The Book of Weirdo
Yes, Virginia, We Do Have Alternative Comics!
With all due respect to any comics scholars who might in the least have any problem with the term, “alternative comics,” let me direct you to a close reading of a new book that covers this very subject and then some, The Book of Weirdo, edited by Jon B. Cooke, and published by Last Gasp Books. Now, if I’d been a precocious and enterprising enough youngster, I might have very well have hopped on the Weirdo bandwagon early on and had my own comics appear within their pages but it was a little bit before my time. That said, what sprung, or solidified, from that time of production (1981 – 1993) is what has been, and continues to be and always will be, known as alternative comics. Alternative to what? Well, obviously, an alternative to the typical mainstream superhero genre just as underground comix was an alternative in the sixties and Harvey Kurtzman’s MAD magazine was an alternative in the early fifties. Today, to simply say, “alternative comics,” remains incredibly useful in navigating the vast comics landscape. Think of it as the distinction between a fine artist (indie cartoonist) and an illustrator (business-oriented/corporate). An artist can travel to both worlds but, don’t forget, that means there are two distinct worlds. Alright then, now let’s take a deep dive into the pages of The Book of Weirdo.
Peter Bagge
What first comes to mind about this book is the familiar format of a yearbook or an in depth documentary. The idea here is to collect and document and interview as much as possible. Cooke has extended interviews with all the major players including founder and editor Robert Crumb and his successor, Peter Bagge. Cooke also has profiles and interviews with just about everyone who ever contributed to the magazine with such notable figures as Dennis Eichhorn, Frank Stack, Pat Moriarity, and Michael Dougan. In fact, I am quite familiar with Mr. Cooke’s methods as I did get to contribute some comics to another of his projects, a tribute to Will Eisner for Comic Book Artist back in 2005. So, what you end up getting in one of these Jon B. Cooke tributes is a treasure trove of observations and a storehouse of information. That all proves essential as we track the journey of Weirdo from San Francisco to Seattle. Once Peter Bagge took over as editor, he took operations up to Seattle, which resulted in some extraordinary comics cross-polination that continues to reverberate to this very day. It has contributed to a hotbed of alt-comics activity in Seattle that connects everything from Fantagraphics to the Dune cartoonist gatherings to the Short Run Comix & Arts Festival.
Alternative Comics – The Seattle Connection
Ironically, given all the time and effort that Mr. Cooke has put into this tribute, he doesn’t always get the most fully cooperative interview subjects, with his main subject, Robert Crumb often proving to be the most contrarian person to interview. But that’s what everyone loves about Crumb, right? He’s not an easy person to pigeonhole. He’s not smooth as silk with slick answers. The beauty of what Cooke does is to keep asking questions and remain open to the answers. That brings me back to the notion of more fully understanding what alternative comics are about. I bring this subject up a lot and I find that, ultimately, alternative comics are alive and well and they emerged from what underground comix set in motion. This is clearly something that fascinates Cooke too and he goes about unpacking the subject as much as he can in this book. For example, he poses the question to Crumb. He asks, “Do you see Weirdo as having helped to launch the alternative comics that came after it?” To which Crumb, at first put off, ends up giving an interesting answer: “I don’t know. Again, it’s a rhetorical question. It’s hard to say whether that would have happened anyway. To me, it was going to happen one way or the other, whether I was there or not, alternative comics was an inevitable thing, y’know? It’s such a part of American culture and comics, and then, all these people who grew up with comics, they were bound to start producing some kind of…And also, as comics lost their importance as a kid’s medium, being replaced by electronic media like TV and video games and all that stuff, it became more of an art medium of self-expression. It was inevitable.”
R. Crumb
So, to be clear, I am telling you that alternative comics are a very real thing. Anyone who is tentative about it is somehow missing the big picture. And, again, I say this with all due respect. Certain folks go into comics and graphic novels these days as more of a stripped-down strategy to succeed in a corporate career. Other folks go into comics and graphic novels solely to explore the possibility of the art form. Those are two very, very, very distinct worlds. And, yes, there is overlap. Some alternative cartoonists manage to crossover to mainstream work. But that certainly doesn’t negate the fact that they come from the alt-comics world. It’s a whole way of looking at comics as art. Now, Weirdo was definitely part of that in its own particular way. At the very same time that Weirdo was active, there was also RAW magazine run by Art Spiegelman and his wife, Françoise Mouly. Here’s where it gets very interesting and sort of funny. Crumb was like Groucho Marx or Woody Allen when it came to preferring straightforward plain speaking. For Crumb, RAW took itself way too seriously. Both Weirdo and RAW were covering similar ground and, in fact, shared some of the same cartoonists. While RAW positioned itself as an art journal, Weirdo was more unabashed and irreverent. A little behind-the-scenes feud was brewing after Spiegelman made some disparaging remark about Weirdo. Crumb had hoped to bring it out into the open and even pursue a mock feud but Speigelman would have nothing to do with it. Whatever their differences, both RAW and Weirdo contributed to the alternative comics scene that continues onward in numerous anthologies, more than at any other time, including Kramers Ergot. While Crumb, himself, might shrug it off, Weirdo can be included as one of the landmarks along the way to today’s alt-comics.
Ron Turner and Last Gasp
The Book of Weirdo is a stunningly beautiful book, an essential guide to understanding the various veins connecting underground comix and today’s burgeoning alternative comics.
The Book of Weirdo: A Retrospective of R. Crumb’s Legendary Humor Comics Anthology, is a beautiful 288-page hardcover, fully illustrated, available as of May 1, 2019, published by Last Gasp Books.
Review: ‘Invisible Ink: My Mother’s Love Affair With A Famous Cartoonist’ by Bill Griffith
Searching through the past: the true story of Barbara Griffith emerges
As if drawn with invisible ink, there are mountains of comics from yesteryear that, even if popular in their day, will never be read again. But once upon a time, cartoonists were bona fide celebrities. Today, of course, everything has splintered off. But we still have some of the good stuff that harkens back to a golden age. We have Bill Griffith’s legendary comic strip, Zippy the Pinhead. Mr. Griffith is an expert on comics many times over and a masterful storyteller. He takes all that and gives us his first long-form graphic story, “Invisible Ink: My Mother’s Love Affair With A Famous Cartoonist.”
Cartoonist Bill Griffith channels Cartoonist Lawrence Lariar
Griffith navigates us through the often murky world of pop culture’s past and puts it into unique context. The past easily holds onto its secrets all too often because no one bothers to ever try to pry them open. This is a book about prying open the past and revealing the most intriguing secrets, family secrets. Much in the spirit of Griffith’s surreal Zippy the Pinhead, the mundane here collides with the supposedly more colorful world of mass media. Add to that, a decidedly offbeat look at the world. I swear, I found Zippy creeping up when you least expected it. For instance, there’s a scene in a diner between Bill and his uncle, Al, and Al says, “You know what’s coming back?” Bill asks, “Salisbury steak?” “No,” Al says, “morse code!”
The K & W Cafeteria in Winston-Salem, North Carolina
Check out the page above that I just made reference to with the morse code comment. Ah, such a thing of beauty! A perfect example of the Bill Griffith sensibility and I’m sort of just picking a page at random. It speaks to the very best spirit of underground comix which Bill Griffith came from. It articulates a worldview of someone finely tuned in to his feelings and observations. It is a very relatable view since we all feel we’re tuned in to the world around us. The idea is to create an expression of what one sees that touches on all the details of the moment and evokes a stream-of-consciousness. We see Griffith reacting to a quaint world of yesteryear still alive in the here and now. It’s a world where you can expect to order three different kinds of macaroni & cheese. Of course, the actual K&W Cafeteria doesn’t think of itself as out-of-date. It offers free Wi-Fi, after all. But, from Griffith’s perspective, it is a strange world to marvel over and that’s what we’re looking for!
You can imagine that Bill Griffith’s mother might have pretended she was writing with invisible ink in order to be as revealing as she was in her journals and related work. Whatever the case, we hear her loud in clear in this exploration of her inner life. Griffith synthesizes various artifacts to find a greater truth. When you go hunting for answers like this, you’re liable to get lost in your own issues with your parents. Griffith is no different in this regard. He is just like any of us trying to deal with the past and that is an excellent hook for readers. What makes this story extraordinary is that Bill Griffith has definitely met his match with his mother who gives his storytelling skills a run for their money. If truth is stranger than fiction, then this must be one hell of an example of that. It boggled the mind of Bill Griffith, one of the great mind-bogglers in comics.
“Invisible Ink: My Mother’s Love Affair With A Famous Cartoonist” is a 208-page black & white hardcover published by Fantagraphics Books. For more details, and to order, visit our friends at Fantagraphics Books right here.
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Filed under Bill Griffith, Comics, Comix, Fantagraphics Books, Graphic Novel Reviews, graphic novels, Underground Comics, Zippy the Pinhead
Tagged as Bill Griffith, Books, comic books, Comic Strips, comics, Comix, Entertainment, Fantagraphics, graphic novels, Media, Newspapers, Pop Culture, Publishing, Social Commentary, Underground Comics, Zippy the Pinhead