Panel excerpt from “A Smile of Fortune,” by Joseph Conrad, in Men at Sea
Here are some amazing titles from Dead Reckoning: The Night Witches by Garth Ennis and Russ Braun; Men at Sea by Riff Reb; and Katusha by Wayne Vansant. I am still catching up since being away in New York. So, here we go, we will jump right in. Our first title pairs up two great talents and features a young Russian woman deep in the Nazi fight; our second title is a very compelling collection of comics adaptions of poetic stories about life and work at sea; and our last title brings us back full circle with another brave young Soviet female fighting Nazis. Dead Reckoning is the new comics imprint from the Naval Institute Press and these three titles are only part of the exciting new lineup of books.
Men at Sea by Riff Reb
Men at Sea is one of the most striking collections of short works in comics I’ve seen in some time. Eight short works, including “A Smile of Fortune,” by Joseph Conrad, are adapted into comics by Riff Reb. This is a virtual treasure trove for those who love art, literature, and history. Each tale is interspersed by seven double-page spreads dedicated to extracts from illustrated classics.
The Night Witches by Garth Ennis and Russ Braun
The Night Witches is a very impressive book. The story’s main character is Lieutenant Anna Kharkova, once a naive teenager, who grows into a hardened combat WW II veteran for the Soviet air force. The glory and the pain of war are brought to life by the legendary team of Garth Ennis and Russ Braun.
Katusha, written and drawn by Wayne Vansant
Katusha, written and drawn by Wayne Vansant, is quite an ambitious work and a truly immersive page-turner. This is the story of Katusha, a young Ukrainian girl who goes on to fight in the major battles between the Soviets and their Nazi invaders. Follow her story and you gain great insight into one of the greatest conflicts in military history. Vansant puts the reader in the driver’s seat for this riveting narrative.
All Quiet on the Western Front by Wayne Vansant
Let’s add one more: a graphic novel adaptation of All Quiet on the Western Front by Wayne Vansant. Along with Katusha, this is another remarkable book by one of the leading creators of historical and military graphic novels. This masterful comics adaptation makes for the ideal companion to the novel.
Dead Reckoning, the new comics imprint from the Naval Institute Press, is a welcome addition to the ever-growing world of comics publishers. The quality and dedication is clearly demonstrated in this comics imprint with a bright future. For more details, and how to purchase, go right here.
King Trump Confronts American Presidents. Illustration by Henry Chamberlain.
If someone could use an employee manual, it would certainly be the current occupant to the highest post in the land. Jeremi Suri’s new book guides us through what has become of the American presidency, from its development to its inevitable decline. If Donald Trump were to read it, “The Impossible Presidency” would provide much food for thought.
Suri’s prose has an inviting conversational tone that lifts the reader up. His main argument is that, after a long period of expansion, the job is now collapsing in upon itself. For the first part of the book, we read about the presidents who transformed the office: Washington, Jackson, Lincoln, and the two Roosevelts. The second part of the book follows the fall: JFK and LBJ; Reagan; Clinton and Obama. FDR was the last president to fundamentally remake the job and save the country, and the world, in the process. No one else is going to top that. Furthermore, the job has become so complex that no one person, according to Suri, can ever hope to juggle all the responsibility. Spoiler alert: Suri advocates for a two-person job with a president and a prime minister. Of course, we’ve already established a partnership between president and vice-president since Carter. But that may not be enough.
It is Donald Trump who so neatly underscores Suri’s thesis about the decline of the job that he cannot help but cast a long shadow over the whole book. Suri uses contemporary politico lingo currently associated with Trump. Suri describes past presidents as responding to their “base” and “doubling down” on important issues. More to the point, Suri provides numerous highly relevant examples of how presidents have appealed to the male white voter. This is a fact that each president has wrestled with from the very beginning.
THE IMPOSSIBLE PRESIDENCY by Jeremi Suri
In a work full of evocative and highly informative passages, what Suri does with FDR stands out. Suri weaves a series of recollections by Saul Bellow as a Depression era youth who is galvanized by the reassurances of FDR, the man on the radio, with the funny posh accent, that everyone intently listened to. In the case of FDR, his word was as good as gold. When FDR ordered an increase in the money supply, he answered any criticism over its legitimacy by stating, “How do I know that’s any good? The fact that I think it is, makes it good.” As Suri points out, that kind of common sense meant everything to a struggling boy like Saul Bellow. It was real words backed up by real action.
In a very accessible and compelling style, Suri guides the reader in distinguishing the most consequential American presidents. In this excerpt, you get a taste of Suri’s writing as he compares Lincoln to FDR:
“If Lincoln was the nineteenth-century president, Roosevelt was the twentieth-century American leader.
Lincoln’s presidency anticipated Roosevelt’s. The latter had to contend with the collapse of the American (and world) economy, but they both spent much of their presidencies at war. In retrospect, Roosevelt’s ability to respond creatively to the Great Depression and echo Lincoln’s war performance is truly exceptional. No other president faced the same range of existential challenges. As a consequence, no other president had so many opportunities to change the basic structure of American society, and vast sections of the modern world. Roosevelt turned the darkest of times into the brightest of new hopes. He was not only the first welfare president, but, by 1944, the first global president, influencing more parts of the world than any previous American executive. He pioneered the New Deal and then globalized its reach.”
No less heroic is the way that JFK navigated the Cuban Missile Crisis. In sharp contrast to FDR’s time, Suri points out, the job of president had become so compartmentalized that, even at the height of the crisis, JFK was hamstrung with a schedule crammed with activities of little to no real significance. The office had taken on such a life of its own that it was assumed the president would simply pick how his advisors wanted to strike at Cuba not whether to discuss other options. Of course, we know JFK found another option. But, in the case of Vietnam, the system forced his hand. For LBJ, it was more of the same: another president distracted as well as compelled to great action.
Suri states that gradual and incremental progress is the new template fashioned by Clinton and Obama. But, Suri goes on to say, a sense for bold action must not be lost. For Clinton, it was not responding to the genocide in Rwanda. For Obama, it was not responding to ISIS as the threat emerged. In both cases, each president was conscious of the risk of overextending and held back when they should have acted. As for Trump, Suri seems to see him as more of a warning that we’ve hit rock bottom and now we must plan for what lies ahead. This is an essential book for putting our current state of affairs into proper historical context.
How Much More of King Trump? Illustration by Henry Chamberlain.
The focus of this book is to show how the modern American presidency has evolved into a colossal apparatus. In turn, the role of a modern American president has become virtually unmanageable, too demanding for just one person. Or has it–or is that the crucial problem? To be sure, it is a problem but solving it won’t resolve other government dysfunction. Suri does not delve into what his proposed solution would gain. A team of president and prime minister, as he suggests, would still be at the mercy of a corrupt and compromised Congress. But one step at a time. A post-Trump America, in and of itself, will be a step in the right direction. More and more Americans, even loyal Trump supporters, are coming to see that something is fundamentally wrong with our current chief executive, his election, his entire administration. One American president who Suri does not cover is President Jimmy Carter. Here is a president who valued integrity and did quite a lot of good while in office. Look it up and you’ll see. This book is just the type that inspires you to keep looking up in more ways than one.
“The Impossible Presidency: The Rise and Fall of America’s Highest Office” is a 368-page hardcover published by Basic Books. You can order this book from Amazon by clicking the image below:
There’s a ragged and raw quality to Octavia Butler’s novel, “Kindred,” first published in 1979, about a young African American woman who time travels to America during slavery. It’s odd. It’s compelling. And it demands to be read all the way to the end. As I say, it’s ragged and raw, and by that I mean it’s a rough journey in what transpires and in the telling. As a time travel tale alone, it’s bumpy at best. The time travel element abruptly kicks in and, just as abruptly, the characters involved accept the situation. The narrative itself is episodic and there is little in the form of subtlety. What can be said of the novel transfers over to the just released graphic novel adaptation published by Abrams ComicArts: this is raw, sometimes ugly, but always compelling and a must-read.
panel excerpt: a time traveller’s satchel
Octavia Butler rips the scab off a nightmarish era in America, a wound so deep that it remains healing to this day. You could say that what Butler aspires to do is give a full sense of what it means when we talk about slavey in America. There are a number of approaches you can take. If you go down the ragged and raw path, you may end up with something that is deemed bold by some and deemed heavy-handed by others. The end result could be somewhere in between. Butler chose to damn the torpedoes, full speed ahead, with this novel that finds Dana, an African American woman from 1976 Los Angeles, repeatedly and relentlessly subjected to various torture and humiliation as she finds herself regularly being transported back to America during slavery. The story begins in Maryland in 1815 and subsequently follows the progress of slaver-holder Rufus Weylin, from boy to manhood.
page excerpt: dark journey
First and foremost, this is a book to be celebrated. While it is a tough story to tell, it is brimming with truths to be told. Sure, no need to sugarcoat anything. There are no sensibilities here to protect. That said, while a graphic novel, this is a book with a decidedly mature theme running throughout with disturbing content. What it requires is a adult to check it out first and then decide how to proceed. Without a doubt, this is an important teaching tool but best left to high school and above.
page excerpt: slave/master
As for the overall presentation of this graphic novel, it has taken an audacious approach of its own. Whether intentionally or not, it carries its own distinctive ragged and raw vibe. The drawing throughout is far from elegant, quite the opposite. In fact, it often has a rushed quality about it and I’m not saying that’s necessarily a bad thing. I sense that it’s something of a style choice. This is a harsh and dark story and so it is depicted as such. In the end, this is a truly unusual and intriguing work.
“Kindred: A Graphic Novel Adaptation” is a 240-page, full-color, hardcover available as of January 10th. It is based upon the novel by Octavia Estelle Butler, adapted by Damian Duffy, artwork by John Jennings. For more information and how to purchase, visit Abrams ComicArts.
As a momentous year comes to a close, we look, inevitably, to the future. However, in order to help us on our way, we must also look to the past. If 2016 was the year of Brexit and the rise of Donald Trump, then sixty years ago was the year of the Montgomery bus boycott, the Suez Crisis, and, most significantly, the Hungarian Revolution. A vivid and highly accessible account of the year is provided by Simon Hall in his book, “1956: The World in Revolt,” recently published in the U.S. by Pegasus Books.
“1956: The World in Revolt” by Simon Hall
Hall’s book is very readable with a novel’s narrative flow. The interconnections Hall makes are quite impressive as he makes a case for brewing unrest across the globe in the pivotal year of 1956. The seeds of unrest are sown everywhere none the least of which is among the youth. Today, you hear the classic, “Rock Around the Clock,” by Bill Haley and the Comets, and it might come across as a soothing lullaby. Well, relatively speaking. In fact, there’s an undeniable power to it. And, in 1956, it had the power of a cultural sonic boom. There were teenagers dancing in the streets after viewing the rock ‘n’ roll movie featuring Bill Haley and his band. And, around the globe, the status quo was being confronted at all levels. Enough to give those in power plenty of pause.
Hall tackles 1956 in fairly chronological order. We begin with a young and untested Martin Luther King Jr. as he must confront the firebombing on his own home, with his wife and children still inside. Remarkably, no one was hurt from the blast. And thanks to King’s moving address to the crowds gathered, the rest of that cold January night remained calm.
Among the leading news stories that year, the focus was on Egypt, the Suez Canal Crisis, and Egypt’s charismatic leader, Gamal Abdel Nasser.
The greatest undermining of Soviet expansion after World War II was the Hungarian Revolution.
And the end of 1956 would see one more significant sign of things to come: Fidel Castro and his band of revolutionaries proceeded upon their shaky but steadfast push against the Batista regime.
Simon Hall’s book is the first definitive account of the year 1956. Hall’s account presents 1956 as far more than an eventful year but as a source of much significant change that was still ahead. From Poland to South Africa, the call for freedom was loud and clear. Around the world the responses came from world leaders: Eisenhower in the US. Khrushchev in the USSR. Anthony Eden in what was left of the crumbling British Empire. The nationalization of the Suez Canal by Nasser spurred an Israeli-British-French attack that nearly brought in the Soviets–an attack that would ultimately fail. Hall captures it all in a riveting narrative always mindful of those not in power who were brave enough to shout the loudest.
“1956: The World in Revolt” is a 509-page hardcover, published by Pegasus Books. For more information, and how to purchase, visit Pegasus Books right here.
“Pocahontas: Princess of the New World” by Loïc Locatelli-Kournwsky
Here is a story that will greatly resonate with anyone struggling with issues of Otherness. There is so much to love about the graphic novel, “Pocahontas: Princess of the New World.” If you are looking for a powerful and accessible way to talk about race and tolerance, here is a compelling new addition to that discussion. Depicted in a direct and straightforward manner, here is the story of Pocahontas and John Smith as you’ve never seen it before. This is truly a unique gift for young and older readers alike. Originally published in French by Sarbacane in 2014, this spirited and quite informative graphic novel by Loïc Locatelli-Kournwsky is now available in an English translation by Pegasus Books.
Truth is stranger than fiction. Loïc Locatelli-Kournwsky plays with that concept by mining closer to the known facts, at least much closer than a Disney animated feature could. Pocahontas was around eleven years-old in 1607 when she was supposed to have famously saved Jamestown settler John Smith from being executed by the Powhatans. The rest is a bit of history and myth. This graphic novel interpretation has Pocahontas in the role of vigilant defender and protector of John Smith and the English colonists. Originally named, Matoaka, there is some dispute as to how and why she became known as “Pocahontas.” Some versions of the story say the name meant “playful one.” But in this version, the Powhatans feel betrayed and the nickname is supposed to simply mean, “shameless whore.”
Matoaka, later to be known as Pocahontas, would be baptized by the English as, Rebecca. The Biblical reference suggested a healer to two separate cultures. That myth would blossom in the 19th century as she was portrayed as an emblem of the potential of Native Americans to be assimilated into European society. Keeping close to the facts gives way to some poetic speculation as Locatelli-Kournwsky explores the inner world of his celebrated main character. In a number of key scenes, we see that the the clash of cultures is quite overwhelming for Pocahontas. Even once married to John Rolfe and dressed in the best fashion, English society around her does not really embrace her. She is forever seen as part of the wilderness and best suited to remain there. The die is cast, for better or worse, once Pocahontas, always Pocahontas.
Readers will be pleasantly surprised to read a more enlightened account of such a celebrated figure in history. Locatelli-Kournwsky’s artwork is just the right mix of lightness and precision. And the new English translation by Sandra Smith provides a smooth and accessible path to this most engaging story.
“Pocahontas: Princess of the New World” is a 128-page hardcover, published by Pegasus Books and available as of September 6, 2016. Visit Pegasus Books right here.
Once a toy has become an artifact of childhood, it has reached a very special place. For the purposes of this exhibit, a look at American toys spanning three decades, the focus is upon the joy and comfort these toys provided. The context is both simple and complex as viewers are invited to study the various exhibits from their own personal point of view. Did you have a happy childhood? If not, maybe a toy helped you along the way? Sectioned off into three decades worth of childhoods, there is plenty to recollect and reassess.
Contemplating Toys and Childhood
“Toys from the ‘50s, ‘60s and ‘70s” is enjoying its West Coast premiere on display at MOHAI here in Seattle. Originating from the Minnesota History Center, this exhibit asks you to revisit many toys that, by today’s standards, would not be deemed suitable for children on many grounds, including common sense safety! Lawn darts, anyone?? Yep, we don’t see lawn darts sold in today’s toy market. They’re basically sharp steel projectiles. They’re not going to cut it, or rather, they ARE going to cut it! But, you see, lawn darts have a home here–on display only. Lawn darts are not subject to recall within the bounds of this exhibit. They are here to conjure up good lawn dart memories, for those who have them. And they’re also here as a subject for discussion. As much as this exhibit is a trip down memory lane, it also invites viewers to draw their own conclusions.
The Game of Cootie, originally launched in 1949
What are your thoughts on Barbie dolls or toy guns? You’ll find them here ready for your marvel or scrutiny. The point is that you’ll find all sorts of toys, whether or not they pass today’s safety or societal tests. The overwhelming nature of childhood memory takes over. Countless kids loved their toys and now we have the nostalgia for yesteryear and contemporary perspective to guide us. You’ll find a lot of kids attracted to the exhibits. You’ll see lots of families with their toddlers, too young to appreciate any nuances but ready to grab at anything not secured. And then there are the adults who grew up in these respective decades. For them, especially, the exhibit features living room re-creations for each decade on view. For these viewers, the couch is right there to sit and go back in time with, alone or perhaps to share with younger family members.
1960s Living Room Re-creation at MOHAI Toys exhibit
Toys are certainly not easy to pin down. Toys resist being dismissed even if the originals are stored away or thrown away. Toys come at you from every direction. At a certain age, they define your leisure, your means of escape. They can become your world, your identity. They’re based upon all you think you know about the world whether from books, movies, television, just about anything. What does a choice in a toy say about a child? What does a toy say about the adult who chose it for the child? The adult who created it? The manufacturer that produced it? The country that embraced it?
Atomic Disintegrator repeating cap pistol, introduced by Hubley in 1954
Alpha-1 Ballistic Missile, introduced by Amsco Industries in 1958
One of the best examples of how toys can make a difference is the American reaction to the Soviet’s being the first in space in 1957 with the Sputnik satellite. That little object in space caused shockwaves in the United States. Toy makers would definitively enter the Space Age and Space Race. Hubley’s 1954 Atomic Disintegrator, right out of science fiction, was all well and good. But now was the time to step up a focus on science and technology. Amsco Industries responded in 1958 with the Alpha-1 Ballistic Missile, “designed by missile engineers, tested in Cape Canaveral.” And, as the display makes clear, kids ate it up! There’s this priceless quote from the exhibit:
“How did I get interested in science and make it my life’s work? Kids in the late ’50s and ’60s could get toys that complemented that interest. My friends and I loved my Alpha-1 Ballistic Missile: Mix up some baking soda and vinegar, put it into the missile, put it on the launch pad, and pull the string. That baby could really fly.”
–Mike Smith, b. 1952, meteorologist
It was fun, as a discerning adult, to wander back and forth between the three living room areas: the wonder and innocence in the 1950s; the keen interest in science and exploration in the 1960s; and a full circle escape to wonder and innocence in the 1970s. It seemed like, after having landed on the moon, and the rise of the Vietnam War, Americans were ready to refocus. Instead of looking to actual stars, Americans were ready to go see the new blockbuster hit, “Star Wars,” entertainment with its roots in 1930s pulp fiction. They were also ready to buy all the Star Wars toys.
Hey, that’s Han Solo’s Millennium Falcon!
I have fond memories of the ’70s as a kid. And I recall seeing “Star Wars” in 1977, at age 14, at our local movie theater at the mall. It would not have occurred to me to buy all the Star Wars figures, let alone a toy replica of the Millennium Falcon. But it was really nice to see the whole Star Wars set on display here at MOHAI. Any kid would have been thrilled to have owned them back then. But I’m sure that I owned a couple of figures. And I know that I went to see “Star Wars” more than once, despite the very long lines. I didn’t question any of it back then, although I was certainly old enough to do so. I was more than happy to accept it just as fun. I didn’t think about profit motives or the future of franchises or the American spirit. This brand new thing called “Star Wars” left you with a good feeling inside. And that’s the best thing any toy can offer.
TOYS at MOHAI!
“Toys from the ‘50s, ‘60s and ‘70s” is on display at MOHAI through September 25th. For more details, visit MOHAI right here.
Romulus Augustus is one of the most vilified and controversial of leaders in history. Known as “Romulus Augustulus,” or “Little Augustus,” he was the product of a coup that was ill-fated from the very start. His father, Orestes, in charge of the military, pushed out the emperor, Julius Nepos. Then Orestes installed the boy as emperor. Romulus reigned over the last days of the Roman Empire. His reign lasted less than a year, from AD 475 to AD 476. Orestes, arrogant and distracted, would be overwhelmed by a mutiny led by one of his own senior officers, Flavius Odoacer. In short order, Orestes would be executed. Romulus would be sent into exile. The boy king remained an enigma, a mystery. Travis Horseman adds to this intrigue with his comic book series, “Amiculus: A Secret History.”
Procopius of Caesarea continues to find the true story of Romulus, the boy emperor.
The details add up very nicely in this well-researched comic narrative based on Romulus Augustus. Travis Horseman has created one of the most unique works in comics which combines elements of speculative history and the supernatural. The second volume to “Amiculus: A Secret History” is truly a second act, an opportunity to delve deeper into the characters. We learn more about each player including the evil force lurking amid the shadows, the mysterious figure Amiculus. It is this demonic Amiculus who enables the barbarian hordes to overrun the western region of the Roman Empire which Orestes and Romulus only had a tenuous grasp on to begin with.
What is Amiculus?
This comic is a fine example of what is possible when a creator gets fully immersed in a subject. Horseman has teamed up with a kindred soul in artist Giancarlo Caracuzzo. Both are driven and that resonates with the reader. While the narrative can get bloody, it is not exploitive violence. Essentially, it is strategic and, at times, only implied. Much of the blood is due to the ruthless Orestes. But this would not be story without his bloodlust. That said, I think this would prove a great gateway for teens to learn more about ancient Rome. I would also not be surprised to see the Amiculus series adapted for television or some other format on the screen. For now, we have this very inventive and engaging comic.
On the Wagon Train! Illustration by Henry Chamberlain.
Wandering through Tacoma can be like time travelling with so many finely restored historic landmarks. Add to that all the classic cars driving down the avenues. And add to all that the Washington State History Museum. It is a massive fortress filled to the brim with all sorts of pathways and portals into the past.
Yes, I gravitated to the pop culture!
I know that I love novel uses of words and pictures. It’s not just because I create comics and graphic novels. As both a writer and artist, and as a lifelong learner, I have always cherished the unique place that museums of all kinds have in our lives.
Washington State History Museum
I am especially grateful for the Washington State History Museum as an essential resource for state history. It serves as the state’s attic, a very special venue for all manner of items, large and small, a place for careful study.
Watercolor painting of Chief Leschi
Museums are for all ages. It could not be any other way. Mentors and cubs alike make great use of museums. But it is no secret that museums hold a special place for the kids. The great push forward from one generation to the next must always include quiet contemplation amongst the artifacts of bygone eras.
A small drama plays out at the train set.
And when you come right down to it, I love good visuals, which this museum has plenty. And, among them all, I love that massive train set! Like any elaborate train set worth its weight, this one has some unexpected dramatic scenes peppered about, even an accident site complete with ambulance and accident victim. We can only hope it was a minor accident!
Train Set at the Washington State History Museum
The train set exhibit brings to mind a fellow who has dedicated a big portion of his life to creating what is probably the world’s longest and most complex train set display encompassing football fields of space. That’s Northlandz in New Jersey. But this is not a competition. He has his train set and this wonderful museum has its train set, which is pretty massive!
Brass Lantern Clock, circa 1630
Vintage Women’s Suffrage Placard
Washington State History Museum is located at 1911 Pacific Avenue in the heart of Tacoma’s Museum District, adjacent to Union Station. For more details, visit the website right here.
“Route 66: Dream of The Mother Road,” currently on view at America’s Car Museum
America’s Car Museum has the proud distinction of being the largest car collection in North America with 165,000 square feet of exhibit space for a 350 car gallery. For anyone who loves the open road and has a sense of adventure, you will definitely want to see “Route 66: Dream of The Mother Road,” currently on view. Take your time to wander and enjoy all the exhibits. This is the place to celebrate automobiles of all kinds dating back to the earliest vehicles all the way up to the present and beyond.
Next to a Plymouth Barracuda
To get a sense of the spirit behind this dazzling collection, you’ll want to see “Lucky’s Garage,” a tribute to the LeMay family that has made this collection possible. Here you can imagine Harold LeMay leisurely toiling away as he works on his latest car project. “Lucky” was Harold’s nickname. As he saw it, a lot of hard work finally led to being “lucky.” That said, Mr.LeMay was hard working indeed amassing a collection of over 3,000 vehicles and thousands of artifacts, earning him a place in the 1997 Guinness Book of World Records.
“Lucky’s Garage,” a tribute to Harold E. LeMay
America’s Car Museum is certainly a testament to Harold E. LeMay’s dedication to his community and his passion for cars. Walk through the four stories of display space and you can’t help but get caught up in the heady mix of vivid history and a sense of excitement. Just letting my imagination run wild and thinking about all the heart and humanity behind all these classic cars made my head spin.
Wow, a 1931 Auburn Boattail Speedster!
What a beauty, a 1960 Chevrolet Corvette!
You get lost in them, decade by decade. Do you want to know how to instantly gain some insight into American history? Just go back to our love affair with cars.
You don’t have to know anything about cars to understand how so many have fallen under the automotive spell. You will find favorites among so many wonderful dream cars. Hey, here’s one you can’t help but love, an undisputed classic, the DeLorean DMC-12, which gained immortality when one of them appeared in “Back to the Future.”
LeMay – America’s Car Museum is located at 2702 East D. St. in Tacoma. It is adjacent to the Tacoma Dome. You can find easy access to it via the link rail. Be sure to visit the website right here.
“The Death of Stalin” is a digital graphic novel presented by Europe Comics and is one of various select titles from Europe Comics being promoted at this year’s Comic-Con International in San Diego. This is quite an audacious, vivid, and insightful look at the strange events occurring shortly after Joseph Stalin had a stroke: the chaos and the subsequent grab for power. It is highly accessible: drops you right in, as if you were a fly on the wall, a fly that Stalin, himself, would have thought nothing of swatting and flicking away.
Who was Joseph Stalin? If you’re too young to have a frame of reference, that’s understandable. Think World War II. Think dictator. Then add to that one of the great mass murderers in history responsible for the deaths of millions. Joseph Stalin was the Soviet Union’s dictator from 1924 to 1953. And, in that time, he ordered the deaths of an estimated 50 million of his own citizens. So, you can imagine that his death would be a pretty big deal.
It once was common to find in your newspaper a grainy official photo of the Soviet leaders proudly reviewing the annual May Day parade displaying Soviet military might. That very same photo would, at a later date, pop back into those same newspapers with the latest news from the mysterious world of the Soviet Union. But the photo was altered: someone had been erased and replaced with someone else. There was plenty of doctoring of photos and executing of comrades during Stalin’s regime. While that may seem primitive by today’s standards, you can see something similar going on in North Korea. I feel like Rachel Maddow now as I hope I impress upon young readers that Kim Jong-un’s regime is a small scale throwback to what the Soviet Union was like.
Who Will Take Over After Stalin?
To best convey the inner workings of the Kremlin during the last days of Stalin requires a dedication to characters. Go back to that grainy photo of politburo leaders at the May Day reviewing stand. How do you give those ghostly figures some life? Now, that must have been a challenge. This book is up to the task thanks to both a lively script by Fabien Nury and compelling art by Thierry Robin. Without a doubt, you are that fly on the wall. We are told that truth is stranger than fiction. Did Stalin, the night before he had his fatal stroke, really force the national symphony to replay a concert they had just performed just for the benefit of his own personal recording? I would not be surprised.
This two part story will thrill political junkies as well as history buffs. We see a relatively young Nikita Khrushchev as he maneuvers for power. In 1953, he was a mere 59 years-old! That’s “young” for Soviet leaders. In a matter of days, the tide would turn in his favor and he would replace Stalin. But not before a chaoic, bloody, and sometimes comical, turn of events. That said, this intriguing story will prove insightful and entertaining for any reader of any age.
“The Death of Stalin” is now available at Europe Comics, which launched in November 2015 by a coalition of nine comics publishers, two rights agents, and an audio-visual company, from eight different European countries. Europe Comics is working towards the creation of a pan-European comics catalog, available in English and digital format, a website with comics information for readers and professionals, and a series of author tours and events across Europe and the USA.