Bethesda, Maryland – The Small Press Expo (SPX), the preeminent showcase for the exhibition of independent comics, graphic novels and alternative political cartoons, is pleased to announce the 2021 nominees for the annual presentation of the Ignatz Awards, a celebration of outstanding achievement in comics and cartooning.
Presented virtually, SPX 2021 will feature a full slate of programming along with a livestream of the Ignatz Awards ceremony.
Once again the Ignatz jurors have selected an amazing slate of nominees that reflect the diverse voices comprising the SPX community. On behalf of the Executive Committee, we want to thank the jurors for all of their hard work, and to congratulate all of the creators for giving comics readers these incredible works during such trying times. Good luck to everyone!!!! – Warren Bernard Executive Director
The Ignatz Awards are a juried festival prize, the first of such in the United States comic book industry. Traditionally, the winners are determined by attendees of the in-person event. This year, as was the case in 2020, voting is open to all who register to receive a ballot.
Ignatz Awards nominees are determined by a panel of comics professionals. The 2021 Ignatz jurors are Sunmi, Nguyên Khôi Nguyễn, and Daniel Elkin.
The Ignatz Awards ceremony will be live-streamed via the SPX Youtube channel at 8PM on September 18.
The graphic novel, GEORGE’S RUN, is scheduled for a special indie release during Small Press Expo, September 12-13, 2020. This is a 200-page graphic novel that features the life and times of science fiction writer George Clayton Johnson. In his day, George earned his way into the inner circles of such legends as Rod Serling, Ray Bradbury, and cult literary favorites, Charles Beaumont, and Theodore Sturgeon.
GEORGE’S RUN is a story about storytelling. It’s not about just one thing and could easily be misunderstood but it’s worth giving it your attention.
Henry Chamberlain is your host. He is a cartoonist through and through. He wrote and drew this graphic novel that we’re talking about. Heck, our pal Hank has been behind the whole project from initial thumbnails to digital coloring. The guy could use a little help. For that, consider some of the awesome shout-outs he has earned from some VIPs who care about quality entertainment:
“It clearly is an act of passion!”
— Jeff Smith, creator of the comics series, Bone
“It’s really a one of a kind tale: a madcap ride back into our own pop culture told with a free-wheeling zest.
— Jerome Charyn, author of Cesare: A Novel of War-Torn Berlin
George Clayton Johnson’s Cafe Frankenstein
“GEORGE’S RUN tells the engaging story of George Clayton Johnson’s pivotal role in the core group of fantasy writers who wrote for The Twilight Zone and Star Trek, as well as his amazing novel Logan’s Run. Chamberlain’s graphic novel is a fascinating tribute to a writer who came out of nowhere to influence American fantasy writing forever.”
–Martin Olson, author of Encyclopaedia of Hell
George keeps on running!
So, just to be clear, the book will make a number of introductions into the world with a special highlight being its SPX debut in September 2020. If SPX should be cancelled, it will still enjoy a special September online release. You can keep up with updates here and at the official website for the book. For all intents and purposes, you can consider the book published as of now since I’m providing you with an early bird view of it here.
As time progresses, you’ll be able to find GEORGE’S RUN in different formats and at other venues. A version in color will be out by September.
If you thought creating a graphic novel, fully realizing it into the world, was easy, think again. But, dear true believers, George is coming! I’m in the process of adding color and I plan to show it off this year. He’s on his way. The plan is to have GEORGE’S RUN debut at Small Press Expo this year. And, fingers crossed, it will happen. For now, enjoy the first in a series of videos to document the process of bringing a graphic novel into the world. I talk a bit about hand-drawing comics, using an iPad Pro with Procreate and using the new comic book template at Lulu xPress:
GEORGE’S RUN is a graphic novel on its way to finding a place in your heart. Stay tuned.
Craig Frank’s new graphic novel, Cool Valley, published by Fahrenheit, provides an intimate look at childhood with a masterful command of the comics medium. Frank has a zeal for storytelling that is rooted in his background in animation and his overall passion for creative pursuits. In fact, the reader will see Frank’s first stir of interest in comics and drawing within the pages of his new book. I was completely won over by Frank’s debut graphic novel from a few years ago, the quirky and surreal, JFK: Secret Ops. Read my review here. This new book shares a similar live wire sensibility, set in a small town in Missouri in the 1970s, packed with an uncanny amount of vivid details.
Cool Valley by Craig Frank
There’s a bit of Huck Finn mixed in this series of vignettes interlaced together building up to a sobering existential assessment. Along the way, there are more than some touches of the supernatural too. Actually, it may have been helpful to bring the supernatural elements to the forefront due to their compelling thematic strength. What is intriguing, and deliciously spooky, is how Frank ultimately approached things by having all the scary stuff gradually emerge! So, it’s something of a toss up. You can start in with a story already with built-in expectations or you can surprise an audience with unexpected material. Going in, the reader does not know to expect anything about demons. That said, the reader quickly picks up from the first few pages that there’s a melancholy and strange tone brewing.
Cool Valley by Craig Frank
Demons aside, young Frank is jumping from one misadventure to the next. While talk of demons is only one aspect to this narrative, that eerie sense of dread is woven throughout, especially since it involves a series of tragic events that gradually, then suddenly, take over amid a narrative that includes both sorrow and joy. Frank does a wonderful job of presenting this tableau of light and dark, always wondering about meaning, always daring to express frustration with elusive answers. This is a mature work for all ages that thoroughly respects and rewards the reader. It’s a great work for young adults and older adults alike.
Cool Valley by Craig Frank
Craig Frank has taken a very original and idiosyncratic path with his comics–and that is where the most authentic comics come from. It’s great for a budding cartoonist to follow an influence and emulate his or her favorite artist. We can always have yet another cartoonist who echoes the cool vibe of Daniel Clowes. That’s a tall order and to be applauded when it works. However, it’s even better when you develop a style and vision all your own and that also takes time and dedication. And another thing, sometimes the next graphic novel is the one that catches on and lifts up the one that came before. I think Cool Valley is definitely a perfect entry point to Frank’s work. Then make your way over to his hilarious JFK: Secret Ops and then…well, we’ll just have to see what Craig Frank comes up with next!
Here is a book trailer for Cool Valley:
And here is a panel discussing the relationship between comics and animation at SPX this year that includes Craig Frank:
Rock Steady: Brilliant Advice From My Bipolar Life, by Ellen Forney, is a unique guidebook to mental health. Anyone can find something insightful and useful here. This is cartoonist Ellen Forney’s latest book in a long line of outstanding work. Among that special group of artist-writers, Ellen Forney has done it all: a remarkable comic strip, illustrations, and various other distinguished work in the comics medium. I’ve known Ellen for many years. I was the curator for her first solo art show. With all that in mind, if you’re going to this weekend’s Small Press Expo in Bethesda, then be sure to see Ellen Forney, and one of the most original voices in comics. Here is a bio from Small Press Expo:
Ellen Forney is a cartoonist and illustrator living in Seattle, WA, with her partner. Forney illustrated Sherman Alexie’s The Absolutely True Diary of a Part-Time Indian (2007) and authored her 2012 graphic memoir, Marbles. She was the 2012 recipient of The Stranger Genius Award for Literature as well as the winner of the National Association for the Advancement of Psychoanalysis 2013 Gradiva Award.
Ellen Forney will take part in the following SPX panel:
Writing About Bipolar
September 15, 2018
3:30 pm – 4:30 pm
White Flint Auditorium
As mental health is becoming a subject that’s more openly discussed than ever, comics narratives are emerging about personal experiences with mental illness. Moderator Rob Clough will discuss with Lawrence Lindell (Couldn’t Afford Therapy, So I Made This), Ellen Forney (Rock Steady), and Keiler Roberts (Chlorine Gardens) their struggles with Bipolar Disorder, the choices they make in writing about it, and how this process affects how they think about it.
And you can always visit Ellen Forney’s website right here.
Ostertag’s passion shines through each page. In this tale of the supernatural, there is a strict divide between genders: only women are witches; only men are shapeshifters. But Aster won’t abide by the rules. You too will root for Aster, the boy who dreams of being a witch.
THE WITCH BOY by Molly Ostertag
Aster is naturally drawn to what has been deemed the feminine domain. It is only a matter of time before this conflict erupts and forces his community to respond. That becomes inevitable once a dragon monster threatens everyone.
THE WITCH BOY by Molly Ostertag
A golden rule that does make sense to follow is that an artist will do well to pursue what is compelling. I don’t find a false note anywhere in this book and that all has to do with Ostertag’s authenticity. I look forward to seeing Molly Ostertag proceed upon her merry way and continue to delight her readers.
Molly Ostertag will have a table at Small Press Expo in Bethesda Maryland this upcoming weekend, September 15-16. You can see her at two panels: “Comics with Molly Ostertag,” on Saturday, from 4:15 pm – 5:15 pm, at the Glen Echo Room; and “Building The Jungle Gym,” on Sunday, from 2:30 pm – 3:30 pm, at the White Oak Room.
Time for Small Press Expo, September 15-16! SPX, created in 1994, is the cornerstone to the comics community. It is at the forefront in promoting and providing support. Each year, more than 4,000 cartoonists and comics enthusiasts gather in Bethesda Maryland for North America’s premiere independent cartooning and comic arts festival. Let the latest news speak for itself. This is from a press release that just came out:
“Small Press Expo announced that it will immediately make available $20,000 and also launch a legal aid fundraising vehicle to support members of the SPX community who are currently facing a defamation lawsuit. The fundraising vehicle, administered by SPX, and created in consultation with the Comic Book Legal Defense Fund, will be established for the purposes of defraying the cost of legal representation for the eleven members of the independent comics community named as defendants in the ongoing lawsuit.”
So, yeah, it’s September and that can only mean one thing for die-hard indie comics fans: Small Press Expo! Yes, indeed, each year Bethesda Maryland suddenly becomes, for one weekend, the lightning rod for some of the most cutting-edge comics. If you’re in the area the weekend of September 15-16, then come out to this event and check out some awesome alt-comics.
Now, I must admit that, although I’ve gone and I’ve participated in numerous comics festivals and events as a journalist and as a comics creator, I have never gone to Small Press Expo. Some folks there will have heard of me and some know me from years back. But that doesn’t change the fact that I’m new to SPX. So, I hope to do my best to provide some stellar coverage to this most venerable and respected gathering. Small Press Expo is where much of the indie comics scene gained traction and it remains the jewel in the crown.
So, say hello if you see me and we make eye contact or somehow slip into conversation. We’ll figure it out. Or say hello here at Comics Grinder. If you’re a creator, let me know what you’re up to and maybe we can set up an interview or I can plan to review your work. I don’t exactly expect an avalanche of responses– but I always end up making a decent number of connections at these events. I understand that things will get hectic and maybe you’re shy to begin with. I understand– and I can only focus on so much myself. The main thing is to have fun and to always strive for authenticity. The rest works itself out.
The full press release on the Legal Aid Fund for Cartoonists follows:
Cyril Pedrosa is an ideal cartoonist: very observant, with a compulsive need to comment on what he observes, along with a compulsive need to collect and process everything he may need to depict and comment upon in his work. Pedrosa must take it all in. He has a true cartoonist’s need to absorb, like a sponge, like an overstimulated genius infant still fresh and new. Ah, this is just the way to come at such an ambitious work as “Equinoxes,” published by NBM Graphic Novels. With this graphic novel, the master cartoonist lays it all bare.
A true cartoonist’s need to collect and process everything around him.
Pedrosa is living and breathing what he’s setting down on paper at a delicious level. He has an extensive background in animation, which certainly helps, but he takes it even further. He knows how to speed up work. He knows when he can ease up on the details and when to add an extra coat of polish. And to do that well with both his artwork and his writing is definitely remarkable.
We all need a good recurring motif.
This book is comparable in America to, for example, “Asterios Polyp,” by David Mazzucchelli. Other examples of this type of commentary in comics are the work of Gabrielle Bell and Tom Hart, both of who will take part in panels during Pedrosa’s North American tour. For the Europeans, there’s more of a tradition for expansive work like this exploring the meaning of life and such things. Even within that milieu, Pedrosa rises to the top, among the best. Something unique that Pedrosa is doing here is to so effortlessly depict a world according to the author in all its glorious detail. A pretty tall order any way you look at it.
“Equinoxes” by Cyril Pedrosa
Divided into the four seasons, we follow the lives of various characters, all searching for answers, crossing each other’s paths in odd and random ways. The question arises as to whether or not there is any order or purpose for any of them. Perhaps everyone is just making it up as they go.
EQUINOXES by Cyril Pedrosa is a 336-page hardcover in full color, published by NBM Graphic Novels. Visit NBM, for more details, right here. You can also find the book at Amazon right here.
Pedrosa will be making the following appearances during his North American tour:
Drawn & Quarterly Bookstore
211 Rue Bernard O, Montréal, QC
September 7th, 7:00 PM
Albertine Bookstore at the French Cultural Services
972 5th Avenue, New York
September 12th, 7:00 PM
Talk with Gabrielle Bell moderated by Bill Kartolopoulos
Small Press Expo (SPX)
September 17th 11:00 AM – 7:00 PM
Special Guest; signing at our booth #W51-52
• 11:00 AM-1:00 PM
• 2:00 PM – 4:00 PM
Brooklyn Book Festival
209 Joralemon St, Brooklyn, NY
September 18th, 10:00 AM – 6:00 PM
Guest of the show; signing at our booth, #135
Panel: 3:00pm Can You Draw the Meaning of Life?
Location: Brooklyn Historical Society Auditorium (128 Pierrepont St.)
Three comics creators take on big questions–philosophical, scientific, spiritual. Lauren Redniss (Thunder & Lightning) explores the past, present, and controversial future of our world through weather phenomenons. Best-selling French creator Cyril Pedrosa (Equinoxes) reflects on the connections made between people over time and space. And Tom Hart (Rosalie Lightning) asks in a tragic yet beautiful memoir about his young daughter’s death: can you capture the meaning of a life, as you mourn its loss? Moderated by cartoonist and choreographer Kriota Willberg ((No) Pain!).
Evoking a quiet moment is one of the most natural and satisfying things to do as a cartoonist. A story takes shape. A conflict. A conversation. Before long, a compelling story unfolds like Cyril Pedrosa’s “Portugal,” published by Europe Comics. Sometimes what is not said is as important as what is said. Pedrosa plays with the spaces in between words. This is the story of Simon, a young man struggling to find his place in the world despite the fact it would appear that he has everything in place: a loving mate to share a life with, a promising future in his chosen career, and the potential for lifelong stability. But Simon does not see it that way at all.
A conflict. Simon is a man who still feels he is only a boy–or a young man with much to learn. Simon is at that age when life has taken root from all directions but he is not ready to settle down. He must either break free or reassess his current state–do something instead of just vacillate. Pedrosa has created a perfect depiction of a Peter Pan syndrome: Simon refuses to grow up. Of course, Simon must grow up in some sense since he’s miserable. Claire, his longtime girlfriend, has been beyond patient with him. The clock is ticking but nothing is moving forward for Simon. Not the most inspiring or likable of main characters, right? Ah, but this is the stuff of life. This is a compelling story told in words and pictures by a master cartoonist. It also happens to be loosely based upon the author’s own self-journey. In 2006, at age 33, Pedrosa had his own reassessing to do.
A conversation. And then another. Pedrosa does a beautiful job of exploring Simon’s struggle even when his main character is the least cooperative, either hovering or drowning. There seems to always be someone open to pursuing a conversation with him not the least of which is Claire, Simon’s beautiful but beleaguered girlfriend. Nothing seems to get through to Simon. In one scene, Claire literally spells it out for Simon. If only he were to say that he wishes her to stay, she would stay with him. Simon has perfected his way of coping with the world: as little movement as possible; as few words as possible. In this case, with Claire, he chooses to remain silent. It is a moment that rings so true during the process of a breakup. Sometimes, one must read between the lines–or no lines.
Another conversation. And then another. If there is one thing Simon needs most, it is to talk and Pedrosa throws his main character into numerous opportunities to do just that. In fact, Simon, stumbles upon what will save him during a visit to a comics festival in Lisbon, Portugal. It is an chance for Simon to socialize with his fellow cartoonists as well as with the public. The interaction invigorates Simon.
PORTUGAL by Cyril Pedrosa
It takes Simon a while to put two and two together. The reason that his Portugal visit enlivened him was that it gave him time to consider his Portuguese roots on his father’s side of the family. The third act to this graphic novel finds Simon finally turning to family after having remained in his own isolated bubble for so many years. While being around family alone won’t solve his problems, and may cause new ones, it does help Simon find some answers. With some luck and a new will to live, Simon may very well find himself no longer the boy in the bubble. Pedrosa provides you with an exquisitely paced narrative able to pause for quiet moments and sustain the delicate rhythms of human interaction.
Here is a trailer for the book:
Sometimes, as Pedrosa puts it, a story’s journey must go through a labyrinth. Pedrosa, in his own words, shares the process of making the book:
If you are going to the Small Press Expo in Maryland, the Brooklyn Book Festival, or are in New York City, be sure to catch Cyril Pedrosa during his North American book tour in support of PORTUGAL, published by Europe Comics, and EQUINOXES, published by NBM. On Monday, September 12th, you can see Pedrosa in conversation with Bill Kartalopoulos and Gabrielle Bell at Albertine bookstore. For details, click the image below:
U.S. Book Tour for Cyril Pedrosa
PORTUGAL by Cyril Pedrosa is a 261-page hardcover in full color. For more details, visit Europe Comics right here. You can also find PORTUGAL at Amazon right here.
François Vigneault is an impressive cartoonist and I am so glad to share his work with you here at Comics Grinder. Phoebe and João come from two extremes on the class spectrum but they can’t help but be attracted to each other in François Vigneault’s TITAN, a new quirky sci-fi comics series published by Study Group Comics as a webcomic and as printed issues too.
Phoebe and João in François Vigneault’s TITAN, published by Study Group Comics
You’ve heard of the One Percenters, right? And all the economic disparity? Ha, of course you have. Ah, yes, the haves vs. the have-nots theme. In TITAN, the haves are Terrans and the have-nots are Titans. Vigneault brings us aboard Homestead Station on the moon of Titan where we follow Manager João da Silva as he attempts to lessen tensions between the geneticly-engineered Titan workers and the Terran management. It turns out that the key to his problems lies with one voluptuous Titan worker, Phoebe.
The dynamics on Homestead Station is a lot of fun to see unfold in these first two issues. Far, far, away, in some distant future, you’ll find that crass youth haven’t really changed much at all. Slang, for instance, reflects the latest level of rage. Communication in general, particularly amongst the working class, has undergone a further breakdown in literacy as everyone speaks in choppy sentences. It’s a grim world just waiting to explode! Vigneault keeps our eyes moving with just the right touches of futuristic background and engaging facial expressions and body language. TITAN proves to be a comic in the best sci-fi tradition: a compelling exploration of the human psyche.
Phoebe can’t help but tower over João.
The relationship between Phoebe and João is very intriguing. Vigneault does a great job in expressing the divide between rich and poor, the vulnerabilities on each side. Vigneault engages the reader with a love story every bit unlikely and yet most compelling. Phoebe, who would seem to have the disadvantage as a member of the working class, cannot help but tower over her would-be master, João. And João seems to like it.
If you’re heading out to the Small Press Expo, taking place this weekend in Bethesda, Maryland, you’ll be seeing some of the best independent comics around. SPX is turning 21 this year, by the way, which makes her legal. Anyway, TITAN #2 will debut at SPX and is surely a comic you’ll want to pick up. Be sure to visit François Vigneault at the Floating World Comics/Study Group table, J8-9.
For more on the Small Press Expo, visit right here. And keep up with TITAN and Study Group Comics right here.