Tag Archives: Fiction

Interview: Lloyd Scott, author of ELECTION YEAR

Election Year by Lloyd Scott

Lloyd Scott has written a brilliant novel, ELECTION YEAR, that is part satire, political thriller and action adventure. On top of that, it is a heartfelt and insightful look at where we are today in the United States. You may have heard about Meghan Markle set to produce a film adaptation of this novel. Well, now you can hear Lloyd Scott, in her own words, talk about her work in this exclusive interview. It means a lot to me to have this opportunity to interview Lloyd Scott. We are both writers and we are both biracial. I draw great strength from having this dual perspective. As I’ve shared before, I am Mexican on my mother’s side and Anglo-Saxon (is that a fairly good label?) on my father’s side. Well, we discuss race and many other things in this interview which you can listen to in full by just clicking below. Lloyd Scott also reads from one of her short stories. For more information on ELECTION YEAR, go to the official site: https://www.electionyearlloydscott.com/

Lloyd Scott’s novel features a biracial young woman working for a high powered politician, also biracial, who is on her way to becoming the first woman US president. You can read my review here. When I discovered Scott’s novel, I couldn’t help but make connections to my own novel, Max in America, which follows a biracial man who has lived all of his life in Mexico and is suddenly trying to make a life for himself in the United States. Both novels present an offbeat and idiosyncratic narrative, that can be enjoyed on many levels. A driving force in each novel is a searching for understanding from a biracial perspective. That is definitely true, and I’m thrilled to be in the thick of it. Being so close to this, I can start to wonder if I’m making too much of it. But I’ve gotten a thumbs up from Lloyd Scott herself so that will settle it for me.

In my interview, Lloyd Scott shares about her work as a sign language interpreter in the DC area. That makes total sense to me as she was able to draw from countless observations that contributed to helping her create some of the novel’s backdrop featuring political high-rollers. Asked about how she came to write her novel, Scott shared that it all began when she just happened to listen to a radio program describing what it might be like if Russian operatives actually infiltrated the White House. The highlight of our chat might be when Scott recited from one of her short stories, “Salsa,” a very funny tale of  searching for meaning and avoiding misunderstanding. Talking about issues of race took on an interesting life of its own and, I sincerely believe, we had a very productive exchange. As Scott closed out our chat, she quoted the wise words of Maya Angelou: “We are more alike, my friends, than we are unalike.” Wise words we can all try to live by.

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Max in America: Into the Land of Trump

MAX Comics Grinder Promo 2020

Max in America: Into the Land of Trump by Henry Chamberlain

There’s not a moment to lose. I’m getting fired up and ready to go sell some books. Hey there, friends, consider getting a copy of Max in America: Into the Land of Trump, available at Amazon or ask me directly or go to my blog’s store. I’d love to know what you think and don’t be shy about reviewing it at Amazon too! But don’t just take my word for it. Check out what author Stacey E. Bryan has to say over at her blog…

via Max in America: Into the Land of Trump

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March 12, 2020 · 9:57 pm

Book Review: ‘Gunning For Angels’ by C. Mack Lewis

Gunning For Angels by C. Mack Lewis

Some books just sneak up on you and you’re hooked. Such is the case with the crime novel, Gunning For Angels, by C. Mack Lewis. I can easily see Sam Rockwell play the role of private eye Jack Fox. And then there’s his live wire teen daughter, Enid Iglowski. The way these two meet is pretty hilarious and intense. Both of them court danger and trouble which all adds up to finely tuned contemporary pulp fiction. Lewis revels in all the cheap detective tropes and seems to have an endless supply of deliciously melodramatic metaphors.

Lewis has constructed a rollicking story with a touch of noir that revolves around the murder of a local tycoon. Daniel Hargrove had three daughters and each of them is quite different: one has brains, one has gorgeous legs, and the last one is simply strange. The girl with the brains is Eve Hargrove and she hires our hero, private eye Jack Fox, to drop a case started by the girl with the legs, Jeni Hargrove. Each sister is a raving beauty and spins a web that Jack can’t help but get caught in. Then there’s Bud, a seasoned police detective trying to solve the same murder if his family life doesn’t get in the way, including his heart condition. Into all this intrigue, walks in Enid Iglowski, all of sixteen, and ready to bite and claw whoever gets in her way of finding out the truth about her father, the conflicted lover boy, private eye Jack Fox.

The Thin Man by Dashiell Hammett

A good crime thriller ends up placing assorted characters together from different social strata. Think of The Thin Man‘s sophisticated Nick and Nora trying to talk sense to a jaded teen hoodlum. Lewis enjoys those type of interactions as much as any good writer. Take for example a scene that brings together quite a spicy mix all at once. Bud, our senior detective, has been talked into bringing along his son Chip, a classic heartthrob, to observe him do his job. Father and son are in a swank mansion owned by the ultra-sexy Eve, still wet in her swimsuit from a dip in her negative edge pool. Eve is contemplating bedding Chip while Bud is thinking out loud about the teen crush Enid has for Chip. Finally, Eve momentarily flirts with Bud and threatens his heart condition. Fun stuff!

Paper Moon by Peter Bogdanovich

Enjoy this book on many levels, including a first-rate murder mystery and an intriguing dynamic between father and daughter that brings to mind the poignant, and hilarious, pairing of Ryan O’Neal and Tatum O’Neal in Peter Bogdanovich’s 1973 endearing classic film, Paper Moon.  The plot thickens when suddenly fingers point to Enid somehow being accused of murder. This is a yarn that just keeps going! Lewis is definitely having a good time with it and that crosses over for the reader. Lewis is not afraid to shift the action into high gear as the plot sees fit. You just never know what will happen next in this hip and clever noir crime novel set in Phoenix, Arizona.

Gunning For Angels is the first book in a trilogy and you can find it at Amazon right here.

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Book Review: ‘Cesare: A Novel of War-Torn Berlin’ by Jerome Charyn

CESARE by Jerome Charyn

Cesare: A Novel of War-Torn Berlin by Jerome Charyn. Bellevue Literary Press, 2020, 368 pages, $26.99.

Jerome Charyn’s latest novel encompasses the decline of the Third Reich as seen through the eyes of a special set of characters. It’s about a country that has lost its soul and about a young man who hungers to feed his soul. Charyn conjures up a narrative punctuated with powerful imagery such as when he steadily rolls out thoughts of Georges Rouault, artist of sad kings, clowns, and Christ. Most prominent of Charyn’s recurring themes comes from the silent film classic about the diabolical Dr. Caligari and Cesare, his somnambulist slave. What better metaphor for someone claiming that they were trapped into following orders. That is the life of the “Cesare” in this novel, one Erik Holderman, a small but vital cog in search of redemption.

Still from The Cabinet of Dr. Caligari, 1920

The ways of the world are writ large here. This is the story about a Caligari and a Cesare as well as a whole people who became, as an incisive bestseller so phrased it, “Hitler’s willing executioners.” Yet even in this dark world there is room for light. Erik is not merely a zombie slave. Nor is Canaris merely his Dr. Caligari. Between the two of them, they mean to undermine the Nazis as much as they can and save Jewish lives, one life at at time. This is mostly a dark world and yet one that somehow allows for the existence of Emil, a mystical dwarf who could have walked right out of a Georges Rouault painting.

The Little Dwarf by George Rouault, 1938

Erik, the obedient assassin, finds his fate inextricably linked to Lisalein, a most beguiling woman who equally courts sympathy and danger. All comes to a head when Lisa’s life is in peril once she ventures too close to the false paradise of Theresienstadt. She can’t help but follow her father who is convinced that the little cultural hamlet will prove to be his haven. The narrative definitely has much of the energy of a thriller as Erik must run to keep up with events. But there is so much more here. This is a very dark world, after all, and that requires the fine scalpel of a master storyteller to reveal truth. Much in the same spirit as Kurt Vonnegut’s Slaughterhouse-Five, with its underscoring the tragedy of the Allied bombings of Dresden, Jerome Charyn underscores the tragedy of Theresienstadt, an all too real place that trapped and killed–and haunts to this very day.

Saturn Devouring His Son by Francisco Goya, 1819–1823

Jerome Charyn has a highly distinctive voice in the same company with other literary greats like Saul Bellow or Isaac Bashevis Singer. Part of Charyn’s magic is his use of sustained imagery and metaphor. He has his favorite motifs which include wolves, werewolves, magicians, criminals, and tattoos, all sorts of things that either evoke something disturbing, supernatural, or otherworldly. In this new novel, for instance, he describes Hitler as a magician with his henchmen wolves. And it makes sense that Charyn would gravitate to the Nazi way station of Theresienstadt. It hadn’t been enough for the Nazis to deceive and/or kidnap Jews into this glorified holding pen. The Nazis forced Jews to oversee each other and even determine who would be next to go on to Auschwitz. That brings us to one last Charyn motif in this novel, one of the most sobering depictions of unbridled inhumanity, Goya’s Saturn Devouring His Son. In a novel full of its share of the grotesque, it takes an artist with a precise touch such as Charyn to achieve such artful results.

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Review: Joseph Conrad’s Heart of Darkness, adapted by Peter Kuper 

Joseph Conrad’s Heart of Darkness, adapted by Peter Kuper

Guest Review by Paul Buhle

Joseph Conrad’s Heart of Darkness. Adapted by Peter Kuper. Foreword by Maya Jasanoff. New York. W.W. Norton, 2019, $21.95.

It is difficult to bring to mind a classic novel more overinterpreted than Heart of Darkness, and the reason has far less mystery than the novel itself. Joseph Conrad projected himself, his Victorian Britain, upon the African (more specifically, Congo) landscape, and intellectuals but also readers ever since have projected themselves upon his distinct literary creation.

Teachers have been assigning Heart of Darkness for well over a century, reinterpreting Conrad again and again, at least as frequently as literary theories shifted. Anti-colonialism and Negritude offered the sharpest criticism, amounting sometimes to rejection of the idea of writing the novel at all. Neo-colonialism, the reigning reality of our time, has renewed the ambiguity. The jungle and all its flora and fauna are under extreme assault. That the US/CIA chose to have a foremost African champion, Patrice Lumumba, assassinated just three generations ago pointed up the living contradictions  that Conrad glimpsed or perhaps did not glimpse.

Peter Kuper is an artist for contradictions and for graphic novel adaptations. An adopted son of Manhattan, he has depicted the city with as much dread as any painter, filmmaker or musician could manage. His adaptation of Upton Sinclair’s The Jungle outdoes his adaptations of Kafka, in my view, because the horrors of that urban giant, Chicago, are themselves monumental. Did Kuper suspect he would go from jungle to jungle? We wonder.

At any rate, Kuper makes every effort to be as faithful to the sprit of Conrad as he can. He wants to make an immanent critique of colonialism as seen by the soldiers and statesmen of colonialism. They are coldly calculating in their pursuit of riches and fame, including the extermination of all the dark-skinned humans in sight, by outright murder or working them to death. And yet they are also mentally twisted adventurers, for who else would participate in such an ugly and dangerous mission?

Marlowe, as demonstrated in the novel, can understand horror when he sees it, and as a commercial agent is very much part of the machinery of it. The vanishing of the mysterious Mr. Kurtz, the need for the trek into the jungle, is the test of Marlow and arguably, the test of artist Kuper, who has traveled widely, lived for extended periods in Mexico, not to mention being part of a peacenik, anti-imperialist political magazine collective for forty years and still going.

Kuper offers us several remarkable pages of explanation, in his introduction, of how he approached what he calls “the fraught history of cartoon stereotypes.” (p.xx). He explains technique as well as purpose of subverting Conrad’s text while still being faithful to the literary quality—no mean trick.

Whether this is successful, we can best judge as the pages pass and we find ourselves deeper in the jungle, deeper in the horrors of managing the ghastly enterprise. Actually, of course, Marlow is mostly halfway on the outside, a fellow white man, looking in. And becoming more savage than any black man or woman of the jungle.

Kuper manages to explain, with the brevity of a single panel, the deepest desire of the one intellectual, Kurtz, through his protege: that booty would remain but every black skinned human would be exterminated, an insane and impossible task.

Kuper saves his darkest dark for the final pages, Marlow’s return home to London, where he meets but cannot truly confront the belief in Kurtz’s eminence. These last pages drip with blacks and grays, driving home the point.

Paul Buhle is actively producing radical comics.

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‘The Twilight Zone’ Hits the Ground Running

The Twilight Zone

The Twilight Zone reboot hits the ground running by finding a way back into what made the original series work and trying to avoid adding and tweaking more to it and messing up a good thing. Just one more thing tacked on can be like playing a game of Jenga where you tear down an otherwise neatly put together structure. Without  spoiling anything, if there is one criticism to the show, it is that it needs to keep to this golden rule. For the most part, it does that and that bodes well for what it shaping up to being a lively and compelling return to a classic. This series comes to you from CBS All Access and is hosted by Jordan Peele.

What would Rod Serling think of viewing Twilight Zone on a phone?

I will fast forward to the second episode as it is an example of how this series is finding its feet. We immediately start with a fresh look at something not directly referencing an iconic episode as is done in the first episode. We’re at a comedy club, which is an ideal Twilight Zone setting if ever there was one: in the darkness, the audience as well as the performer are looking for some catharsis. Our main character, comedian Samir (Kumail Nanjiani), is stuck on speaking truth to power but he’s not connecting with his audience. Then he has a talk with a veteran comedian J.C. (Tracy Morgan). The main bit of advice: Don’t try to make points; Go for the laughs by keeping it personal–but beware that once you take from your life, it’s out there and you can’t get it back. Samir goes against his better judgement and makes a detour that gets him the laughs.

Jordan Peele channeling Rod Serling

“The Comedian” is not a direct reference to any particular TZ episode, not like Richard Matheson’s monumental airplane nightmare. But it is a sly tip of the hat to Rod Serling nonetheless, just a sweet little Easter Egg (there are others, as in names used for some characters) as it refers back to one of Serling’s landmark teleplays prior to TZ. It is that sort of deep dive that will send a nice chill of recognition for diehard fans. The scirpt’s writer, Alex Rubins, would certainly be aware of that. So, we’ve got a character in crisis: Samir has made some devil’s bargain. All is set up for the chilling fun and it is delivered. In this case, a little editing somewhere in the middle to tighten things up would have been ideal. As for the end, it is spot on.

Twilight Zone on CBS All Access

I think the challenge for this reboot is satisfying an audience that is happy to take things further, like a kid in a candy store who risks a stomach ache. The first episode, “Nightmare at 30,000 Feet,” makes that mistake by pushing a bit beyond what would have been a perfect ending. And the second episode makes that mistake by packing it bit more background that drags an otherwise excellent story. There’s a very good reason that Serling and the rest of his writers concluded that the sweet spot for the show was the original half hour format. With streaming, the restrictions are lifted and so the creative team (a producing team that includes Glen Morgan, Greg Yaitanes, Simon Kinberg, and Jordan Peele) needs to be mindful of being disciplined storytellers. That said, my guess is that you can expect this reboot to indulge in providing viewers with a deluxe director’s cut excess. That could be very good news for some fans. Then again, who knows, maybe adjustments will be made and we’ll get this reboot refined to perfection.

As someone who is putting together a graphic novel that is directly related to The Twilight Zone, I am particularly intrigued by this reboot. I see the minor blemishes too. But, overall, this is a series that has its ducks in a row and I feel confident that Rod Serling, given a chance to process where we are today, would grin and give the show his blessing.

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Book Review: IT OCCURS TO ME THAT I AM AMERICA: NEW STORIES AND ART

It Occurs to Me That I Am America: New Stories and Art

What does it mean to be American in these strange times we live in? We have someone in power who behaves like a self-serving gremlin, determined to dismantle and foment unrest, boasting a horribly inarticulate screed. Here is a collection from some of the most respected names in the arts that acts as an answer to what it is to be American. It is entitled, It Occurs to Me That I Am America: New Stories and Art, published by Touchstone, an imprint of Simon & Schuster. This title came out in 2018 and it deserves to be on everyone’s radar in 2019 and for years to come.

Vote Hillary by Deborah Kass

Sometimes, perhaps too often, we get such a gem of a book that deserves a whole new shout out. Let me run through for you what makes this one special. Gathered within 375 pages are works by talented artists and writers all tackling a common theme in refreshingly unexpected ways. The book is edited by celebrated artist and novelist Jonathan Santlofer, with an introduction by Pulitzer Prize winning novelist Viet Thanh Nguyen. The roster of creators runs the gamut from exciting new talent to established legends. Each piece is a highly original voice. You’ll find, for instance, Hate for Sale, by Neil Gaiman, a poem tailor-made for today and yet unnervingly timeless. Or how about Joyce Carol Oates, “Good News!”a cautionary tale that nicely channels Ray Bradbury.

Little House on the Prairie Holding Company LLC by David Storey

Among visual art, one that immediately strikes just the right defiant tone is Vote Hillary, by Deborah Kass, a screen print channeling Andy Warhol with Trump replacing Nixon as the subject. Another compelling piece is The Ugliest American Alphabet, by Eric Orner, where he recounts all that is dismaying about Trump using every letter of the alphabet. Some other thoughtful work in comics comes from Roz Chast with Politics; and from Mimi Pond with Your Sacred American Rights Bingo. And one of the most beguiling works in comics in this book is a tryptic by Art Spiegelman. To be sure, all the work here is not espousing one particular point of view. You’ll find a bit of everything when it comes to articulating all things American. It’s not as easy as simply pointing fingers. It’s complicated, right? All in all, you have 52 distinctive voices here sharing with you just how complicated it all is in the best spirit of vigorous critical inquiry.

Your Sacred American Rights Bingo by Mimi Pond

I will finish up here by taking a closer look at the piece by Alice Walker, Don’t Despair. It is one of the shortest works and comes towards the end of this collection. She recounts how growing up in rural Georgia, all white men seemed to be like Donald Trump, petty and hateful. She looks back and wonders how she survived those times. Part of the answer is that Walker comes from a long line of ancestors who chose to live or die on their feet. Her family would survive, even proper, in the tiniest of spaces allowed to them by white people. Fast forward to today, Walker asks Is living under a dictatorship all that of a surprise? Her solution: Study hard! Study who you’re really voting for! And don’t rely on just voting for someone! “It is our ignorance that keeps us hoping somebody we elect will do all the work while we drive off to the mall.” Walker isn’t just offering hope. As she puts it, she’s offering counsel. Real change is personal and involves relating with each other. It is a time for an awakening and the choice is ours.

The Ugliest American Alphabet, by Eric Orner

It Occurs to Me That I Am America: New Stories and Art is a 375-page hardcover, with black & white and color images, published by Touchstone, an imprint of Simon & Schuster.

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Review: TUMULT by John Harris Dunning and Michael Kennedy

Tumult by John Harris Dunning and Michael Kennedy

Every Hitchcock film features someone out of their element. My favorite Hitchcock character is the dapper ad exec Roger Thornhill, played to the hilt by Cary Grant, in North by Northwest. In the new graphic novel, Tumult, we have another ad exec type minus the charm. Enter Adam Whistler, a thirtysomething bratty wannabe artistic filmmaker. Writer John Harris Dunning and artist Michael Kennedy concoct a delicious brew of noir mystery with their Hitchcock-inspired graphic novel, published by SelfMadeHero.

Morgan, is that you?

This is a story of a man steadily getting in over his head. First, he has an affair with a teenager that destroys his marriage. Then he proceeds to destroy his career just as it looks like he’s about to land the film project of his dreams. He seals his fate when he has an encounter with a mysterious woman that he can’t let go. Her name is Morgan. Or is it Leila? Or Pretty Princess? The improbable suddenly becomes probable as Adam falls into a downward spiral. Subplots help to lighten and darken the narrative as needed. Adam has a friend who is endlessly reciting his opinion on macho-themed movies. Morgan can’t break free of Dave, an unsavory and persistent troll.

A fool in the making.

This is Mr. Kennedy’s first graphic novel and Mr. Dunning’s second. His previous one is Salem Brownstone. Dunning also set up the prestigious exhibition, Comics Unmasked, at the British Library. No doubt, Tumult would fit right in with that. Kennedy commands the pages with a bold and brash style, both exuberant and precise. His striking color choices compliment his powerful linework. I have to hand it to both gentlemen. It encourages me as this is just the type of offbeat stuff that I both write and draw for my own comics. And it is definitely my preferred choice of comics to read. I’ll bet it might be yours as well.

A touch of the littlest hobo.

Tumult is a 184-page full color hardcover published by SelfMadeHero.

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Book Review: ABRIDGED CLASSICS by John Atkinson

ABRIDGED CLASSICS by John Atkinson

We can all use a laugh and cartoonist John Atkinson has a unique way to provide that for you with his new book, “Abridged Classics: Brief Summaries of Books You Were Supposed to Read but Probably Didn’t.” This would make a great gift for Father’s Day or just about any occasion. Atkinson is known for his comic strip, “Wrong Hands,” where he distills things down to their hilarious essence. You have probably read his funnies in Time Magazine. Well, he takes no prisoners as he distills over a hundred works of literature down to a few mere words! Very funny stuff.

“The world of the one panel comics gag shares a lot in common with the world of stand-up comedy. Either the joke works or it doesn’t. Welcome to Wrong Hands, the world of John Atkinson, where jokes make impacts.” I said that as part of my introduction to an interview I did with John Atkinson five years ago. That was long before his gig with Time Magazine. I just happened to enjoy his ongoing work that all began, and continues to take place, on a blog at WordPress. I love that Atkinson keeps it all simple and real, down to maintaining his no frills free blog just like so many of us out here in the blogosphere.

There is a lot going on in Atkinson’s deceptively simple cartoons. There’s the joke, which can unpack in your mind on a deeper level. And there’s the pared-down art, free of ego-centric expressive lines. You end up with a very zen experience. Atkinson has a lot he wants to say in his work and the magic is in how he achieves the maximum impact with as little as possible. So, it makes total sense for Atkinson to tackle some of the most celebrated books–with hilarious results.

I highly recommend that you pick yourself up a copy. It’s a fun book that you’ll want to come back to. The little hardcover book has a nice look and feel to it. But, by all means, enjoy it on your phone too, especially since Atkinson’s format fits perfectly on any screen.

“Abridged Classics: Brief Summaries of Books You Were Supposed to Read but Probably Didn’t” is a 157-page full color hardcover, published by HarperCollins.

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Story: Dale Carnegie Lives! Chapter 2

Eminem and Dale Carnegie

Honestly, I don’t see why I shouldn’t spring another chapter on you ahead of schedule if you’re ready. If you like it, you like it. If you don’t, well, I just can’t see why that should be. I am dying to know what you think. And I’m even thinking of knocking the price down on the Kindle edition if I’m talked into it. Anyway, enough of that for now.

Remember, all you really need to know is that our hero, Fernando, is a rogue immigrant from Cuba. He means well and, in fact, he has a pretty darn important purpose in life!

Chapter 2

Manuel and Paloma did have a son. However, their good fortune would not last. In 1959, Castro took control. Artists, intellectuals, and activists were all in danger. And, as the years passed, Castro and his regime would pluck out dissenters. One day, in 1967, Manuel was plucked and never seen again. And, when Fernando came of age, in the prime of his life, in 1977, he too was thrown into a prison cell. It was now 2017 and Manuel Rivera’s son, so full of promise and supposedly with a special purpose, had been languishing in a Cuban prison for the better part of his life. This is where our story of Fernando begins.

So many years locked away. Oh, the horror. Fernando, if he ever dared to dream, had lost much of his youthful spark, almost forgetting how to dream. If he had ever known his true calling, it had been buried deep inside him, beyond reach. Perhaps his father had only hinted at what lay ahead in Fernando’s future. But, for now, he was not much better off than a dog. And what could he possibly do now at this point in his life? Was he already too old? Were his best days behind him? Had he ever had better days? Still, like a dog, he had a strong survival instinct fully intact—and he had not completely given up. In fact, he remained a crafty little devil.

Fernando had been plotting his escape for years. Unlike many prisoners, Fernando valiantly did all he could to hold on to his soul. He had seen what had happened to many of his fellow Cubans. Many of them blamed themselves for getting locked away in prison. Somehow, there was a peculiar mindset that believed in Castro and that, no matter what he did, Castro had a very good reason for it! This was the control that an authoritarian had over his people. It exists to this very day and not only in Cuba but around the world, even in the United States of America. Hard to believe—but true. Fernando had enough to worry about just being in prison but he knew that Castro was wrong and that others like him were also just as wrong.

Fernando’s father, before he disappeared forever, had told his son that he was the reincarnation of Dale Carnegie, the world-renown motivational speaker. But what did that really mean? So many years later, was that supposed to be accepted at face value or was it just a metaphor, a symbol of hope? Fernando stirred at night trying to understand what it meant and what was to happen to him. Did he have any hope left? What helped him out a lot was the fact he had become a fixture in the prison system. He had been around for so long that he could pretty much come and go as he pleased—at least that is what he thought.

Sometimes, Fernando was locked into his cell with great ceremony. Other times, it seemed that, if he wanted to, he could walk right out of the prison. It was a big game with the guards, he was sure. It went unspoken with little rhyme or reason. No one seemed to care much what Fernando did. The guards were an odd mix of utter incompetence and light thinkers with glimmers of philosophical insight. “Let him walk right out of here,” Fernando overheard one of them say, “and he will run right back to what he knows best, his dull but familiar prison routine!”

Finally, the day would come when Fernando would have the last laugh. Before it really became too late, he would escape and never return.

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