Category Archives: Independent Comics

24-Hour Comics Day 2018: Character and Narrative Development

Emily is haapy, right?

The unique character of Emily emerged in the mist of the night. Who is she? Well, if I could talk with Emily, I would tell her that she’s intriguing and deserves everything wonderful in life. It looks like I’ve found my main character. It is a very natural discovery.

When you’re building up a story, you do a lot of things on the fly and juggle as best you can until it’s time to settle down. What I started with was a whole bunch of background stuff.

Not so happy.

And then, as I wandered along, a character fell into place that could carry along and support the background. We see her smiling. Next panel, we already see her not smiling. Okay, what’s up?

Radio silence.

By the third panel, everything has gone quiet.

The plot thickens.

And on the last panel, we’ve got some conflict. The plot thickens. So, suffice it to say, I am intrigued with Emily and I wish her well on her journey.

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Filed under 24 Hour Comics, 24HCD, Alt-Comics, Alternative Comics, Comics, Comix, Henry Chamberlain, Independent Comics, Indie

SPX Comics Review: GOOD KINGS BING & BOWIE SWING

GOOD KINGS BING & BOWIE SWING

Good Kings Bing & Bowie Swing, published by Brain Cloud Comics, is a comic book with a gentle, quirky, and upbeat theme. I’m always fascinated with the innate ability of comics to crossover into various subjects and demographics. It sounds sort of counterintuitive to say but comics are not just for comics enthusiasts. Comics will always surprise you with how elastic it is and how broad its appeal is. This can apply for any comic, even a comic that may have, by all intents and purposes, been created with a small group of readers in mind. So, this is a lengthy way of saying that I see this weird and funny book as being something a lot of readers will enjoy!

Bing Crosby and David Bowie to the rescue!

It’s remarkable to see how well the creative team (written by Jim Ousley; illustrated by Carlos Gabriel Ruiz; lettered by Brandon Daniels) works with its chosen subject: an enhanced/fanciful look beyond that time that Bowie and Bing sang together on a holiday special. For this book, this unlikely dynamic duo is lending a helping hand to those in distress.

Brain Cloud Comics offers a wide variety of quality comics. I go back with this publisher to my reviewing one of its earliest projects, Pretentious Record Store Guy. You can read my review right here. And you can read my interview with creator Carlos Gabriel Ruiz right here. What I enjoyed about this book was its irreverence and style. When you reach that sweet spot of irony, it’s something special. That said, this Bowie/Bing comic gives us a taste of that.

If you are heading out to Small Press Expo this weekend, be sure to stop by at Table B10 and visit Brain Cloud Comics. You will find the SPX debut of Good Kings Bing & Bowie Swing as well as the debut of Blood on the Track #2, plus many more titles.

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Filed under Brain Cloud Comics, Carlos Gabriel Ruiz, Comics, Independent Comics, Indie, Small Press Expo

Small Press Expo: 2018 Ignatz Award Nominees

Ignatz image by 2017 Promising New Talent winner Bianca Xunise

The Small Press Expo (SPX), the preeminent showcase for the exhibition of independent comics, graphic novels and alternative political cartoons, is pleased to announce the 2018 nominees for the annual presentation of the Ignatz Awards, a celebration of outstanding achievement in comics and cartooning.

The Ignatz, named after George Herriman’s brick-wielding mouse from his long running comic strip Krazy Kat, recognizes exceptional work that challenges popular notions of what comics can achieve, both as an art form and as a means of personal expression. The Ignatz Awards are a festival prize, the first of such in the United States comic book industry.

The nominees for the ballot were determined by a panel of five of the best of today’s comic artists: Mita Mahato, Carolyn Nowak, Kevin Czap, Leila Abdelrazaq, and Taneka Stotts.

Congratulations to all our nominees!, with the votes cast for the awards by the attendees during SPX. The Ignatz Awards will be presented at the gala Ignatz Awards ceremony held on Saturday, September 15, 2018 at 9:30 P.M.

Outstanding Artist

Yvan Alagbé – Yellow Negroes and Other Imaginary Creatures
Ivy Atoms – Pinky & Pepper Forever
Tommi Parrish – The Lie and How We Told It
Richie Pope – The Box We Sit On
Sophie Standing – Anxiety is Really Strange

Outstanding Collection

Beirut Won’t Cry – Mazen Kerbaj
Blackbird Days – Manuele Fior
Language Barrier – Hannah K. Lee
Sex Fantasy – Sophia Foster-Dimino
Super Late Bloomer: My Early Days in Transition – Julia Kaye

Outstanding Anthology

La Raza Anthology: Unidos y Fuertes – ed. by Kat Fajardo & Pablo Castro
Comics for Choice – ed. by Hazel Newlevant, Whit Taylor and Ø.K. Fox
Ink Brick #8 – ed. by Alexander Rothmans, Paul K. Tunis, and Alexey Sokolin
Bottoms Up, Tales of Hitting Rock Bottom – ed. by J.T. Yost
Lovers Only – ed. by Mickey Zacchilli

Outstanding Graphic Novel

Why Art? – Eleanor Davis
Run for It: Stories of Slaves Who Fought for Their Freedom – Marcelo D’Salete
Uncomfortably Happily – Yeon-sik Hong
The Lie and How We Told It – Tommi Parrish
Anti-Gone – Connor Willumsen

Outstanding Series

Ley Lines – Czap Books
Nori – Rumi Hara
Bug Boys – Laura Knetzger
Gumballs – Erin Nations
Frontier – Youth in Decline

Outstanding Minicomic

Dog Nurse – Margot Ferrick
Greenhouse – Debbie Fong
Common Blessings & Common Curses – Maritsa Patrinos
Mothball 88 – Kevin Reilly
Say It With Noodles: On Learning to Speak the Language of Food – Shing Yin Khor

Outstanding Comic

Recollection – Alyssa Berg
Hot to Be Alive – Tara Booth
Hot Summer Nights – Freddy Carrasco
Whatsa Paintoonist – Jerry Moriarty
Baopu – Yao Xiao

Outstanding Online Comic

Woman World – Aminder Dhaliwal
The Wolves Outside – Jesse England
A Fire Story – Brian Files
Lara Croft Was My Family – Carta Monir
A Part of Me is Still Unknown – Meg O’Shea

Promising New Talent

Yasmin Omar Ata – Mis(h)adra
Tara Booth – How to Be Alive
Xia Gordon – The Fashion of 2004, Harvest
Rumi Hara – Nori and The Rabbits of the Moon
Tommi Parrish – The Lie and How We Told It

Outstanding Story

Yellow Negroes and Other Imaginary Creatures – Yvan Alabge
Why Art? – Eleanor Davis
Rhode Island Me – Michael DeForge
How the Best Hunter in the Village Met Her Death – Molly Ostertag
The Lie and How We Told It – Tommi Parrish

Small Press Expo is this weekend in Bethesda, Maryland, September 15-16!

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Filed under Alt-Comics, Alternative Comics, Comics, Comix, Ignatz Awards, Independent Comics, Micropublishing, Minicomics, Small Press Expo

SPX 2018: Time for Small Press Expo, September 15-16!

SPX illustration by Molly Ostertag

Time for Small Press Expo, September 15-16! SPX, created in 1994, is the cornerstone to the comics community. It is at the forefront in promoting and providing support. Each year, more than 4,000 cartoonists and comics enthusiasts gather in Bethesda Maryland for North America’s premiere independent cartooning and comic arts festival. Let the latest news speak for itself. This is from a press release that just came out:

“Small Press Expo announced that it will immediately make available $20,000 and also launch a legal aid fundraising vehicle to support members of the SPX community who are currently facing a defamation lawsuit. The fundraising vehicle, administered by SPX, and created in consultation with the Comic Book Legal Defense Fund, will be established for the purposes of defraying the cost of legal representation for the eleven members of the independent comics community named as defendants in the ongoing lawsuit.”

So, yeah, it’s September and that can only mean one thing for die-hard indie comics fans: Small Press Expo! Yes, indeed, each year Bethesda Maryland suddenly becomes, for one weekend, the lightning rod for some of the most cutting-edge comics. If you’re in the area the weekend of September 15-16, then come out to this event and check out some awesome alt-comics.

Now, I must admit that, although I’ve gone and I’ve participated in numerous comics festivals and events as a journalist and as a comics creator, I have never gone to Small Press Expo. Some folks there will have heard of me and some know me from years back. But that doesn’t change the fact that I’m new to SPX. So, I hope to do my best to provide some stellar coverage to this most venerable and respected gathering. Small Press Expo is where much of the indie comics scene gained traction and it remains the jewel in the crown.

So, say hello if you see me and we make eye contact or somehow slip into conversation. We’ll figure it out. Or say hello here at Comics Grinder. If you’re a creator, let me know what you’re up to and maybe we can set up an interview or I can plan to review your work. I don’t exactly expect an avalanche of responses– but I always end up making a decent number of connections at these events. I understand that things will get hectic and maybe you’re shy to begin with. I understand– and I can only focus on so much myself. The main thing is to have fun and to always strive for authenticity. The rest works itself out.

The full press release on the Legal Aid Fund for Cartoonists follows:

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Filed under Alt-Comics, Alternative Comics, Comics, Comix, Independent Comics, Indie, Millennials, mini comics, mini-comics, Minicomics, Self-Published, Small Press, Small Press Expo, SPX

Comics Review: A LIFE HALF-FORGOTTEN by James Burns

A LIFE HALF-FORGOTTEN by James Burns

James Burns is a very interesting cartoonist. It was a pleasure last year to review his work. A Life Half-Forgotten is an impressive piece of memoir comics, or “autobio,” as this work is commonly referred to within comics circles. Burns taps into his childhood with a confidence and curiosity that sets the bar high. It challenges and inspires each of us to reach back and take a closer look into the past.

Analyzing one’s childhood can be a daunting task. Where to begin? As an exercise in recovering memory alone, you have quite a job ahead of you. When did life truly begin for you? For Burns, life seems to have begun in preschool as he dutifully accepted a box of crayons at the start of the day. He goes on to write and draw his way to insightful observations. All the forgotten traumas come home to roost. Burns made it his goal to sift through the big and small details and see what mattered most. This is a childhood in a Central Ohio suburbia during the 60s and 70s. With great care, and a good dose of humor, Burns explores the high and low points: freedom and privilege as well as murder and divorce.

A LIFE HALF-FORGOTTEN by James Burns

Burns plays with that special ambiguity inherent in comics as he casts himself in this first-person narrative. We have Burns at the beginning playing host followed by him appearing to walk back into his childhood past. He is now a child but he appears to remain an adult. His face retains the same mature features in many panels but also seems to shift to a softer and younger version in other panels. The results, for my tastes, give the scenes an added edge. These are all memories, after all, with a dream-like tone. The black & white with gray tones also helps to heighten the sense of searching into the past.

As Burns puts it, we are all dealing with fragments when it comes to our personal memory. One person paints a picture based on childhood while a sibling paints another. We are summoning up phantoms. We are asking our phantoms to dance again. Burns points out that his recollections seek a greater truth. He acknowledges that he wasn’t concentrating on capturing anyone’s likeness. Instead, he wanted to try to understand things better like the tragic death of a classmate.

Now, I’ll get back to this wonderful tension between the adult Burns seeking out his childhood self, with Burns depicting himself as a child but with an adult’s face. It makes for some very compelling passages. I think I like best where he looks back at how much he enjoyed wearing a Superman costume for Halloween when he was seven years-old. He loved it so much that he ended up wearing the costume on a regular basis underneath his street clothes, just like Clark Kent! It’s such a sweet and innocent recollection–and there’s a depiction of Burns, as a child in a Superman costume but with an adult’s face. It’s an scene filled with haunting melancholy and one of the more striking images I’ve seen in comics this year.

Actually, there are more scenes I could get into. I’ll also mention here the birthday party for Burns when he turned six. That’s another passage that I find very moving. The conflict between nostalgia and truth can take a rest here. For one moment of pure joy, Burns is having a grand time with friends in his backyard. He’s having cake and ice cream. And he gets to play with the most amazing toy fire engine, his featured birthday gift. You attach a garden hose to its side and it gushes out water through its tiny fire hose! I would have loved one of those toys!

A LIFE HALF-FORGOTTEN by James Burns

The murky world of memory is evoked quite well and Burns manages to snare some of his childhood ghosts. He manages to sit down with them, talk to them, play with them, and reach some sort of closure. This book invites the reader to do the same.

Visit James Burns right here. You can find A Life Half-Forgotten at Amazon right here.

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Filed under Alt-Comics, Alternative Comics, Childhood, Comics, Family, Graphic Novel Reviews, graphic novels, Independent Comics, Indie, James Burns, Memoir, Memory, Not My Small Diary

Review: ‘Grab Back Comics Anthology Volume 1: Acts of Love and Resistance’ Edited by Erma Blood

“Grab Back Comics Anthology Volume 1: Acts of Love and Resistance,” edited by Erma Blood

Minicomics will always retain the capacity to inspire and engage. A fine case in point is “Grab Back Comics Anthology Volume 1: Acts of Love and Resistance,” edited by Erma Blood, and available through Grab Back Comics. The disturbing and threatening rhetoric and related activity connected to Donald Trump and company have been responded to with numerous acts of love and resistance, including this collection of comics.

Dr. Allie Gray and Erika Rier

The first work in this collection is entitled, “Naming It,” story by Dr. Allie Gray and drawings by Erika Rier. In four exemplary pages, Gray and Rier express why it is never okay for a man to overpower a woman, never okay for someone to exploit someone else. In this case, Dr. Allie Gray, a young female professor, is just getting her bearings at an international conference when she is overwhelmed by a bear, a man in a position of power, a VIP scientist. This VIP bear forces himself upon Gray and manipulates Gray into a protracted relationship. A part of Gray is confused although she does her best to resist him. In retrospect, Gray concludes that the VIP bear was never confused. He wanted what he wanted and grabbed it. He was abusive. In the end, Gray has the power to name what she has experienced: abuse.

Nicole J. Georges

Nicole J. Georges shares a story about same sex predatory behavior in “I Had a Crush on My Rapist,” which further demonstrates the complexities and simple truths involved when we talk about sex. Georges recounts a situation where she was forced into sex by a pushy and aggressive friend. It left her questioning what happened, in a similar vein to Dr. Gray’s narrative. Georges, with her formidable storytelling skills, brings to light an area often shrouded in misplaced guilt. In the end, we come back to basics: no means no.

Erma Blood

Erma Blood shares a story about survival, “Did You Find Her?” Blood uses a minimal style to tell a powerful narrative about recalling abuse that took place at a very early stage in life, before Blood had learned to speak. This simple and direct story speaks volumes. The first page to this collection carries another subtitle, “Comics Stories About Sexual Assault, Rape Culture and Advocacy.” That further defines what is to be found on these pages. Blood’s work fits in perfectly, haunting but not heavy-handed.

Oana & Maria Heller

In an excerpt from a longer piece, “Interval of Trust,” Oana & Maria Heller tell the story of misplaced anger. Mara, the main character, has suffered abuse but she feels she has not been heard, not been provided an outlet for her pain. When a rude boy insults her, this triggers an avalanche of violence that she inflicts upon the boy. It is an intriguing piece that subverts expectations. The girl is not a traditionally sympathetic character. But, in spite of her actions, we can also see how vulnerable she is.

All the work here is quite compelling. This 87-page collection also features: Robin Elan, Rachel Masilamani, Tatiana Gill & Kathy Naughton, Mikko Galpin, Tess LeBlanc, Amy Camber, T.O. Walker, Anna Vo, and E.T. Russian. There is also a mini poster by Barry Deutsch and Ellen Forney. Cover and spot illustrations are by Gillian Rhodes.

For more information, and how to get your own copy, be sure to visit the Grab Back Comics website right here.

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Filed under Alt-Comics, Alternative Comics, Comics, Erma Blood, Grab Back Comics, Independent Comics, mini-comics, Minicomics

Review: ‘Let Some Word That Is Heard Be Yours’ by Alex Nall

“Let Some Word That Is Heard Be Yours” by Alex Nall

Comics is uniquely suited for any form of biography and to quite a fascinating degree. I’ve said that before and, to prove my point, I have all sorts of new things I can say about this theme in regards to Alex Nall‘s graphic novella, “Let Some Word That Is Heard Be Yours.” This is a look at the life and times of Fred Rogers (1928-2003), the host of the landmark PBS children’s program, “Mister Rogers’ Neighborhood.” Intertwined in this biography is a look at Nall’s own life as a grade school art teacher. As often is the case, the comics creator has created a mashup of bio and auto-bio. It’s a natural occurance among cartoonists to include themselves into the narrative. When done right, the results can feel like a smooth dreamy story.

A mashup of bio and autobio.

Nall’s artwork has a primitive child-like quality about it. He depicts himsself with a cumbersome bulbous pink nose. It is all hand-drawn, down to the lettering and color washes. This is a style that falls right in line with a lot of alt-comics: keep it simple; keep it slapdash. In this case, that look fits in. Nall evokes the frenetic energy of children: the good, the bad, and the ugly. Kids, the little angels we’d wish them to be, usually are far from saints. Time and again, Nall shares with the reader the reality of the daily grind of interacting with these wee people. Ah, big segue: Nall comes to find inspiration in his nightly revisits on his laptop to “Mister Rogers’ Neighborhood.” This triggers an exploration by Nall thus leading to confronting more than he bargained for.

A young and feisty Fred Rogers.

First, some words on Fred Rogers and his monumental achievement. Keep in mind, the “Mister Rogers’ Neighborhood” program ran from 1968 to 2001. There was nothing like it before and there will probably never be anything like it again. This is a show that speaks to kids on their own terms — and in a distinctive format that defies duplication. The viewership is mostly meant for 2 to 5 year-olds, but it appeals to any age. Fred Rogers became sort of a surrogate parent for countless children, spanning generations, simply by being there with kind and gentle entertainment mixed in with thoughtful observation and guidance. Everyone seems to fondly remember Fred Rogers and have a favorable opinion of him. You may have seen footage of a young and feisty Rogers testifying before Congress in support of PBS funding. Rogers was able to melt the heart of at least one tough and jaded senator.

Nall highlights a particular aspect in his story and provides an excellent example of how one element can affect the balance of the whole. Comics, with their panels and unique narrative structure, are inherently tricky balancing acts. You can include a scene in one panel and the ripple effect is under way. Refer back to it and the overriding subject behind it, and you’ve underscored it, boosted its significance. Return to the subject again, and the whole story points back to it, in a way, as if in service to that one aspect. These sort of shifts in focus happen all the time in big prose works. For example, a book on current events will have its most newsworthy items plucked for greater scrutiny by all the news outlets.

The Washing of Feet.

Nall makes a strategic choice to focus upon the relationship between Mister Rogers and Police Officer Clemmons. The scenes are from the point of view of Francois Clemmons. Rogers hired Clemmons to play the role of a police officer on the show. This was the late 1960s and police brutality was a hot news topic. In one particular panel, we see what looks like Mister Rogers washing the feet of Officer Clemmons. The unique nature of comics allows the reader to linger on a panel. The panel is already a highlighted moment, suspended in time, radiating beyond its borders. The actual moment that occurred on the show was held together by a very different medium. In the course of that scene with Clemmons, he and Rogers are indeed enjoying a moment of peace and quiet. As they are about to complete the scene, they both begin to get their feet out of the water. For a split second, Rogers takes a towel and passes it over Clemmons’s feet. It occurred so fast as to be subliminal. Certainly, it was packed with Christian symbolism.

Francois Clemmons speaks out.

That moment, both subliminal and highly symbolic, is what Nall sort of plucked and focused upon to keep the reader wondering. It is unusual. Once you see it, you can’t unsee it. Sure, it is benign. You could see it as ideal too. But it is also unusual. It was Rogers’s way of gently and kindly getting a message across, specifically of racial tolerance but transcendent as well. A moment of kindness. Done. We move on. However, Nall has tapped into something that he pursues further and which he would be hard pressed to avoid. His research consisted of four articles and two books. It is really the one book, 2015’s “Peaceful Neighbor,” by Michael Long, that is at the crux of this. In the book, Francois Clemmons claims that he was told by Rogers that, while Rogers supported Clemmons coming out as gay, the program was not ready for an openly gay character. If he came out, he would have to be let go. To further complicate matters, Clemmons claims that Rogers advised him to marry a woman and Clemmons did just that. Considering the era, Clemmons would certainly not be alone among closeted gays. Even today, there is no openly gay character on a children’s program.

Overall, Nall has done a good job in conveying some compelling facts. He is not bringing to light anything that was not already covered in “Peaceful Neighbor” but he has presented these facts in a different format and reached a number of new readers. Nall’s book is an achievement in the sense that any book of this kind put together by one individual is a small miracle in itself. So, yes, of course, I wholeheartedly congratulate Nall. It would be very interesting to chat with him on what parts of his book are style choices and what parts are simply the result of his current skill set. Personally, I am a strong believer in cartoonists perpetually pushing themselves to make the smoothest and most readable content.

I look forward to what Nall does next as he considers his next project. Nall has demonstrated that he’s not afraid to tackle as ambitious a project as the life and times of Fred Rogers. And, as I say, he has a good grasp of how the comics medium works. It can be a deceptively simple affair but, in fact, it has quite a built-in complexity. Once the process is set in motion, just like any other creative endeavor, it takes on a life of its own.

“Let Some Word That Is Heard Be Yours” is the latest installment of Nall’s “Teaching Comics” series. Visit him right here.

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Filed under Alex Nall, Alt-Comics, Alternative Comics, Comics, Independent Comics, Indie, Mister Rogers, PBS

Review: NOT MY SMALL DIARY #19

NOT MY SMALL DIARY #19

For a sampling of some of the best independent cartoonists today, one great source is the NOT MY SMALL DIARY anthology, edited by Delaine Derry Green. Cartoonist John Porcellino, known for his “King Cat” comics, has called Delaine’s anthology, “One of the most important comic-zines in history.” Here is a look at Issue 19: Unexplained Events, which showcases the work from 43 talented artists.

Panel excerpt from Kevin Van Hyning’s “The Curse of Macbeth”

So, the theme of “unexplained events” leaves open a wide field of opportunities from things that go bump in the night and beyond. One of the most inventive, jarring, and downright entertaining pieces comes from Kevin Van Hyning. It’s a pretty messed up misadventure and I hope and pray that nothing close to this actually happened to Kevin. Like a lot of creative people, myself included, Kevin has many outlets, like performing on stage. In “The Curse of Macbeth,” we see what can happen when an actor confronts the age-old superstition of daring to say “Macbeth” before a show. It’s supposed to be very bad luck! And, as it turns out in this comic, it’s the sort of bad luck that can knock your teeth out! Inspired work! A big takeaway for me is learning of this curse as I don’t believe I’d ever heard of it before. But it has a long tradition dating back to the very first time it was performed in 1606. Teeth kept being knocked out and worse!

David Lasky’s “Mothman”

As a cartoonist myself, who has observed and commented upon the comics scene for many years, I am delighted to see page after page of inspired work from familiar and new talent. What you find in this book is a treasure trove of comics experimentation. Each creator is working within their own special confines, powered by their own personal engine. This is a fascinating book and a must-read for anyone interested in contemporary comics. Each artist you visit here is like a little island onto itself. We paddle ashore and reach the Isle of David Lasky. Here we find enigmatic work giving out a melancholic howl. In the one-page “Mothman,” we find the distinctive Lasky poetic comic. Relax your shoulders and linger over it.

Panel excerpt from “My ‘Unsual’ Sighting’ by James Burns

The universal symbol for the unexplained seems to always go back to UFOs. And so I close with a piece by James Burns, “My ‘Unusual’ Sighting.” The most eerie and creepy incidents are beautifully underscored by the mundane. Often the most profound things must compete with the most banal and so it is in this comic. It is 1966 and a bunch of kids innocently look up in the sky and seem to be watching their favorite sci-fi show in the clouds–but they’re not. Or what are they seeing? Ten years later, Burns is eighteen and has an opportunity to possibly confirm his most wildest speculation. But he’s still a kid–and what is he supposed to do if his suspicions are correct? Nicely done and a fitting example to a most impressive collection of work in comics.

Be sure to keep up with Not My Small Diary at Delaine Derry Green’s My Small Web Page right here.

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Filed under Alt-Comics, Alternative Comics, Anthologies, Comics, Humor, Independent Comics, Indie, James Burns, Not My Small Diary

Review: DARK PANTS #3

DARK PANTS #3 by Matt MacFarland

DARK PANTS #3 by Matt MacFarland

I am a big fan of Matt MacFarland’s DARK PANTS series. You can read my review on the previous two issues right here. The third issue is now out and it follows Phil, a teenager in Silver Lake, California, circa 1988. As Matt described to me in an interview, each new issue focuses on a different time and place in the Los Angeles area. The motif is a mysterious pair of black jeans and the sexual awakening they trigger in whoever wears them.

Page from DARK PANTS #3

Page from DARK PANTS #3

For our hero, Phil, life has been hell as he struggles with his sexuality. Phil is navigating in a very oppressive environment. The last thing he wants to consider is being gay. But, once his fate crosses paths with those alluring dark pants, he gains enough confidence to explore his options a little bit. MacFarland is relentless in his depiction of Phil’s inability to be true to himself. It seems as if his embracing his truth is filled with nothing but pain. Gradually, MacFarland hints that Phil may ultimately find pleasure but it sure won’t come easy.

Reading DARK PANTS #3

Reading DARK PANTS #3

The easiest thing that Phil can rely upon is his imagining having sex with teen heartthrob John Stamos. It’s a pretty funny and sobering fact. Phil thinks about it and he knows he likes it. But he’d rather hide. Things come to a head, so to speak, when Lisa, his supposed dream girl, lures him away to a bedroom. It’s his big chance to prove he’s not gay to his confused and frustrated self but all he can think about is…John Stamos. As for Lisa, she will have her day. It looks like she is the subject of the fourth issue set in Eagle Rock, California, circa 2016.

No matter how empowering those dark pants are, they are no match for an awkward teen. Phil is simply ill-equipped to harness his new raw power. He makes some progress but not quite what he might have expected. MacFarland’s drawing and writing is highly accessible. He immerses the reader in the inner turmoil that his characters are going through. With just the right touch of humor, MacFarland offers us stories of missteps of the heart that will stay with us.

Matt MacFarland Los Angeles

If you are in the L.A. area this weekend, be sure to see Matt MacFarland on Saturday, July 16th, from 5-7pm at the Los Angeles County Store in Silver Lake. Find out more right here.

Find Matt MacFarland and DARK PANTS right here.

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Filed under Alternative Comics, Comics, Gay, Independent Comics, LGBTQ, Los Angeles, Matt MacFarland, Sex

Review: A CITY INSIDE by Tillie Walden

"A City Inside" by Tillie Walden

“A City Inside” by Tillie Walden

I was running late and I decided the best thing to do was to run even later. I stopped by to have a gourmet treat, a bison burger at Eve, one of the new trendy eateries in the Fremont neighborhood of Seattle. Eve is not yet a year old but, in human years, I suppose it’s already a teenager. The place is always immaculate and it seems to have settled into a nice groove. I went to my favorite table near the window and the waitress, with a really dazzling arrangement of tattoos, took my order. With a glass of wine, I turned my attention to one of the most pleasing mini-comics I’ve read in quite a while, “A City Inside,” by Tillie Walden, published by Avery Hill Publishing.

By the time I had read Tillie Walden’s mesmerizing book, my bison burger was served. I started munching and thinking over what this book meant to be. I wondered how many people had bison and wine while contemplating a mini-comic by Tillie Walden. That would be a rare subset of a subset of a select group. Everything about this comic adds up to a beautiful rare bird. Think of it as going to a really good art gallery show. Sometimes you’ll get a pang of regret wishing more people were there with you to share the experience.

Up, up, in the air with Tillie Walden

Up, up, in the air with Tillie Walden

Or, instead of art galleries, just think of comic strips. Walden’s work is as accessible, and full of possibility, as some of the best comic strips. Take Little Nemo in Slumberland, for example. Now, there’s some truly fanciful stuff going on. Consider Krazy Cat and Ignatz, early Popeye, even Peanuts. Comics strips, by their very nature, are ethereal and odd. Speaking of Little Nemo, Walden’s alter-ego, just like Nemo, enjoys taking her bed out for a spin like a magic carpet ride. Much of what we see in “A City Inside” is a wonderful ode to a daydream nation and to overcoming the trepidations of a young person. Walden celebrates all the great eccentricity to be found in comics.

The city beckons.

The city beckons.

What Walden does in “A City Inside” is invite you inside her head–or appear to do so. The main character, her alter-ego and/or a universal character, shares her concerns with the reader. The narrative appears to occur during a therapy session. The young woman is contemplating her future. It is one she knows will require overcoming fears and, ultimately, it may require leaving behind her lover. But the important thing is that the future is hopeful. She will find her way. She will gain admission into the wondrous city. Walden does a great job with a light drawing style to go along with her light lyrical prose. Some of the narrative is enigmatic, elusive, ethereal. But, in the end, it all makes sense.

“A City Inside” is a 56-page trade paperback, published by Avery Hill Publishing. Visit Avery Hill right here. And find more Tillie Walden comics at Retrofit Comics right here.

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Filed under Alternative Comics, Avery Hill Publishing, Comics, Independent Comics, Retrofit Comics, Tillie Walden