Category Archives: Alternative Comics

Review: The Comics Journal #303

The Comics Journal #303

This is a very meta thing to be doing but here’s a review of a magazine that features reviews. Dating back to 1977, in its heyday, The Comics Journal was a monthly source of comics news and reviews, a trailblazer for the burgeoning field of comics journalism and criticism. It has always maintained a certain quirky attitude, consisting of a mix of features and topped off by a expansive soul-searching interview a la Playboy magazine. It mainly attracts those who consider themselves comics aficionados. In 2013, it ceased its print version, staying online, but now it makes its return to print with Issue 303. TCJ returns this month with new editors RJ Casey and Kristy Valenti.

Now, I go pretty far back. I have fond memories of picking up this magazine at Tower Records back in the day (circa 1995), usually with a recent release from Sub Pop Records. I also fondly recall a special dynamic, or synergy, at play between the magazine and its online counterpart that led many of us to the forums section that let you interact with subgroups within subgroups of people in the comics community. This was long before Facebook or social media as we know it today. I think the monthly magazine, as we knew it back then, is still sorely missed. Towards the end of its print run, it came out less often and each issue covered a big theme and came out in different sizes. The consistency of a monthly had been lost. I think, in a perfect world, this latest return to print would do well to go back to that monthly format. Alas, with this latest #303, we’re seeing the start of a twice-a-year format. You might argue that TCJ is simply working with today’s print reality and is offering up a taste to a new generation of what is possible.

The showcase item in this issue is, of course, TCJ founder Gary Groth’s interview with a legendary firebrand, the satirist and children’s book author, Tomi Ungerer. For those of you unaware of Mr. Ungerer’s impressive career, I highly recommend that you read this interview and, before or afterward, check out the 2013 documentary, “Far Out Isn’t Far Enough,” directed by Brad Bernstein. The title is one of Ungerer’s sayings, along with “Don’t Hope, Cope” and “Expect The Unexpected.” I interviewed the documentary’s director and its writer and the fact that Ungerer is a true force of nature was the overriding theme. So, it makes perfect sense for someone as outspoken as Groth to sit down and talk it out with someone as outspoken as Ungerer! It’s a match made in heaven.

From Ben Passmore’s story in Now: The New Comics Anthology #3, published by Fantagraphics

Among the various features to be found here, you’ll find them under such titles as “From the Trenches” and “Fair Warning.” For example, under the former is a think piece by cartoonist Ben Passmore, who shares his insights on the alt-comics scene from an African American perspective. And, under the latter, you will find an interview by RJ Casey with emerging comics talent, Fifi Martinez. The thing to always remember about TCJ is that its focus is a serious look at comics as an art form. That leaves little room, if any, for superhero comics, per se. What you’ll mostly find here is a focus on the independent artist-cartoonist. It does a heart good to see cartoonists like Passmore and Martinez provided with a platform.

Ultimately, TCJ remains what it’s always been, a valuable resource that is most appreciated by those who take the comics medium seriously. It’s a niche audience but a fiercely loyal one. In the new more fragmented world we live in, it’s all about niches. That is actually a very positive thing. And niches are supposed to attract outside readers too, right? You can only calculate so much as to how strong a presence you can make on today’s newsstands. For some special readership out there, it will be a great treat to see TCJ on a shelf. Newsstands aren’t going away anytime soon from such places as Barnes & Noble, specialty shops, comic book shops, and even airports. TCJ might just want to make a real push into these venues and see how it goes. I asked about TCJ at my local B&N as well as the Pike Place Market newsstand, one of the granddaddies of newsstands. Neither place had ever heard of TCJ or had any plans to carry it. I asked around a couple of nearby comics shops. They heard of it but were not carrying it. This is TCJ’s return to print, right? Let’s see it out there in the real world.

The reality is that creating any kind of magazine, digital or print, is a big challenge. Everyone in the comics community is rooting for TCJ to make as big of an impact as it can. Those of us already in the choir, can keep singing its praises and wish it well. You can find your copy of TCJ #303 by visiting the Fantagraphics store right here.

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Filed under Alt-Comics, Alternative Comics, Comics, Comics History, Comics Journalism, Fantagraphics, Fantagraphics Books, Gary Groth, Independent Comics, The Comics Journal, Tomi Ungerer

THE ALTERNATIVE UNDERGROUND art show at Scott Eder Gallery, Feb 1 thru Mar 9, 2019

THE ALTERNATIVE UNDERGROUND

If you live in or plan to be around the New York metro area, then consider visiting the Scott Eder Gallery for an in depth look at a variety of notable underground cartoonists from the sixties. This includes a number of names that are common to the comics community along with a number that will be newly discovered gems for gallery visitors. The show is entitled, THE ALTERNATIVE UNDERGROUND: Foot Soldiers in the Revolution that Forever Changed Comics and runs from Feb 1 thru March 9, 2019. The opening reception is Friday, Feb. 1, 2019, 5-9 PM. Scott Eder Gallery is located at 888 Newark Avenue, #525, Jersey City, New Jersey in the Mana Contemporary Arts Complex. From New York City, you can easily reach it from the PATH train.

Mickey Rat Comix by Robert Armstrong

 

What If? by Joel Beck

 

Casserine

 

Women at Work!!! by Daniel Clyne

 

Pro Junior by Dave Dozier

 

Smile by Jim Mitchell

 

Rev. Jeremiah Moses by Grass Green

 

Jesus Learns a Thing or Two by Frank Stack

 

Trina Robbins self-portrait

More details from Scott Eder Gallery:

When the Underground Comix movement is discussed, R. Crumb, Art Spiegelman, and Gilbert Shelton come quickly to mind. But the revolutionary break from mainstream comic books in the late ‘60s, leading to graphic novels and today’s vital independent scene, was comprised of numerous other artists. Many seldom get their due. Scott Eder Gallery is proud to present some of the largely unsung pioneers like Joel Beck and Frank Stack, both of whose comix significantly predated ZAP. Other featured artists are Bob Armstrong (Mickey Rat), Sharon Rudahl, (Wimmens Comix), Dan Clyne (Hungry Chuck Biscuits), Wendel Pugh (Googiewaumer), Mike Roberts (Bizarre Sex), and other foot soldiers active in the broad and groundbreaking underground comix scene. Discover or rediscover the idiosyncratic styles of more than twenty outspoken and bold cartoonists whose work remains surprising fresh a half century after the psychedelic fervor and anti-war chants swirling around their era have faded away.
Interview with gallery owner Scott Eder:

If you’re interested in comics or would like to take the opportunity to see firsthand some of the exciting trailblazing art that has influenced today’s boom in indie comics, then be sure to visit Scott Eder Gallery.

 

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Filed under Alternative Comics, Comics, Comix, Denis Kitchen, Phil Yeh, Robert Crumb, Scott Eder, Scott Eder Gallery, The Sixties, Underground Comics

Review WINDOWPANE by Joe Kessler

Windowpane by Joe Kessler

One of the first pages from Joe Kessler’s Windowpane, published by Breakdown Press, shows a wandering dog searching for food and finally finding a baked pie sitting out on a windowsill. There are splotches of color overlay on some of the blue line art. Welcome to a most experimental work in comics. Kessler covers various themes: childhood trauma, alienation, sexual dysfunction, and religion. Everything is a bit off kilter and on edge. What could be better for this kind of work, right? Well, this kind of work can often fall short and not measure up. But, in this case, there’s a lot to like even if it seems that things don’t always add up as the general reader might expect from the comics medium.

Like any artist, Kessler wants to challenge the reader. For instance, he enjoys the harsh use of basic colors. He also likes tossing his characters from one situation into another. He has them suddenly running away from things. He has them hurting each other. Then, in a fit of petulant bravado, he will take a gob of primary colors and fling them like a bolt of lightning. A blast of these harsh basic colors will blow up some characters to bits. Others will be saved for a proper decapitation. All in a day’s work.

There goes that iguana.

Quieter moments will serve for such scenes as an iguana forcing its way into a sleeping woman’s mouth.

It’s pretty wild stuff. Not for kids. Mature content abounds. All in all, this collection of sordid tales is quite fun, original, and worthwhile.

Windowpane is a 272-page full color soft cover. It collects new and previous work by artist Joe Kessler. You will find here reprints of Windowpane issues 3 and 4. This collection is published by Breakdown Press, based out of London.  Visit Breakdown Press right here. And be sure to visit Mr. Kessler right here.

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Filed under Alt-Comics, Alternative Comics, Art, Breakdown Press, Comics, Europe, European Comics, Independent Comics, Indie, Joe Kessler

Seattle Focus: Jason Lutes and BERLIN

Megan Kelso with Jason Lutes

Cartoonist Jason Lutes was in Seattle to talk about the new book that collects his comics series, Berlin. It took place at The Elliott Bay Book Company, November 8, 2018. This event included a conversation with cartoonist Megan Kelso. It was co-presented by Short Run.

Berlin is a monumental work in comics. Few cartoonists will come close to such an achievement–and it couldn’t have been created by a  nicer guy. What came across, over and over, during this talk is the fact that Lutes is very accessible and down to earth. That open approach plays into part of what makes his landmark work so special. It all began when teenager Jason Lutes wanted to make sense of a documentary about the holocaust he was suddenly exposed to in a high school history class. The teacher for that class was an alcoholic who made no effort to hide his struggles. He literally set up the movie for his class and left to get a drink. That abrupt and careless action ultimately triggered an in depth exploration of Weimar Germany through a creation of an expansive work in comics that would take 22 years to complete.

#ProtectMueller march in Seattle on 8 Nov. 2018

It was not lost on anyone during Lutes’s talk related to the dismantling of the German government of the 1920s that concerned citizens, just outside on the streets of Seattle, were protesting Trump’s own inroads into dismantling the U.S. government. Timing is everything. That Thursday night book talk directly coincided with protests across the country in support of protecting the Robert Mueller investigation after Trump installed a loyalist as acting Attorney General of the United States. Details are everything. If you follow the characters and the rich narrative of Berlin, you can’t help but get an eerie sense of having a mirror held up to the past and to the present.

Cartoonists holding each other’s works: Jason Lutes with David Lasky

Authenticity is everything. What is so appealing about comics by Jason Lutes is the solid storytelling. That involves a dynamic use of the comics medium: a crisp consistency in step with strategically placed visual elements that are pleasing to the eye and move the story forward. A quick example: I was standing in line to get my copy of Berlin signed and I made a point of poring over each page as I flipped my way through. Right around the midpoint, there is a page made up of wordless panels showing a mysterious figure in a row boat. He reaches the shore to find what looks like a vicious snake. He picks it up by its jaws and overpowers it. That same character reappears in the book as does the snake, both providing just the right doses of symbolism as well as pure entertainment. It’s important to note that, while Lutes referred to vast amounts of research and reading, he also fondly recalled the influence of key works in pop culture. Berlin Alexanderplatz, a novel about Weimar Germany, by Alfred Döblin, holds as much importance to Lutes as his viewing of the original Star Wars movie as a kid. Altogether, what you have in Berlin is an honest look from an individual processing and distilling at a meticulous level.

Cartoonists Revisit: Jason Lutes with Jennifer Daydreamer

For many in the audience that night, it was an opportunity to revisit a respected work and commiserate with a friend and colleague. Seattle is a lightning rod for countless creative people and that includes a high number of independent cartoonists. There’s a certain sensibility to the alt-comics artist with Jason Lutes being a prime example. As he discussed in his lecture, it was Seattle that he gravitated to in the 1990s. After attending the Rhode Island School of Design, Lutes moved to Seattle and worked for the comics publisher, Fantagraphics. He subsequently worked for the alt-weekly, The Stranger, just as it began publication in 1991. During this era, Lutes became part of a group of cartoonists that went on to form an integral part of the Seattle comix scene. That group included some members that were in attendance that night: Megan Kelso, David Lasky and Jennifer Daydreamer. It was a treat to have part of the gang together again on such a special occasion.

BERLIN by Jason Lutes

Berlin, the complete collection, is out now. It is a 580-page hardcover published by Drawn & Quarterly. Jason Lutes teaches comics at the Center for Cartoon Studies in Vermont.

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Filed under Alt-Comics, Alternative Comics, Berlin, Comics, Comix, David Lasky, Donald Trump, Drawn and Quarterly, Elliot Bay Book Company, Germany, graphic novels, Independent Comics, Indie, Jennifer Daydreamer, Nazi Germany, Nazis, Seattle, Trump, Weimar Germany

Comics Review: ANDROMEDA by Zé Burnay

ANDROMEDA by Zé Burnay

Editor’s Note: There is a crowdfunding campaign going on for this book thru Dec 14, 2018. For more details, go right here.

Cartoonists are instructed and encouraged by their mentors to construct comics that not only fill the page but interact with one page to the next. Few artists heed that sage advice so well as Zé Burnay. You can clearly see that he is playing off what’s going on one page onto another page. The forms, the compositions, the very structure, is interconnected from one panel to the next, from one page to the next. Every bit building  into a beautiful fever dream byway of the dazzling tattoo parlor with a detour through an enchanted forest and a side trip into a magical castle. Zé Burnay knows comics and how to turn them into psychedelic entertainment. So, I’m telling you right now, the book to get is Andromeda by this groovy dude, Zé Burnay, an up and coming and most excellent illustrator and cartoonist from Sintra, Portugal.

Visual delights throughout.

I swear to God, my next major tattoo is going to be a three-headed snake by Zé Burnay! This is an artist who spends the required amount of time immersed in the stuff that dreams are made of. That’s good for him–and good for us. Andromeda collects three works that all share the same main character, a Christ-like figure who is wandering and searching. In the process, he comes across numerous symbolic creatures and numerous classic tropes. He battles an eagle, a lion, a bull, and so on. I begin to lose count but that’s okay. He enters an old Victorian mansion and becomes acquainted with its strange inhabitants. Every scene quickly becomes ethereal and hallucinatory. It’s a virtual Cornucopia of visual delights. Burnay keeps the fireworks going from one page to the next.

The energy from one page resonates onto the next.

A comic from a true visionary is something very special and Zé Burnay delivers a marvelous book with Andromeda. It is a wondrous visual feast inextricably linked to a haunting narrative. Burnay was born in 1991 in Portugal and grew up fascinated by the woods and castles of Sintra and its unique and mysterious aura. Clearly, that inspiration can be found on every page of his work. Burnay states on his website that his love of drawing was kindled from “inheriting my father’s extensive collection of Franco/ Belgian comics and by spending time on my Grandfather’s antique shop.” All of this has added up quite nicely. He goes on to say, “In between working on my own comics, I draw comics for other people, design logos, posters and cover art for numerous bands.” Burnay is definitely on the right course!

A very cohesive and richly structured work.

Be sure to visit Zé Burnay at his website right here.

And visit the Indiegogo campaign for this book right here.

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Filed under Alt-Comics, Alternative Comics, Comics, Comix, mini comics, mini-comics, Self-Published, Zines

Seattle Focus: Short Run Comix & Arts Festival, Nov. 3, 2018

SHORT RUN 2018

Short Run Comix & Arts Festival is this Saturday, November 3, 2018 in Seattle, WA.

Short Run is a free all-ages event showcasing the best in new and local comics, zines, and more!

If you’re in Seattle, be sure to take in this wonderful event from 11am-6pm at Fisher Pavilion and The Vera Project at Seattle Center.

For more details, visit Short Run right here.

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Filed under Alternative Comics, Comics, Comix, mini-comics, Minicomics, Seattle, Short Run, Short Run Comix & Arts Festival

24-Hour Comics Day 2018: Character and Narrative Development

Emily is haapy, right?

The unique character of Emily emerged in the mist of the night. Who is she? Well, if I could talk with Emily, I would tell her that she’s intriguing and deserves everything wonderful in life. It looks like I’ve found my main character. It is a very natural discovery.

When you’re building up a story, you do a lot of things on the fly and juggle as best you can until it’s time to settle down. What I started with was a whole bunch of background stuff.

Not so happy.

And then, as I wandered along, a character fell into place that could carry along and support the background. We see her smiling. Next panel, we already see her not smiling. Okay, what’s up?

Radio silence.

By the third panel, everything has gone quiet.

The plot thickens.

And on the last panel, we’ve got some conflict. The plot thickens. So, suffice it to say, I am intrigued with Emily and I wish her well on her journey.

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Filed under 24 Hour Comics, 24HCD, Alt-Comics, Alternative Comics, Comics, Comix, Henry Chamberlain, Independent Comics, Indie

Small Press Expo: 2018 Ignatz Award Nominees

Ignatz image by 2017 Promising New Talent winner Bianca Xunise

The Small Press Expo (SPX), the preeminent showcase for the exhibition of independent comics, graphic novels and alternative political cartoons, is pleased to announce the 2018 nominees for the annual presentation of the Ignatz Awards, a celebration of outstanding achievement in comics and cartooning.

The Ignatz, named after George Herriman’s brick-wielding mouse from his long running comic strip Krazy Kat, recognizes exceptional work that challenges popular notions of what comics can achieve, both as an art form and as a means of personal expression. The Ignatz Awards are a festival prize, the first of such in the United States comic book industry.

The nominees for the ballot were determined by a panel of five of the best of today’s comic artists: Mita Mahato, Carolyn Nowak, Kevin Czap, Leila Abdelrazaq, and Taneka Stotts.

Congratulations to all our nominees!, with the votes cast for the awards by the attendees during SPX. The Ignatz Awards will be presented at the gala Ignatz Awards ceremony held on Saturday, September 15, 2018 at 9:30 P.M.

Outstanding Artist

Yvan Alagbé – Yellow Negroes and Other Imaginary Creatures
Ivy Atoms – Pinky & Pepper Forever
Tommi Parrish – The Lie and How We Told It
Richie Pope – The Box We Sit On
Sophie Standing – Anxiety is Really Strange

Outstanding Collection

Beirut Won’t Cry – Mazen Kerbaj
Blackbird Days – Manuele Fior
Language Barrier – Hannah K. Lee
Sex Fantasy – Sophia Foster-Dimino
Super Late Bloomer: My Early Days in Transition – Julia Kaye

Outstanding Anthology

La Raza Anthology: Unidos y Fuertes – ed. by Kat Fajardo & Pablo Castro
Comics for Choice – ed. by Hazel Newlevant, Whit Taylor and Ø.K. Fox
Ink Brick #8 – ed. by Alexander Rothmans, Paul K. Tunis, and Alexey Sokolin
Bottoms Up, Tales of Hitting Rock Bottom – ed. by J.T. Yost
Lovers Only – ed. by Mickey Zacchilli

Outstanding Graphic Novel

Why Art? – Eleanor Davis
Run for It: Stories of Slaves Who Fought for Their Freedom – Marcelo D’Salete
Uncomfortably Happily – Yeon-sik Hong
The Lie and How We Told It – Tommi Parrish
Anti-Gone – Connor Willumsen

Outstanding Series

Ley Lines – Czap Books
Nori – Rumi Hara
Bug Boys – Laura Knetzger
Gumballs – Erin Nations
Frontier – Youth in Decline

Outstanding Minicomic

Dog Nurse – Margot Ferrick
Greenhouse – Debbie Fong
Common Blessings & Common Curses – Maritsa Patrinos
Mothball 88 – Kevin Reilly
Say It With Noodles: On Learning to Speak the Language of Food – Shing Yin Khor

Outstanding Comic

Recollection – Alyssa Berg
Hot to Be Alive – Tara Booth
Hot Summer Nights – Freddy Carrasco
Whatsa Paintoonist – Jerry Moriarty
Baopu – Yao Xiao

Outstanding Online Comic

Woman World – Aminder Dhaliwal
The Wolves Outside – Jesse England
A Fire Story – Brian Files
Lara Croft Was My Family – Carta Monir
A Part of Me is Still Unknown – Meg O’Shea

Promising New Talent

Yasmin Omar Ata – Mis(h)adra
Tara Booth – How to Be Alive
Xia Gordon – The Fashion of 2004, Harvest
Rumi Hara – Nori and The Rabbits of the Moon
Tommi Parrish – The Lie and How We Told It

Outstanding Story

Yellow Negroes and Other Imaginary Creatures – Yvan Alabge
Why Art? – Eleanor Davis
Rhode Island Me – Michael DeForge
How the Best Hunter in the Village Met Her Death – Molly Ostertag
The Lie and How We Told It – Tommi Parrish

Small Press Expo is this weekend in Bethesda, Maryland, September 15-16!

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Filed under Alt-Comics, Alternative Comics, Comics, Comix, Ignatz Awards, Independent Comics, Micropublishing, Minicomics, Small Press Expo

SPX 2018: Time for Small Press Expo, September 15-16!

SPX illustration by Molly Ostertag

Time for Small Press Expo, September 15-16! SPX, created in 1994, is the cornerstone to the comics community. It is at the forefront in promoting and providing support. Each year, more than 4,000 cartoonists and comics enthusiasts gather in Bethesda Maryland for North America’s premiere independent cartooning and comic arts festival. Let the latest news speak for itself. This is from a press release that just came out:

“Small Press Expo announced that it will immediately make available $20,000 and also launch a legal aid fundraising vehicle to support members of the SPX community who are currently facing a defamation lawsuit. The fundraising vehicle, administered by SPX, and created in consultation with the Comic Book Legal Defense Fund, will be established for the purposes of defraying the cost of legal representation for the eleven members of the independent comics community named as defendants in the ongoing lawsuit.”

So, yeah, it’s September and that can only mean one thing for die-hard indie comics fans: Small Press Expo! Yes, indeed, each year Bethesda Maryland suddenly becomes, for one weekend, the lightning rod for some of the most cutting-edge comics. If you’re in the area the weekend of September 15-16, then come out to this event and check out some awesome alt-comics.

Now, I must admit that, although I’ve gone and I’ve participated in numerous comics festivals and events as a journalist and as a comics creator, I have never gone to Small Press Expo. Some folks there will have heard of me and some know me from years back. But that doesn’t change the fact that I’m new to SPX. So, I hope to do my best to provide some stellar coverage to this most venerable and respected gathering. Small Press Expo is where much of the indie comics scene gained traction and it remains the jewel in the crown.

So, say hello if you see me and we make eye contact or somehow slip into conversation. We’ll figure it out. Or say hello here at Comics Grinder. If you’re a creator, let me know what you’re up to and maybe we can set up an interview or I can plan to review your work. I don’t exactly expect an avalanche of responses– but I always end up making a decent number of connections at these events. I understand that things will get hectic and maybe you’re shy to begin with. I understand– and I can only focus on so much myself. The main thing is to have fun and to always strive for authenticity. The rest works itself out.

The full press release on the Legal Aid Fund for Cartoonists follows:

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Filed under Alt-Comics, Alternative Comics, Comics, Comix, Independent Comics, Indie, Millennials, mini comics, mini-comics, Minicomics, Self-Published, Small Press, Small Press Expo, SPX

Comics Review: A LIFE HALF-FORGOTTEN by James Burns

A LIFE HALF-FORGOTTEN by James Burns

James Burns is a very interesting cartoonist. It was a pleasure last year to review his work. A Life Half-Forgotten is an impressive piece of memoir comics, or “autobio,” as this work is commonly referred to within comics circles. Burns taps into his childhood with a confidence and curiosity that sets the bar high. It challenges and inspires each of us to reach back and take a closer look into the past.

Analyzing one’s childhood can be a daunting task. Where to begin? As an exercise in recovering memory alone, you have quite a job ahead of you. When did life truly begin for you? For Burns, life seems to have begun in preschool as he dutifully accepted a box of crayons at the start of the day. He goes on to write and draw his way to insightful observations. All the forgotten traumas come home to roost. Burns made it his goal to sift through the big and small details and see what mattered most. This is a childhood in a Central Ohio suburbia during the 60s and 70s. With great care, and a good dose of humor, Burns explores the high and low points: freedom and privilege as well as murder and divorce.

A LIFE HALF-FORGOTTEN by James Burns

Burns plays with that special ambiguity inherent in comics as he casts himself in this first-person narrative. We have Burns at the beginning playing host followed by him appearing to walk back into his childhood past. He is now a child but he appears to remain an adult. His face retains the same mature features in many panels but also seems to shift to a softer and younger version in other panels. The results, for my tastes, give the scenes an added edge. These are all memories, after all, with a dream-like tone. The black & white with gray tones also helps to heighten the sense of searching into the past.

As Burns puts it, we are all dealing with fragments when it comes to our personal memory. One person paints a picture based on childhood while a sibling paints another. We are summoning up phantoms. We are asking our phantoms to dance again. Burns points out that his recollections seek a greater truth. He acknowledges that he wasn’t concentrating on capturing anyone’s likeness. Instead, he wanted to try to understand things better like the tragic death of a classmate.

Now, I’ll get back to this wonderful tension between the adult Burns seeking out his childhood self, with Burns depicting himself as a child but with an adult’s face. It makes for some very compelling passages. I think I like best where he looks back at how much he enjoyed wearing a Superman costume for Halloween when he was seven years-old. He loved it so much that he ended up wearing the costume on a regular basis underneath his street clothes, just like Clark Kent! It’s such a sweet and innocent recollection–and there’s a depiction of Burns, as a child in a Superman costume but with an adult’s face. It’s an scene filled with haunting melancholy and one of the more striking images I’ve seen in comics this year.

Actually, there are more scenes I could get into. I’ll also mention here the birthday party for Burns when he turned six. That’s another passage that I find very moving. The conflict between nostalgia and truth can take a rest here. For one moment of pure joy, Burns is having a grand time with friends in his backyard. He’s having cake and ice cream. And he gets to play with the most amazing toy fire engine, his featured birthday gift. You attach a garden hose to its side and it gushes out water through its tiny fire hose! I would have loved one of those toys!

A LIFE HALF-FORGOTTEN by James Burns

The murky world of memory is evoked quite well and Burns manages to snare some of his childhood ghosts. He manages to sit down with them, talk to them, play with them, and reach some sort of closure. This book invites the reader to do the same.

Visit James Burns right here. You can find A Life Half-Forgotten at Amazon right here.

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Filed under Alt-Comics, Alternative Comics, Childhood, Comics, Family, Graphic Novel Reviews, graphic novels, Independent Comics, Indie, James Burns, Memoir, Memory, Not My Small Diary