Here is something else that I picked up at Short Run over the weekend. My Brother the Dragon is written by Galen Goodwin Long, illustrated by Jonathan Hill, and published by Tugboat Press. I had a nice conversation with Galen. She said she was quite happy with the results. I certainly agree. This is something of a hybrid: a mini-comic and a children’s book. I am very impressed with the level of sophistication and understated grace. If you aspire to creating a children’s book of your own, this is an excellent example of what is possible within the indie community.
My Brother the Dragon
This is the story of a little boy who sure loves dragons. He loves them in every possible way. The story is told my his big sister who has a problem with her brother’s dragon obsession. The story is simple and easy to follow and the artwork is spot on and delightful. This book came out in 2016 and I’m happy to have stumbled upon it. Visit Tugboat Press right here.
Nilah Magruder is a writer and illustrator of children’s books and comics. From her beginnings in the woods of Maryland she developed an eternal love for three things: nature, books, and animation. She is the author of HOW TO FIND A FOX (First Second Books) and M.F.K. (Insight Comics) among other works.
It all began, or a lot of things started to fall into place, with the M.F.K. webcomic. That’s a significant work in Nilah Magruder’s career which includes both the comics and the animation industry. It was a story she had to tell and embarked upon back in 2012. The underlying theme to Magruder’s work is giving voice to those who have not been heard in the past. As she puts it, her stories come back to what she would have wanted to read as a child. “I’m writing the stories that I wish I would have read as a young black girl growing up in a predominantly white community.”
Nilah Magruder’s postapocalyptic story about a deaf girl crossing the desert to release the ashes of her grandmother would go on to be the first recipient of the Dwayne McDuffie Award for Diversity in Comics. In the summer of 2017, Insight Comics would publish the first installment of M.F.K. as its first original graphic novel.
HOW TO FIND A FOX
Magruder is as busy as ever. Among her work, she is the first African American woman to write a story for Marvel Comics. She has just completed storyboard work for the Disney “Tangled” animated television series. She is just as adept at creating children’s books as demonstrated by the adorable HOW TO FIND A FOX. Well, the list goes on. This week, for instance, a new anthology of queer teen stories, including a story by Magruder was released by Harlequin Teen, “All Out: The No-Longer-Secret Stories of Queer Teens throughout the Ages.” And looking out to Spring 2019, there is “Creeky Acres,” from Penguin Books, a graphic novel by Magruder and First Second editor Calista Brill.
Take a closer look at her professional journey and it follows an arc of determination to excel. “Comics and animation are highly competitive. It has to be a perfect storm of having the right skills and being at the right place at the right time. You have to have stamina. Success in this business is being the last person standing. What really drives you is the passion.”
It was my pleasure to get a chance to chat with Nilah Magruder and get a sense of her multi-faceted work. I hope you enjoy this video interview!
Be sure to visit Nilah Magruder at her website right here. And, if you’re in Seattle and heading out to Emerald City Comicon, be sure to stop by and visit with her in person! You will find her in Artist Alley at Booth P11 and on some very fun and interesting panels!
Nilah Magruder and ECCC
Nilah Magruder will be at Booth P11 in Artist Alley.
Danilo Del Tufo is an illustrator in Quarto, Italy. I like his new comic, an adaptation of the Hans Christian Andersen classic tale, “The Little Match-Seller.” You can purchase a copy at LuLu.com right here. And you can find more details right here.
A burning light of hope.
“The Little Match-Seller” or “The Little Match Girl” (Danish: Den Lille Pige med Svovlstikkerne, meaning “The little girl with the matchsticks”) is a short story by Danish poet and author Hans Christian Andersen. The story is about a dying child’s hopes and dreams, and was first published in 1845. Del Tufo does a thoughtful job of evoking the great pathos in this story. This is an excellent example of a wonderful calling card in the form of a comic to showcase an artist’s work. And, of course, it is also a fine comic in its own right.
GUM LUCK is the second in the Gumazing Gum Girl series, published by Disney-Hyperion Books, and it is as irreverent and quirky as you may expect. Illustrated by Rhode Montijo, written by Montijo, with Luke Reynolds, this is a perfect book for young readers. This book is hilarious and there is method to all the madness too. Gabby Gomez has quite a conflict to deal with: bubblegum gives Gabby superpowers but her dentist dad is totally against bubblegum. Gabby feels compelled to confess her big gum secret but she can’t risk losing her powers.
Reading GUM GIRL
The script by Montijo and Reynolds provides a fun mix of kid reality and kid fantasy. For example, in one chapter, Gabby is alarmed to see a car skidding its way towards a collision. Instantly, Gabby sets loose her gum powers and brings the car to a sticky, but safe, stop. However, once Gabby arrives at school, she discovers her permission slip to go to the zoo is covered in bubblegum. Without a readable permission slip, Gabby is forced to stay behind in a classroom with other kids who can’t go to the zoo.
Pages from THE GUMAZING GUM GIRL: GUM LUCK
Montijo’s bold artwork is a real treat and keeps the action moving along. Montijo has managed to channel is own take on the Power Puff Girls. Gabby Gomez and her family are easy to relate to while Gum Girl is whimsical and fun to follow along. Montijo offers up a very pleasant and animated style. It is spare and clear and will be especially appealing to a younger age group of ages 6-8. This book also happens to have a pleasing hint of bubblegum scent!
THE GUMAZING GUM GIRL: GUM LUCK is a 160-page color hardcover, available as of June 13th. You can find it at Amazon right here.
I’ve kept up with Andi Watson‘s work in comics over the years and maybe you have too. It’s upbeat, quirky, and decidedly dry wit. Kate Beaton comes to mind. A number of British sitcoms come to mind too. Anthony Trollope. Yeah, he comes to mind as well. But let’s get back to Andi Watson. Dark Horse Comics has collected in a deluxe edition Watson’s GLISTER series. This book revolves around Glister Butterworth who stumbles upon quite a number of strange things.
Page from Andi Watson’s GLISTER
One of the strangest things is the family estate of Chilblain Hall. Glister and her dad live there, which is all well and fine. But they also have the occasional ghost. And the estate itself is a living entity. Glister is always trying to maintain an upbeat mood. She even encourages the family home. “But,” as Watson writes in one scene, “the doubt had already seeped into the hall’s timbers like cold in an old man’s bones on a winter’s night.” Here is where Glister must really lay on the charm and persuade the old mansion that being rustic is cool!
As a cartoonist, I greatly admire Watson’s direct line. I would not call it “deceptively simple” as is too often said of clean work. It has more to do with a clear purpose. And it’s very important to have a sense of clarity as you have a main character traipsing through a variety of rather arcane terrain. And I wouldn’t necessarily call this book aimed at only girls. Boys can, and need, to be sensitive. They don’t have to say they’re channeling their feminine side if they’re not ready to. Anyway, most boys know that all rough and tumble can get boring. At the end of the day, we are talking here about a certain sensibility. If you like droll humor, you’ll like this book. Come to think of it, doesn’t Harry Potter have a good dose of dry wit?
GLISTER collects four stories which include the arrival of a teapot haunted by a demanding ghost, a crop of new relatives blooming on the family tree, a stubborn house that walks off its land in a huff, and a trip to Faerieland to find Glister’s missing mother. Whimsical, indeed! A contrarian friend of mine egged me on the other day as to why it is that kids read so many comics. It can’t be good for them, right? With GLISTER fresh on my mind, I pointed out that kids get to enjoy a complex plot, playful use of language, and exercise their imagination. The grounding that will stand them in good stead when they go on to read the biting social satire of Anthony Trollope!
GLISTER is a 304-page trade with color tints. This whimsical collection will appeal to all ages, especially ages 8 to 12. It is available as of July 5. For more details, visit Dark Horse Comics right here.
When Daniel Jackson Lim first encounters Hilo, the little outer space alien, he sees a boy his own age flat on his back after falling from the sky and making a cataclysmic impact. He reaches out to him and – Snap! – there’s a mighty electrical charge that compels D.J. to scream, “Aaaah!” The die is cast. This becomes Hilo’s favorite word! Aaaah! Perfect as a greeting, a sign of approval, or just whenever. And so begins Judd Winick’s magical and hilarious all-ages graphic novel. And, yes, this is truly all-ages as adults and kids alike will groove to Winkick’s humor which evokes Bill Watterson’s “Calvin and Hobbes.”
Here at Comics Grinder, I do my utmost best to bring to you an appealing mix of content geared to adults as well as content geared to children. And, as I’ve often said, it’s really great when you find a shining example of a bona fide all-ages comic. If you’re familiar with Judd Winick, you know that he has a healthy sense of humor as well as a thoughtful and caring side. Check out this interview that Whitney Matheson did with Winick right here. It goes back to Winick’s time on MTV’s “The Real World” in the ’90s. During the show, Winick became close friends with his housemate, Pedro, the first “Real World” housemate living with HIV. Winick would go on to create a graphic novel about Pedro entitled, “Pedro and Me: Friendship, Loss, and What I Learned.”
It’s a combination of irreverent and energetic storytelling, bold artwork, and a great heart that makes this boy-out-of-world adventure so worthwhile. Readers will be won over long before Hilo has a clue as to what his destiny is to be.
The next adventure will be entitled, “HILO: Saving the Whole Wide World.” Yes, there will be more after this initial adventure, “HILO: The Boy Who Crashed to Earth.” And it only makes sense. It takes a while for Hilo to figure out what’s going on.
“HILO: The Boy Who Crashed to Earth” is a 208-page full-color hardcover published by Random House Children’s Books, a division of Penguin Random House. It is available as of September 1, 2015. For more details, visit Penguin Random House right here. You can also visit Random House Kids right here.
David Ury and “Everybody Dies: A Children’s Book For Grown-Ups”
Daivd Ury is really onto something. Who is David Ury? you may ask. Most likely, you’ve seen him around, getting throttled, axed, murdered, or most notably, having an ATM fall on him in AMC’s critically-acclaimed “Breaking Bad.” Yes, he’s one of those character actors that you like but might not know unless you’re looking in the right places. Ury has definitely been working hard. You can catch his hilarious collaboration with his alter-ego, Kevin Tanaka, right here:
I had the honor of speaking with both Brad Bernstein, the film’s director and writer, and Rick Cikowski, the film’s lead editor and lead animator. Both men expressed their love for Tomi Ungerer and provide insight into the making of this impressive documentary, distributed by First Run Features.
For me, I can appreciate what happened to Tomi Ungerer when I look at the iconic poster he created for “Doctor Strangelove.” That poster, much like his “Black Power, White Power” poster are forever part of one’s psyche. And yet, in America, Ungerer’s work in children’s books is not widely known today. That work is just as powerful and was just as well known in its day, as anything else he has created. Thanks to Phaidon, we have many of his great works being reprinted in the United States. But, for decades, it was as if he’d been wiped out of memory in America. How could that be? That is a big part of the fascinating story that unfolds in this documentary.
Tomi Ungerer is a great talent and, for a man who has had a lifelong battle with fear, he is a most courageous man. For someone who grew up under the horror of the Nazis, and went on to conquer the world of illustration in its heydey in New York City, that alone is remarkable. But going that far out, wasn’t far enough for Ungerer.
“Far Out Isn’t Far Enough” brings together a seamless narrative boiling down numerous hours of interviews with Tomi Ungerer, Jules Feiffer, the late great Maurice Sendak, as well as other notable figures like art director and critic Steven Heller. Throughout the film you are treated to very deftly purposed animation that strikes the right cord, whether humorous or somber.
As Brad Bernstein explains, the initial attraction to Tomi Ungerer was his spirited expressions like, “Far Out Isn’t Far Enough.” That really says it all. Ungerer is a man who speaks his mind and does it quite well. His life and work are a testament to a strong will and this documentary honors that spirit very well.
You can listen to the interview with Brad Bernstein and Rick Cikowski by clicking the link below:
And, as the say, tell your friends and spread the word about this documentary. You can visit the official site here and also follow on Facebook and Twitter.
Tomi Ungerer was a household name. He was the most popular children’s book illustrator in America. He is also a masterful artist of subversive and erotic art. That’s what got him into trouble within the children’s book community. His career was derailed. But he wasn’t. “Far Out Isn’t Far Enough” is a powerful documentary about a most remarkable man and artist. Tomi Ungerer’s life and career spans World War II, at the hands of the Nazis, into the high flying life of New York City in the “Mad Men” era of the ’50s and ’60s, and into the heart of the counterculture movement. It’s a life, not unlike Robert Crumb’s, full of explosive expression and heroic turns.
Director Brad Bernstein has brought into focus the life of Tomi Ungerer in a variety of ways. First and foremost, is Tomi Ungerer, who eloquently speaks his mind and is the guiding force throughout this film. It is his expressions, like “Don’t Hope, Cope” and “Expect The Unexpected,” that are used as chapter headings and repeated in various ways to draw out their meaning. Tomi’s life story is so compelling by itself too but, with the help of an impressive group of individuals, we hear his story told from many vantage points. This is a wonderfully structured documentary that alternates with grace between interview subjects and vivid use of animation (thanks to Brandon Dumlao, Alain Lores, and Rick Cikowski) that makes Tomi’s already powerful images jump out at you all the more.
We quickly take in Tomi Ungerer in the opening scenes. We see an older gentleman, with sad eyes and a mischievous smile, who has seen more of the world than has been good for him. He is also full of life and happy to joke around. But his comments can be cryptic: “I always have nightmares. I’m always being arrested in my dreams!” There is sadness and gaiety as he says this. He was once the most celebrated artist of children’s books in America. He was a rock star among illustrators. And then he disappeared.
Born in 1931 in Strasbourg, France, Ungerer and his family would come to know their Nazi neighbors all too well. Alsace, Strasbourg had only been French for about 300 years so its identity was split evenly Franco-German. This fractured identity would inform Ungerer’s life and his work. While under German occupation, it was forbidden to speak French and German culture prevailed. However, after the Allied victory, Ungerer’s German upbringing was a severe liability. The French, he found, treated him just as poorly as the Germans. And there was no regret by the French to burn German literature. It was very absurd, Ungerer concluded. Life was absurd.
At age 25, with only sixty dollars, Ungerer moved to America. He had always managed to cope and to prosper as an artist and so he would try to make a living from it in New York City. As luck would have it, Ungerer’s arrival in 1956 was a perfect time to break into the wildly lucrative world of illustration. Not only did he manage a foothold, he brought with him a whole new style that peeled away at conformity. The problem for Ungerer would be that, as he reacted to the times, he would just keep peeling away to the point that he crossed a line.
The musical score, by Nick Dei Rossi, dips into an ominous tone once Ungerer has come into his own and matured as an artist. He always loved the children’s book illustration he was known for but now he was reacting to the Civil Rights movement, the Vietnam War, and the Sexual Revolution. His peers, artists like Maurice Sendak and Jules Fieffer, admired what he was doing. Both are interviewed extensively in this film and provide great insight. They both loved Ungerer. But there was nothing they could do when Ungerer met his Waterloo.
Ungerer’s life, post-America, is not a sad story. He did give up children’s book illustration for 25 years but he discovered a whole new life, a life with new challenges and old fears that needed to be overcome. We come to realize that there will always be a touch of fear in this man’s life but it’s a good kind of fear, the sort he can use as a challenge. He seems to already have come to terms with the fear of death. Even if it should turn out to be vast nothingness, he is encouraged that this will be an opportunity to fill the nothingness with something from his mind. In the end, he remains encouraged and eager to continue crossing a line, pushing the envelope. The Tomi Ungerer expression used for the film’s title, “Far Out Isn’t Far Enough,” proves to be his way of life.
“Far Out Isn’t Far Enough: The Tomi Ungerer Story” is currently in theaters. Be sure to visit the site here for details. If you’re in Seattle or Minneapolis, you can catch it this weekend at one of your Landmark Theatres. Check it out here.
And you can listen to my podcast interview with the director/writer and lead editor/animator of this dazzling documentary here.