As any card-carrying local artist and cartoonist should do, I went down to check out the indie comic show Exterminator City, part of Push/Pull Studio & Gallery here in the Phinney-Greenwood neighborhood of Seattle. Exterminator City is put together by Push/Pull member, Seth Goodkind, who is a local cartoonist and published illustrator.
Plenty of stellar talent including Allen Gladfelter, Adam Lynn, Megan Noel, Noel Franklin, Scott Faulkner, and Eli Tripoli, to name a few. Coming off the heels of my awesome time at Hempfest last weekend, it was perfect timing to meet up with Joshua Boulet. He’s a fine example of how cannabis and comics mix quite well. In this video interview, Joshua is kind enough to share his sketchbook. BTW, I picked up his “Draw Occupy Wall Street” which I will review in a future post!
“I MET TOMMY CHONG!” by Joshua Boulet
Here at Comics Grinder, we’ll keep exploring the interconnections between comics and cannabis as well as cannabis in general from time to time. You could say that both comics and cannabis remain somewhat misunderstood by the general public while also receiving a general thumbs up. That said, we can tackle both subjects thoughtfully and respectfully one post at a time.
Now, let’s focus on the venue for this comics event. Exterminator City was made possible by the Push/Pull Gallery. My heart goes out to them as both an artist and a curator. For many years, I curated art shows at Glo’s Diner with an emphasis on fringe art, specifically alternative comics. Well, Pull/Pull is ready to take things to a new level as they move toward a permanent home. With your help, Push/Pull will achieve its goal through its Kickstarter campaign, which closes on September 4, 2015, that you can visit right here.
There is a stark beauty to be found in the 320 pages of this full-color special collection of comics, “World War 3 Illustrated 1979-2014,” published by PM Press and set for release this July. I call it a stark beauty for good reason. I think it is the most economical way to express the urgency and the severity of the issues being confronted. It’s also a quick way to say that this is thoughtful and vital art that you’ll find in this collection of some of the best work to appear in the semi-annual anthology, “World War 3 Illustrated.”
“World War 3 Illustrated 1979-2014,” edited by Peter Kuper and Seth Tobocman, with an introduction by Bill Ayers, is essential reading. Activism and comics are a natural together and this impressive collection is a shining example. It is a balancing act to make sense out of what can appear to be utter chaos. Of course, it’s this chaos that demands close scrutiny since it is likely orchestrated by others in power with a ruthless need to manipulate, cheat, and steal. Sure, you’ve heard of The Tea Party and you may think you know what they’re about. But do you really? Well, they’re not real. They were created by the Koch brothers. And maybe you know that. But, just like Thomas Nast “exposed” the corruption of New York City politics one hundred years ago by distilling dense information into compelling cartoons, so too do cartoonists today, like Peter Kuper, provide that same valuable service.
Paul Buhle is busy these days with various comics projects. He is truly a friend to cartoonists. And, as we find out in this interview, there’s a good story behind that. In fact, there’s plenty to talk about when you engage in a conversation with Paul Buhle. Today, his latest book, co-edited with David Berger, is out and avaiable, “Bohemians: A Graphic History,” a 304-page comics anthology that explores the world of bohemians in America from about 1850 to 1950 (my review here). It is published by Verso Books and you can find it here.
Paul Buhle retired a few years ago from Brown University where he lectured on History and American Civilization. He has written and edited numerous books on labor, culture, and radicalism. Now, Mr. Buhle finds a good portion of his time devoted to editing books that tell their stories through comics.
Stephanie McMillan is an important voice. She is doing her part to make this a better world through her activism and her comics. And, fortunately for us, those two passions turn into some very compelling work. Her latest collection of comics, “The Minimum Security Chronicles: Resistance to Ecocide,” is published by Seven Stories Press. This book is a 160-page trade paperback priced at $12.71 and is set for release on October 8, 2013. Be sure to visit our friends at Seven Stories Press here and visit Stephanie McMillan here.
The following is an extensive email interview that I hope you’ll enjoy and be inspired by. What really motivates our actions? What sort of world do we accept and what sort of world could we aspire to? These are some of the ideas up for discussion in this interview.
“The Minimum Security Chronicles: Resistance to Ecocide” is full of whimsy and wisdom as it follows its characters on a journey to save the planet. It’s all up to a group of friends to figure out if they can smash the capitalist system or just give up and go shopping. What makes Stephanie McMillan’s comic strip such a page-turner is her ability to find the right mix of humor and intelligent discourse.
Stephanie McMillan’s sense of urgency and comedy is irresistible. She has placed a whole new generation with the burden of saving the planet but they’re pretty clueless. There’s Kranti and Bananabelle, who just barely know the struggles from the past. Kranti, an African-American, is quick to join a protest rally and yell, “By any means necessary!” And Bananabelle, intuitively, recognizes that won’t go over well with the “mainstream liberals.”
Then there’s Kranti’s brother, Nikko, and his lover, Javier. They are both at the mercy of the current economic tide. Nikko manages to just get by with his design work. Javier, has let things slip in pursuit of his art and relies on Nikko’s meager income. All four of these unlikely heroes will be stretched to their limits as they try to do the right thing.
Guidance and advice comes from Victoria, a theorist guinea pig; and Bunnista, a trigger-happy rabbit. Each of them, in their own way, have some wisdom to share but they are still working on the ultimate answers. Victoria is uncompromising in her ideals. Bunnista is too eager to blow things up.
As the story unfolds, we find ourselves exploring the available options to make this a better world: everything from community gardening to murder is on the table. What is really compelling about this comic strip is just how far it is willing to go. If Kranti and Bananabelle didn’t appreciate what was meant when someone said, “By any means necessary,” they certainly do by the end of this tale.
One of McMillan’s goals with this particular story is to raise awareness of how corporations are raping the environment, specifically with bio-engineering. She is seeking answers. And the one thing she keeps returning to is the unequivocal need to rid ourselves of global capitalism. But, at every turn, she shows us how futile that effort appears to be. The great contradiction is that we have no choice but to fight the system, a fight that may appear to be too big to win. All life on the planet hangs in the balance. The only sure thing is that we must persist, live to fight another day. It’s a cliffhanger to the story of life that we must all live with.
And just how do you end capitalism? Well, that is an ongoing discussion. This current comics collection makes that clear. The subject is too vital and complex to address in just one book. For instance, McMillan has a guide to the people’s struggle, “Capitalism Must Die,” that will soon come out. For now, “The Minimum Security Chronicles: Resistance to Ecocide” provides an educational and entertaining look at what happens when people must confront the system.
“The Minimum Security Chronicles: Resistance to Ecocide” is published by Seven Stories Press. This book is a 160-page trade paperback priced at $12.71 and is set for release on October 8, 2013. Be sure to visit our friends at Seven Stories Press here.
“The Beginning of the American Fall: A Comics Journalist Inside the Occupy Wall Street Movement” does a remarkable job of giving you a sense of the Occupy movement by placing it into proper context. Yes, there is a healthy and vigorous unrest across the globe but what to do about it? At some point, the spirit of protest from the 1960s began to seem like a relic. There was the yuppie backlash of the 1980s. And there was a strident cynicism from Generation X that found Baby Boomers, on the whole, to be self-indulgent navel gazers of the highest order, especially when it came to their politics and activism. They are a tough crowd, those Gen Xers but that harsh critical outlook led to a whole new Do-It-Yourself movement. And from that, arose another generation with strong opinions, Generation Y, or the the Millennials. With social media and gadgetry at their command, this new generation finds itself all the more connected while also all the more self-absorbed.
This bring us back to the recent past and the present. Are people most likely to steer their own lives within relative safety and comfort or do they take notice of the social unrest they see on the news from time to time? That is the question that the author of this book had to pose to herself while still in high school in the early 1980s. Stephanie McMillan picked up a book that would change her life. It was “Fate of the Earth,” by Jonathan Schell which lays out the prospect of nuclear war and how nations are willing to put the planet at risk for the sake of warmongering. This galvanized McMillan into a life of activism. Shortly after that book, she read the newspaper, the Revolutionary Worker. This planted the seed in her mind that the solution to social ills would ultimately come through revolution. Thirty years later, and with plenty of experience in what is possible through protest, McMillan was to finally see in her lifetime a people’s movement on a grand scale.
McMillan sets the stage for us by highlighting some of the key characteristics of 2011, the year that the Occupy movement took hold:
2011 is so recent that it may as well be today and at least the next few years ahead. It’s not a pretty picture, is it? Corporate greed goes unchecked, will continue to go unchecked, and people and the planet suffer for it. When McMillan goes into details about the rise of the Occupy movement, there is a palpable sense of urgency. We are drawn into her concern that the movement she had favored, “Stop the Machine,” was soon to be overshadowed by the rowdy new kid on the block, Occupy. It’s clear these are two very different approaches. Stop is highly organized and has a leadership structure. Occupy is founded on anarchism and relies upon collective decision-making. Will they be able to work together? Or will they work against each other? In a wonderful series of exchanges, McMillan draws for us how a people’s movement finds its way. Her illustrations are funny, irreverent, and quite honest. While she’s a participant in this story, she doesn’t shy away from depicting the inconsistencies, bickering, and mistakes that occur along the way.
McMillan’s main concern is on the eventual work ahead. Throughout this book, we are treated to a treasure trove of insights, facts, and ideas on some of the best options when attempting to do the most good with the energy of mounting social unrest. McMillan boils it down to an unquestionable need to rid ourselves of global capitalism. It is capitalism that is the problem. But just how do you rid yourself of capitalism? Aren’t we all, at heart, hapless consumers? As Pogo, the celebrated comic strip character once said, “We have seen the enemy and the enemy is us.”
It is as if a goal is being proposed that is unattainable. Are we seeking to change the world or just a part of it? The answers are not all there but at least we’re asking questions. The very act of questioning is part of the answer! We are not mindless drones. It’s a fundamental impulse to resist oppression. This book proves to be an essential guide in this great new age of change.
“The Beginning of the American Fall” is published by Seven Stories Press. It is a 141-page trade, priced at $12.71 US. Visit our friends at Seven Stories Press here.
The fight is on to keep Cooper Union tuition free as was the explicit understanding of its founder, Peter Cooper. Following in the time honored tradition of a student “take-over,” students at Cooper Union are fighting to maintain a historically tuition-free education at one of the leading institutions of higher learning in the country.
Student Take Over of Office of President of Cooper Union, May 8, 2013
Founded in 1859, Cooper Union has three schools, Art, Architecture, and Engineering. Notable alumni of the Cooper Union School of Art incude Seymour Chwast, Milton Glaser, Eva Hesse, Alex Katz, and Hans Haacke.