One of the first pages from Joe Kessler’s Windowpane, published by Breakdown Press, shows a wandering dog searching for food and finally finding a baked pie sitting out on a windowsill. There are splotches of color overlay on some of the blue line art. Welcome to a most experimental work in comics. Kessler covers various themes: childhood trauma, alienation, sexual dysfunction, and religion. Everything is a bit off kilter and on edge. What could be better for this kind of work, right? Well, this kind of work can often fall short and not measure up. But, in this case, there’s a lot to like even if it seems that things don’t always add up as the general reader might expect from the comics medium.
Like any artist, Kessler wants to challenge the reader. For instance, he enjoys the harsh use of basic colors. He also likes tossing his characters from one situation into another. He has them suddenly running away from things. He has them hurting each other. Then, in a fit of petulant bravado, he will take a gob of primary colors and fling them like a bolt of lightning. A blast of these harsh basic colors will blow up some characters to bits. Others will be saved for a proper decapitation. All in a day’s work.
There goes that iguana.
Quieter moments will serve for such scenes as an iguana forcing its way into a sleeping woman’s mouth.
It’s pretty wild stuff. Not for kids. Mature content abounds. All in all, this collection of sordid tales is quite fun, original, and worthwhile.
Windowpane is a 272-page full color soft cover. It collects new and previous work by artist Joe Kessler. You will find here reprints of Windowpane issues 3 and 4. This collection is published by Breakdown Press, based out of London. Visit Breakdown Press right here. And be sure to visit Mr. Kessler right here.
A lot of you out there are familiar with Batman: The Dark Prince Charming, the collaboration between DC Comics and the French comics publisher Dargaud. It was the first time that many Americans got to see the masterful artwork of Enrico Marini. And now comes along another amazing Marini work, with writer Thierry Smoldered. Gypsy Omnibus is published by Insight Comics, an imprint of Insight Editions. It is available as of December 4, 2018. Gypsy is an excellent example of the adrenaline-fueled mega-adventure European comic book. Gypsy was originally published in 1992 by Dargaud Comics and reprinted in English in the pages of Heavy Metal. Its futuristic Mad Max edge hasn’t aged a bit.
Set in the not-too-distant future, the world of Gypsy has it all: planetary highways, the coronation of a young Russian Tsar, the resurrection of a Mongol army on the trail of Gengis Khan, an all-powerful multinational corporation that controls all earthly transport—and that’s just the tip of the iceberg! In the middle of all this, we have a Gypsy truck driver who, fortunately, knows how to look after himself.
Enrico Marini (Desert Star, Raptors, Scorpion, Negative Exposure) is an artist steeped in all the old school ways. All the artwork, including the coloring, is done by hand. Drawing, and painting, on paper sturdy enough to handle ink and watercolor, Marini provides a robust feast for the eyes. Colors get to play and expand beyond their the usual perimeters, spreading even into the word balloons. This hands-on approach compliments the gritty narrative. It’s not overdone. It’s purposeful.
Thierry Smolderen launched a career writing comic books in the mid-1980s. He has since won multiple awards for his graphic novels and is recognized as one of the leading specialists in the history of comics, having published several essays and articles in journals like Comic Art or the International Journal of Comic Art. His passion for comics is in full evidence in his script for Gypsy.
Gypsy Omnibus is a 368-page full color deluxe edition with slipcase. It is available as of December 4, 2018. For more details, go to Insight Comics right here.
Writer Wilfrid Lupano and artist Paul Cauuet offer up the intricately plotted Old Geezers graphic novel series. You can easily jump into the latest Book 3, “The One Who Got Away,” and enjoy a tale involving family, mystery, and more than a touch of whimsy. It is also a grand ole tale of comeuppance. Could that be for the Old Geezers themselves? Ah, time will tell since this is very much a story about how time can heal some wounds while allowing others to fester.
Antoine and Milsey trying to get along.
If you enjoy quirky humor, especially the sort led by a group of offbeat seniors, then this is the book for you. The Old Geezers are: Antoine, a buttoned-down patrician; Milsey, a old seaman who misses the sea; and Pierrot, a boisterous activist who is lively beyond his years. These guys have chosen different paths but, in the end, each seeks out the other. The one person who helps keep them on track is Sophie, Antoine’s granddaughter. Sophie must look after these guys and, in no small way, look after her little hamlet of Dourdouille. After all, there are sinister forces at play lurking in the shadows.
Pierrot, Fifi, and Baba take a stand!
The most sinister villain in this tale is Garan-Servier Pharmaceuticals. It holds sway over the growth or decline of Dourdouille. And, as Pierrot has found out, Garan-Servier is lobbying the European Union countries to ease up on restrictions on its pesticides. This, in turn, kills millions of bees, wreaking havoc on biodiversity and the environment. The relationship between the pesticide lobby and the EU is an inconvenient truth that, in reality, is all too real. It’s great to see this issue in a graphic novel that both entertains and informs. Readers won’t forget ole Pierrot, in his bee costume, speaking truth to power.
The weight of the world on Sophie’s shoulders.
Paul Cauuet’s light and warm style makes all the characters all the more accessible and compliments Wilfred Lupano’s script. This is a very character-driven tale that is masterfully crafted by this remarkable team. The color by Cauuet and GOM has a uplifting quality to it that rounds out and adds to the story’s pacing. There are a number of twists and turns here and Lupano and Cauuet give themselves the time to explore and to develop. Like a favorite TV show, you can delight in this episodic storytelling. You will want to go back to the previous books as well as await more to come.
“The Old Geezers: Book 3: The One Who Got Away,” is presented by Europe Comics and is available in English thru izneo digital comics right here.
“Valerian and the City of a Thousand Planets” is a very big deal–and deservedly so! It exceeds the expectations of the most diehard fan with a heady mix of style and substance. I am so happy to have seen it and I would gladly go see it again and again. I was hoping for something special. I went in with thoughts that this could be a like a French Star Wars, perhaps divided by Star Trek, and then multiplied by Doctor Who. Something really special–and that it is!
My concern was that there might be some culture clash for some viewers: American tastes at odds with this Euro-movie based upon a Euro-comic book series. But, I conclude, that really is such a non-issue. There is a decidedly offbeat sensibility going on with this movie but isn’t that what we all love about the Star Wars franchise, along with other loopy and irreverent entertainment?
Another worry was that I had heard that this movie was too dependent upon CGI. Well, ahem, there’s nothing wrong with CGI when it works. Just think of “Avatar.” Much like “Avatar,” the CGI in “Valerian” is simply an integral part of the experience. There are so many iconic moments in this movie that are all about the CGI. For instance, the wonderfully elaborate sequence with Valerian (Dane DeHaan) running through a multitude of dimensions. Or Laureline (Cara Delevingne) arguing with some very dim servant creatures. Or, one of my favorite moments, Bubble (Rihanna) and her beautiful dance sequences.
Dane DeHaan, Luc Besson. and Cara Delevingne
There’s a very intriguing thing going on with the dynamic between Valerian and Laureline. The two are lovers but they have a lot of work ahead of them. They are intentionally distant in how they interact with each other, in an other-worldly comic book way. This disconnection between the two lovers leaves the viewer wondering about them. When Valerian repeatedly tells Laureline that he wants to marry her, it comes across as highly ironic. It would be wrong to dismiss the acting as wooden. It is part of what director Luc Besson intentionally wants. It is part of what the script aims for. I think some critics have unfairly expected more natural performances and gleefully found fault where there is none.
Given the surreal and whimsical elements in this movie, it remains a well-built and grounded piece of work. The opening sequence brings to mind the opening scenes to “Wonder Woman” set in the idyllic Themyscira. In this case, it is an ideal world of peaceful beings. The civilization depends upon little creatures who happily produce pearls that power their world. These beings, like the young lovers, Valerian and Laureline, are quite otherly. It is this otherliness that informs this rather sophisticated narrative that gently balances irreverence and idealism. Just the sort of thing you’d expect from the very best comics.
Of course, you can’t please everyone. Americans, in particular, have become quite reliant upon extra bells and whistles, even after they’ve just been presented with a formidable visual feast. No, it doesn’t seem to matter if they’ve just viewed a masterpiece–Where’s the gag reel?! they demand. And, with that in mind, you may love the video below that includes just that sort of bonus content:
“Valerian and the City of a Thousand Planets” is undoubtedly a joyride of a movie. You will love it. Visit the official Valerian movie website right here.
“Valerian and the City of a Thousand Planets” will open in U.S. theaters on July 21st. It all began as a French comic book series. First published in Pilote magazine in 1967, the final installment was published in 2010. The science fiction comics series was entitled “Valérian and Laureline,” or just “Valérian,” created by writer Pierre Christin and artist Jean-Claude Mézières. The first volume in a complete collected works was recently published by Cinebook. “Valerian – The Complete Collection Vol 1” is now available from Cinebook. You can also purchase it at Amazon right here.
“Valerian – The Complete Collection Vol 1”
This deluxe edition includes various supplementary material related to the movie. It starts out with an exclusive interview with the film’s director, Luc Besson (The Fifth Element). He shares his childhood adoration for the Valerian comics. He dutifully awaited each new installment in Pilote magazine, just like all the other kids he knew. The Valerian comics, with their mix of classic science fiction and whimsical fantasy, helped to influence Star Wars. And perhaps, only now, has movie technology caught up to do justice to a Valerian movie.
Drawing by Jean-Claude Mézières of Star Wars meets Valerian
All you really need to know to enjoy the movie is that it’s like Star Wars but with a distinctively French flare. The main characters are a couple of special operatives, Valérian and Laureline, on a mission to save the world, or should I say, the universe! It is in reading the actual comics that a reader quickly picks up on that refreshing sense of irreverence that is Valerian. Keep in mind that director Luc Besson worked with Valerian artist Jean-Claude Mézières on “The Fifth Element.” Indeed, this is a very special case of a major motion picture and its comics source material working seamlessly together.
Now, consider the significance of the Valerian comics because, make no big mistake, Valerian set the stage for much that was to come. Valerian comics, in their day, were groundbreaking. There was nothing quite like it in its scope and influence. These comics hit France in the Sixties during a major time of transition: a post World War II culture seeking out fresh new entertainment. To get away from the gray and the drab, the two French creators of Valerian went west to the U.S. for a time to get recharged. In fact, their first work together originated in Salt Lake City, Utah!
Panel excerpt from Valerian
In the U.S., Mézières, the artist, and Christin, the writer, were enthralled with wide open spaces, colorful B-movies, and great promise for change, as demonstrated with the Civil Rights movement. They honed their skills. Mézières focused on such artistic talent as Giraud, Jijé, Franquin, and Mad magazine. Christin focused on science fiction writers like Asimov, Van Vogt, Vance, and Wyndham. And, together, they created Valerian.
This first volume of the collection contains books 1 and 2 of the series: The City of Shifting Waters – in its original two parts, 9 pages longer format – and The Empire of a Thousand Planets. It also includes book 0, Bad Dreams, translated into English for the first time: the very first adventures of our two heroes, published after City and retroactively numbered.
And to really get a sense of what’s in store with the Valerian movie, check out this particularly informative trailer below that goes into the vital connection to the original comics. Yes, Valerian is a big deal. Consider it as big as Star Wars:
“Valerian – The Complete Collection Vol 1” is a 160-page full color hardcover suitable for all ages. Buy it on Amazon right here.
Baru (Hervé Barulea) is a legendary cartoonist known for such work as 1995’s euro-manga, “L’Autoroute du Soleil,” which won the prestigious Alph’ Art award for the best original French language comic. More recently, he won wide acclaim in 2010 for his 300-page graphic novel, “Villerupt 1966,” published by Les Rêveurs. Baru favors recollections of his adventures as a youth in the ’60s. “The Swimming pool of Micheville,” published by Les Rêveurs in 2015, is an excellent collection of comics that chronicles Baru’s coming of age. It is one of a vast array of comics that you can find at the new home for online comics around the world, izneo.com.
The theme for this collection of Baru comics is a lost generation of kids who, despite a bleak environment and dim prospects for the future, still pursue dreams and hopes. Take “Goofy John,” for instance. He will do anything to impress the girls even build his body to Charles Atlas proportions. But, even with his new bod, the girls are not in the least interested. As the guys are quick to point out, John still has buck teeth and rabbit ears. And, besides, as the little stinkers take pleasure in pointing out, all the girls have moved on to lean mod boys.
One such teddy boy, is Verdini, who manages to frustrate the guys on all counts. Verdini has been sized up as not too bright, along with other shortcomings. And, despite it all, the girls all go for him! You can see that Baru takes great delight in doling out all of his social commentary to the point that you are immersed in it. Baru’s light artwork lifts off the page. His style is wry and light, pleasing to the eye.
Circa 1963: A lost generation
Baru excels in bringing out the pathos in a scene. He roots for the underdog. His beloved characters are all supposedly “losers” in the great game of life. Baru sees the poetry and gentle beauty in his lost generation. These are the kids who are held back, dismissed, forced out of any higher education. The steelworks and the typist pool await these poor youth. But, for at least a few summers, they can all enjoy the local swimming pool in their prime: lost in their libidos and flirting in their swimsuits. So what if everything is covered in a fine mist of rust red from smoke coming from the nearby bessemer converter?
THE SWIMMING POOL OF MICHEVILLE is a wonderful collection featuring stories about cars, rugby, and romance. It runs 81 pages in full color. And you can find it at izneo.com right here.
Here is some more information on izeno:
THE FIRST OFFICIAL AND LEGAL ONLINE COMIC BOOK READING SERVICE
The biggest comic book publishers have partnered to launch izneo, the first digital comic book reading service.
With izneo, publishers like Bamboo, Casterman, Circonflexe, Dargaud, Dupuis, Fei, Fluide Glacial, Grand Angle, Jungle, Kana, Le Lombard, and Lucky Comics will offer the largest catalog of e-comics.
Open to all comic book genres, the izneo catalog expands every month with even more new albums.
The izneo service is simple: rent an album from €1.99, or buy from €4.99 (online reading)! What’s more, for €9.99 a month, subscription allows comic book lovers to read as many albums as they like from all over the world.The comic book is a form of graphic and literary art, which is particularly suited to on-screen reading, especially on a tablet. With the izneo app, you can read your comic books while on the move.You can also access izneo via e-bookstores such as iBookstore, Immatériel, Amazon.fr, Fnac.com or even Starzik.com… izneo also has a special subscription plan for libraries.
Yet another opportunity for new readers to discover the joy of comic albums…
Panel excerpt from “Läskimooses” by Matti Hagelberg
“Läskimooses,” by Matti Hagelberg, has got to be one of the most unusual of comics. It comes out in single issues and the plan is for the complete collected work to be an epic over 1,000 pages. Currently, this art/sci-fi comic book totals around 700 pages, is published 7 issues per year, and is the longest single comics story ever to be produced in Finland.
Hagelberg is best known for his scratchboard technique that he has used in most of his works, published by L’association and Le Dernier Cri in France (Raw Vision 83). It is a wonderfully obsessive vision, part parody and part stream of consciousness. Hagelberg is on an adventure to find the meaning of life and the secrets to the universe byway of conspiracy theories. Only a determined artist like Hagelberg can sustain such a quest. It makes for fascinating results.
Artist Matti Hagelberg
It’s not uncommon for an artist to keep to one theme or one universe in their body of work. Hagelberg has always drawn stories set in the same universe. His epic Läskimooses comics are quite a dramatic example of focused work harkening back to classic comic strips. His theme of exploring the universe is broad enough to sustain a lifetime’s work. The energy and enthusiasm comes across the page. He has set up some fun devices to keep the narrative flowing like an ongoing conversation between characters discussing cosmic subjects. You don’t need to know how to read Finnish to enjoy it either.
I always enjoy writing about comics from outside the United States. Sometimes, I am not sure how to hook into a work and I find it is better to let it simmer and then I come back to it. So is the case with “Läskimooses.” You can now enjoy an issue of the comic book with a handy translation sheet in English. That will certainly clear up any questions about why you’re seeing a bunch of monkeys or what’s going on regarding a volcanic eruption.
Page from Läskimooses #28
Again, let me emphasize that the visuals are pretty stunning all by themselves. Some issues, like #28 above, are only images, no text at all. Basically, all you need to know to begin with is that Läskimooses and Ohto are both planets and figure prominently in the narrative. The two ongoing characters have their own ideas on existential matters that they’re working through. It’s interesting that Hagelberg’s initial idea was to set his story on the Mars of Edgar Rice Burroughs. He had a spectacle in mind right from the start. Anyway, we’re all working through our own existential issues, right? It’s fun to see an artist with such an unabashed and audacious attitude share with us his vision of the sublime and the profound. I look forward to what develops next with this intriguing and unusual project.
To get an issue of “Läskimooses,” with an English translation sheet included, go to Printed Matter right here.
For a closer look at the artist at work, check out this video right here.
Illustrator and cartoonist Pénélope Bagieu is like any gifted artist: curious, industrious, and someone who welcomes a good obsession. I say that in the best sense of having an obsession since artists need them to spur on their work. Bagieu followed her muse to the music legend Cass Elliot. You can read my review of her graphic novel, “California Dreamin’: Cass Elliot Before The Mamas & the Papas,” published by First Second Books, right here. I had an opportunity to chat with Bagieu. We discuss her book, her thoughts on music, and what lies ahead.
We begin this video interview with my sharing with Pénélope my encountering the hit song and title of her book while I was having lunch. It seemed a bit uncanny to me. Pénélope did not exactly shrug off the observation but quickly acknowledged how ubiquitous that song is. And how powerful. It is every bit a work from the Sixties and yet totally co-exists in a timeless Neverland. Certain songs from that era aimed for such a vibe but precious few attained that quality. And so it was to be with Cass Elliot, one of the few to reach an ethereal and graceful immortality.
CALFORNIA DREAMIN’ by Pénélope Bagieu
Before we started rolling video, Pénélope was telling me about her visiting MoPOP here in Seattle. She said, if she could, she would live in that museum. That sort of sentiment won me over all the more. You can catch more of that thread in the interview when Pénélope responds to my asking her about the power of music.
What I would like to suggest to you is that, if you are going to Emerald City Comicon (and I’d love to hear from you about ECCC either on or off this blog) make sure to visit the First Second Books booth #1602 on the exhibit floor and get yourself an advance copy of “California Dreamin’: Cass Elliot Before The Mamas & the Papas.” For those of you not fortunate enough to visit, I highly recommend that you get a copy at your local comics shop, bookstore, or online.
Pénélope Bagieu is an illustrator and cartoonist worthy of as big a reading audience as possible. CALIFORNIA DREAMIN’ is her second book to come out in an English language edition with First Second Books. Her first book was EXQUISITE CORPSE. Both of these titles, and others, originally were published in France by Gallimard. You can easily find EXQUISITE CORPSE online and I highly recommend that you do so. This is a 128-page full color hardcover. It is a sophisticated comedy about a young woman who becomes involved with an older man who happens to be a famous author. The question is whether she is in over her head or perhaps it is the other way around. There are a number of twists as the story builds. Bagieu has a keen sense of humor and wonderful timing. The main character of 22-year-old Zoe is full of life and quite memorable.
For more details on CALIFORNIA DREAMIN’, visit MacMillan Publishers right here.
Evoking a quiet moment is one of the most natural and satisfying things to do as a cartoonist. A story takes shape. A conflict. A conversation. Before long, a compelling story unfolds like Cyril Pedrosa’s “Portugal,” published by Europe Comics. Sometimes what is not said is as important as what is said. Pedrosa plays with the spaces in between words. This is the story of Simon, a young man struggling to find his place in the world despite the fact it would appear that he has everything in place: a loving mate to share a life with, a promising future in his chosen career, and the potential for lifelong stability. But Simon does not see it that way at all.
A conflict. Simon is a man who still feels he is only a boy–or a young man with much to learn. Simon is at that age when life has taken root from all directions but he is not ready to settle down. He must either break free or reassess his current state–do something instead of just vacillate. Pedrosa has created a perfect depiction of a Peter Pan syndrome: Simon refuses to grow up. Of course, Simon must grow up in some sense since he’s miserable. Claire, his longtime girlfriend, has been beyond patient with him. The clock is ticking but nothing is moving forward for Simon. Not the most inspiring or likable of main characters, right? Ah, but this is the stuff of life. This is a compelling story told in words and pictures by a master cartoonist. It also happens to be loosely based upon the author’s own self-journey. In 2006, at age 33, Pedrosa had his own reassessing to do.
A conversation. And then another. Pedrosa does a beautiful job of exploring Simon’s struggle even when his main character is the least cooperative, either hovering or drowning. There seems to always be someone open to pursuing a conversation with him not the least of which is Claire, Simon’s beautiful but beleaguered girlfriend. Nothing seems to get through to Simon. In one scene, Claire literally spells it out for Simon. If only he were to say that he wishes her to stay, she would stay with him. Simon has perfected his way of coping with the world: as little movement as possible; as few words as possible. In this case, with Claire, he chooses to remain silent. It is a moment that rings so true during the process of a breakup. Sometimes, one must read between the lines–or no lines.
Another conversation. And then another. If there is one thing Simon needs most, it is to talk and Pedrosa throws his main character into numerous opportunities to do just that. In fact, Simon, stumbles upon what will save him during a visit to a comics festival in Lisbon, Portugal. It is an chance for Simon to socialize with his fellow cartoonists as well as with the public. The interaction invigorates Simon.
PORTUGAL by Cyril Pedrosa
It takes Simon a while to put two and two together. The reason that his Portugal visit enlivened him was that it gave him time to consider his Portuguese roots on his father’s side of the family. The third act to this graphic novel finds Simon finally turning to family after having remained in his own isolated bubble for so many years. While being around family alone won’t solve his problems, and may cause new ones, it does help Simon find some answers. With some luck and a new will to live, Simon may very well find himself no longer the boy in the bubble. Pedrosa provides you with an exquisitely paced narrative able to pause for quiet moments and sustain the delicate rhythms of human interaction.
Here is a trailer for the book:
Sometimes, as Pedrosa puts it, a story’s journey must go through a labyrinth. Pedrosa, in his own words, shares the process of making the book:
If you are going to the Small Press Expo in Maryland, the Brooklyn Book Festival, or are in New York City, be sure to catch Cyril Pedrosa during his North American book tour in support of PORTUGAL, published by Europe Comics, and EQUINOXES, published by NBM. On Monday, September 12th, you can see Pedrosa in conversation with Bill Kartalopoulos and Gabrielle Bell at Albertine bookstore. For details, click the image below:
U.S. Book Tour for Cyril Pedrosa
PORTUGAL by Cyril Pedrosa is a 261-page hardcover in full color. For more details, visit Europe Comics right here. You can also find PORTUGAL at Amazon right here.
“Metroland #3,” published by Avery Hill, is the best yet of this quirky series. Of course, you want to read it all as it builds! The hints have been made from the start that there is something unusual, perhaps other-worldly, about rock stars Jessica Hill and Ricky Stardust. They keep abandoning their band, Electric Dreams, leaving them cooped up in a small castle in Greenwich just outside London. Not the worst thing in the world, mind you. Although not until you take into account that the mysterious activities of Jessica Hill and Ricky Stardust could bring about the Apocalypse!
Alright, so the world’s fate may hang in the balance. But this comic’s main appeal is its style and humor. Let me tell you, it’s a particularly British club scene thing going on here but it’s also quite applicable to any scene. The recurring theme is looking and acting cool. Go to a club. See a show. Pose. Make pithy comments. The humor and the style are priceless, way before snark was ever born–and much better. It’s a world-view honed over generations. Funny I should say that, given the nature of this narrative.
Jessica and Ricky are compromising the space-time continuum!
Ah, yes, this is a story spanning generations–or should I say it goes much deeper than that. This is unnatural. This is cross-polinating generations! Let me come clean: Jessica and Ricky are compromising the space-time continuum in a huge way. Ever hear of President Elvis? No, that wasn’t supposed to happen. So, yeah, we’ve got a mad helping of Doctor Who with just the right hipster vibe.
Where is Ricky Stardust and Jessica Hill?
You see, Ricky Stardust has been leapfrogging all through rock ‘n’ roll history making adjustments as he pleases. Rumor has it that he’s Ziggy Stardust and that he’s set into motion some cataclysmic jinx. Not the sort of thing the David Bowie we all know and love would ever do. Ricky Miller’s script has such droll humor and Julia Scheele’s artwork has such devilish wit.
Henry the Blogger!
As for comics about gloriously misspent youth, this is one I highly recommend. Come for the repartee and stay for the characters. There is even a middle-aged pop culture blogger who proves to be a pivotal character. Ah, there’s hope for me yet. Well, I must admit the character is pretty spot on in a lot of ways. Eerie, his name is Henry and my name is Henry. Okay, that alone gets my attention! Did someone travel back in time just to spook me? Ha, ha, I do like this Henry the blogger character!
Kevin refuses to meet with Henry!
“Metroland #3,” by Ricky Miller & Julia Scheele, is a 36-page full-color perfect bound comic. For more details, visit Avery Hill Publishing right here. You can also venture over to Retrofit Comics and find Metroland right here.