Tag Archives: Writers

Max in America: Into the Land of Trump

MAX Comics Grinder Promo 2020

Max in America: Into the Land of Trump by Henry Chamberlain

There’s not a moment to lose. I’m getting fired up and ready to go sell some books. Hey there, friends, consider getting a copy of Max in America: Into the Land of Trump, available at Amazon or ask me directly or go to my blog’s store. I’d love to know what you think and don’t be shy about reviewing it at Amazon too! But don’t just take my word for it. Check out what author Stacey E. Bryan has to say over at her blog…

via Max in America: Into the Land of Trump

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March 12, 2020 · 9:57 pm

Book Review: ‘Gunning For Angels’ by C. Mack Lewis

Gunning For Angels by C. Mack Lewis

Some books just sneak up on you and you’re hooked. Such is the case with the crime novel, Gunning For Angels, by C. Mack Lewis. I can easily see Sam Rockwell play the role of private eye Jack Fox. And then there’s his live wire teen daughter, Enid Iglowski. The way these two meet is pretty hilarious and intense. Both of them court danger and trouble which all adds up to finely tuned contemporary pulp fiction. Lewis revels in all the cheap detective tropes and seems to have an endless supply of deliciously melodramatic metaphors.

Lewis has constructed a rollicking story with a touch of noir that revolves around the murder of a local tycoon. Daniel Hargrove had three daughters and each of them is quite different: one has brains, one has gorgeous legs, and the last one is simply strange. The girl with the brains is Eve Hargrove and she hires our hero, private eye Jack Fox, to drop a case started by the girl with the legs, Jeni Hargrove. Each sister is a raving beauty and spins a web that Jack can’t help but get caught in. Then there’s Bud, a seasoned police detective trying to solve the same murder if his family life doesn’t get in the way, including his heart condition. Into all this intrigue, walks in Enid Iglowski, all of sixteen, and ready to bite and claw whoever gets in her way of finding out the truth about her father, the conflicted lover boy, private eye Jack Fox.

The Thin Man by Dashiell Hammett

A good crime thriller ends up placing assorted characters together from different social strata. Think of The Thin Man‘s sophisticated Nick and Nora trying to talk sense to a jaded teen hoodlum. Lewis enjoys those type of interactions as much as any good writer. Take for example a scene that brings together quite a spicy mix all at once. Bud, our senior detective, has been talked into bringing along his son Chip, a classic heartthrob, to observe him do his job. Father and son are in a swank mansion owned by the ultra-sexy Eve, still wet in her swimsuit from a dip in her negative edge pool. Eve is contemplating bedding Chip while Bud is thinking out loud about the teen crush Enid has for Chip. Finally, Eve momentarily flirts with Bud and threatens his heart condition. Fun stuff!

Paper Moon by Peter Bogdanovich

Enjoy this book on many levels, including a first-rate murder mystery and an intriguing dynamic between father and daughter that brings to mind the poignant, and hilarious, pairing of Ryan O’Neal and Tatum O’Neal in Peter Bogdanovich’s 1973 endearing classic film, Paper Moon.  The plot thickens when suddenly fingers point to Enid somehow being accused of murder. This is a yarn that just keeps going! Lewis is definitely having a good time with it and that crosses over for the reader. Lewis is not afraid to shift the action into high gear as the plot sees fit. You just never know what will happen next in this hip and clever noir crime novel set in Phoenix, Arizona.

Gunning For Angels is the first book in a trilogy and you can find it at Amazon right here.

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Review: ALWAYS GOODBYE by Ray Hecht

Always Goodbye by Ray Hecht

Always Goodbye by Ray Hecht. 88 pages. TWG Press, 2019, paperback, $5.99.

With great insight and humor, Ray Hecht shares his life with the reader in his autobiographical graphic novel, Always Goodbye. This is an ambitious work as Hecht takes stock of his whole life thus far. Hecht sums up his life, year by year, and he’s up to the challenge. He’s definitely an interesting subject: an artist, filmmaker, journalist, and author. What he’s doing here is giving the reader a window into what he’s done all his life: traveling, observing, and creating art. Like the results of a conversation between good friends, this graphic novel provides many gifts.

circa 1990

The theme of the book is found in the title. While traveling can be enlightening and full of adventure, it often comes at a price. And, of course, all travel is not completely voluntary. A lot of the nuts and bolts of travel are not glamorous and bring in a whole lot of issues including the trauma of displacement.

circa 2012

No doubt, Ray Hecht is doing exciting work with comics, both as a creator as well as an instructor. And he certainly has a wonderful track record of prose novels, including South China Morning Blues and The Ghost of Lotus Mountain Brothel. Hecht is an artist down to his bones and I definitely relate to that. Hecht has harnessed a creative drive that’s led to compelling work. Anyone interested in the inner life of an artist will get a lot out of his latest book. If you enjoy a hearty work of autobiography, this will appeal to you. Hecht’s comics have got enough of that quirk factor that earns him a place within that fine tradition of auto-bio comics that includes such luminaries as John Porcellino, Tom Hart, and Lynda Barry.

Always Goodbye is published by TWG Press and available right here.

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Book Review: ‘Cesare: A Novel of War-Torn Berlin’ by Jerome Charyn

CESARE by Jerome Charyn

Cesare: A Novel of War-Torn Berlin by Jerome Charyn. Bellevue Literary Press, 2020, 368 pages, $26.99.

Jerome Charyn’s latest novel encompasses the decline of the Third Reich as seen through the eyes of a special set of characters. It’s about a country that has lost its soul and about a young man who hungers to feed his soul. Charyn conjures up a narrative punctuated with powerful imagery such as when he steadily rolls out thoughts of Georges Rouault, artist of sad kings, clowns, and Christ. Most prominent of Charyn’s recurring themes comes from the silent film classic about the diabolical Dr. Caligari and Cesare, his somnambulist slave. What better metaphor for someone claiming that they were trapped into following orders. That is the life of the “Cesare” in this novel, one Erik Holderman, a small but vital cog in search of redemption.

Still from The Cabinet of Dr. Caligari, 1920

The ways of the world are writ large here. This is the story about a Caligari and a Cesare as well as a whole people who became, as an incisive bestseller so phrased it, “Hitler’s willing executioners.” Yet even in this dark world there is room for light. Erik is not merely a zombie slave. Nor is Canaris merely his Dr. Caligari. Between the two of them, they mean to undermine the Nazis as much as they can and save Jewish lives, one life at at time. This is mostly a dark world and yet one that somehow allows for the existence of Emil, a mystical dwarf who could have walked right out of a Georges Rouault painting.

The Little Dwarf by George Rouault, 1938

Erik, the obedient assassin, finds his fate inextricably linked to Lisalein, a most beguiling woman who equally courts sympathy and danger. All comes to a head when Lisa’s life is in peril once she ventures too close to the false paradise of Theresienstadt. She can’t help but follow her father who is convinced that the little cultural hamlet will prove to be his haven. The narrative definitely has much of the energy of a thriller as Erik must run to keep up with events. But there is so much more here. This is a very dark world, after all, and that requires the fine scalpel of a master storyteller to reveal truth. Much in the same spirit as Kurt Vonnegut’s Slaughterhouse-Five, with its underscoring the tragedy of the Allied bombings of Dresden, Jerome Charyn underscores the tragedy of Theresienstadt, an all too real place that trapped and killed–and haunts to this very day.

Saturn Devouring His Son by Francisco Goya, 1819–1823

Jerome Charyn has a highly distinctive voice in the same company with other literary greats like Saul Bellow or Isaac Bashevis Singer. Part of Charyn’s magic is his use of sustained imagery and metaphor. He has his favorite motifs which include wolves, werewolves, magicians, criminals, and tattoos, all sorts of things that either evoke something disturbing, supernatural, or otherworldly. In this new novel, for instance, he describes Hitler as a magician with his henchmen wolves. And it makes sense that Charyn would gravitate to the Nazi way station of Theresienstadt. It hadn’t been enough for the Nazis to deceive and/or kidnap Jews into this glorified holding pen. The Nazis forced Jews to oversee each other and even determine who would be next to go on to Auschwitz. That brings us to one last Charyn motif in this novel, one of the most sobering depictions of unbridled inhumanity, Goya’s Saturn Devouring His Son. In a novel full of its share of the grotesque, it takes an artist with a precise touch such as Charyn to achieve such artful results.

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New Book: ‘Max in America: Into the Land of Trump’ by Henry Chamberlain

Max in America: Into the Land of Trump by Henry Chamberlain

A lot of my readers are familiar with my various creative pursuits. And I think a fair amount have followed a particular project I’ve been developing. It all began with a hot air balloon ride. Our hero, Maximo Viaje, a well-intentioned artist living in Mexico, suddenly finds himself an “illegal immigrant” at an especially heated time, the Trump era. We’ll revisit the progress of this book as it begins to make its way onto various platforms. As of this writing, you can find print copies at the Comics Grinder store right here.

We can always use a laugh and some food for thought.

Whatever your politics, it’s safe to say that we live in quite surreal times. I’m confident that readers will enjoy a narrative that incorporates light humor, food for thought, and a rollicking joy ride of road trip misadventures. No one ever said achieving the American Dream was going to be easy and it’s an even bigger challenge for Maximo, who had been happy to simply daydream! He can’t afford to daydream any longer.

Rico is ready for his Instagram close-up.

Once Maximo is in the United States, he meets Leslie, another lost soul who feels trapped and is ready for change. A series of eerie coincidences form an inseparable bond between Maximo and Leslie. If they can rely upon each other and rise to the occasion, they might be able to overcome adversity. One coincidence could prove fatal. Leslie is convinced that she is married to Maximo’s twin brother. And if that did not seem enough, Maximo strongly suspects he has some special connection to the Kennedy dynasty. Ultimately, Maximo and Leslie are on the run while also juggling a promising comedy touring act.

Will JFK save the day?

This book is fully illustrated which will definitely add a nice touch to the reading experience. The content here is mostly focused on satire and is suitable for any age. As both a writer and a cartoonist, I can clearly see this book having a lot of crossover appeal. It could easily be sold within the context of work in comics and illustration as well as prose. The humor and the hero’s journey will appeal to a wide range of readers.

No time to lose.

Max in America: Into the Land of Trump is currently available only at the Comics Grinder store.

UPDATE: Now available at Amazon right here.

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Book Review: SENSE OF WONDER: MY LIFE IN COMIC FANDOM – THE WHOLE STORY by Bill Schelly

Sense of Wonder by Bill Schelly

What has a superhero ever really done for you? That’s a tricky question. It depends upon who you ask. First, superheroes aren’t real and are owned by corporations, at least all of the household names. It’s a cold-blooded business when you look at it from the perspective of co-creators who were not given credit or a fair share of the profits, like Jack Kirby or Steve Ditko or Jerry Siegel & Joe Shuster. Comic books are a mass entertainment focused on profit, right? And then there’s the perspective of thoughtful and dedicated fans, the ones who take it to heart, who even write and draw in tribute to beloved characters. Bill Schelly is among that group of fans who know, despite any ugly realities, how to harness the super powers of the likes of Superman and Spider-Man. If you believe enough, especially in yourself, all sorts of dreams can come true. Bill Schelly set out to be an author, a “writer of books,” and buoyed up by the power of fandom, achieved his wildest dreams, including a respectable fanzine while still a youth, A Sense of Wonder, all the way to a memoir of the same name that has recently been expanded, A Sense of Wonder: My Life in Comic Fandom – The Whole Story, published by North Atlantic Books. It is like the most compelling of pop culture scrapbooks come to life.

Do people still even keep scrapbooks? Thankfully, some do. Yes, even digital files count. There will always be those who are compelled to document, dig deeper, and pay it forward. In the case of Bill Schelly, it all began with a fateful train ride. The Schelly family was on a trip to visit relatives back in 1960. To help keep nine-year-old Bill preoccupied on the long ride ahead, his father bought him a comic book. But it wasn’t just any comic book. His two brothers chose regular issues of ten cents each. Bill was excited about a special issue, Giant Superman Annual #1 with its enticing cover promising numerous thrills. It cost a whole quarter. At first, his father balked but ultimately relented. Schelly’s recollection of this scene is quite moving. He goes on to describe a boy besotted by all the larger-than-life stories found in the brightly colored pages. This is the pivotal moment that set young Bill on a lifelong journey. He already knew that he wanted to be a “writer of books” and, only a few years later, he would discover his ability to draw. What really set Schelly apart was a specific interest to better understand the underpinnings of comics. As much as Schelly wanted to become just like the comic book creators he so admired, he was driven by an intellectual need to know and a compelling desire to share his findings with other enthusiasts. This led to a number of boyhood fanzines, home-made magazines with a focus on a fan’s passion. And the best iteration of this process was a fanzine he called, Sense of Wonder. He became a teenage editor and publisher with subscribers all across the country. Young Bill confidently knew that he had set the stage for big things ahead but had no clue as to what exactly he would achieve or how he would get there.

Giant Superman Annual #1

Over the years, Schelly pushed himself to evolve as a writer and, in turn, as a person. As he had done with his boyhood fanzines, he learned from his mistakes and was driven to improve. While he honored the egalitarian spirit of fandom where every fan was an equal, he also wanted to lead the way and make his distinctive mark. As he had discovered early on in life, fandom is a close-knit network of like-minded souls and, in general, fans support fans. You never knew which friend you made today might lend a hand in some unexpected way in the future. It was through the world of fandom that Schelly found his way. And it is around the age of 21 that the first version of Schelly’s book, A Sense of Wonder, ends. This new version picks up from there and unveils what lay ahead. For one thing, the reader learns how the Sense of Wonder book evolved and how it was a building block towards other books. It’s surprising, with hindsight, to discover that Schelly did not reveal being gay in the first version of his coming-of-age book. In fact, he had given Howard Cruse, one of the most notable gay cartoonists, an advance copy in hopes of getting a back cover blurb. Cruse expressed regret that Schelly wasn’t ready to come out but was more than happy to provide a blurb. It was in a later version of Sense of Wonder, when Schelly was ready, that he added some of his best writing on growing up gay. And it is this latest version that beautifully brings it all together: Schelly’s dreams, his passions, the arc of a life. In the book, the reader follows Schelly as he relentlessly strives to create his magnum opus. As a young man, he hitches his wagon to the star of silent movie comedian Harry Langdon and creates his first attempt at a biography. Later on, he tackles the life of legendary cartoonist Joe Kubert. Finally, he achieves mainstream success with quite a substantial biography of another pop culture legend, Harvey Kurtzman. But, when it is all said and done and there’s finally time to take a breath and look back, Bill Schelly’s memoir is what rises to the top, a book that shares the trials and tribulations of a man who just wanted to dream and be a “writer of books.”

Bill Schelly (1951-2019)

Sense of Wonder: My Life in Comic Fandom – The Whole Story is a 392-page trade paperback published by North Atlantic Books.

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Review: WW3 #50: Shameless Feminists

WW3 #50

Guest Review by Paul Buhle

This season has seen the appearance of a prestigious anthology, Drawing Power: Women’s Stories of Sexual Violence, Harassment and Survival, edited by the veteran artist Diane Nooman (Abrams). It has also seen, more recently, a scrappier creation from the “World War 3 Illustrated” crowd: Shameless Feminists. Although this also marks WW3 #50, it is best seen as a thing-in-itself, a 192pp anthology edited by a special crew, Isabella Bannerman, Sandy Jimenez, Sabrina Jones and Rebecca Migdal. Unique among them is the Bronx-born cartoonist and erstwhile schoolteacher Jimenez, unique by his gender.

At any rate, it’s a whopper, and not only by virtue of something beyond the dreadful experiences described in the other anthology, but also by a certain sense of history and a very particular experience. One of the editors (spoiler alert, it is  Sabrina Jones) was “invited to create her first comics for issue #3,” that is, about 1980 in WW3. The collaboration is, properly seen, historic and marked by three earlier feminist anthologies as WW3 issues, in 1992, 1999 and 2000 (it’s been a long pause this time).

It’s global, it’s interracial, it’s sometimes pretty dreadful—rapes and near-rapes, humiliation and frustration. But it’s got a pretty persistent note of…persistence. And the occasional victory, not something very likely to be noticed beyond a circle or friends or even perhaps among them, but a personal triumph and sometimes a collective one.

Sabrina Jones offers several high notes along these lines, as well as the main figure of a dreamy, collective front cover. In one of her two strips she reveals her self-daring, a teenager wandering into dangerous places, a young woman choosing to live in sketchy neighborhoods, engaging in multiple affairs for the sheer joy of it, later on pressing herself to stay limber. Later on in the anthology, she makes up her mind to ride a mountain bike over part of the Pyrenees mountains from France to Spain, inevitably meeting dangerous men, and by this time, in her fifties. All of this adds up to the life story: I will not be intimidated. Indeed.

She stands for others in that sense. Lou Allen  and Teresa Cherubini separately relate how their “body image” was just never good enough for herself or her boyfriends until…each one broke from the socially-created trance. Jennifer Camper offers a menstruation metaphor through her protagonist’s life. Artist Regina Silvers is the solid leftwing grandmother who joins an antiwar Granny Brigade. And so on.

There is no summarizing the artistic approaches except to say that they are starkly different and also remarkable. This is a book that draws upon great creativity and honesty, and should inspire the same.

Paul Buhle‘s next comic, drawn by Sharon Rudahl, is a life of Paul Robeson (Rutgers University Press, October, 2020.

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Tom Spurgeon, Founder of The Comics Reporter, Dead at 51

Tom Spurgeon

Tom Spurgeon, a heroic champion of comics, especially small press comics, has passed away. It saddens me greatly to find this out today. There is definitely a personal note to this. Tom was always a great supporter of independent comics and all of those folks within that orbit through his regular posting on his blog, The Comics Reporter. He was gracious enough to include me among this group and would mention my efforts here at Comics Grinder from time to time. I did get to meet Tom a couple of times in person and he was always the gentleman, generous with his time and always upbeat. The comics industry knows his name very well. He will be missed.

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Review: ‘The Twilight Man: Rod Serling and the Birth of Television’ by Koren Shadmi

Rod Serling, quite the twilight man.

There is this amazing new graphic novel that tackles, for the first time, the life and work of Rod Serling. It is The Twilight Man: Rod Serling and the Birth of Television, by Koren Shadmi, published by Humanoids as part of their new imprint, Life Drawn. I have a lot to say about this book, in no small part, due to the fact that I have my own graphic novel that overlaps on some of what’s going on in this book. I’m still in the process of getting my book out but I think it’s actually good to see a book like this out there. This is Koren Shadmi’s Rod Serling and his take on related events. There is definitely room, and interest, for more such books. One perfect example is what appears to be an ever-growing number of graphic novels on Andy Warhol. But I digress a bit. 

I am familiar with Koren Shadmi and his work. I had the privilege of interviewing him in 2015 for one of my podcast interviews. In fact, I made a reference to The Twilight Zone and discovered that Koren, in Israel, had not grown up with the original Twilight Zone like so many of us did in the States. I don’t know about you but I’ve always had access to it. As a kid growing up in the seventies, TZ was well into syndication and very well accepted as part of the culture, even better than during its original run from 1959 to 1964. Anyway, Koren is a masterful illustrator on a fast professional track. Is it any wonder then that he was able to create this book in such a relatively short amount of time? I’d peg it at sometime during or after his previous book on Gary Gygax and Dungeons & Dragons which came out in 2017. Koren’s book on Rod Serling is fascinating and goes into as much detail as possible, even daring to cast Serling in less than a favorable light.

Rod Serling, chasing his dream.

If you want to see Rod Serling cast in an unfavorable light, look back fifty years ago. It was on November 8, 1969 that a TV movie was broadcast on NBC starring Joan Crawford, directed by Steven Spielberg, and written by Rod Serling. It was to be the pilot for the ill-fated anthology series, Night Gallery. It was pitched as something like Twilight Zone but turned out to be lackluster. Shadmi spends a good bit of time showing us the Rod Serling after The Twilight Zone and it’s not a pretty picture that he paints. Instead of wrapping up his graphic novel on an upbeat note, Shadmi has no qualms over depicting Serling as falling from grace, a little desperate and seeking approval in all the wrong places. We see Serling doing very un-Serling things: appearing in commercials, hosting a game show, and giving up all creative control all for the sake of being back in the game with Night Gallery. And, the coup de grâce for any Serling fan: Shadmi makes a reference to Serling engaging in an extramarital affair. I can only chalk it up to Shadmi compelled to show the man warts and all. But, if you want to see Serling at his best, well, there is plenty of that, enough to overlook a man’s weaknesses.

A good part of the book going in covers Serling as a brash young man eager to see combat during World War II. And that he does. While considered too short to be a paratrooper, Serling’s persistence wears down his company commander. Serling, cut from the same cloth as Hemingway, pushes himself to his limits, working as hard on his writing as his proving his manhood. Repeatedly, he pursues physical thrills and danger in the boxing ring and on the battlefield. He leaves the army permanently shell-shocked, experiencing nightmares for the rest of his life. It is such a uniquely talented and driven man who finds his way to writing for radio and later for television in New York City during the dawn of the golden age of television. And, on the strength of his landmark work on Playhouse 90, Serling ultimately finds himself on top of the world as one of television’s original show runners for The Twilight Zone. All of this and more, Shadmi faithfully brings to life on the page. It is more than enough to forgive him for daring to show the great man when he was down.

The Twilight Man: Rod Serling and the Birth of Television is a  180-page trade paperback in duotone, published by Humanoids.

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Review: Joseph Conrad’s Heart of Darkness, adapted by Peter Kuper 

Joseph Conrad’s Heart of Darkness, adapted by Peter Kuper

Guest Review by Paul Buhle

Joseph Conrad’s Heart of Darkness. Adapted by Peter Kuper. Foreword by Maya Jasanoff. New York. W.W. Norton, 2019, $21.95.

It is difficult to bring to mind a classic novel more overinterpreted than Heart of Darkness, and the reason has far less mystery than the novel itself. Joseph Conrad projected himself, his Victorian Britain, upon the African (more specifically, Congo) landscape, and intellectuals but also readers ever since have projected themselves upon his distinct literary creation.

Teachers have been assigning Heart of Darkness for well over a century, reinterpreting Conrad again and again, at least as frequently as literary theories shifted. Anti-colonialism and Negritude offered the sharpest criticism, amounting sometimes to rejection of the idea of writing the novel at all. Neo-colonialism, the reigning reality of our time, has renewed the ambiguity. The jungle and all its flora and fauna are under extreme assault. That the US/CIA chose to have a foremost African champion, Patrice Lumumba, assassinated just three generations ago pointed up the living contradictions  that Conrad glimpsed or perhaps did not glimpse.

Peter Kuper is an artist for contradictions and for graphic novel adaptations. An adopted son of Manhattan, he has depicted the city with as much dread as any painter, filmmaker or musician could manage. His adaptation of Upton Sinclair’s The Jungle outdoes his adaptations of Kafka, in my view, because the horrors of that urban giant, Chicago, are themselves monumental. Did Kuper suspect he would go from jungle to jungle? We wonder.

At any rate, Kuper makes every effort to be as faithful to the sprit of Conrad as he can. He wants to make an immanent critique of colonialism as seen by the soldiers and statesmen of colonialism. They are coldly calculating in their pursuit of riches and fame, including the extermination of all the dark-skinned humans in sight, by outright murder or working them to death. And yet they are also mentally twisted adventurers, for who else would participate in such an ugly and dangerous mission?

Marlowe, as demonstrated in the novel, can understand horror when he sees it, and as a commercial agent is very much part of the machinery of it. The vanishing of the mysterious Mr. Kurtz, the need for the trek into the jungle, is the test of Marlow and arguably, the test of artist Kuper, who has traveled widely, lived for extended periods in Mexico, not to mention being part of a peacenik, anti-imperialist political magazine collective for forty years and still going.

Kuper offers us several remarkable pages of explanation, in his introduction, of how he approached what he calls “the fraught history of cartoon stereotypes.” (p.xx). He explains technique as well as purpose of subverting Conrad’s text while still being faithful to the literary quality—no mean trick.

Whether this is successful, we can best judge as the pages pass and we find ourselves deeper in the jungle, deeper in the horrors of managing the ghastly enterprise. Actually, of course, Marlow is mostly halfway on the outside, a fellow white man, looking in. And becoming more savage than any black man or woman of the jungle.

Kuper manages to explain, with the brevity of a single panel, the deepest desire of the one intellectual, Kurtz, through his protege: that booty would remain but every black skinned human would be exterminated, an insane and impossible task.

Kuper saves his darkest dark for the final pages, Marlow’s return home to London, where he meets but cannot truly confront the belief in Kurtz’s eminence. These last pages drip with blacks and grays, driving home the point.

Paul Buhle is actively producing radical comics.

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