Writer Andre Frattino and illustrator Jesse Lee have a very compelling graphic novel project, SIMON SAYS: NAZI HUNTER, the story of famed Nazi hunter and writer Simon Wiesenthal. Frattino and Lee seem to have a good handle on the subject. They have the background to tackle such an ambitious project. And, based upon their samples, it looks like it will add up to a riveting narrative. This is inspired by the true story of Holocaust survivor, Simeon Wiesenthal, an artist who lost his family and took justice into his own hands.
SIMON SAYS by artist Jesse Lee and writer Andre Frattino
From the Kickstarter campaign:
Wiesenthal was an Austrian architect who survived the Holocaust thanks partly to his artistic skills (he was spared from execution when he was employed to paint swastikas on train cars). After the war, he discovered that he and his wife lost over 80 members of their family. Wiesenthal dedicated the rest of his life to hunting down notorious war criminals including Adolf Eichmann (a chief orchestrator of Hitler’s “Final Solution to the Jewish Question”) and Joseph Mengele (a.k.a. “The Angel of Death” who conducted horrifying experiments on his subjects).
While Simon Says: Nazi Hunter #1 is inspired by Simon Wiesenthal, it is not merely a dramatization of his experiences alone. The story takes from many aspects of various Nazi Hunter stories following the war. The tone of the comic is a mixture of noir and pulp fiction which was prevalent in the 1950s and 60s. Other influences include Ian Fleming’s James Bond Series as well as such films as Schindler’s List, Inglorious Bastards and TV series like Sherlock and Man in the High Castle.
Simon Wiesenthal will always be a quintessential hero. It is exciting to see a graphic novel taking shape about his life and work. A Kickstarter campaign in support of SIMON SAYS: NAZI HUNTER #1 is on now through February 27th to raise funds for the first issue of what will be a full length graphic novel. Visit the campaign right here.
The figure of Charlie Chaplin looms large all these many years and rightly so. If Chaplin had only taken his career as far as his Tramp character, he would richly deserve all the accolades in the world. Unlike other silent screen giants, it was after dominating the box office in what he was known for, that he pushed himself to his greatest creative heights crossing over into the sweeping changes of a new generation. Chaplin’s achievement is so singular and unique that it simply has no equal. It is all on full display with his film, 1940’s “The Great Dictator.” In honor of such talent and vision, a webcomic and graphic-novel-in-progress plays off all the dynamics involved between Chaplin’s answer to Hitler. This is a bold and whimsical fictionalization entitled, “The Führer And The Tramp,” written by Sean Luke McCard, Jon Judy and illustrated by Dexter Wee.
The Tramp on the run from the Nazis!
To see Charlie Chaplin, in full costume as the Tramp, stumbling into a Berlin movie theater and ending up sharing popcorn with Adolf Hitler is pretty wild–and a fun start to this graphic novel. This is just a taste of things to come. It’s 1938 and Chaplin just happens to be in Berlin and one thing leads to another. Once safely back in Hollywood, it seems that all can go back to normal–but not if undercover agent Hedy Lamar, and her handler Errol Flynn, have anything to do with it! If you’re a fan of alt-history, a little zany spy hijinks, mixed in with some thoughtful observations on real history, then this is something you will want to seek out.
Happier times at the Cocoanut Grove.
The idea here is to cast a fresh light on history as well as just have some fun. The webcomic continues to upload new material so it will be interesting to see how things develop. I think the script has an overall nice handle on the humor running throughout. Given that this is fiction, the story is free to take a number of twists and turns. It’s a tricky balancing act since, in large part, this fictional Chaplin has been robbed of his self-determination. Here you have others goading and pushing him along to move beyond what he knows and create a work of art with real political power. The real Charles Chaplin did not need to be pushed into creating “The Great Dictator.” Anyway, just wanted to clear that up. That said, this is a delightful webcomic. The artwork by Dexter Wee is spot on capturing something of the pathos and integrity of Chaplin. So, Chaplin is not treated all that bad here after all.
Keep up with “The Führer And The Tramp” webcomic right here.
TRUMP is an informative guide on Donald Trump presented in a comics format by Ted Rall, published by Seven Stories Press. It is not a satire, nor is it a bombastic attack on Mr. Trump. In fact, if you were only to read a brief passage here or there, you might even warm up a bit to the human being that is Donald J. Trump. Yes, of course, this is a human being we’re talking about. To his credit, Trump has provided quite a reality check to what has usually been a rather rote and bloodless presidential campaign process. Well, the powers that be would much prefer it to work that way. But there’s always room for some sort of change. The last hopeful sign of it was the rise of Barack Obama. This time around, some would have you believe that the winds of change are for Trump. With Ted Rall’s compact and concise guide, you might pick up on a number of facts that have gotten lost in the whirlwind.
When one sings a high note, it is essential to leave room for the climb up. And so it is with Rall’s rendition of events. Rall has had a glorious career in comics leaning hard left or involving highly-charged pieces railing against the status quo. But, through it all, I believe Ted Rall has always had something interesting to say. I’ve had the pleasure to review two of his recent books, also with Seven Stories Press: a bio of Edward Snowden; and a bio on Bernie Sanders. SNOWDEN paved the way for some of Rall’s best work. The format of crisp chapters that hit the main points to each topic leads to greater clarity and seems to foster a well-balanced approach.
Trump, a pacifist? Not so much.
Of course, Rall wouldn’t be Rall without some provocation. In the case of TRUMP, Rall is playing fair where he can. Sure, Trump has proven to be a good guy in regards to his own family. Yes, Trump has made the establishment cringe in much needed ways. Who else but Trump would dare to so pointedly criticize the U.S. invasion of Iraq? Well, no Republican dared to cross the Bush dynasty in the way Trump did. Like it or not, that rebuke of the war in Iraq was nothing less than brilliant. However, Rall, while giving Trump some credit, is also building a case that a Trump administration would be fascist. In fact, Rall brings up a comparison to Hitler a number of times.
What makes Rall’s argument work is that he thoughtfully and logically presents the facts. Ironically, as it were, Rall does agree with Trump that America, overall, has been in decline these last forty years or so. But Trump is only exploiting a vulnerability. He heavily relies on his charisma and empty slogans. He blames races of people for America’s problems. And, while he was against the war in Iraq, he shows no qualms about “bombing the hell out of ISIS.” Rall refers back to, Robert Paxton, a history professor he studied under at Columbia. Paxton wrote the definitive, “The Anatomy of Fascism.” Of Trump, Paxton says, “He’s very spontaneous. He has a genius for sensing the mood of a crowd and I think to some degree Hitler and Mussolini had those qualities also. I do not think he’s learned this from a book.”
When the U.S. government could have saved Main Street, it sided instead with Wall Street.
Or is it possible that much, if not all, of what Trump has said and promised on the campaign trail is a bunch of blustery hooey? Rall’s book came out in time to tap into the recurring theme about Trump supporters: They are willing to overlook his offensive statements and take it with a grain of salt. The overriding goal for them is change. Let Trump be Trump and let him give an upturned middle finger to the political elite. It’s a fairly sophisticated stance coming from what most of the media is willing to dismiss as a steaming pile of racist buffoons.
Trump has been Professor Harold Hill to America’s vulnerable River City. Like that masterful Pied Piper, Trump has ingratiated himself with a larger-than-life persona only to come up woefully short on any of his outrageous promises. Trump has inspired Ted Rall to write this book about him and make a case for him being a fascist! But, alas, Trump may prove to be the most empty suit of them all.
TRUMP is a 192-page trade paperback in full color. For more details, visit Seven Stories Press right here.