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Review: The Comics Journal #303

The Comics Journal #303

This is a very meta thing to be doing but here’s a review of a magazine that features reviews. Dating back to 1977, in its heyday, The Comics Journal was a monthly source of comics news and reviews, a trailblazer for the burgeoning field of comics journalism and criticism. It has always maintained a certain quirky attitude, consisting of a mix of features and topped off by a expansive soul-searching interview a la Playboy magazine, It mainly attracts those who consider themselves comics aficionados. In 2013, it ceased its print version, staying online, but now it makes its return to print with Issue 303. TCJ returns this month with new editors RJ Casey and Kristy Valenti.

Now, I go pretty far back. I have fond memories of picking up this magazine at Tower Records back in the day (circa 1995), usually with a recent release from Sub Pop Records. I also fondly recall a special dynamic, or synergy, at play between the magazine and its online counterpart that led many of us to the forums section that let you interact with subgroups within subgroups of people in the comics community. This was long before Facebook or social media as we know it today. I think the monthly magazine, as we knew back then, is still sorely missed. Towards the end of its print run, it came out less often and each issue covered a big theme and came out in different sizes. The consistency of a monthly had been lost. I think, in a perfect world, this latest return to print would do well to go back to that monthly format. Alas, with this latest #303, we’re seeing the start of a twice-a-year format. You might argue that TCJ is simply working with today’s print reality and is offering up a taste to a new generation of what is possible.

The showcase item in this issue is, of course, TCJ founder Gary Groth’s interview with a legendary firebrand, the satirist and children’s book author, Tomi Ungerer. For those of you unaware of Mr. Ungerer’s impressive career, I highly recommend that you read this interview and, before or afterward, check out the 2013 documentary, “Far Out Isn’t Far Enough,” directed by Brad Bernstein. The title is one of Ungerer’s sayings, along with “Don’t Hope, Cope” and “Expect The Unexpected.” I interviewed the documentary’s director and its writer and the fact that Ungerer is a true force of nature was the overriding theme. So, it makes perfect sense for someone as outspoken as Groth to sit down and talk it out with someone as outspoken as Ungerer! It’s a match made in heaven.

From Ben Passmore’s story in Now: The New Comics Anthology #3, published by Fantagraphics

Among the various features to be found here, you’ll find them under such titles as “From the Trenches” and “Fair Warning.” For example, under the former is a think piece by cartoonist Ben Passmore, who shares his insights on the alt-comics scene from an African American perspective. And, under the latter, you ‘ll find an interview by RJ Casey with emerging comics talent, Fifi Martinez. The thing to always remember about TCJ is that its focus is a serious look at comics as an art form. That leaves little room, if any, for superhero comics, per se. What you’ll mostly find here is a focus on the independent artist-cartoonist. It does a heart good to see cartoonists like Passmore and Martinez provided with a platform.

Ultimately, TCJ remains what it’s always been, a valuable resource that is most appreciated by those who take the comics medium seriously. It’s a niche audience but a fiercely loyal one. In the new more fragmented world we live in, it’s all about niches. That is actually a very positive thing. And niches are supposed to attract outside readers too, right? You can only calculate so much as to how strong a presence you can make on today’s newsstands. For some special readership out there, it will be a great treat to see TCJ on a shelf. Newsstands aren’t going away anytime soon from such places as Barnes & Noble, specialty shops, comic book shops, and airports. TCJ might just want to make a real push into these venues and see how it goes. I asked about TCJ at my local B&N as well as the Pike Place Market newsstand, one of the granddaddies of newsstands. Neither place had ever heard of TCJ or had any plans to carry it. I asked around a couple of nearby comics shops. They heard of it but were not carrying it. This is TCJ’s return to print, right? Let’s see it out there in the real world.

The reality is that creating any kind of magazine, digital or print, is a big challenge. Everyone in the comics community is rooting for TCJ to make as big of an impact as it can. Those of us already in the choir, can keep singing its praises and wish it well. You can find your copy of TCJ #303 by visiting the Fantagraphics store right here.

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Filed under Alt-Comics, Alternative Comics, Comics, Comics History, Comics Journalism, Fantagraphics, Fantagraphics Books, Gary Groth, Independent Comics, The Comics Journal, Tomi Ungerer

Graphic Novel Review: PHILIP K. DICK: A COMICS BIOGRAPHY

…as the walls start to cave in.

To the tell the story of a writer and the writing process is quite a unique challenge. Sure, you want to include some scenes of the writer  in the act of writing but then what do you do next? This new graphic novel, Philip K. Dick: A Comics Biography, published by NBM, solves the problem very nicely. French writer Laurent Queyssi and Italian artist Mauro Marchesi bring to life a very unusual person, famous writer or not. The appeal of this book comes from how both writer and artist tease out for the reader a portrait of very delicate, chaotic, and brilliant individual. Let the details fall into place as events unfold. See how one person can be so blind to his own destiny while bursting with intelligence and creative output. After a while, you don’t care what he’s famous for. You’re just rooting for him to survive another night as the walls start to cave in all around him.

It’s perhaps helpful for me to mention that I’m putting together a book that parallels this book on Philip K. Dick in very interesting ways. My book is about another science fiction writer, George Clayton Johnson, who was born in 1929, roughly the same year as Dick but who enjoyed a happy and long life. Dick’s life was relatively short and not without its tragedy. Johnson and Dick are very different writers but they both were part of a certain time and sensibility. Even though Dick was somewhat of a recluse, he did enjoy connecting with people on occasion. Like Johnson, he got to know some of his heroes and colleagues in science fiction, like Harlan Ellison and A.E.van Vogt. Both Johnson and Dick had high ambitions. While Johnson generally flourished among people, Dick would much rather recede into the background. Both dared to be as nonconformist as possible. Dick was darker, stranger, and willing to open more doors into the unknown.

An honest assessment, that’s what we crave from a biography. NBM is certainly amassing quite an impressive collection of them. The trickiest to get right, and probably the most satisfying, is the exploration of a creative person and the creative process. That classic writer’s block is on full view on more than one occasion in this book as is the overall struggle in a person’s life. We get a very clear and precise picture that manages to keep to a steady chronological order with necessary temporal detours. This is Philip K. Dick under the microscope. Backed my thoughtful planning, Queyssi provides a script that seems to effortlessly bring into play a myriad of carefully researched dates, places, and times. When you think of it, Dick was essentially an enigma. You didn’t necessary go see Blade Runner with a clear picture of the author of Do Androids Dream of Electric Sheep?

Mauro Marchesi’s artwork is as clean and crisp as Queyssi’s well-chosen words. Marchesi solves another challenge: finding just the right ways to evoke the fantastical in a story about a writer writing weird and strange content. You don’t just want to play with scale and have a scene with Dick reduced to the size of an insect just because you can! But that sort of thing is irresistible so you make the most of it and, when the time is right, Marchesi pulls out all the stops. He has some beautiful wordless sequences that definitely balance out a narrative that, at times, needs to rely more on text. One that really packs in just the right dose of mystery and ambiguity has Dick seated at a park bench trading in a gem for a book with a total stranger. Like spies passing through the night, they discretely make the switch, one finely polished gem for a book that points towards another book in Dick’s future.

For fans of Philip K. Dick, as well as new readers, this will prove to be an engaging read. As I say, after a while, you’re not thinking of Dick as just a famous writer. No, he’s got some pretty compelling ordinary problems of his own along with the extraordinary ones! One of the most fascinating aspects, however, does have to do with being a famous writer. Time and again you see Dick fighting against being known as a science fiction writer. Back then in what was its golden age, science fiction was snubbed as only being “genre.” You would think someone as smart as Dick could have seen through the snobbery of the literary establishment. But, no, even Philip K. Dick wasted precious time and energy desperately trying to fit in!

Philip K. Dick: A Comics Biography is a 144-page full color hardcover. For more details, visit NBM Publishing right here.

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Filed under Biology, Comics, George Clayton Johnson, Graphic Novel Reviews, graphic novels, Harlan Ellison, NBM, NBM Publishing, Philip K. Dick, Sci-Fi, science fiction

Book Review: ‘The Perilous Adventures of the Cowboy King: A Novel of Teddy Roosevelt’

The Perilous Adventures of the Cowboy King: A Novel of Teddy Roosevelt

Jerome Charyn is one of those rare breed of writers able to write some of the most earthy stories involving some of the most larger-than-life figures, everyone from Marilyn Monroe to Teddy Roosevelt. For TR, Mr. Charyn pulls out the stops offering up the man in his own voice, a magnificent mashup of macho and aristocrat. Bully! TR, as he looks out from Mount Rushmore, remains one of our greatest personifications of America. And with his new novel, Jerome Charyn completes his run at Rushmore. He managed to tackle Washington and Jefferson in 2008’s Johnny One-Eye. He dug deep into the psyche of Lincoln with 2014’s I Am Abraham. And now we have The Perilous Adventures of the Cowboy King: A Novel of Teddy Roosevelt, published by Liveright, a division of W.W. Norton & Company.

Indeed, TR was a manly man right down to having a mountain lion on a leash as his pet. It’s during the Rough Rider period of  his life that we first meet this big cat, Josephine. She was the mascot for TR’s own cowboy regiment off to fight in the Spanish–American War in 1898. An invasion of Cuba did not officially call for men on horseback. However, TR had other ideas. As an act of sheer will, TR got his Rough Riders. This excerpt offers a taste of this most quintessential TR adventure. Here we are just as U.S. armed forces begin departure to Cuba joined by the now celebrated Rough Riders:

We were mobbed at every station along the route. Folks welcomed us to their own little war parades. Half-mad women scribbled letters to Rough Riders they had never met and would never meet again. Some proposed outright marriage. A few of our bravos fancied a particular lady and disappeared from our caravan of seven trains. Leonard cursed their hides. But these bravos managed to find us at the next station, or the next after that. A horse died of heatstroke, but we didn’t lose a bravo, not one. People would shout from the tracks, “Teddy, Teddy, Teddy,” and I realized why the Army regulars hated us so. We had captured the imagination of blood and battle somehow–the Rough Riders represented the romance of war. We could have risen out of some biblical rapture. The Army couldn’t compete with cowboy cavaliers.

Let’s shift gears to another aspect of the storyteller’s bag of tricks. Here’s a taste of the pulp fiction action adventure vibe found here:

I had clocked twenty minutes, like pulse beats in my temples. Winters-White kept me from plummeting into that gnarled jungle floor. He tapped me on the shoulder and removed the blindfold. We were in a slight clearing, a bald patch without a single root or tree. And in this clearing was a canvas chair that might have come from a general’s tent. A man in a pince-nez and cowboy neckerchief sat in that chair. I’d have guessed he was my age–a few months shy of forty. He had a jeweler’s nimble hands. His mustache was almost as red as mine, and his eyes were probably just as weak. I couldn’t imagine him as a sniper, shooting at children and nurses from the Army Nurse Corps. Yet here he was, in the green uniform of a Vaquero.

“We’ve met before,” he said in a slight accent.

Wouldn’t it be something to see a Cowboy King movie? There is room for a sequel as this novel covers Roosevelt’s life right up to September 6, 1901, the assassination of President William McKinley, a day that would catapult TR as far into the arena as he had ever dared possible. That said, you really don’t need to look any further than this novel. Cowboy King is a novel at its best: engaging, immersive and compelling.

Teddy Roosevelt, an American original.

The Perilous Adventures of the Cowboy King: A Novel of Teddy Roosevelt is a 286-page hardcover, available as of January 8th, published by Liveright. And be sure to visit the Jerome Charyn website where you can purchase a signed copy.

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Filed under Book Reviews, Books, Jerome Charyn, Novels, Theodore Roosevelt, writers, writing

GEORGE’S RUN: The Webcomic on George Clayton Johnson, The Twilight Zone, Star Trek, and Logan’s Run!

George Clayton Johnson’s Cafe Frankenstein

Twilight Zone. Star Trek. Logan’s Run. George Clayton Johnson was a big part of it all. This is his story. Welcome to GEORGE’S RUN, my tribute to the legendary storyteller.

I created a graphic novel all about George, his work, and his times. There was no clear destination in mind other than it needed to be done. I foresee a printed book in one form or another at some point. For now, I roll out a webcomic. A work of alternative comics such as this can definitely benefit from going through the webcomic process even if it receives little obvious fanfare in that state. This is a rather strange and quirky tale as much a story as a story about stories. These pages will further reward upon a second and third contextual reading, I believe, what with the observational bits, factoids, and unexpected detours. All the more reason to see this inevitably in a proper book format.

For those familiar with what I’ve been up to here at Comics Grinder, you’ll appreciate that this announcement is a pretty big deal. That graphic novel project I’ve been referring to all of you is finally making its way into the world as a webcomic. I have loaded up some pages to kick things off and will continue to update accordingly. I will do my best to keep to a weekly schedule. The plan is to update the site every Wednesday. You can find updates here at Comics Grinder as well as enjoy the distinctive webcomic experience at the George’s Run website right here.

It all began with my podcast interviews. You can check out some of my conversations with George over here and over here. I concluded that George’s life story had to be turned into a graphic novel and I’m just the guy to do it!

George Clayton Johnson

If you are a fan of pop culture in any form, this is for you. If you enjoy a fun and quirky tale, this is for you. The best thing is that no prior knowledge is required. You don’t have to know anything about science fiction or the golden age of television or how writers sometimes work together to spin tales like magical little elves.

Prepare to embark upon a journey with a wizard storyteller into the mysterious past and onward into the marvelous future.

George keeps on running!

Okay, that’s my pitch. I know many of you out there are cheering me on. Do drop by and visit the George’s Run webcomic and just say hello. As always, I will keep you posted on the progress of this very special project as it evolves as a webcomic and ultimately finds its way into print. You know, this is something of an open letter to anyone interested in seeing where we can go with a book. Any literary agent or publisher is welcome to contact me. That said, self-publishing has evolved to such great prominence and tangible clout. The bottom line is that, like a film, a novel, a poem, whatever it is, there’s something about being able to take in a work as a whole so I’m excited about seeing this through and ultimately having a book version. Thanks for your support and I’ll continue to do my best.

 

 

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Filed under Comics, George Clayton Johnson, graphic novels, Logan's Run, pop culture, Star Trek, The Twilight Zone, Webcomics

Review: TUMULT by John Harris Dunning and Michael Kennedy

Tumult by John Harris Dunning and Michael Kennedy

Every Hitchcock film features someone out of their element. My favorite Hitchcock character is the dapper ad exec Roger Thornhill, played to the hilt by Cary Grant, in North by Northwest. In the new graphic novel, Tumult, we have another ad exec type minus the charm. Enter Adam Whistler, a thirtysomething bratty wannabe artistic filmmaker. Writer John Harris Dunning and artist Michael Kennedy concoct a delicious brew of noir mystery with their Hitchcock-inspired graphic novel, published by SelfMadeHero.

Morgan, is that you?

This is a story of a man steadily getting in over his head. First, he has an affair with a teenager that destroys his marriage. Then he proceeds to destroy his career just as it looks like he’s about to land the film project of his dreams. He seals his fate when he has an encounter with a mysterious woman that he can’t let go. Her name is Morgan. Or is it Leila? Or Pretty Princess? The improbable suddenly becomes probable as Adam falls into a downward spiral. Subplots help to lighten and darken the narrative as needed. Adam has a friend who is endlessly reciting his opinion on macho-themed movies. Morgan can’t break free of Dave, an unsavory and persistent troll.

A fool in the making.

This is Mr. Kennedy’s first graphic novel and Mr. Dunning’s second. His previous one is Salem Brownstone. Dunning also set up the prestigious exhibition, Comics Unmasked, at the British Library. No doubt, Tumult would fit right in with that. Kennedy commands the pages with a bold and brash style, both exuberant and precise. His striking color choices compliment his powerful linework. I have to hand it to both gentlemen. It encourages me as this is just the type of offbeat stuff that I both write and draw for my own comics. And it is definitely my preferred choice of comics to read. I’ll bet it might be yours as well.

A touch of the littlest hobo.

Tumult is a 184-page full color hardcover published by SelfMadeHero.

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Filed under Alfred Hitchcock, Comics, Graphic Novel Reviews, graphic novels, Noir, SelfMadeHero

Review: AMONGST THE LIBERAL ELITE by Elly Lonon and Joan Reilly

Off and running…

Have you ever wanted to just go all Jack Kerouac and do an extended road trip? You’d yell out, “Nothing behind me! Everything ahead of me!” Well, what if you’re also caught up in trying to grapple with America under Trump? Then consider this new graphic novel, Amongst the Liberal Elite, written by Elly Lonon and illustrated by Joan Reilly, published by powerHouse Books. It is based upon Ms. Lonon’s hilarious McSweeney’s column. More on that later. If you also happen to enjoy a regular intake of NPR, MSNBC, and lean left in your politics, you’ll especially appreciate the ongoing quips exchanged by the story’s two main characters, Alex and Michael, a couple of upwardly mobile middle-aged lefties.

Page excerpt

The humor is of the razor-sharp rapid-fire Jon Stewart variety. It can sometimes feel like too much of a good thing so everything depends upon the timing and delivery. The characters let loose a bon mot, hold back a bit to engage in self-deprecation, and then repeat. That’s basically the pace of this narrative. If you like the characters, then all is golden–and these two characters are very likeable even if you never really get past their walls of witty retorts. And, hey, maybe you know people like that. What you get here is a very lean, crisp, extra-dry and droll, gluten-free set of misadventures. This sort of political humor tends to be built this way and for good reason. There is only enough character development to serve the jokes and plot. There’s no deep connection nor would you need or care for that. Think Seinfeld. These are fictional constructs here to tickle your funny bone and offer up some finely-tuned political satire. Bravo! It works exceedingly well.

Amongst the Liberal Elite by Elly Lonon and Joan Reilly

To be able to take a popular column made up of clever repartee and turn it into a graphic novel is quite remarkable. I can’t stress enough what an ambitious task that is. Joan Reilly’s artwork successfully sustains this very special blend of political humor. Ms. Reilly is a masterful political cartoonist in her own right so she proves to be the perfect creative teammate to Ms. Lonon. Together, Elly Lonon and Joan Reilly bring to life two super quirky characters with much to say and reveal about our current political state.

The full title is Amongst the Liberal Elite: The Road Trip Exploring Societal Inequities Solidified by Trump (RESIST) and it is a 156-page hardcover published by powerHouse Books.

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Filed under Comics, Donald Trump, Humor, McSweeney's, politics, pop culture, Satire

Book Review: ADAM by Ariel Schrag

ADAM by Ariel Schrag

I’ve recently been taking a look at some work by artist/writer Ariel Schrag. I’m becoming more familiar with her comics and I decided to read her prose novel, Adam. While reading it, I also became aware of the controversy surrounding this novel which will debut in 2019 at Sundance. I’d just gotten a quarter of the way into the novel and wondered just where these snarky kids were heading. The book depicted the author’s take on callow youth and gay culture and so I pressed on. I do understand why some people will find the book problematic. Still, it’s useful to stick with it to the end to study one writer’s process.

I’ll cut to the chase and say that Ms. Schrag’s book aims to be in the tradition of provocative novels. The characters do and say a number of nasty and questionable things and then there are also moments when Schrag dials down the snark. Here is an example, a scene that finds the main characters at a predominantly transgender gathering:

“Clarification on gender was indeed necessary. Looking around at the group, it was as if a hatful of pronouns written on scraps of paper had been thrown into the air, each group, sometimes two, landing randomly on a person, regardless of what he or she looked like. Adam had gotten used to boyish girls turning out to be trans, the general rule that masculine = he and feminine = she, but here at Camp Trans it was a free-for-all. You couldn’t be sure of anything, except that you were most likely wrong.”

So, yeah, the book has a cocky snarky vibe, an attempt to channel the great Holden Caulfield tradition of snark. It’s when an ambitious young writer feels compelled to be provocative that things will heat up for sure. The big controversy revolves around the premise of the main character, Adam, a 17-year-old straight man becoming involved with Gillian, a 22-year-old gay woman, by both lying about his age and, far more significantly, lying that he’s a female-to-male trans person. That premise is rubbing a lot of people the wrong way. You have people in the trans community saying the book is exploitive. You have the author saying the book is meant to open up a discussion. Ms. Schrag has gained notoriety over the years for her memoir comics. She is an openly gay woman who has focused on young adult themes. She has written for television, including writing for Showtime’s The L Word.

The big point of contention against this novel comes down to the idea that the main character, Adam, is essentially getting away with rape as he’s in a sexual relationship through deception. For most of the novel, Adam isn’t getting away with much as he’s depicted as being fairly creepy. Towards the end that changes when Schrag drives her novel over a cliff with an abrupt shift. Adam begins his journey as a stand-in for just an average guy, yet another typical banal young person, while Schrag steadily turns up the heat. He easily falls into fantasy. He’s so selfish that, despite all the warning signs, he continues to deceive his lover in the hopes that his fantasy will come true and she will ultimately overlook his gross betrayal.

Looking at this from a creative point of view, it is very interesting to see a cartoonist like Schrag developing into a full-on prose writer. Any number of cartoonists find themselves juggling/struggling with two distinct disciplines (writing and drawing) that are supposed to meld into one (comics). Well, the comics-making process is a whole world onto itself with many potential variations, detours and pitfalls. It’s a delicate balancing act. And, if a creator favors writing a little more than drawing, that can tip the balance. For Ms. Schrag, it seems that more often than not, when she puts pen to paper, it is only words she seeks. Deep into making a novel all out of words, those words can take on a life of their own a little more easily than within the framework of a well planned out graphic novel with storyboards and various anchors. You choose your words that much more carefully when you create a graphic novel in comparison to commanding a ship of words in a novel. You set sail for vast ports unknown. You can lose yourself in your discourse and take your mighty vessel way off course.

You get away with less in comics. You can be instantly held accountable. Stuff can get buried in a prose novel. All those words! Ms. Schrag can engage in some anti-Semitic rhetoric and no one will call her on it since the focus is on her depiction of the trans community. Around the middle of the novel, Schrag builds up to what she deems a joke involving her inept and money-grubbing Jewish landlords. Analyzed as a joke, the mechanics and execution fall flat. It’s inappropriate and serves no purpose other than to underscore the fact that the characters are prone to being intolerant and hurtful and that has already been well established. It’s a joke that would make the legendary cartoonist provocateur Robert Crumb blush mostly because it’s so not funny. You just can’t get away with stuff like that in comics. In contrast to this novel, Ms. Schrag’s recent collection of comics, Part of It, indicates a more restrained, and even polite, approach.

Ms. Schrag has said about all the controversy attached to this novel: “People are really angry specifically about appropriating an oppressed identity. I just think that’s fascinating to think about because what is so terrible about appropriating an oppressed identity?” That’s a gutsy remark with consequences attached to it. Writers can choose to provoke but then it’s fair game to listen carefully to the response. Just because you belong to a group doesn’t mean you need to shake it to its core. But for those writers who can’t resist shaking things up, they will need to be open to criticism. In this case, there’s a movie version coming out and that will undoubtedly provide another opportunity for more discussion and more controversy.

Adam is a 320-page novel, originally published in 2014 by Mariner Books, a division of Houghton Mifflin Harcourt.

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Filed under Ariel Schrag, Book Reviews, Books, Comics, LGBTQ, Novels, writers, writing

Charles Forsman’s ‘I Am Not Okay With This’ Picked Up by Netflix

‘I Am Not Okay With This’ by Charles Forsman

Charles Forsman is a wonderful independent cartoonist. I have had the privilege to review his work. Mr. Forsman creates work that is usually intended for a relatively small audience. That is the nature of comics, especially niche comics. But things can get turned on their heads. Just imagine, a highly obscure copy of an underground comic is sitting in a trash bin when it’s picked up by a movie director and he’s so thrilled by it that he’s compelled to move heaven and earth to turn it into a hit television series. That’s what happened with Forsman’s The End of the F***king World, now available on Netflix. And it’s happened again. This time without any trash bin. The news it out that Forsman’s I Am Not Okay With This is coming to Netflix.

‘I Am Not Okay With This’ by Charles Forsman

There’s something about the fresh and quirky goodness of independent alt-comics that can catapult them from obscurity to crazy full-on stardom. It won’t happen to most of the self-published comix out there but it happens. So, don’t try this at home unless this is a labor of love first and foremost. Otherwise, it won’t work. Painfully honest stories have a greater than average chance of getting attention. That’s part of it. The rest is just the right mix of hard work and a bit of good luck. While you wait to enjoy I Am Not Okay With This, check out The End of the F***king World now on Netflix:

I Am Not Okay With This follows the misadventures of Sydney, an unassuming 15-year-old freshman with telekinetic powers. Be sure to visit Charles Forsman right here. I Am Not Okay With This is a 160-page graphic novel published by Fantagraphics Books.

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Filed under Charles Forsman, Comics, Fantagraphics Books, graphic novels, Netflix, Television, Young Adult

Seattle Focus: Bob Woodward and FEAR

Bob Woodward in Seattle, 28 November 2018

Bob Woodward has a book out on Trump. You may have heard of it. It’s entitled, Fear, published by Simon & Schuster. Mr. Woodward, a legend in journalism, was in Seattle for a Q&A at the Paramount Theatre this Wednesday night. Local pundit Knute “Mossback” Berger was the moderator. Mr. Berger asked a series of mellow questions. He asked, for instance, about the book’s title. The great thing about interviewing someone like Bob Woodward is that half the battle is just to show up. No matter the question, Mr. Woodward will proceed to paint a vivid picture. Regarding the book title, that took him back to Candidate Trump, long before his campaign was considered substantial. It was the job of Woodward to still pose serious questions, the same sort he’d posed to Candidate Obama and others. That day, the pivotal question was asked: What does power mean to you? The scene that played out was something close to Shakespearean. Trump seemed to turn his attention out toward a confidant in his mind’s eye. Power, and holding on to power, Trump said, is achieved through striking fear.

It is during an audience Q&A that things can get quite interesting. For Woodward, this was a time to riff, to explain, to clarify, in any way he pleased. Each response turned out to be a gem. It meant he took his time and didn’t get around to everyone who dutifully lined up with a question. Each answer took on a life of its own. One question might begin a discussion on a related subject. One answer would emerge prompted from a question asked earlier. It would result in such gifts as Woodward recollecting the day that he finally got former President Gerald Ford to reveal the details of the Nixon pardon. The common assumption had been that a deal had been struck. And, indeed, a deal had been offered by White House chief-of-staff Alexander Haig. Ford refused a quid pro quo. There was no reason for it since he was to replace Nixon anyway. It was only later, with the prospect of Nixon continuing to damage the country, that Ford chose to pardon him. It wasn’t an easy decision and it was clear that this decision would seal Ford’s fate. It was a decision that he would never be able to recover from as a candidate for president in his own right. In retrospect, it was to be acknowledged as a courageous decision. Ford went on to be the recipient of the Profile in Courage award in 2001. It was presented to him, at age 87, by Caroline Kennedy, President Kennedy’s daughter. A lesson in not be too quick to judge.

FEAR by Bob Woodward

The final answer, again originating from one question and yet seeming to answer them all, was a true showstopper. This last gem found Woodward looking back to some of his earliest memories. He was playing with two previous questions: the idea of what in his life caused him the greatest shock; and summing up the crisis we live with today with a dangerously incompetent commander-in-chief. Woodward had already painted a picture of an easily distracted Trump. And that got him to thinking of how some things should be fundamentally understood, like the difference between right and wrong. As a young Naval officer, Woodward served aboard the USS Wright, and was one of two officers assigned to move or handle nuclear launch codes. This was circa 1965. It was seared into Woodward’s psyche that the fundamental responsibility of an American president is to stay out of a nuclear war. But Trump was oblivious to the most basic facts. He openly questioned the existence of NATO. He did not understand the most basic facts of global interconnection. So, in order to best answer that question asked a while ago regarding what shocked him the most, Woodward just had to refer back to Trump, a president so brazenly ignorant that he compels his Secretary of Defense to have to answer, “Mr. President, we do these things in order to avoid World War III.” That’s enough to make anyone lose their lunch.

Fear is surely required reading. It is definitely a worthwhile book and measures up with Mr. Woodward’s best.

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Filed under Bob Woodward, Books, Donald Trump, politics, Richard Nixon, Washington DC, Watergate

Stan Lee (1922-2018)

Cover art by Ed Piskor

Stan Lee (1922-2018). News today that comics legend Stan Lee has passed away. There will only ever be one Stan Lee in the comics industry. You will hear that today and in the days and years to come. As a kid in the ’70s, I have fond memories of the iconic figure of Stan Lee. He was the guy leading the Marvel Comics Bullpen. He was the guy who was always yelling out, “Excelsior!” He was part salesman and part creative genius. This, in no way, takes away from the collaborative work he did with such greats as Jack Kirby and Steve Ditko. At the end of the day, Stan Lee was Stan Lee, a force of nature and an integral part of Marvel Comics and comics in general. May he rest in peace.

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Filed under Comics, Comics News, Marvel Comics, Stan Lee