An Emerald City Comic Con 2018 exclusive variant of RICK AND MORTY PRESENTS: THE VINDICATORS #1 by J. Torres and CJ Cannon with Nick Filardi. This convention exclusive is illustrated by Jen Bartel (Storm)! Available at Oni Press booth #216.
Keep up with Oni Press at ECCC on Twitter. Click to enlarge signing schedule below:
Nilah Magruder is a writer and illustrator of children’s books and comics. From her beginnings in the woods of Maryland she developed an eternal love for three things: nature, books, and animation. She is the author of HOW TO FIND A FOX (First Second Books) and M.F.K. (Insight Comics) among other works.
It all began, or a lot of things started to fall into place, with the M.F.K. webcomic. That’s a significant work in Nilah Magruder’s career which includes both the comics and the animation industry. It was a story she had to tell and embarked upon back in 2012. The underlying theme to Magruder’s work is giving voice to those who have not been heard in the past. As she puts it, her stories come back to what she would have wanted to read as a child. “I’m writing the stories that I wish I would have read as a young black girl growing up in a predominantly white community.”
Nilah Magruder’s postapocalyptic story about a deaf girl crossing the desert to release the ashes of her grandmother would go on to be the first recipient of the Dwayne McDuffie Award for Diversity in Comics. In the summer of 2017, Insight Comics would publish the first installment of M.F.K. as its first original graphic novel.
HOW TO FIND A FOX
Magruder is as busy as ever. Among her work, she is the first African American woman to write a story for Marvel Comics. She has just completed storyboard work for the Disney “Tangled” animated television series. She is just as adept at creating children’s books as demonstrated by the adorable HOW TO FIND A FOX. Well, the list goes on. This week, for instance, a new anthology of queer teen stories, including a story by Magruder was released by Harlequin Teen, “All Out: The No-Longer-Secret Stories of Queer Teens throughout the Ages.” And looking out to Spring 2019, there is “Creeky Acres,” from Penguin Books, a graphic novel by Magruder and First Second editor Calista Brill.
Take a closer look at her professional journey and it follows an arc of determination to excel. “Comics and animation are highly competitive. It has to be a perfect storm of having the right skills and being at the right place at the right time. You have to have stamina. Success in this business is being the last person standing. What really drives you is the passion.”
It was my pleasure to get a chance to chat with Nilah Magruder and get a sense of her multi-faceted work. I hope you enjoy this video interview!
Be sure to visit Nilah Magruder at her website right here. And, if you’re in Seattle and heading out to Emerald City Comicon, be sure to stop by and visit with her in person! You will find her in Artist Alley at Booth P11 and on some very fun and interesting panels!
Nilah Magruder and ECCC
Nilah Magruder will be at Booth P11 in Artist Alley.
Emerald City Comicon is and integral part of the fabric of Seattle. It is a tradition that has grown and developed into an impressive and highly anticipated annual event. ECCC is one of the first, if not the first stop, for many creatives as they embark upon their comics convention tours–and a most welcome one. That has a lot to do with ReedPOP‘s leadership. And, of course, it has a lot to do with so many loyal fans of a uniquely Pacific Northwest celebration of pop culture. Maybe folks are more polite and mellow in this region. We won’t dissect it any further and just be grateful. Now is the time to get ready and to keep an eye out for updates on all things ECCC.
ECCC and SYFY WIRE
JENNIFER MORRISON at ECCC 2018
Whether it is a chance to see two of the legends from “Back to Future,” Christopher Lloyd (Doc Brown) and Tom Wilson (Biff Tannen) or a favorite talent at Artist Alley, there is something for everyone at ECCC.
BACK TO THE FUTURE at ECCC 2018
ECCC Artist Alley 2018
ECCC Artist Alley 2018
As usual, Comics Grinder will venture out and report back from various panels, activity on the showroom floor, and whatever should catch the eye. If you are in Seattle, and love comics and pop culture, then make sure to be part of Emerald City Comicon.
There is a special hybrid in the comics industry: the artist/writer. This is a combination of skills common enough in some circles (webcomics and indie graphic novels) but not so much in others (ongoing comic book series). That said, an artist/writer is also in a unique position for those projects where the roles of artist and writer are shared. Dark Horse Comics hosted an engaging and informative panel on this subject during Emerald City Comicon this last weekend that featured cartoonists Matt Kindt (Dept. H, Ether), Kristen Gudsnuk (Henchgirl, The Secret Loves of Geek Girls), and Adam Warren (Empowered). It was moderated by Patric Reynolds (Joe Golem).
Matt Kindt focused on ETHER, which he writes and David Rubin draws. Kindt is completely in love with all aspects of comics and continually finds ways to push the medium. But he is also quite appreciative when he teams up with an artist that is on a similar wavelength. “I can give David Rubin, say, a page with six panels and he can find a way to turn that into a 12-panel page.”
Adam Warren encouraged any aspiring cartoonists to not worry too much about a formal cartooning education. Warren said that, after he discovered manga, he was ultimately compelled to relearn comics after attending the Joe Kubert School that provided him with a traditional comics education.
Kristen Gudsnuk stressed that she is self-taught. When she first developed her Henchgirl webcomic, she did not have to consider how to create the same comic for print. But, she did learn that she would not be able to continue drawing her comics on the subway. She redrew the first four issues of her print comic and went from there. A tip from Cliff Chiang really helped. He scans his pencils and prints them in nonphoto blue and uses that to ink on.
Whether the issues are technical or more general, a panel on the creation of comics has something for everyone. It definitely has the potential to inspire. And plenty to relate to. For instance, Matt Kindt admitted that he feels he is no longer qualified for any other job than being a cartoonist. He says he was never really good at being your typical office worker in a cubicle. But there was one bright spot. He worked out his schedule where he did his drawing from home and, while he was at “work” in the office, he would do his writing. For any aspiring cartoonist, finding a job that is so amenable to your dreams is nice work if you can get it.
For more details, visit Dark Horse Comics right here.
Daniel Warren Johnson at Emerald City Comicon 2017
Daniel Warren Johnson is a freelance illustrator based in Chicago. Johnson’s webcomic, SPACE-MULLET, launched in 2012, got people’s attention. It is a quirky sci-fi tale following the adventures of such characters as Jonah, a stranded Space Marine from United Earth, and Alphius, a huge Zozobian who uses too much toilet paper. As Johnson told me, the whole experience of maintaining a webcomic turned out to be the perfect way to demonstrate to publishers how he navigates through a story. This process would lead him to the helm of his own comic book series, EXTREMITY, published by Skybound Entertainment, an imprint of Image Comics.
Daniel Warren Johnson’s SPACE-MULLET
The world of EXTREMITY, as Johnson states, is “visually stunning in keeping with the characters.” This is a barbaric and futuristic landscape. Think Mad Max. It is a world of extremes. Johnson’s writing process focuses on the characters first and builds out from there. At the forefront, is Thea, from the Roto Clan, who has been horribly wronged by the Paznina. What makes this story different from a typical revenge tale, Johnson told me, is that it is not just one person dealing with what happens next but an entire village.
ECCC variant for EXTREMITY #1
Story is everything. Johnson’s method is to write out a script first, let that settle in, and then pursue the artwork. He says he could storyboard the whole thing out but it’s getting that script down that proves to be the most efficient.
Johnson has a very disarming personality. He has an immediate and direct way about him. As I sat in with him for a bit at Emerald City Comicon, he worked on some art while always engaging with visitors. “I invite folks to ask me anything,” he says. One thing that Johnson has become known for are his portraits where he renders his subject as a zombie. So, if you should meet up with Johnson, maybe you should ask him to draw you as a zombie.
Daniel Warren Johnson
Take a closer look at Johnson’s artwork and you’ll find that extra attention to detail. Johnson thanks an extensive art training background starting out when he was a kid and getting private lessons from a kind but determined Italian woman named, Rosetta. “I watch out for the details. If I’m going to draw a car, for instance, it is definitely going to look like a car.” But, for what finally got him where he is today, that he has to thank his wife for.
What Johnson foresees for himself, and hopes for the future of comics in general, is a focus on story, going deeper, beyond a “crafting of cool.” “You know, stories can come to and end too. The standard model is to keep characters going on forever. It can be refreshing to break that model, tell one character’s story from start to finish, and move on.”
Illustrator and cartoonist Pénélope Bagieu is like any gifted artist: curious, industrious, and someone who welcomes a good obsession. I say that in the best sense of having an obsession since artists need them to spur on their work. Bagieu followed her muse to the music legend Cass Elliot. You can read my review of her graphic novel, “California Dreamin’: Cass Elliot Before The Mamas & the Papas,” published by First Second Books, right here. I had an opportunity to chat with Bagieu. We discuss her book, her thoughts on music, and what lies ahead.
We begin this video interview with my sharing with Pénélope my encountering the hit song and title of her book while I was having lunch. It seemed a bit uncanny to me. Pénélope did not exactly shrug off the observation but quickly acknowledged how ubiquitous that song is. And how powerful. It is every bit a work from the Sixties and yet totally co-exists in a timeless Neverland. Certain songs from that era aimed for such a vibe but precious few attained that quality. And so it was to be with Cass Elliot, one of the few to reach an ethereal and graceful immortality.
CALFORNIA DREAMIN’ by Pénélope Bagieu
Before we started rolling video, Pénélope was telling me about her visiting MoPOP here in Seattle. She said, if she could, she would live in that museum. That sort of sentiment won me over all the more. You can catch more of that thread in the interview when Pénélope responds to my asking her about the power of music.
What I would like to suggest to you is that, if you are going to Emerald City Comicon (and I’d love to hear from you about ECCC either on or off this blog) make sure to visit the First Second Books booth #1602 on the exhibit floor and get yourself an advance copy of “California Dreamin’: Cass Elliot Before The Mamas & the Papas.” For those of you not fortunate enough to visit, I highly recommend that you get a copy at your local comics shop, bookstore, or online.
Pénélope Bagieu is an illustrator and cartoonist worthy of as big a reading audience as possible. CALIFORNIA DREAMIN’ is her second book to come out in an English language edition with First Second Books. Her first book was EXQUISITE CORPSE. Both of these titles, and others, originally were published in France by Gallimard. You can easily find EXQUISITE CORPSE online and I highly recommend that you do so. This is a 128-page full color hardcover. It is a sophisticated comedy about a young woman who becomes involved with an older man who happens to be a famous author. The question is whether she is in over her head or perhaps it is the other way around. There are a number of twists as the story builds. Bagieu has a keen sense of humor and wonderful timing. The main character of 22-year-old Zoe is full of life and quite memorable.
For more details on CALIFORNIA DREAMIN’, visit MacMillan Publishers right here.
Image Comics/Skybound Entertainment at Emerald City Comicon 2017
Sean Mackiewicz is the Editorial Director of Skybound Entertaiment who oversees all comics titles, which include the upcoming EXTREMITY and REDNECK and Robert Kirkman titles THE WALKING DEAD, OUTCAST, and INVINCIBLE. I got a chance to chat with him for bit. He is the perfect person to provide a quick tour of Skybound Entertainment.
So, what is Skybound Entertainment? Well, most of you out there are familiar with THE WALKING DEAD, right? Robert Kirkman had a dream of bringing back, in a whole new way, the old black & white horror movies, especially zombie movies, he loved watching on Saturday morning television as a kid. His unique slant on zombies was thinking of a way to keep the story going, turning it into a ongoing saga. One thing led to another and THE WALKING DEAD, pardon the pun, came to life!
THE WALKING DEAD comic book series was created by writers Robert Kirkman and Harry Schofield and artist Tony Moore. In 2003, Image Comics began publishing it. By 2008, Kirkman was a partner with Image Comics. By 2010, Kirkman was heading up his own Image Comics imprint, Skybound Entertainment.
ECCC variant for EXTREMITY #1
Skybound Entertainment is a place to showcase a wide spectrum of titles by Robert Kirkman as well as like-minded creators. It’s a unique place for creator-owned work to be shown to the world and to grow to its fullest potential. At Skybound, you have an assortment of comic book titles with character-driven, horror, and dark fantasy themes. Among the roster of Skybound titles: EXTREMITY (first issue out March 1at), by writer and artist Daniel Warren Johnson; and REDNECK, a horror comic written by Donny Cates and drawn by Lisandro Estherren, that will hit stores on April 19th.
To round out the picture a little more on Skybound Entertainment, I asked Mackiewicz if he could describe a typical day in his role as Editorial Director. He said that no day was typical but each day could see him overseeing comic book titles, developing new titles, and developing merchandise that uniquely fit a creator’s vision.
Regarding EXTREMITY, Mackiewicz expressed his deep admiration for the talent of creator Daniel Warren Johnson. “It’s not that often you find someone so good at both writing and drawing. Daniel is a unique talent,” said Mackiewicz. Daniel Warren Johnson proved to be one of those singular talents that started creating buzz with his online work as well as his drawing portraits of people as zombies.
Now that you have a better picture of what’s going on at Skybound, consider Robert Kirkman’s OUTCAST. This is one of the titles that seems to be on a similar path as THE WALKING DEAD with a successful comic resulting in a successful television show. This Southern Gothic may hook you if it hasn’t already. A loyal fan base awaits Season Two this April on Cinemax in the U.S. and on Fox in the U.K.
For more details, visit Skybound Entertainment right here. And, if you are going to Emerald City Comicon, there are a number of Image Comics panels to attend including a rare gathering of all the original Image Comics founders on Friday. This is at 1pm at Main Stage – WSCC 4A. Regarding Skybound in particular, on Saturday, starting at 12:30pm, there will be two panels taking place on Twitch’s ECCC Live stage. If you can’t attend ECCC, you will be able to view them on Twitch. For more details, visit Emerald City Comicon right here.
NOTE: If you are heading out to Emerald City Comicon (March 2-5), be sure to stop by the First Second Books booth #1602 on the exhibit floor. There you can meet such fabulous talent as Pénélope Bagieu, the author of the book I am reviewing here:
What a truly delightful book I have to share with you: “California Dreamin’: Cass Elliot Before The Mamas & the Papas,” written and drawn by Pénélope Bagieu, published by First Second Books. This is quite a smooth read. It sort of feels like a film shot in one continuous take. The story seamlessly moves along at a quick and steady pace. I could not put down reading this unique life journey and read the 272-page graphic novel in one sitting. Cartoonist Pénélope Bagieu has channelled the one-of-a-kind Cass Elliot!
Page excerpt from CALIFORNIA DREAMIN’
Part of what makes this book a page-turner is the highly engaging art. Bagieu has fun with brining Cass Elliot to life, from an insecure but highly precocious little girl to a defiant young woman and, finally, to a confident artist. It all began with a quirky family that adored music. Before there was a Mama Cass, and the legendary band of the Sixties, The Mamas & the Papas, there was little Ellen Cohen being tucked into bed while her dad recited the story of the eccentric singer, Florence Foster Jenkins.
Page excerpt from CALIFORNIA DREAMIN’
There is clearly a passion here for the subject that makes the narrative dance on the page. By the time we reach the point where Cass and her bandmates are crafting their first breakout hit, not yet even aware of the band they were destined to be, we feel that we really know everyone involved.
Page excerpt from CALIFORNIA DREAMIN’
I’ve often said that the right biography can make the best subject, and is most suitable, for a graphic novel. There is a wonderful opportunity to speak to everything under the sun, guided by a specific purpose, and allowing for at least a hint, maybe more, about the author. This is a book that will appeal to many a music lover and student of the counterculture. It is essentially an all-ages book but just keep in mind there are some discrete drug references more suitable for older readers. This is rock ‘n’ roll, after all. That said, it is highly recommended and will prove an engaging read on many levels: coming-of-age, rock history, and just a plain fun read.
When we think back to the Sixties, we inevitably associate the powerful music that grew from that tumultuous era. Folk music, springing forth from the 1950s and the Beat Generation, would give way to the Sixties and bolder and more audacious pop and rock. It was Cass Elliot, with her sublime singing, and overall exceptional musical talent, who would ride this new wave of music with a style all her own. Pénélope Bagieu’s graphic novel gives us a compelling look at the rise of this singular talent.
“California Dreamin’: Cass Elliot Before The Mamas & the Papas” is a 272-page hardcover, black & white with gray tone graphic novel, available as of March 7, 2017. For more details, and how to purchase, visit MacMillan Publishers right here.
Emerald City Comicon celebrating its 15th year!
And, if you are heading out to Emerald City Comicon (March 2-5), be sure to stop by at the First Second Books booth #1602 on the exhibit floor. This will be the place to meet authors, attend free signings and find giveaways of books, advance reader copies, and exclusive print posters.
Some of the authors First Second will be hosting include:
Gene Luen Yang (Reading Without Walls Program)
Penelope Bagieu (California Dreamin’)
Scott Westerfeld (Uglies, Leviathan, Spill Zone)
Nidhi Chanani (Pashmina)
Falynn Koch (Science Comics)
Mike Lawrence (Star Scouts)
Jessixa Bagley (Before I Leave, Boats for Papa, and Laundry Day)
First Second will also be hosting a number of panels, including one offsite at the Seattle Public Library:
Off-site event @ Seattle Public Library on (3/3) featuring Gene Yang, Scott Westerfeld, Box Brown, Penelope Bagieu, and Matt Loux, 7:00–8:30 pm, Microsoft Auditorium
Departing Neverland: In-Conversation with Five Fantastic YA Creators (3/3) featuring Scott Westerfeld, Nidhi Chanani, Natalie Riess, and Ashley Poston, 2:45-3:45 pm, WSCC 603
From the Screen to the Page… and Beyond (3/4) featuring Box Brown, Holly Conrad, Matt Loux, and Ben Blacker, 2:45-3:45 pm, WSCC 603
The Dark Heron from Fremont Brewing in honor of Emerald City Comicon in Seattle
For those of you in Seattle, or heading out to Emerald City Comicon, you will want to make sure to visit Fremont Brewing in Seattle’s quirky Fremont neighborhood (1050 N 34th St) and get yourself the official ECCC beer, the Dark Heron. Kick back and get it on tap or in a bottle for later.
Fremont Brewing in Seattle
How does the official beer of Emerald City Comicon taste? Well, here are my thoughts. It has what we love about India Pale Ales: that robust citrus flavor and a hint of melon. What would bring me back to this beer is its overall juicy flavor. Bringing in Fremont Brewing’s own mascot into the title of this beer raises the stakes and this beer lives up to its name.
The Dark Heron by Jen Vaughn
How about the snazzy artwork? The art is by local cartoonist Jen Vaughn. Dark Heron looks like she can hold her own with any villain. The trading card (nab one if you see one) says that Dark Heron was exiled from her flock for daring to express herself differently from the rest of the group. I’d be totally into reading about her adventures!
SPECIAL EMERALD CITY COMICON NOTE: Jen Vaughn will be tabling at #T15, so come find her for new Avery Fatbottom: Renaissance Fair Detective #2 and some Fremont Brewing label art for Dark Heron!
So, get ready for Emerald City Comicon (March 2 thru 5) and come visit one of Seattle’s favorite spots for beer, Fremont Brewing. It’s a great place to enjoy the lively Fremont scene with its spacious beer garden. Save me a spot and maybe I’ll come by and have a beer and chat about comics with you.
You can trace back the selfie, or the elevation of self, to such works as Charlotte Brontë’s 1847 novel, “Jane Eyre.” This is perhaps the best early example of a work elevating an average person, as opposed to an aristocrat or religious figure. That said, it makes total sense to explore the character of Jane, with a completely contemporary flair, in the upcoming graphic novel, JANE, published by BOOM! Studios, and due out this fall. As it makes its way to Emerald City Comicon in Seattle (March 2-5, 2017), BOOM! Studios wants you to know about JANE, from acclaimed screenwriter Aline Brosh McKenna (Crazy Ex-Girlfriend, The Devil Wears Prada) and Eisner Award-winning illustrator Ramón K. Pérez (Jim Henson’s Tale of Sand).