Tag Archives: Writing

Review: ‘Mary: The Adventures of Mary Shelley’s Great-Great-Great-Great-Great-Granddaughter’

Mary: The Adventures of Mary Shelley’s Great-Great-Great-Great-Great-Granddaughter

Mary: The Adventures of Mary Shelley’s Great-Great-Great-Great-Great-Granddaughter. Written by Brea Grant. Art by Yishan Li. Six Foot Press. Houston. 2020. 144pp, $18.99.

On my radar right now is a graphic novel about a teenage girl who is a direct descendant of Mary Shelley, author of Frankenstein, and has to deal with the pressure of living up to the name. She doesn’t see a career in writing in her future, worries about what her big purpose in life might be, and then she discovers she has special powers that help heal monsters. It turns out to be a really well put together read that is suitable for any age and, of course, a perfect book as we celebrate Halloween. But, beyond that holiday, this is also a wonderful gateway book to a better appreciation of reading, writing and the joy of books so it is totally something to be enjoyed by young readers, ages 12-18.

Good things come to life!

The winning combination of writer Brea Grant and artist Yishan Li makes this book very appealing. I sincerely believe you can create magic by teaming up two powerhouse talents who are genuinely having fun. This is such a book. And why? Well, there’s an endless number of ways to create a graphic novel but the notable ones manage to grab your attention in some unusual and distinctive way. Brea Grant has a very accessible and conversational style of writing. Yishan Li compliments this with her own very warm and personal style of drawing. Both manage to welcome and engage the reader. Even a somewhat jaded middle-aged guy like me will respond positively to this kind of presentation.

A most engaging graphic novel!

The opening page grabs the reader with plenty of fun and intriguing elements. We see what looks like a spooky shrine to all things Frankenstein and Mary Shelley. A couple of more panels and we get a close-up view of an oil painting portrait of Shelley. She, of course, says, “Hello.” It’s going to be that kind of book which we love, right? Just as much as we love the creepy vibe running throughout Netflix’s Bly Manor. A few more pages in and we see that a petite Goth girl is to be our main character. We go through some family history. And then, just as we’re settling in – Zap! – Mary has somehow achieved a cosmic connection with her frog specimen for Biology class. Something very unusual is happening and that’s just the start of it. Before long, Mary is becoming acquainted with a whole universe of monsters who are all relying upon her to cure their ills!

This is, as I say, an exceptional book. I go through quite a lot of books and I really need a wow factor to get my attention. I think the main reason that this is the right stuff is the book’s originality and sense of humor. Sure, we’ve all been down many a Sabrina-like road. The thing is, there’s room for more if done right. There’s a fresh approach here that wins me over much like all the attention to detail you find in a John Hughes film. I dare you to watch the last ten minutes of Ferris Bueller’s Day Off and not be blown away by the impeccable timing. There’s a good amount of that to be found in this book. I think, for example, of the banter between Mary and Polly, a very smelly and anti-social harpy. Or, I really enjoyed some of the more subtle touches like the set-up establishing Mary’s mom engrossed in work on her laptop even while supernatural laser beams are darting across. This book is hard to resist, whether or not it’s Halloween.

For more information, go to Six Foot Press right here.

Leave a comment

Filed under Comics, Graphic Novel Reviews

Interview: Lloyd Scott, author of ELECTION YEAR

Election Year by Lloyd Scott

Lloyd Scott has written a brilliant novel, ELECTION YEAR, that is part satire, political thriller and action adventure. On top of that, it is a heartfelt and insightful look at where we are today in the United States. You may have heard about Meghan Markle set to produce a film adaptation of this novel. Well, now you can hear Lloyd Scott, in her own words, talk about her work in this exclusive interview. It means a lot to me to have this opportunity to interview Lloyd Scott. We are both writers and we are both biracial. I draw great strength from having this dual perspective. As I’ve shared before, I am Mexican on my mother’s side and Anglo-Saxon (is that a fairly good label?) on my father’s side. Well, we discuss race and many other things in this interview which you can listen to in full by just clicking below. Lloyd Scott also reads from one of her short stories. For more information on ELECTION YEAR, go to the official site: https://www.electionyearlloydscott.com/

Lloyd Scott’s novel features a biracial young woman working for a high powered politician, also biracial, who is on her way to becoming the first woman US president. You can read my review here. When I discovered Scott’s novel, I couldn’t help but make connections to my own novel, Max in America, which follows a biracial man who has lived all of his life in Mexico and is suddenly trying to make a life for himself in the United States. Both novels present an offbeat and idiosyncratic narrative, that can be enjoyed on many levels. A driving force in each novel is a searching for understanding from a biracial perspective. That is definitely true, and I’m thrilled to be in the thick of it. Being so close to this, I can start to wonder if I’m making too much of it. But I’ve gotten a thumbs up from Lloyd Scott herself so that will settle it for me.

In my interview, Lloyd Scott shares about her work as a sign language interpreter in the DC area. That makes total sense to me as she was able to draw from countless observations that contributed to helping her create some of the novel’s backdrop featuring political high-rollers. Asked about how she came to write her novel, Scott shared that it all began when she just happened to listen to a radio program describing what it might be like if Russian operatives actually infiltrated the White House. The highlight of our chat might be when Scott recited from one of her short stories, “Salsa,” a very funny tale of  searching for meaning and avoiding misunderstanding. Talking about issues of race took on an interesting life of its own and, I sincerely believe, we had a very productive exchange. As Scott closed out our chat, she quoted the wise words of Maya Angelou: “We are more alike, my friends, than we are unalike.” Wise words we can all try to live by.

2 Comments

Filed under Books, Interviews, Race, Race Relations

Interview: Barbara Slate and a Career in Comics and Graphic Novels

Barbara Slate self-portrait

Barbara Slate spent twelve-hour days working on The Mueller Report Graphic Novel in order to get it out in a timely manner. In fact, her book got mentioned by a Republican representative during the Trump impeachment hearings in the House of the U.S. Congress. Trump went on to be impeached by the House. But there’s more to Barbara Slate. Here is an in depth look at a wonderful career in comics and graphic novels. Barbara Slate is known for being a pioneer in feminist comics. Her first big break came with her character, Ms. Liz, which began on greeting cards (selling over two million), then a comic strip, and even an animated short on NBC’s Today Show! What an honor. And, as I suggest, there is much more like writing for DC Comics, Marvel Comics, Harvey Comics and Archie Comics. Among her many accomplishments in the visual storytelling biz, I was intrigued with the fact that she wrote 150 Betty and Veronica stories for Archie Comics! We cover that in this interview! Barbara was always fascinated with the friendship between these two young women who were so different. And, by the way, what the heck did they see in Archie in the first place? Good question.

Barbara Slate lecture poster

So, as always, I share with you about my own journey to better understand and appreciate the comics medium. I do it by sharing of my own work and by reviewing as much material as I can. And, of course, I do it by putting together special interviews such as this. You can say that I do my best to find a different angle to the people and subjects I choose to focus on. And I have no intention of stopping anytime soon. Not when I have creators like Barbara Slate to help guide the way.

The Mueller Report Graphic Novel by Barbara Slate

Now, a few words on the two recent titles that we feature in this interview. First, let’s cover The Mueller Report Graphic Novel. And then we’ll take a look at You Can Do A Graphic Novel. First off, I think Barbara has definitely created one of those books that becomes a keepsake. I am constantly culling through my books but this one is a keeper. And why? Well, within its 107 pages, it masterfully makes sense of one mammoth of a book that deserves close attention. The actual Mueller Report, a text-dense book clocking in at nearly 500 pages along with supplementary material, lays out how Russian interference has wreaked havoc upon our electoral process as well as provides a jaw-drawing look at how the Trump team, with Trump himself very much involved, have obstructed justice. A stream-lined concise graphic novel actually makes sense–and this is it! This book is, no matter what the subject, a perfect example of how to condense a complex subject into a compelling read.

Page from The Mueller Report Graphic Novel by Barbara Slate

Barbara Slate has the magic touch with bringing the essential facts in better focus. The reader gets to know all the players and what they did. The often Byzantine-like world of Russian oligarchs is treated in a straightforward manner. A con game that no one was expected to be interested in or even be able to follow is made accessible. As we’ve heard many times over, it was not Robert Mueller’s place to determine if the President of the United States, no matter who they are, should be impeached. It is up to Congress. As we all know, Congress took a very different path than would have been expected on their way to impeachment. The Democrats had the compelling case all along with the Mueller Report but they chose to focus on Ukraine. That said, the Meuller Report is still with us, many portions of which await removal of redactions and future days in court. This graphic novel remains a handy guide for when the chickens come home to roost.

You Can Do A Graphic Novel by Barbara Slate

If you’re looking for a wonderful instruction manual on comics, then you’re all set with Barbara’s You Can Do A Graphic Novel. This book will guide you through the process of telling your story through comics. You can aim for doing a full-length graphic novel in the long run. But, to begin with, you can follow these easy-to-follow steps and learn all the components to storytelling. This 232-page, fully illustrated, book will delight newcomers and even more experienced cartoonists because you have Barbara Slate sharing techniques and industry insight from a long and successful career.

Pages from You Can Do A Graphic Novel

As I say, even more experienced cartoonists will welcome the easygoing and highly informative format. Yes, you too can learn how to properly plot a comics script. Barbara Slate learned from the best. When she first started at DC Comics, she was taught the color-coded plotting system by none other than Paul Levitz, one of the biggest names at DC Comics. The book is perfect for all ages, and it will specifically appeal to young people just starting out.

Barbara Slate is one of the best. Check out her website to learn more about her work and her online comics courses. Visit Barbara Slate right here.

Leave a comment

Filed under Comics, graphic novels, Interviews, Visual Storytelling

Book Review: ELECTION YEAR by Lloyd Scott

Election Year by Lloyd Scott

Election Year. By Llody Scott. Independently published (June 2, 2020). 220pp, Free.

Here is a book that would make one hell of a movie. There’s even a moment in the book when one of characters suggests they’re in the middle of movie-worthy activity. That said, you might have heard that this novel is well on its way to a movie adaptation thanks to no less than Duchess Meghan Markle and the new movie production company she is launching with Prince Harry. Well, this news calls for a proper review of the book in question and I’ll do my best to give you just enough of a taste without spoiling anything.

Part of what prompted me to write this review is a bit of serendipity. Lloyd Scott and I are both biracial and we both chose to speak to that within a political thriller. Well, mine is not quite as intense. Look it up, Max in America, and you’ll see what I mean. But still, I think that connection is pretty uncanny, especially how we both share our experiences with identity, being seen as the Other, and playing with being a raceshifter. You can say that our backgrounds provided the fuel for our work. I like that. Election Year is offbeat and eccentric, in the same spirit to what I’m doing too. So, let’s take a closer look.

Meet Maverick Johnson Malone, our main character, a Millennial working to help elect Suni Wainwright as the first woman, and youngest, U.S. president. It is the pivotal year of 2020, and there’s excitement in the air. The only problem is that Maverick hates Suni because she’s so fake! This summation is only based upon casual observation until one day it is based on far more than that. It turns out that Suni is a Russian operative–and so the plot thickens.

Ryan, Maverick, and Jay. illustration by Henry Chamberlain

Given all that we know about a certain occupant in the White House and his Russian connections, the plot to this novel has found a funny indirect way to tackle the issue. Lloyd has attached humor to her Manchurian candidate that provides a light and breezy way into her political thriller. The humor going in features Maverick Malone who, at first, seems rather klutzy and self-absorbed. It could be Rome burning in the background but Maverick will keep obsessing over why her ex is such a jerk. This adds up to a pitch perfect Bridget Jones vibe. Lloyd has also created a believable office culture made up of staff working to get Suni Wainwright in the White House. Often, it is Maverick Malone to the rescue with a new idea to put out the latest fire but that is usually overshadowed by her own disgruntled attitude.

Then things transition to a more serious tone. We do have the fate of American democracy to deal with, don’t we? Gee, that question has so many levels of irony that it leaves my head spinning. In fact, the story truly finds its groove just prior to the political intrigue, as the reader gets to know Maverick better. What emerges is the story of a young biracial woman who feels alienated. Part of the problem is her dysfunctional family. Her White mother and Black father are wealthy and distant. As much as she is frustrated by having to constantly explain her racial background, she finds the even greater divide to be money.

Like a good work of film noir or crime fiction, this novel is meant to please with its fair share of twists and turns. Lloyd has fun tapping into a style with the energy of a young adult novel. Maverick is already into her thirties but still full of Millennial spunk. It is this energy that carries the reader as Maverick goes deeper with her sleuthing. Along the way, Maverick finds love with Ryan, a dashing young biracial much like herself. And, to round things out, Maverick develops a greater sense of responsibility as she finds herself caring more for Jay, a Black girl who lives next door to her. It is this trio who all become caught up in the intrigue and danger that threatens to kill them all. And, even when the tension is high, Lloyd manages to insert a little irony as when Jay has a meta-moment. Jay wryly observes that the three of them seem to resemble yet another comedy adventure but with plenty of diversity.

Overall, this is a unique joy ride of a thriller. Yes, it provides those unexpected twists and turns. But the most unexpected revelations run deeper than any car chase. At the heart of it, this is a story about confronting the status quo and finding the right solutions to ultimately achieve the change that we all want. Lloyd Scott brings up many provocative issues, which pop up as events heat up. It is our main character, our shero, Maverick Malone, who is in a position to truly empathize with the Other in America. It is Maverick who can appreciate, even when passion might overtake wisdom, that life is full of complicated contradictions.

While there is plenty of humor, and action, to be found here, this is also a story about trying to understand some painful truth. For all the rip-snorting good action we find here, there’s also just as robust rounds of political fisticuffs, like this particularly pointed salvo: “You have no idea the extent of your privilege. The geographical luck of your births, freedom is a right from your first breath, and all you do is complain. We on the outside know, we see how endowed with opportunity you are and the means to do great things you have at your disposal, but all you Americans do is spend your time infighting. Refusing to see the truth of things, running down the climate clock for everyone with your pollution and your insolence. It’s time for it to end.” Well, now, if those aren’t some fighting words, I don’t know what is! Yes, if the action doesn’t get you, the heated political talk just might be enough for you to want to see how this political thriller all comes together.

 

3 Comments

Filed under Book Reviews, Race, Race Relations

Review: ‘The Phantom Zone and Other Stories: Comics and Prose by José Alaniz’

The Phantom Zone and Other Stories: Comics and Prose by José Alaniz

The Phantom Zone and Other Stories: Comics and Prose by José Alaniz. By José Alaniz. San Diego: Amatl Comix, an SDSU Press imprint, 2020. 128 pp. $18.99.

The college newspaper has a long tradition as an incubator of exciting talent. The Daily Texan, at the University of Texas, is a prime example, home to such notable alumni as Berkeley Breathed, Chris Ware, and Shannon Wheeler. Jose Alaniz’s The Phantom Zone first appeared as a comic strip in UT’s Daily Texan in 1992-1993. Now, imagine a book that not only collects some of the best work Alaniz did at UT but also provides a look at later work, including comics and scholarship. That is what you’ll find in The Phantom Zone and Other Stories: Comics and Prose by José Alaniz.

The Phantom Zone, circa 1992

This book is a very special treat on many levels. For those of you interested in the process of creating comics, and storytelling in general, this book is invaluable. As for me, I’m compelled to share this with you for a number of reasons. First, I feel a great connection to Alaniz simply for the fact that we’re both Mexican-American. We’re also of the same vintage but, more than just being part of the Gen X crowd, I had my own comic strip, Danny, running in The Daily Cougar, at the University of Houston in the late-80s. In my case, one of my characters was ripped off by another cartoonist and appeared in The Houston Post for a while. And then life moved on. I’d always been heavy into liberal arts, ever mindful of an uncertain future, but always faithful to my art. I made the big move to Seattle in the early-90s seeking a receptive creative home base. And so did Alaniz! Fast forward all these many years, and Alaniz found himself befriended by many of the same cartoonists in the community I was a part of. Small world! I have to say all this because Alaniz speaks to these similar building blocks. It’s also a big world too because I’ve never met Alaniz. Now, I hope that can be corrected. This book has proven to be such an awesome introduction!

The Phantom Zone, circa 1998

If José Alaniz had never kept up with creating comics, he would still have much to be proud of and satisfied with. Today, Alaniz is a professor of Comparative Literature at the University of Washington. Mr. Alaniz is the author of  Komiks: Comic Art in Russia as well as Death, Disability, and the Superhero: The Silver Age and Beyond. Both titles break new ground in comics scholarship from two very distinct approaches. Alaniz spent a good bit of time in Moscow and concluded that the Russian culture did not have much of any connection to comics so he investigated. Alaniz also found it intriguing how mainstream superhero comics explore issues of disability, death and dying and that led to him writing on that. Along the way, Alaniz probably missed creating comics on an ongoing basis. Once you’ve experienced the constant pace of creating a daily comic strip, at a significant level, it never leaves your system entirely. You have this compulsion to express yourself on a regular basis. The act of regularly creating comics gets under your skin. It is very intimate and intense. And it can metamorphosize into all sorts of other forms of self-expression: prose writing, including fiction and journalism, and engaging with other media as well. You are an exhibitionist, liable to walk around naked down the street if given half a chance. But the comics medium is a very specific thing and it has a way of calling back those who have participated at deep level just like a certain mistress may hold sway over a past lover.

Old Edinburg, Dead and Gone!

The Phantom Zone is an intriguing title for a comic strip. It seems to harken back to a good 0ld-fashioned adventure comic strips by such greats as Milton Caniff. Add to it the fact that Alaniz is playing with issues of youth, identity and culture, and it’s easy to try to draw some comparisons to the, by then, well established alternative comics scene of the time. Love and Rockets, the comic book series, and leading alt-comics title, by the Hernandez brothers: Gilbert, Jaime, and Mario, would undoubtedly have been known by Alaniz. It is asking a lot of any young person to try to live up to such giants as Milton Caniff and the Hernandez brothers but many an aspiring cartoonist is compelled to give it a go. Once you’re in the thick of doing a regular comic strip, all bets are off. An overriding worldview kicks in and guides the cartoonist. Comics can be a great equalizer since it cuts deep, ignores any fuzzy boundaries between high and low culture. Suddenly, Archie Comics and Popeye must be given their due, honored and respected. Academics traditionally would thumb their nose at the likes of Jughead and Brutus and dismiss these clowns as “drivel.” And, of course, they’d use such an arcane term to add to the sting. But a true cartoonist, someone actually writing and drawing in pursuit of something artful, they know the true value of such legendary characters. And so Alaniz bravely entered the fray. Soon, he had something brewing, riding upon the shoulders of too many other cartoonists to mention. It is fascinating to read the early college efforts and then compare that to later work revisiting the same characters.

Plastic People

From that experience, it was onward to further exploration in creating comics. Pivotal in this process, as Alaniz shares, is his taking part in monthly informal get-togethers with various cartoonists at a local Seattle cafe. Prior to the pandemic, each gathering was an opportunity for cartoonists to draw up comics that were then collected and printed into an ongoing anthology known as, Dune. I’ve often been invited but I never attended, mostly because it conflicted with my job. But I’ve had countless interactions with most of these cartoonists. As many of them can attest, I’ve been at the forefront of many comics events which they happily participated in. Some of the most notable cartoonists from this scene include: Max Clotfelter, Marc J. Palm, David Lasky, Greg Stump, Seth Goodkind, Jim Woodring, Eroyn Franklin and Megan Kelso. Again, I can’t stress enough how valuable this book can be to anyone interested in the comics medium. It all began for Alaniz with a youthful creative impulse and just look where it took him. Overall, The Phantom Zone comic strip does a decent job with carving out something in the auto-bio tradition. What is truly most compelling is the life that José Alaniz carved out for himself.

The Phantom Zone comic strip

Amatl Comix is an ongoing series that compiles the best in Latinx comics presented by San Diego State University Press.

Leave a comment

Filed under Comics, Comics Journalism, Comics Reviews, Comics Scholarship

Review: ‘The Complete Works of Fante Bukowski’ by Noah Van Sciver 

The Complete Works of Fante Bukowski

The Complete Works of Fante Bukowski. By Noah Van Sciver. Seattle: Fantagraphics Books, 2020. 452 pp. $39.99.

Noah Van Sciver is an interesting cartoonist. He’s long graduated from being one of “those to watch” to an artist with a substanital track record. As a cartoonist myself, I admire and appreciate what he’s doing. He is best known for his lovable loudmouth character, Fante Bukowski, a confused mashup of Charles Bukowski and John Fante. The ongoing joke here is that Fante Bukowski is a perpetually aspiring writer, both artless and clueless. If you haven’t jumped on the Fante Bukowski bandwagon yet, now is the time with the release of The Complete Works of Fante Bukowski, which collects every mishap and stumble all the way on a crazed quest for fame and fortune.

Fante dreams big.

I think that Fante is a very successful character. Van Sciver has developed something that people can easily relate to. Despite the fact that Fante is associated with the literary crowd, there’s nothing highbrow about him. If nothing else, Fante is accessible. You can think of him as the Homer Simpson of lost souls. In a higher sense, Fante is a perfect vehicle for Van Sciver to skewer any lofty notions about art. But even suggesting this may only make Van Sciver laugh. For something really serious and dark, he’d direct you to his graphic novella, Saint Cole. There’s definitely loads of irony and irreverence attached to Fante. On a more basic level, you can replace any literary stuff in here (replace it with general office culture, academia or even indie comics culture) and enjoy this as a story about a guy who is not much more than a professional wedding crasher, a latter day Groucho Marx out to expose hypocrisy and pretentiousness in all its many forms even if he’s not aware of it. The character is funny, gets into silly situations, and will make you laugh. But there’s more.

Fante Bukowski demands to be taken seriously as a writer. Van Sciver presents us with the journey of a misguided young man who really has no great talent, skill or genuine passion. Fante simply feels entitled to be a success. Fante will make some effort, just the bare minimum, towards his dreams, and expect instant results. His bare minimum efforts are garbage but he refuses to take no for an answer. All in all, this is very funny stuff. Imagine Steve Martin, in his prime, in the role of Fante. Or Ricky Gervais. However, given all the work it took to set up the premise of Fante, it would have been interesting if the satirical aim was a bit more precise if that were possible. As it is, Fante does indeed have hilarious moments like when he’s courting favor with a “literary journal” he’d like to have his work in, the Firewarter Journal, with such a perfectly pompous name and a circulation of a dozen to match. These are the sort of pleasant jabs that you might expect from the comic strip, Doonesbury, but more generic. Ultimately, Van Sciver succeeds by keeping his humor broad.

A romantic but stupid idea of being a writer.

Van Sciver seems to root for irreverence more than anything as a way to move things along. He doesn’t want anything to be taken too seriously, including his own work. He’s not trying to be Dash Shaw. And he doesn’t seem to aspire to write a true comedy of manners like cartoonist Posy Simmonds although he does a fine job with the social commentary he does end up doing.  More importantly, he  has definitely invested quite a lot in the idea that Fante Bukowski is a clueless young loudmouth who is completely absorbed with entitlement. That alone is key. A lot of other tidbits up for satire can be lightly played with. The big takeaway is that Fante Bukowski is a young empty suit. He feels he is owed something with apparently nothing to show for his outrageous demands. If, in spite of this fact, Fante did find his fame and fortune, then the joke would truly be on us.

While much care has been taken, Van Sciver has also made sure to leave a certain amount of a raw quality to what he does–and there is a long-standing tradition for that in indie comics and in art in general. You want to avoid getting too polished, too slick. You want to look the opposite of “corporate.” So, you’ll see the artwork is only refined up to a certain point. Some cartoonists, for example, will deliberately misuse digital coloring to subvert the idea of making things look too pretty. Van Sciver, for example, could have easily chosen a way to seamlessly clean up any mistakes in his text but he wants you to be aware of them. He has pasted over by hand every correction to his text and made it so that you clearly notice it. Whatever the reason, it reads as a style choice.

Unlucky in love.

Following this subversive impulse, Van Sciver does the same for the actual story. Nothing is supposed to be taken too seriously–and that does make sense when you’re poking fun at all those “highbrows” who take themselves too seriously, right? That notion is where you might find some subtext. Van Sciver peppers his comics with all sorts of quotes from various famous writers and artists and, within this loopy context, even the best lines from Hemingway or Fitzgerald all sound like sayings from fortune cookies. For a book that seems to be in it just for laughs, taking a blowtorch to the old masters has some bite to it. But no one really wants to topple truly great writers, do they? Maybe so but going down that rabbit hole is a pretty tall order. In the end, it seems that we’re supposed to turn our gaze back to Fante Bukowski and maybe pity the poor fool.

Noah Van Sciver is an Ignatz award-winning cartoonist who first came to comic readers’ attention with his critically acclaimed comic book series Blammo. His work has appeared in the Best American Comics and the Fantagraphics anthology series NOW. Van Sciver is a regular contributor to Mad magazine and has created many graphic novels including The Hypo and Saint Cole. His latest, The Complete Works of Fante Bukowski, collects all three volumes of the Fante Bukowski series in an expanded hardcover edition with extra features and special material. His follow up, Please Don’t Step on My JNCO Jeans, will be published in December.

Long live bohemians, great and small.

Leave a comment

Filed under Comics, Fantagraphics, Fantagraphics Books, Graphic Novel Reviews, graphic novels, Noah Van Sciver

Lulu.com Relaunches New Site with Broad Range of Options

Lulu.com Supports Indie Authors!

EDITOR’S NOTE: WATCH FOR A SPECIAL COMICS GRINDER 20% OFF LULU.COM COUPON NEXT WEEK

Lulu.com is the top one-stop-shop destination for print-on-demand and now even more so. Over this weekend, Lulu.com is relaunching its site with a broad range of new options. This is great news for any type of book project, including comic books! There’s so much to choose from to meet the needs of authors, artists, educators, and even nonprofits.

Here is a quick look at what Lulu.com has to offer:

Authors

Fiction and non-fiction writers alike can create, print, and sell their books through all major retail channels.

CREATE YOUR BOOK

Educators

Easily publish textbooks, course materials, and research. Sell your work on Lulu.com or buy the books you need immediately.

CREATE YOUR BOOK

Artists

Showcase your work with our archive-quality, full color, hardcover & paperback options.

CREATE YOUR BOOK

Nonprofits

Easily create a book, calendar, or photo book to raise money and awareness for your organization.

CREATE YOUR BOOK

 

2 Comments

Filed under Books, Comics, Lulu.com, Publishing

Coronavirus 2020: Secrets Of New York Live! with Sarah Funky and Tom Delgado

Secrets Of New York Live! with Sarah Funky and Tom Delgado

New York City, you just gotta love it and so that leads us to this post. First off, Sarah Funky owns her own tour company where she provides you with her take on New York City. Due to COVID-19, people are hesitant to do public gatherings so that impacts all sorts of business, including all facets of the tourism industry. Sarah Funky thought she’d try a virtual tour with another tour guide, Tom Delgado, to let folks know that we’re all in this together!

New York City is made up of five boroughs, with a wide spectrum of housing options. It is that fact that makes it possible for 8.5 million people, from all strata of society, to make New York City the vibrant and diverse place that it is. These are the sort of facts that Tom Delgado proudly presents on his tours. And the same goes, of course, for Sarah Funky. These two are true blue New Yorkers proud to share their insights, and secrets, about the Big Apple.

Among the many secrets that Sarah presents on her tours is one that she’s particularly fond of. If you wander over to South Street Seaport, you will find the ultimate view of Brooklyn Bridge. It is quite a view and, no wonder, a secret that can’t stay a secret but must be shared. Sarah’s enthusiasm is priceless as she gives you a taste of her tours and shares the stage with Tom. It’s that can-do spirit that’s going to get us through this current crisis. We will get through this and we’ll come back even stronger, just like New York City. UPDATE: The time to view the virtual tour has expired but here’s a look at what Sarah has to offer on her tours and definitely something to look forward to once we return to our more routine lives:

4 Comments

Filed under New York City, Travel

Max in America: Into the Land of Trump

MAX Comics Grinder Promo 2020

Max in America: Into the Land of Trump by Henry Chamberlain

There’s not a moment to lose. I’m getting fired up and ready to go sell some books. Hey there, friends, consider getting a copy of Max in America: Into the Land of Trump, available at Amazon or ask me directly or go to my blog’s store. I’d love to know what you think and don’t be shy about reviewing it at Amazon too! But don’t just take my word for it. Check out what author Stacey E. Bryan has to say over at her blog…

via Max in America: Into the Land of Trump

Leave a comment

March 12, 2020 · 9:57 pm

Drawing: Sunglasses and Good Times

Illustration by Henry Chamberlain

Spring is in the air and we’re getting more sunshine. While 2020 gives us plenty for pause, there is a need for optimism and comfort. For me, once I’m wearing a nice pair of sunglasses, it puts me in a good mood. It’s a bit of a ritual as I look for the last pair I wore or go ahead and buy glasses online. I do a similar thing when I buy flip flops online. Someone stylish wearing a cool pair of sunglasses symbolizes good times. Its a state of mind that I enjoy being in and you probably do too. I must say, if I’m healthy and have no business wearing a mask, I’ll find all the contentment and comfort that I need in a really snazzy pair of sunglasses. That beautiful pair of sunglasses will block away the ugliness and my worries, at least for a short while, long enough to take a stroll and know that all will feel a little more right in my world someday soon. Yes, we’ll be on vacation or some adventure before too long. A really snazzy pair of sunglasses can not only symbolize leisure; it can help give us a healthy dose of hope.

2 Comments

Filed under Drawing, Essays, Fashion, Style