiction? Would you like to draw work that perfectly fits into that genre? Well, then, here’s the book for you: “How to Draw Sci-Fi Utopias and Dystopias” by Prentis Rollins, published by Monacelli Press.

This is the ultimate guide for illustrators at all levels on how to fine tune their sci-fi imagery. You get the very best advice from Prentis Rollins, a DC Comics veteran (Rebirth, Supergirl, and Batman: The Ultimate Evil). Given the opportunity, I would love to pick his brain. But, let me tell you, this book is the next best thing as Rollins takes a very accessible and conversational tone throughout his instruction filled to the brim with examples. There are 32 step-by-step case studies in all created and imagined especially for this book.

Whether you are attempting to create a compelling utopia or dystopia, it all comes back to basics. Here is a book that goes through the building blocks all the way to sophisticated techniques to really rock your world. Rollins is certainly not alone in stressing a need to master the fundamentals before veering off to pursue your own thing. In fact, he implores you to not rely too heavily upon emulating the work of others. However, he also emphasizes the very real need to be inspired by others.

For Rollins, he has two main influences: American artist Syd Mead (Blade Runner, Star Trek: The Motion Picture); and the Swiss surrealist painter H.R. Giger (Alien). As Rollins is quick to point out, these two artists could not be further apart from each other. Mead is logical, clean, and rational. Giger is morbid and nightmarish. You could place one in the utopian camp and the other in the dystopian camp. And that falls well into the theme that Rollins pursues: a close look at science fiction imagery, both utopian and dystopian.

A utopian scene

A utopian scene

Consider these examples, among the many you’ll find in this book. One shows you a scene more in the vein of Syd Mead.

A dystopian scene

A dystopian scene

While the other shows you a scene more in the vein of H.R. Giger. And, yet, both resonate a certain way of doing things that is all Prentis Rollins. And that, my friend, is the whole point of the book. I hope you’ll get a chance to pick up a copy for yourself or for someone you know who would get a kick out of such an impressive art instruction book.

“How to Draw Sci-Fi Utopias and Dystopias” is a 208-page trade paperback in full color. For more details and how to purchase, visit Monacelli Press right here.

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Filed under Art, Art books, Batman, DC Comics, DC Entertainment, Illustration, Monacelli Press, Prentis Rollins, Sci-Fi, science fiction, Supergirl, Superman

Seattle Focus: Rock Is Not Dead – October 22nd

oct22rockposter

For those of you in Seattle this Saturday, October 22nd, come out to the Fantagraphics Bookstore And Gallery for a launch party for “Rock Is Not Dead,” an international anthology of comics and prose based on rock songs with an accompanying covers CD. Seattle cartoonist Noel Franklin pulled together an artist team to contribute. Fellow cartoonist Mark Campos and Franklin created a comic based on the Throwing Muses song, “Not Too Soon,” and Amy Denio recorded the cover for the CD.

Noel Franklin is a Seattle cartoonist who, like many of us in this region, is quite active. We locals know her for such beautiful work as her tribute to the OK Hotel. Franklin recently received grants from 4Culture and the Mayors Office in support of her first graphic novel.

Fantagraphics Bookstore And Gallery is located at 1201 S Vale Street. For more details, visit them right here.

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Filed under Comics, Fantagraphics, Fantagraphics Books, Fantagraphics Bookstore And Gallery, Noel Franklin, Seattle

Portland Focus: Portland Art Museum

South Park Block: Theodore Roosevelt guards the Portland Art Museum

South Park Block: Theodore Roosevelt guards the Portland Art Museum

One of my favorite strolls is walking down the South Park Blocks in downtown Portland and then making it over to the Portland Art Museum. I was recently in Portland and enjoyed such an outing. This was just prior to the new Andy Warhol show. So, I need to make another trip from Seattle in the near future. That said, I had a wonderful time spending most of my time taking in the permanent collections. Just for fun, here are some observations.

PAM 2016: Cymatic Modular Triangle

I was in a contemplative mood. I found myself focusing on the various juxtapositions of art I came across. There were so many pleasing combinations on view that I could not help documenting some of the most striking ones. So much to see and process. This is just a quick sampling. I also include one of the temporary exhibits that intrigued me, “Sound Beyond the Auditory,” on view until the first of the new year. I’ll say a few words and you can go to the video that showcases a really cool pulsating triangle. This exhibit is made up of experiments in cymatics, the process of making sound visible and tactile. People enjoyed each work on view and were compelled to linger over the Cymatic Modular Triangle. They would stomp, tap, click, whatever sound they could think of, to influence the colorful patterns it responded with. This exhibition was developed in partnership with CymaSpace. For more information on their programs or how to volunteer visit cymaspace.org.

Bourdelle and Monet

Bourdelle and Monet

Getting back to my study in coupling of art works. In no specific order: we begin with Bourdelle and Monet. The massive yet pensive bust, “Head of a Figure Called Eloquence,” 1917, by Emilie-Antoine Bourdelle, takes in the scene and is a perfect counterbalance to a water lily painting by Monet.

Caro and Oldenberg

Caro and Oldenberg

Anthony Caro’s quirky “Table Piece XXX,” 1967, fits right in with what looks like a study for a large scale Oldenberg, “Profile Airflow,” 1969.

Rauchenberg and Stella

Rauchenberg and Stella

Rauchenberg shares space with Stella.

Rodin and Monet

Rodin and Monet

Rodin’s exuberance gives way to Monet’s calm.

Smith and Berman

Smith and Berman

David Smith’s spiky sculpture, “Portrait of Don Quixote,” 1952, wages a battle with Eugene Berman’s expansive “Time and the Monuments,” 1941.

Smith and Berman

Smith and Berman

Olin Levi Warner’s sculpture rides the ebb and flow of time with the paintings of Edward Lincoln Espey.

"Charrette de boeuf (The Ox Cart)," July, 1884

“Charrette de boeuf (The Ox Cart),” July, 1884

"The Thatched-Roof Cottages of Jorgus, Auvers-sur-Oise," June 1890

“The Thatched-Roof Cottages of Jorgus, Auvers-sur-Oise,” June 1890

By far, the most moving combination is of a painting early in Vincent van Gogh’s life coupled with a painting from the month of his suicide. The space between the paintings seems to stand for such a troubled life as Van Gogh’s. One painting seems perhaps serene and studios. The other painting we might read into it resignation. We can sense a mastery, a certainty within uncertainty.

Portland Art Museum

Portland Art Museum

Portland Art Museum is located at 1219 SW Park Avenue. “Andy Warhol: Prints from the Collections of Jordan D. Schnitzer and His Family Foundation” runs from October 8, 2016 to January 1, 2017. For more details, visit the PAM website right here.

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Filed under Andy Warhol, Art, Portland, Travel, Van Gogh